LIFE HACKS FOR NON-ENGLISH-SPEAKING LIBRARIANS: FEATURES OF COMMUNICATIVE PRACTICE IN TRANSLATION

Objective. This paper aims to provide practical recommendations to the non-English-speaking staff working at academic libraries to practice the English language in order to fully utilize the potential of global indexing services such as Scopus and Web of Science. Methods. Comparative analysis and bibliometric analysis were employed to estimate the share of the English-language journals in the aforementioned databases to emphasize the relevance of proper knowledge of English by academic librarians given its current status as the language of global scientific communication. Results. The analysis results revealed that as of August 2021, 56 % of the Scopus-indexed journals were published in the English language only while most of the rest practiced a hybrid language approach allowing their authors to submit papers in two/three languages. In contrast, only 7 journals (0.016 % in the cited database) published their materials in the Ukrainian language only. This indirectly testifies to the importance for scientists in Ukraine to report their findings in English to reach a wider target audience. This assumption may underlie the fact that all the 15 Ukrainian journals newly accepted in the Scopus database (as of Aug 2021) are all hybrid, that is, the papers are published both in English and Ukrainian. Conclusions. It is a relevant task both for researchers in Ukraine and academic librarians at Ukrainian universities to practice their knowledge of the English language given its current status as the language of global science. A practical way to do it is to engage local professional translators (preferably with certified teaching experience) who have confirmed their knowledge of academic English to conduct sessions for librarians to train their practical skills in speaking (at international conferences) and writing (when submitting papers to relevant journals). This work provides a reference framework for such attempts.

The visits of the rulers of Russia’s Central Asian protectorates to St. Petersburg at the turn of the 20th century: communicative practice

This article considers the visits of the rulers of Russias Central Asian protectorates to St. Petersburg as a means for the imperial authorities to communicate with the Muslim elite. It argues out that gifts, decorations and lavish receptions were all means to exert psychological pressure on the Emir of Bukhara and the Khan of Khiva. Together with other practices, these were meant integrate the Muslim elite into Russian society. As relations with the protectorates evolved, the Russian government developed a plan to annex them. However, the ministry of foreign affairs effectively blocked the move. At the same time, St Petersburg accorded extensive powers to the protectorates rulers that even exceeded those of Turkestans governor-general, encouraging them to consider themselves to be independent rulers. At the same time, differences in outlook, faith, and ways to communicate led the protectorates to separate themselves from the Russian Empire and drove them into the arms its enemies during World War I.

Epistemological status of the narrative in scientific cognition

BACKGROUND: The article analyzes the role of narrative in scientific cognition. AIM: The aim of the article is to investigate the epistemological status of the narrative in the process of knowledge production and legitimization. MATERIALS AND METHODS: The methodology of the study is based on the semiotic concept of culture in the context of the pragmatic practice of justifying the results of scientific research. Narrative is viewed as a specific way of making sense of the world and a form of human existence in the process of knowledge generation through storytelling. The functions of narrative in the process of cognition are analyzed: generation and comprehension of knowledge, structural organization of cognitive experience, translation of individual cognitive experience into the cultural code of society. The thesis that scientific representations of the object of cognition are secondary to narrative models of understanding in the context of communicative practice of science is discussed. CONCLUSIONS: Conclusions are made about the necessity of explication in epistemology of value-semantic foundations of pragmatics of scientific knowledge, taking into account which the narrative nature of scientific knowledge should be explicitly presented in the methodological reflection of scientific research.

The Internal Examination of Ideology and Politics Education in Colleges and Universities under the Perspective of Social Subject Research Method

Human is the subject of social and historical development process. The essence of human is the sum of social relations, and the masses are the creators of history. This is the basic content of social subject research methods, and also an important principle that must be followed by the subject category in ideology and politics education in colleges and universities. From the perspective of social subject research methods, the internal examination of the thought and politics education activities in colleges and universities should include three basic dimensions: adhering to examine the ideological and political moral construction activities via communicative practice, adhering to the principle of "all members, whole process and all dimensions (three-all principle)" to examine the "macro ideological and political" education concept, and adhering to the examination of the innovation of the ideology and politics education method system in higher education for the promotion of students’ subjectivity.

