scholarly journals Representation of Muslim Woman’s Identity in “Assalamualaikum Calon Imam” Movie.

MEDIASI ◽  
2021 ◽  
Vol 2 (2) ◽  
pp. 79-90
Author(s):  
Khairul Syafuddin

Muslim women who were initially seen as women who focused on religion, in this film showed that Muslim women are also capable of being an academic and have other activities that tend to be done by men. This study aims to determine how the identity of modern Muslim women is shown through film media. This research uses Roland Barthes semiotic analysis method. This semiotic analysis focuses on reading texts through the stages of reading denotative meanings, connotative meanings, and then connecting with myths in analyzing the signs that are shown through scenes in the film. The results of this study indicate that Muslim women played by Fisya presented that women have the freedom to choose fashion and activity. Muslim women's fashion shown through the character Fisya is adjusted through the activities she does, thus showing that Muslim women's fashion can adjust to the situation. In addition, the activity also shows that Muslim women also have the freedom to determine what they want, starting in terms of academics and hobbies.

2020 ◽  
Vol 5 (9) ◽  
Author(s):  
Nita Khairani Amanda ◽  
Yayu Sriwartini

<p align="center"><strong>ABSTRAK</strong></p><p>Media massa film dipilih sebagai media yang paling efektif dalam menyampaikan pesan, karena film dapat digunakan sebagai media pembelajaran melalui pesan yang direpresentasikan ke dalam adegan atau narasi cerita. Pelajaran yang dapat diambil berupa pesan moral, atau salah satunya tentang pesan moral pernikahan yang terkandung dalam Film <em>Wedding Agreement. </em>Film ini membahas sisi kehidupan pernikahan yang dipermainkan, dengan adanya perjanjian pernikahan yang menyebutkan pasangan akan bercerai usai satu tahun pernikahan.<em> </em>Jenis penelitian yang digunakan adalah kualitatif  dengan  sifat  penelitian  deskriptif.<em> </em>Penelitian ini mengunakan metode analisis semiotika Roland Barthes, dalam analisis ini terdapat tiga hal inti yang menjadi fokus yaitu makna Denotatif, Konotatif, dan Mitos yang digunakan peneliti sebagai panduan untuk melihat pengambaran terkait pesan moral pernikahan yang tergambar disetiap adegan film. Data yang didapatkan dalam penelitian ini bersumber dari aplikasi Iflix yang menayangkan Film <em>Wedding Agreement </em>dan<em> </em>digabungkan dengan buku-buku yang membahas mengenai film dan pesan moral pernikahan. Hasil penelitian yang menunjukan bahwa representasi pesan moral pernikahan yang tampil dalam film <em>Wedding Agreement, </em>adalah berupa pemenuhan hak dan kewajiban seorang suami istri. Seperti, kewajiban saling menjaga hubungan, mencintai satu sama lain, menghormati satu sama lain, dan memenuhi kebutuhan rumah tangga. Dalam film ini sutradara ingin menonjolkan sisi bagaimana cara seorang pasangan untuk menjaga hubungan mereka dengan menggabungkan nilai budaya pernikahan indonesia dan nilai-nilai pernikahan agama islam yang dapat dijadikan sebuah pembelajaran bagi penonton film <em>Wedding Agreement.</em> Selain itu, film ini tidak hanya memiliki pesan moral pernikahan, tetapi terdapat pesan moral lainnya yang berhubungan dengan kehidupan sehari-hari.</p><p> </p><p><strong>Kata Kunci : </strong>Kata Kunci : Semiotika, Film, Pesan Moral Pernikahan</p><p><strong> </strong></p><p align="center"><strong><em>ABSTRACT</em></strong></p><p><em>Film mass media was chosen as the most effective media in conveying messages, because film can be used as a learning medium through messages that are represented in scenes or narratives of stories. Lessons can be taken in the form of moral messages, or one of them is about the moral messages of marriage contained in the Film Wedding Agreement. This film discusses the side of married life being mocked, with a marriage agreement that says the couple will divorce after one year of marriage. This type of research is qualitative with the nature of descriptive research. This study uses Roland Barthes's semiotic analysis method, in this analysis there are three core things that are the focus, namely the Denotative, Connotative, and Mythical meaning used by researchers as a guide to see the depiction of marriage moral messages drawn in each film scene. The data obtained in this study is sourced from the Iflix application that shows Film Wedding Agreement and is combined with books that discuss the film and the moral message of marriage. The results showed that the representation of the moral message of marriage that appears in the film Wedding Agreement, is in the form of fulfilling the rights and obligations of a husband and wife. Like, the obligation to maintain mutual relations, love one another, respect each other, and meet the needs of the household. In this film the director wants to highlight the side of how a couple to maintain their relationship by combining the cultural values of Indonesian marriage and the values of Islamic religious marriage that can be used as a lesson for filmmakers of the Wedding Agreement. In addition, this film not only has a moral message of marriage, but there are other moral messages related to everyday life.</em></p><p><strong><em>Keywords: </em></strong><em>Semiotics, Film, Marriage Moral Message</em></p>


