scholarly journals INNOVACIÓN EN EL MERCADO TURÍSTICO: EXPERIENCIAS EN ARTE URBANO

2021 ◽  
pp. 25-48
Author(s):  
Montse Crespi Vallbona ◽  
Oscar Mascarilla Miró

El turismo es una de las actividades que más encarecidamente precisa de la innovación y la creatividad para mantenerse constantemente en auge. Las tendencias actuales de la demanda exigen experiencias activas, que generen emociones, esten repletas de contenido, tengan dosis de placer. El arte urbano siempre presente en los espacios públicos de las ciudades, emerge como una propuesta innovadora, atendiendo a su capacidad de provocación e interacción con el peatón espectador. Barcelona es el actual laboratorio turístico en el que se lleva a cabo la denominada Pinacoteca a Cel Obert, una galeria de arte abierta que ocupa el espacio público de la ciudad, con 24 obras pictóricas clásicas en el sí de calles comerciales, en las puertas de sus establecimientos. El análisis cualitativo de la información recopilada en la encuesta a 150 visitantes y las entrevistas a los stakeholders del proyecto, conduce a determinar que esta galeria de arte urbano y su itinerario ofrecen una satisfactoria experiencia turística, repleta de emociones y vivencias. Tourism is one of the activities that most urgently requires innovation and creativity to keep its constantly booming. The current demand tendencies require active experiences, that generate emotions, experience content, doses of pleasure. The permanent presence of street art in public spaces emerge now as an innovative proposal due to its capacity of provocation and interaction with the pedestrian observar. Barcelona is the present tourism lab where the Pinacoteca a Cel Obert is implemented, an open gallery in the public space of the city, with 24 classic paintings into the street, on the business doors. Cualitative analysis of collected data in the survey to 150 visitors and the interviews to the project stakeholders, lead to conclude that this street art gallery and its itinerary offer a satisfactory tourist activity, pleint of emotions and experiences.

2021 ◽  
Vol 13 (8) ◽  
pp. 4577
Author(s):  
Carmela Cucuzzella ◽  
Morteza Hazbei ◽  
Sherif Goubran

This paper explores how design in the public realm can integrate city data to help disseminate the information embedded within it and provide urban opportunities for knowledge exchange. The hypothesis is that such art and design practices in public spaces, as places of knowledge exchange, may enable more sustainable communities and cities through the visualization of data. To achieve this, we developed a methodology to compare various design approaches for integrating three main elements in public-space design projects: city data, specific issues of sustainability, and varying methods for activating the data. To test this methodology, we applied it to a pedogeological project where students were required to render city data visible. We analyze the proposals presented by the young designers to understand their approaches to design, data, and education. We study how they “educate” and “dialogue” with the community about sustainable issues. Specifically, the research attempts to answer the following questions: (1) How can we use data in the design of public spaces as a means for sustainability knowledge exchange in the city? (2) How can community-based design contribute to innovative data collection and dissemination for advancing sustainability in the city? (3) What are the overlaps between the projects’ intended impacts and the 17 United Nations Sustainable Development Goals (SDGs)? Our findings suggest that there is a need for such creative practices, as they make information available to the community, using unconventional methods. Furthermore, more research is needed to better understand the short- and long-term outcomes of these works in the public realm.


Author(s):  
Minh-Tung Tran ◽  
◽  
Tien-Hau Phan ◽  
Ngoc-Huyen Chu ◽  
◽  
...  

Public spaces are designed and managed in many different ways. In Hanoi, after the Doi moi policy in 1986, the transfer of the public spaces creation at the neighborhood-level to the private sector has prospered na-ture of public and added a large amount of public space for the city, directly impacting on citizen's daily life, creating a new trend, new concept of public spaces. This article looks forward to understanding the public spaces-making and operating in KDTMs (Khu Do Thi Moi - new urban areas) in Hanoi to answer the question of whether ‘socialization’/privatization of these public spaces will put an end to the urban public or the new means of public-making trend. Based on the comparison and literature review of studies in the world on public spaces privatization with domestic studies to see the differences in the Vietnamese context leading to differences in definitions and roles and the concept of public spaces in KDTMs of Hanoi. Through adducing and analyzing practical cases, the article also mentions the trends, the issues, the ways and the technologies of public-making and public-spaces-making in KDTMs of Hanoi. Win/loss and the relationship of the three most important influential actors in this process (municipality, KDTM owners, inhabitants/citizens) is also considered to reconceptualize the public spaces of KDTMs in Hanoi.