Theatre as TBLT: The implementation of theatre in a high school EFL Oral Communication course in Japan

<p>Task-based learning and teaching (TBLT) has garnered growing interest from educators in EFL contexts around the world, particularly in East Asian classroom contexts such as Japan where prominent entrance examinations can exert a strong influence on pedagogy (Wada, 2002; Stewart, 2009). Aiming to increase communicative practice during class in such contexts, implementation of TBLT has yielded mixed results and some have questioned the ability of TBLT to achieve its objectives given the institutional constraints present in those contexts (Carless 2004, 2007, 2009; Butler 2011; Sato 2010, 2011). Most of these studies explore pedagogical tasks of a more conventional nature and overlook how holistic activities from other disciplines outside of language teaching can function as legitimate examples of TBLT. The current study nominated theatre as one such holistic activity and examined the implementation of theatre as a form of task-based pedagogy, following the study of Carson (2012). The theatre tasks were designed to fulfil the criteria for creative tasks, as described by Willis (1996) and the present study investigated to what extent theatre could promote language learning within such a task-based approach (e.g. Ellis 2003, 2009; Shekan 2003; Samuda & Bygate 2008). The main study was quasi-experimental in design and investigated whether two types of theatre tasks could function as viable instructional packages. The theatre tasks were either a theatrical adaptation of an existing story (Adapted Play) or an original story based on one of three provided themes (Original Play). These two tasks were distinguished by the different amounts of conceptual creativity that they required, with the Original Plays identified as more difficult due to their greater creative demands. Three aspects of these tasks were analysed: 1) the process of collaboratively devising a play; 2) the effects of task difficulty on the language produced in the task performance; and 3) the students’ reflections on their engagement with the tasks. The implementation of these tasks occurred during regularly scheduled Oral Communication (OC) classes at a high school in Japan. With a counterbalanced design, groups of six to seven students performed one of the tasks in the first study and then, after a period of ten weeks, performed the other task. Either task consisted of approximately 100 minutes of planning and rehearsal, spread out evenly over four class periods, and culminated in a staged performance during a fifth lesson. The data compiled for analysis was taken from audio and video recordings of both group work in class and the final performances of each group, as well as post-task surveys administered to each student individually after each study. The main findings of this analysis were: (1) students in the Adapted Plays produced more fluent and syntactically complex language while students in the Original Plays produced less complex but more accurate language; (2) the Adapted Plays featured more use of overt narration which influenced the fluency and complexity of those plays; (3) student reflections from their post-task surveys indicated that the collaborative element of the tasks increased intrinsic motivation for completing the task; and (4) less initial demands on conceptual creativity in the Adapted Plays appeared to free up time later in the process to compose longer stories, though the frequency and quality of language related talk did not differ noticeably between the two play types. Based on these findings, two points can be argued. Firstly, the Original Play tasks put increased demands on students’ conceptual creativity. In relation to this, the provided content of the Adapted Play tasks acted as an ‘embedded scaffolding’ (Shapiro, 2008). Secondly, theatre, envisioned as a creative task within a TBLT framework, satisfied the criteria for a task (Ellis, 2003) but raised issues regarding the constructs of planning and report found in the ‘task cycle’ of Willis’ (1996) pedagogical framework.</p>

Theatre as TBLT: The implementation of theatre in a high school EFL Oral Communication course in Japan

