scholarly journals On specificity of the literary-jargonizing type of speech culture in newspaper texts

Author(s):  
Olga Sokolova

This article analyzes the newspaper texts from the perspective of specificity of manifestation of the literary jargonizing type of speech culture – one of the relevant tasks of modern speech studies, substantiated by the state of modern journalism and linguistic problems of mass media. This paper complements a range of linguistic research that determine the attributes of the types of speech culture. The object of this article is the journalistic speech of the popular weekly newspaper “Komsomolskaya Pravda”, the linguistic peculiarities of which (intentional inclusion in the texts of colloquialisms and jargon elements) are substantiated by the thematic orientation of publications. The subject of this article is the texts of articles written by the correspondent A. Meshkov in their ration with the specificity of manifestation of the markers of literary-jargonizing type of speech culture. Special attention is given to the peculiarities of creative style of the journalist, which allow tracing the goals of jargonization of the own speech. The analysis of speech culture of A. Meshkov is based on the anthropocentric approach, as well as linguostylistic, communicative and discursive methods of modern Russian studies. The conclusion is made that the literary-jargonizing type cannot have an unambiguous assessment, since it characterizes different types of the users of jargon speech. The novelty of the study consists in the attempt to extend the boundaries of literary-jargonizing type by determining two variations with the common and distinguishing features. Analysis of the articles authored by A. Meshkov allows attributing his speech culture to the second type of literary jargonization, which is characterized by appropriateness and expediency of using extraliterary linguistic units for delivering the author’s message, professional degree, experience, creative individuality, and unique style.

Author(s):  
Berit Ingebrethsen

It is not easy to express abstract concepts, such as time and society, in a drawing. The subject of this article is rooted in the educational issue of visually expressing themes represented by abstract concepts. However, it is possible to find means and devices to express such ideas. This article shows how metaphors can be used to express such ideas visually. Cognitive linguistic research argues that metaphors are crucial in the verbal communication of abstract concepts. This article also attempts to show that metaphors are important in visual communication. The cognitive linguistic metaphor theory of George Lakoff and Mark Johnson is used here to investigate how metaphors are used to construct meaning in the drawings of cartoonist and illustrator Finn Graff and artist Saul Steinberg. The article presents a few examples of how visual devices structure the abstract concept of time. It then proceeds to explain how symbols function as metonymies and provides an overview of the different types of metaphors and how they are used to express meaning in drawings. The article concludes by attempting to provide new insights regarding the use of visual metaphors.


1979 ◽  
Author(s):  
Ευστάθιος Μπανάκας

Financial harm may be caused in many different ways. It can be said that it appears in several different ’’types", each produced in distinct factual circumstances. Different "types" of financial harm may demand a different treatment by the law. The considerations that ought to determine the policy of the law vary together with the factual . circumstances, in which each particular type offinancial harm becomes manifested. Thence the need for a separate examination of the major, or "generic", types of such harm, a need that has already been - detected by Comparative lawyers writing on the subject.(20) The present study will concentrate on the problem ' of financial harm that is not the product of a harmful intention (21) . In the Common Law of Negligence this problem is known as the "pure economic loss" problem. The solutions given to it by English Law are compared to the solutions of the French Law of Torts, and to those of the law of Torts of the German Federal Republic (West Germany)(22). The compared Tort systems not only are leadingthe major legal traditions of our age, each employing its own individual "style" (23), but, also, operate in virtually similar social and economic environments. This should allow the comparison to expose more easily the true merits of any "stylistic" idiosyncrasies, thatthey might possess in this particular connection. The problem of pure economic, loss caused by erroneous advice or information is not examined in * detail in the present study. It has been already the subject of comprehensive Comparative examination (24).


2021 ◽  
Author(s):  
Nataliia Glinka ◽  
Yuliia Zaichenko ◽  
Anastasiia Machulianska

The paper is focused on stylistic features of English fantasy texts. The research materials include four fantasy novels written by British and American authors of the late 20th century: Jordan’s The Eye of the World, Martin’s A Game of Thrones, Rowling’s Harry Potter and the Philosopher’s Stone, and Harry Potter and the Chamber of Secrets. The research question of the study lies in need to systematize expressive means and stylistic devices used in the texts and distinguish the common stylistic features of English fantasy texts. To do this, the researchers implement the notion of a stylistic portrait of English fantasy text, and the main aim of the paper is to provide its definition and description. The study employed the complex of linguistic research methods, including analysis and generalization of theoretical sources, contextual analysis and the elements of quantitative analysis of linguistic units used in the texts. Based on three essential aspects of a stylistic portrait, the paper shows that the English fantasy texts are characterized by the dominance of expressive means and stylistic devices at the syntactic level of language. In addition, the researchers identified the most productive stylistically marked linguistic units at each level of language correlated with the semantic field within which they functioned, and studied connotative dominants in these texts.