2020 ◽  
Vol 3 (2) ◽  
pp. 726-733
Author(s):  
Junisti Tamara

United Nations Children's Fund (UNICEF) is an organization from the United Nations that provides humanitarian assistance and welfare development to children and their mothers in developing countries. Until now, UNICEF has published numerous posters containing appeals and warnings to help fellow human beings who are experiencing difficulties. However, some of the posters are difficult to translate directly. This study aims to determine how best to understand the message conveyed by the UNICEF posters. As well as knowing the denotation, connotation and ideology in UNICEF posters. The method used in this research is descriptive qualitative method. The data analysis used is semiotic analysis based on Roland Barthes' theory, namely the meaning of the signifier, signified to determine the meaning of denotation, connotation and ideology on the UNICEF poster. The overall results in this study explain that by utilizing the semiotic analysis method, posters that look quite confusing can be easily understood. Semiotics presents a sequence of processes so as to deliver a work of art and design as steps that can be explained in a structured manner.


Author(s):  
Patmawati Patmawati

This study aims to identify the social inequality represented in the film Parasite. This research uses Roland Barthes' semiotic analysis method which consists of two stages of marking, namely denotation and connotation. Supporting data in this study uses literature study to obtain relevant theories and data that can be used to solve problems. The results showed that in denotation and connotation there is a meaning of social inequality in the Parasite film which is shown through several markers in the form of audio and visual. Forms of social inequality such as education inequality, inequality in living environment, gap of opportunity. Surrounding myths such as the myth of education fever and the sanpo generation. Meanwhile, the ideology that surrounds it is the ideology of individualism, which is delivered by the capitalist economic system.


Panggung ◽  
2018 ◽  
Vol 28 (3) ◽  
Author(s):  
Muh. Syahrul Qodri

AbstractThe problem discussed in this article is the values of perfection in the main character of Jayengrana in Wong Menak story of Wayang Sasak in its relation to other figures in the puppet. To explore this issue, the analysis method used is Roland Barthes’ semiotic perspective. Data were collected from interviews and literature study. After applying the stages of semiotic analysis, which is based on 5 codes of Roland Barthes’ semiotics (i. e. hermeneutic, connotation, symbolic, proaretic, and cultural codes), it can be concluded that the perfection of Wong Menak story lies on the glory of himself as wong menak as represented through the his nicknames which prevails on every journey of life. This is because of his ability to manage the five characters that exist in companions and manifest themselves in wong menak itself. Keywords: perfection, wong menak, puppet sasak. AbstrakMasalah yang dibahas dalam artikel ini adalah tentang nilai kesempurnaan yang dimiliki oleh tokoh utama Jayengrana dalam Wong Menak di dalam Wayang Sasak yang dikaitkan dengan tokoh-tokoh lainnya dalam wayang tersebut. Untuk mengupas persoalan tersebut, metode analisis yang digunakan adalah semiotika perspektif Roland Barthes. Data yang dianalisis adalah data dari hasil wawancara dan studi pustaka. Setelah melewati tahapan analisis semiotika yang berlandaskan pada lima kode Roland Barthes (yaitu kode hermeneutik, konotatif, simbolik, proaretik, dan kode kultural), dapat ditarik sebuah kesimpulan bahwa kesempurnaan Wong Menak terletak pada kejayaan dirinya sebagai wong menak yang direpresentasikan lewat nama-nama julukan yang disandangnya, sehingga senantiasa berjaya pada setiap perjalanan kehidupannya. Hal ini disebabkan oleh kemampuannya mengelola kelima karakter yang ada pada diri sahabat-sahabatnya dan  menyatu dalam diri wong menak itu sendiri. Kata kunci: kesempurnaan, wong menak, wayang sasak


2020 ◽  
Vol 12 (1) ◽  
pp. 67-73
Author(s):  
Abdul Wahab ◽  
Nurul 'Ainin Nafi'ah