2018 ◽  
Vol 13 ◽  
pp. 18-27
Author(s):  
Aurelija Daugelaite ◽  
Indre Gražulevičiūte-Vileniške ◽  
Mantas Landauskas

The concept of urban acupuncture, which has been gaining ground in recent decades, is based on the activation and revitalization of urban environments using small architectural or landscape architectural interventions in precise carefully selected locations of urban fabric. However, the rapid and unexpected design solutions of urban acupuncture, based on ecological design, nature dynamics, street art, material re-use, can cause different social and psychological reactions of urban population and these reactions may vary depending on cultural contexts. Consequently, in order to implement successful urban acupuncture projects in Lithuanian cities, it is very important to find out public opinion and priorities in the fields of public space management, aesthetics, and public art. The aim of the research was to analyze the opinion of Kaunas city residents regarding these issues. For this purpose, a sociological questionnaire survey was used. The questionnaire containing 20 questions was designed, with the aim to find out the trends of use of public spaces in the city, the attitudes of residents towards street art and other small-scale initiatives in public spaces implemented in the recent years, possibilities of creating landscape architecture based on ecological ideas in urban environment, the attitude of inhabitants towards community spaces and community space design in the city, etc. 100 residents of Kaunas participated in this online administered survey. The survey has demonstrated general positive attitude towards contemporary design trends of public spaces and public art; however, the surveyed population expressed preferences towards fully equipped public spaces offering possibilities for a wide range of activities.


2013 ◽  
Vol 409-410 ◽  
pp. 883-886
Author(s):  
Bo Xuan Zhao ◽  
Cong Ling Meng

City, is consisting of a series continuous or intermittent public space images, and every image for each of our people living in the city is varied: may be as awesome as forbidden city Meridian Gate, like Piazza San Marco as a cordial and pleasant space and might also be like Manhattan district of New York, which makes people excited and enthusiastic. To see why, people have different feelings because the public urban space ultimately belongs to democratic public space, people live and have emotions in it. In such domain, people can not only be liberated, free to enjoy the pleasures of urban public space, but also enjoy urban life which is brought by the city's charm through highlighting the vitality of the city with humanism atmosphere. To a conclusion, no matter how ordinary the city is, a good image of urban space can also bring people pleasure.


2012 ◽  
pp. 128-155
Author(s):  
Tiago Estevam Gonçalves ◽  
Tatiane Rodrigues Carneiro