<p>Task-based learning and teaching (TBLT) has garnered growing interest from educators in EFL contexts around the world, particularly in East Asian classroom contexts such as Japan where prominent entrance examinations can exert a strong influence on pedagogy (Wada, 2002; Stewart, 2009). Aiming to increase communicative practice during class in such contexts, implementation of TBLT has yielded mixed results and some have questioned the ability of TBLT to achieve its objectives given the institutional constraints present in those contexts (Carless 2004, 2007, 2009; Butler 2011; Sato 2010, 2011). Most of these studies explore pedagogical tasks of a more conventional nature and overlook how holistic activities from other disciplines outside of language teaching can function as legitimate examples of TBLT. The current study nominated theatre as one such holistic activity and examined the implementation of theatre as a form of task-based pedagogy, following the study of Carson (2012). The theatre tasks were designed to fulfil the criteria for creative tasks, as described by Willis (1996) and the present study investigated to what extent theatre could promote language learning within such a task-based approach (e.g. Ellis 2003, 2009; Shekan 2003; Samuda & Bygate 2008). The main study was quasi-experimental in design and investigated whether two types of theatre tasks could function as viable instructional packages. The theatre tasks were either a theatrical adaptation of an existing story (Adapted Play) or an original story based on one of three provided themes (Original Play). These two tasks were distinguished by the different amounts of conceptual creativity that they required, with the Original Plays identified as more difficult due to their greater creative demands. Three aspects of these tasks were analysed: 1) the process of collaboratively devising a play; 2) the effects of task difficulty on the language produced in the task performance; and 3) the students’ reflections on their engagement with the tasks. The implementation of these tasks occurred during regularly scheduled Oral Communication (OC) classes at a high school in Japan. With a counterbalanced design, groups of six to seven students performed one of the tasks in the first study and then, after a period of ten weeks, performed the other task. Either task consisted of approximately 100 minutes of planning and rehearsal, spread out evenly over four class periods, and culminated in a staged performance during a fifth lesson. The data compiled for analysis was taken from audio and video recordings of both group work in class and the final performances of each group, as well as post-task surveys administered to each student individually after each study. The main findings of this analysis were: (1) students in the Adapted Plays produced more fluent and syntactically complex language while students in the Original Plays produced less complex but more accurate language; (2) the Adapted Plays featured more use of overt narration which influenced the fluency and complexity of those plays; (3) student reflections from their post-task surveys indicated that the collaborative element of the tasks increased intrinsic motivation for completing the task; and (4) less initial demands on conceptual creativity in the Adapted Plays appeared to free up time later in the process to compose longer stories, though the frequency and quality of language related talk did not differ noticeably between the two play types. Based on these findings, two points can be argued. Firstly, the Original Play tasks put increased demands on students’ conceptual creativity. In relation to this, the provided content of the Adapted Play tasks acted as an ‘embedded scaffolding’ (Shapiro, 2008). Secondly, theatre, envisioned as a creative task within a TBLT framework, satisfied the criteria for a task (Ellis, 2003) but raised issues regarding the constructs of planning and report found in the ‘task cycle’ of Willis’ (1996) pedagogical framework.</p>

Leadership as Communicative Practice: The Discursive Construction of Leadership and Team Identity in a New Zealand Rugby Team

<p>In sports teams, the way in which leaders such as coaches and captains communicate with players is vital to the success of the team. However, despite extensive psychological and sociological research on sport, it has rarely been a site of linguistic research. Like many sports, rugby has many traditions and ideologies that influence the way in which teams form identities. This thesis explores the way in which leadership is enacted and group identity forged through communicative practice in a New Zealand rugby team. Using authentic interactions collected using an ethnographic methodology, an analysis is presented of how discourse strategies are negotiated within the team, establishing practices that signify membership of communities of practice (CofPs) and creating identities for individuals as leaders. Leadership discourse is itself viewed as a sociolinguistic practice and defines one of the CofPs within the team. Using the concepts of front and back-stage (Goffman 1959; Richards 2006) to describe different conceptual spaces in which interactions occur, I suggest that discourse in the rugby team is a spatialised practice; the performance of a particular style of leadership constructs the space in which it takes place as public or private, with each contributing to an effective leadership performance. The construction of leadership identity is analysed in terms of stance and indexicality, linking locally constructed identities and discourse strategies to macro identity categories and socio-cultural ideologies. One of the ways in which this is examined is through the role of ritual and formulaic language in the team, showing that while communicative practice is negotiated in the back stage, in the front stage its performance serves to construct team identity while aiming to motivate the players. Furthermore, the structural nature of the game of rugby (i.e. players’ positional requirements) is examined in relation to the different communicative strategies adopted by positionally segregated groups. It is suggested that these groups, although institutionally defined, create meaning for themselves as CofPs by negotiating a shared way of communicating in enacting their role in the team. In sum, this research uses CofP theory to examine how leaders emerge through their linguistic practices. Furthermore, it locates leadership as a spatialised practice and examines how leaders influence the discursive construction of group identity. Finally, the analysis also makes a valuable contribution to the field of sociolinguistic research on sport, a small yet growing area.</p>

Leadership as Communicative Practice: The Discursive Construction of Leadership and Team Identity in a New Zealand Rugby Team