2015 ◽  
Vol 59 (2) ◽  
pp. 229-238
Author(s):  
Andrzej Szeptycki

Polish media has played an active role in the policy towards Ukraine, particularly from the outbreak of the Revolution of Dignity and war with Russia, but this subject has not received in-depth academic treatment. The author describes the discourse of Polish mass media on the subject of Ukraine, using selected television stations and  newspapers as examples. The most important television stations (TVP, TVN, Polsat) do not present a  uniform image of Ukraine, and their discourse is in a large part reactive, in connection with current events. The situation is slightly different in the case of the print media. Three different types of discourse can be distinguished. The weekly Do Rzeczy continues the political tradition of Józef Piłsudski. It displays considerable interest in the former eastern borderlands and is distrustful towards Russia. The weekly Przegląd refers indirectly to the traditions of national democracy and the political realists of the People’s Republic of Poland period, being critical of Ukraine and pointing out the importance of relations with Russia. Gazeta Wyborcza has in large measure inherited the ideas of Jerzy Giedroyc. It emphasizes the need for reconciliation with Ukraine and for supporting it in its democratic and pro-European strivings.


2021 ◽  
Vol 12 (3) ◽  
pp. 294-307
Author(s):  
Nataliia Glinka ◽  
Yuliia Zaichenko ◽  
Anastasiia Machulianska

The paper is focused on stylistic features of English fantasy texts. The research materials include four fantasy novels written by British and American authors of the late 20th century: Jordan’s The Eye of the World, Martin’s A Game of Thrones, Rowling’s Harry Potter and the Philosopher’s Stone, and Harry Potter and the Chamber of Secrets. The research question of the study lies in need to systematize expressive means and stylistic devices used in the texts and distinguish the common stylistic features of English fantasy texts. To do this, the researchers implement the notion of a stylistic portrait of English fantasy text, and the main aim of the paper is to provide its definition and description. The study employed the complex of linguistic research methods, including analysis and generalization of theoretical sources, contextual analysis and the elements of quantitative analysis of linguistic units used in the texts. Based on three essential aspects of a stylistic portrait, the paper shows that the English fantasy texts are characterized by the dominance of expressive means and stylistic devices at the syntactic level of language. In addition, the researchers identified the most productive stylistically marked linguistic units at each level of language correlated with the semantic field within which they functioned, and studied connotative dominants in these texts.


1997 ◽  
Vol 85 (2) ◽  
pp. 683-693 ◽  
Author(s):  
C. M. Cook ◽  
M. A. Persinger

9 of the 15 volunteers who were exposed to successive 3-min. durations of bursts of different types of weak (1 microT) complex magnetic fields or sham-fields reported the sense of a presence as indicated by a button press at the time of the experience. Reports of subjective experiences indicated that attempts to “focus” cognitively upon the location of the presence altered its location or induced its “movement.” An exceptional subject who had a history of experiencing within his upper left peripheral visual field “flashing images” concerning the health and history of people [when handling their photographs] was also exposed to the burst sequences. Numbers of button presses associated with the experiences of a mystical presence, to whom the subject attributed his capacity, increased when the complex magnetic fields were applied without the subject's knowledge. The results support the hypothesis that the sense of a presence, which may be the common phenomenological base from which experiences of gods, spirits, angels, and other entities are derived, is a right hemispheric homologue of the left hemispheric sense of self.