Iniciar uma reflexão acerca da cidade atual nos remete à necessidade de construirmos uma análise sobre os shopping centers como espaços que tem atraído um fluxo considerável da população, ocasionando mudanças na relação dos citadinos com os espaços públicos.  Nesta perspectiva, temos como objetivo analisar o  North Shopping, localizado na cidade de Fortaleza, como um espaço de uso popular onde as camadas de menor poder aquisitivo podem adentrar e usufruir de seus atributos. Imbuídos de tal finalidade nosso aporte teórico fundamentou-se em Pintaudi (1992), Dantas (1995), Silva (1996) Lefebvre (1999), Carlos (2001), Gomes (2002) e Serpa (2007). Conclui-se que na cidade de Fortaleza, o North Shopping é um verdadeiro simulacro da realidade, substituindo as experiências cotidianas dos espaços públicos, configurando-se, assim, a supervalorização do espaço privado que se traveste de público tendo repercussões na nova urbanidade fortalezense.  Public Space and Shopping Mall in the Contemporary City: New Meanings of North Shopping in Fortaleza/CE  Abstract Start a discussion about the current city us the need to build an analysis on malls as spaces that have attracted a considerable  flow of people, causing changes in the relationships of the townspeople with the public spaces. In this perpective, we have to anlyze the North Shopping, located in Fortaleza, as a space where the popular use of lower purchasing power can enter and enjoy its atributes. Imbued with this purpose our theoretival approach was bases on Pintaudi (1992), Dantas (1995), Silva (1996) Lefebvre (1999), Carlos (2001), Gomes (2002) e Serpa (2007).  It’s concluded that in the city of Fortaleza, the North Shopping is a true simulation of reality, replacing the daily experiences of public spaces, becoming  thusovervaluation of private space of public who dresss as having impact on new fortaleza’s urbanity. Espacio Público y Centro Comercial en Ciudad Contemporánea: Nuevos Sentidos del North Shopoing en la Fortaleza/CE ResumenIniciar uma reflexión acerca de la actual ciudad nos recuerda la necesidad de construir um análisis acerca de los centros comerciales como espacios que han atraído um flujo considerable de personas, provocando câmbios en la relación de los habitantes de la ciudad com los espacios públicos. Em esta perspectiva, tenemos que analisar el North Shopping, que se encuentra en Fortaleza, como um espacio de uso popular donde lãs camadas de menor poder adquisitivo pueden entrar y disfrutar de sus atributos. Imbuido de esa finalidad nuestro aporte teórico se fundamento em: Pintaudi (1992), Dantas (1995), Silva (1996) Lefebvre (1999), Carlos (2001), Gomes (2002) y Serpa (2004). Se puede concluir que en la ciudad de Fortaleza el North Shopping es uma  verdadera simulación de la realidad, sustituición de las experiencias diárias de los espacios públicos, convertiéndose, asó, la sobrevaluación del espacio privado que se passa por el público tenendo impactos en la nueva urbanidad de Fortaleza.10.7147/GEO10.1573


2016 ◽  
Vol 1 (2) ◽  
pp. 188
Author(s):  
Maimunah Ramlee ◽  
Dasimah Omar ◽  
Rozyah Mohd Yunus ◽  
Zalina Samadi

The success of the revitalization program of urban public space is viewed through attractions that have been identified. This study aims to investigate the perception of users in public space through the on-site survey. In summary, the motivations, behavioural patterns, impressions on the public space as an attraction and the perceived importance of urban public spaces in the development of the city are important attraction for successful public space. The findings of this study will show main attraction in successful revitalization of urban public space based on users perception and can be used in a meaningful way to the users.© 2016. The Authors. Published for AMER ABRA by e-International Publishing House, Ltd., UK. Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.Keywords: Public space; successful attraction; users perception; revitalization


Urban Studies ◽  
2017 ◽  
Vol 55 (12) ◽  
pp. 2780-2800 ◽  
Author(s):  
Urmi Sengupta

Public space is increasingly recognised to be central to spatial discourse of cities. A city’s urbanism is displayed in public spaces, representing a myriad of complex socio-cultural, economic and democratic practices of everyday life. In cities of the Global South, especially those with nascent democracies, different values attached to a space by various actors – both material and symbolic – frame the contestation, making the physical space a normative instrument for contestation. Tundikhel, once believed to be the largest open space in Asia, is an important part of Kathmandu’s urbanism, which has witnessed two civil wars popularly known as Jana Andolans, and the subsequent political upheavals, to emerge as the symbolic meeting point of the city, democracy, and its people. The paper argues that the confluence of the three modalities of power – institutionalisation, militarisation and informalisation – has underpinned its historical transformation, resulting in what I call ‘urban rupturing’: a process of (un)making of public space, through physical and symbolic fragmentation and spatial estrangement. The paper contends that unlike the common notion that public spaces such as Tundikhel are quintessentially public, hypocrisy is inherent to the ‘publicness’ agenda of the state and the institutional machinery in Kathmandu. It is an urban condition that not only maligns the public space agenda but also creeps into other spheres of urban development.