<p>In sports teams, the way in which leaders such as coaches and captains communicate with players is vital to the success of the team. However, despite extensive psychological and sociological research on sport, it has rarely been a site of linguistic research. Like many sports, rugby has many traditions and ideologies that influence the way in which teams form identities. This thesis explores the way in which leadership is enacted and group identity forged through communicative practice in a New Zealand rugby team. Using authentic interactions collected using an ethnographic methodology, an analysis is presented of how discourse strategies are negotiated within the team, establishing practices that signify membership of communities of practice (CofPs) and creating identities for individuals as leaders. Leadership discourse is itself viewed as a sociolinguistic practice and defines one of the CofPs within the team. Using the concepts of front and back-stage (Goffman 1959; Richards 2006) to describe different conceptual spaces in which interactions occur, I suggest that discourse in the rugby team is a spatialised practice; the performance of a particular style of leadership constructs the space in which it takes place as public or private, with each contributing to an effective leadership performance. The construction of leadership identity is analysed in terms of stance and indexicality, linking locally constructed identities and discourse strategies to macro identity categories and socio-cultural ideologies. One of the ways in which this is examined is through the role of ritual and formulaic language in the team, showing that while communicative practice is negotiated in the back stage, in the front stage its performance serves to construct team identity while aiming to motivate the players. Furthermore, the structural nature of the game of rugby (i.e. players’ positional requirements) is examined in relation to the different communicative strategies adopted by positionally segregated groups. It is suggested that these groups, although institutionally defined, create meaning for themselves as CofPs by negotiating a shared way of communicating in enacting their role in the team. In sum, this research uses CofP theory to examine how leaders emerge through their linguistic practices. Furthermore, it locates leadership as a spatialised practice and examines how leaders influence the discursive construction of group identity. Finally, the analysis also makes a valuable contribution to the field of sociolinguistic research on sport, a small yet growing area.</p>

INFORMAL ARISTOCRATIC COMMUNITIES IN 17th AND 18th CENTURY FRANCE AS A TRIGGER FOR THE FORMATION OF THE CIVILIZATION IMAGE

Статья посвящена характеристике некоторых черт варварства и цивилизации в контексте их общественного развития и оппозиции. Акцент сделан на одной из форм социального общения, связанной с интеллектуальной сферой, а именно, на неформальных сообществах Франции. Такими сообществами, среди прочих, были салоны, которые появились как форма проведения досуга французской аристократии в XVII в., но особенно востребованными они стали в эпоху Просвещения, в условиях трансформации социальных структур и духовно-культурных основ общества. Ряд просветительских положений, ставших фундаментом теорий современности (в частности, идеи превосходства цивилизованных народов над варварскими и необходимости их «цивилизовать»), разрабатывались как раз в салонах аристократии, которые, таким образом, стали триггером актуальных идейных концепций. Авторы полагают, что в XVIII в. во Франции в рамках салонных собраний выработалась своеобразная коммуникативная практика в интеллектуальной сфере, которая сформировала культурный образ цивилизации, одна из основных черт которого — интеллектуальное общение, сложившееся в систему правил. The article focuses on one of the forms of social discourse in the intellectual sphere, French informal communities, in particular. Such communities, among others, included salons, which appeared as a form of leisure for the French aristocracy in the 17th century, yet demand for them surged in the Age of Enlightenment, that came with transformations of social structures, spiritual canons, and cultural foundations. A number of educational policies, which served as the base for the theories of our time (particularly the idea of civilized people superiority over barbarians and the need to “civilize” them), were developed in such salons for the aristocracy, hence making them a trigger for the spread of new societal and philosophical ideas. The authors believe that the intellectual sphere of the 18th century France has developed a kind of communicative practice within the framework of salon meetings that formed the cultural image of civilization, with intellectual discourse, forming a system of rules, as one of its main features.

Enregistered spellings in interaction

Against the backdrop of the societal differentiation of literacy, the paper investigates spelling variation in digital written communication beyond the binary paradigm of standard and nonstandard. To this end, the paper proposes a formal classification of digital spelling variants and then focuses on the socio-communicative functions of these variants in usage. Theoretically grounded in the notions of register and social indexicality, the paper discusses how spelling variants are metapragmatically ordered by social actors and deployed in text-messaging interactions in order to indicate interpretive context. To investigate these phenomena holistically, the paper furthermore presents a tripartite research framework that addresses digital writing regarding its I) structural variants, II) communicative practice, and III) reflexive awareness. Afterwards, this methodological approach is applied empirically. This is done based on a data set that includes samples of everyday literacy by 23 German adolescents: informal WhatsApp texting, on the one hand, formal school essays on the other. The exemplary analyses focus on phonostylistic spellings (e. g. elisions such as <ich hab> instead of <ich habe>) and graphostylistic spellings (e. g. graphemic substitutions such as <daß> instead of <dass>) in these WhatsApp interactions, reconstructing the metapragmatic status of standard orthography in digital writing. By combining structure-oriented, interactional, and ethnographic perspectives, the paper seeks a disciplinary dialogue by relating concepts of sociolinguistics and linguistic anthropology not only to research fields of media linguistics but also to research on writing systems.