1911 ◽  
Vol 11 (2) ◽  
pp. 193-201 ◽  
Author(s):  
E. E. Atkin

Ever since artificial media have been used for the cultivation of micro-organisms, the question as to what is the best reaction—that is the degree of acidity or alkalinity—has been a moot point. It has been assumed gratuitously that there is an optimum reaction which is the same for all the common bacteria met with in the laboratory. In recent years however some attempts have been made to settle the question definitely, notably by Eyre and Deelemann. On enquiring what reaction of medium was adopted in six different London laboratories, Eyre found that very divergent standards were used, ranging from 20 units of acidity to 10 units of alkalinity on his scale. (20 units of acidity implies that 20 c.c. of normal alkali must be added to each litre to make it neutral to phenolphthalein. In the case of alkalinity the indicated number of c.c. of normal acid must be added.) The importance of having a definite reaction had until recently not impressed itself upon the majority of bacteriologists. The possibility that although many organisms may grow on media of comparatively widely differing reactions, yet only one of these reactions may be suitable for the growth of a more delicate kind, had been overlooked. Consequently they failed to grow bacteria which by careful adjusting of the reaction of the medium could be readily cultivated. Martin (1910), for example, has lately pointed out the ease with which gonococcus can be made to grow on serum agar if the reaction is carefully adjusted. In later years the subject has assumed still more importance in connection with the production of bacterial toxins, which have been submitted to a large amount of investigation. In the production of diphtheria toxin it was soon recognised that bouillon containing more alkali than is usually employed for ordinary bacteriological work, yielded the most toxin, and even various devices were invented to avoid the initial production of acid which usually takes place as the consequence of bacterial growth in a sugar-containing medium. Madsen (1896) has made a thorough examination of the factors governing the production of diphtheria toxin. By following the reaction of a growing culture from day to day he found two different types of growth occur,—one in which the medium increases in acidity without abatement, and such cultures are atoxic; in the other the primary increase in acidity is followed by a decrease, and subsequent increase in alkalinity. These cultures are sometimes toxic. The two conditions seemed to have relation to the amount of alkali added in the preparation of the bouillon, in that a strongly alkaline medium gave an alkaline end reaction while a less alkaline medium gave sometimes an acid and sometimes an alkaline end reaction.


2021 ◽  
pp. 83-96
Author(s):  
Adile M. Emirova ◽  

The modern Crimean Tatar literary language as a processed supra-dialectal version of the common language has a long history of formation and development. The foundation of the orthology, the rules for the use of linguistic units in speech, that is, combinations with the other, changes in spelling and pronunciation, were laid in the 20–30s of the last century. The subsequent tragic events (Great Patriotic War, total deportation of the Crimean Tatars and others) delayed the discussion of these problems at the official level for almost half a century. Separate proposals aimed at optimizing the norms of the literary language were made repeatedly in private. So, in the 70s of the last century U. Kukchi in Tashkent read lectures for writers and journalists on the state of the Crimean Tatar literary language, which in 1986 were published in a book format. With the beginning of the process of repatriation of the Crimean Tatars (the end of the 80s of the XX century), interest in the problem of the Crimean Tatar orthology has again intensified. Some of the textbooks published in the 30–40s last century were republished in a modified and supplemented way. In 2010, on the basis of the “Crimean Engineering and Pedagogical University” a draft of the spelling and pronunciation rules was developed and published using the new Latin alphabet. In the Crimean Tatar linguistics there is still no complete and correct set of different types of norms of the Crimean Tatar literary language. All the existing rules in new socio-political conditions are not legitimate.


2016 ◽  
Vol 4 (4) ◽  
pp. 0-0 ◽  
Author(s):  
Marina Batyushkina

The article is devoted to the problem of determination of the subject of linguistic expert examination of draft laws on the basis of the current legislation analysis in the aspect of theoretical and applied linguistics. In this research the author uses the comparative, statistical methods, as well as induction, analysis and synthesis. The article analyzes different types of definitions of linguistic expert examination of draft laws, and examines some problems related to the expert analysis of draft laws. The author of the article notes certain features of correlation between linguistic expert examination of draft laws and legal expert examination of draft laws. The author expresses her own position in relation to the concept and content of linguistic expert examination of draft laws, on the basis of the current practice in the rule-making sphere. The author pays attention to the criteria for evaluation of the text of the draft law: “consistency of presentation” (allows analyzing and evaluating linguistic units and the text of the draft law as a voice unit), “literacy” (allows checking the draft law text for grammar, spelling, punctuation, slips, factual or technical mistakes) and “matching style” (allows analyzing and evaluating the draft law text talking into account the compliance to stylistic features of drafting legislative texts).


Author(s):  
DMYTRO SYZONOV

The article gives a detailed analysis of stylistic parameters and criteria of media phraseology with regard to their functional potential in different types of communication. The author considers media phraseologism as a special verbal marker of modern society and defines the criteria of scientific analysis of phraseologism in mass media. In scientific analysis the author focuses his attention on the types of media phraseology and provides mechanisms for the functioning of traditional (usual), stylistically transformed and idiomatically new phraseologism in mass communication. On the basis of the medialinguistic view on phraseologism as the universum of media text new requirements for describing the functional potential of these linguistic units in media texts are proposed. Thus, functional-stylistic approach to the analysis of media phraseology determines the prospects for its scientific description and further linguapragmatics in various types of media communication. The article raises scientific problems concerning the analysis of media phraseology, the solution of which is possible with the help of the functional-stylistic approach.


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