2018 ◽  
Vol 3 (11) ◽  
pp. 21
Author(s):  
Maimunah Ramlee ◽  
Dasimah Omar ◽  
Rodzyah Mohd Yunus ◽  
Zalina Samadi

The success of the revitalization program of urban public space is viewed through attributes that have been identified. This study aims to investigate the perception of users in public space through the on-site survey. In summary, the motivations, behavioural patterns, impressions on the public space as an attraction and the perceived importance of urban public spaces in the development of the city are important attributes for successful public space. The findings of this study will show main attributes in successful revitalization of urban public space based on users perception and can be used in a meaningful way to the users. Keywords: Public space; successful attributes; users perception; revitalization eISSN 2398-4279 © 2018. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. https://doi.org/10.21834/ajqol.v3i11.118


2021 ◽  
Vol 1 (1) ◽  
pp. 16
Author(s):  
Ully Irma Maulina Hanafiah ◽  
Doddy Friestya Asharsinyo

The public area of the city in general is currently experiencing rapid development due to economic growth and the influence of globalization. The public space is formed based on economic, social, political cultural interests, as well as developments and changes that occur in the current public space, making it limited and cannot be accessed optimally by the wider community. This is caused by the hierarchy of public spaces that are formed based on the functions that surround them. The purpose of this study is to reveal the phenomenon of public hierarchy in urban space in the context of its changes. This research is descriptive-analytical and based on theoretical and empirical elaboration. This approach is used to read public spaces in urban areas to get a reference for the interpretation of theoretical relationships from an empirical condition.


NALARs ◽  
2021 ◽  
Vol 20 (2) ◽  
pp. 99
Author(s):  
Serafiani Turkaemly Eka Putri

ABSTRAK. Tujuan penelitian adalah untuk mengetahui bagaimana makna ataupun nilai dari Taman Budaya Yogyakarta bagi masyarakat mengingat keberadaannya sebagai pusat kesenian dan kebudayaan di Yogyakarta. Setiap ruang publik seharusnya tidak hanya hadir secara fisik akan tetapi dapat memberi rasa atau makna tersendiri bagi kota (“places” matter most), bagaimana suatu ruang publik dapat memenuhi kebutuhan masyarakat kota akan adanya sebuah wadah interaksi sosial antar masyarakat. Taman Budaya Yogyakarta merupakan salah satu ruang publik yang dijadikan masyarakat sebagai tempat berekreasi serta aktivitas seni dan kebudayaan. Taman Budaya Yogyakarta atau yang dulu disebut dengan Purna Budaya, pertama kali dibangun pada tanggal 11 Maret 1977 di daerah kawasan Universitas Gadjah Mada. Taman Budaya dibangun kembali pada tahun 2002 di Kawasan Gondomanan. Metode yang digunakan adalah dengan melakukan wawancara secara online melalui aplikasi WhatsApp serta metode studi pustaka. Hasilnya, diketahui bahwa Taman Budaya Yogyakarta memiliki makna kultural, makna sosial (interaksi individu dengan lingkungannya), makna pentingnya relasi antar manusia, dan memiliki makna harmonisasi kehidupan sosial dan budaya. Makna suatu ruang publik bisa terbentuk dari tatanan serta keadaaan fisik ruangnya. Kata kunci: Makna, Ruang Terbuka Publik, Taman Budaya Yogyakarta ABSTRACT. This study aims to find out how the meaning or value of the Taman Budaya Yogyakarta for the community, given its existence as a centre for arts and culture in Yogyakarta. Every public space should not only be physically present but can give a sense or meaning to the city ("place" matter most), how public space can meet the needs of the city community for a place of social interaction between communities. Taman Budaya Yogyakarta is one of the public spaces used by the community as a place of recreation and artistic and cultural activities. Taman Budaya Yogyakarta or formerly called Purna Budaya was first built on March 11, 1977, in the area of Gadjah Mada University. The Cultural Park was rebuilt in 2002 in the Gondomanan Region. The method used is to conduct online interviews through the WhatsApp application and literature study method. As a result, it is known that the Taman Budaya Yogyakarta has a cultural meaning, a social meaning (the interaction of individuals with their environment), the importance of relationships between people, and meaning of harmony in social and cultural life. The meaning of a public space can be formed from the physical structure and condition of the space.Keywords: Meaning, Public Space, Taman Budaya Yogyakarta


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