Ayat-Ayat Cinta 2 the movie is a continuation of the previous film, Ayat-Ayat Cinta. This religious genre film is an adaptation of a novel by Habiburrahman El Shirazy with the same title. This research was conducted to examine the Analysis of Da'wah Method conducted by Fahri in Ayat-Ayat Cinta 2 the movie. This study uses a type of qualitative research with Roland Barthes's semiotic analysis method that examines the meaning of denotation, connotation and myth. The data collection technique used is documentation by analyzing scenes and dialogs on film scene footage. From the results of this study, it was found that the method of da'wah in Ayat-Ayat Cinta 2 the movie is the method of bil hikmah, bil mauidzah hasanah, mujadalah and exemplary (demonstration). The dominant method of da'wah is the da'wah method of wisdom and example (demonstration). Keywords : Method of Da'wah, Movie, Roland Barthes's Semiotic Film Ayat-ayat Cinta 2 merupakan kelanjutan dari film sebelumnya, Ayat-ayat Cinta. Film yang bergenre religi ini merupakan film adaptasi dari novel karya Habiburrahman El Shirazy dengan judul yang sama. Penelitian ini dilakukan untuk menelaah tentang Analisis Metode Dakwah yang dilakukan oleh Fahri dalam Film Ayat-Ayat Cinta 2. Penelitian ini menggunakan jenis penelitian kualitatif dengan metode analisis semiotik Roland Barthes yang mengkaji makna denotasi, konotasi dan mitos. Teknik pengumpulan data yang digunakan yaitu dokumentasi dengan cara menganalisa adegan dan dialog pada cuplikan scene film. Dari hasil penelitian ini, ditemukan bahwa metode dakwah dalam film Ayat-ayat Cinta 2 yaitu metode bil hikmah, bil mauidzah hasanah, mujadalah dan keteladanan (demonstrasion). Adapun metode dakwah yang dominan adalah metode dakwah bil hikmah dan keteladanan (demonstrasion). Kata Kunci : Metode Dakwah, Film, Semiotik Roland Barthes


MEDIAKITA ◽  
2021 ◽  
Vol 5 (1) ◽  
Author(s):  
Lukman Al Farisi, Zidni Ilman Nafia, Moh Muslimin

This study aims to describe the representation of the magical da'wah of Kang Ujang Busthomi Cirebon associated with the use of social media Youtube. The diversity of media used by da'i has also become a concern for researchers to re-examine the value of the effectiveness of the media as a medium of preaching. This study uses a qualitative approach using the semiotic analysis method of Roland Barthes. This method is used to read various signs and signs marking the magical da'wah of Ustad Ujang Busthomi which contains messages that are conveyed to viewers and subscribers. The results show that the representation of magical da'wah in various symbols refers to the battle of religious symbols and symbols of polytheism. This is shown through display symbols such as the use of magical objects, irrational and non-physical magical readings that are collaborated with religious rituals as seen in Islamic teachings.Keywords: Representation, Da'wah, Magis, Youtube. 


Author(s):  
Dori Dramika ◽  
Sri Narti ◽  
Harius Eko Saputra

This study to detennine the meaning contained in the show adventurous child edition of Labat Regency South Sumatra on Television. The research method used in this research is semiotic analysis method using semiotik analysis of roland barthes. Divided by the meaning of denotation, connotation and myth. The analysis shows that there is meaning of semiotic analysis according to Roland Barthes. The Meaning of Denotation on the show of Bocah Petualang The edition of Labat regency of South Sumatra is the location where they are shooting is an unspoiled forest seen from the number of green trees that grows flourish and shade. The river is still Asri and not contaminated by the number of fish catches. Meaning of connotation in the show Bocah Petualang Edition of Labat regency of South Sumatra is to explain that children who are very devoted to their parents and also loyal friends. Myths in the show Bocah Petualang The edition of Labat regency of South Sumatra is a smoke that can make bees become tame and not bite. Ash which can make Rang-Rang ants become tame and does not bite. And Reverse the clothes that can make someone fmd a way out when lost. The myth is merely a belief that is believed to be descended only but as human beings we may believe it may not. Value gotong royong contained in the show Bocah Adventurers Edition of Labat regency of South Sumatra is the Children who always together mutually help-help to fmish a job together.


Koneksi ◽  
2021 ◽  
Vol 5 (2) ◽  
pp. 381
Author(s):  
Vanessa Salim ◽  
Gregorius Genep Sukendro

Social criticism is considered as a form of deep communication that aims or controls a social system. Parasite is a film that represents sharp social inequalities and contains social criticism about social problems that occur in South Korea. This study uses various theories, namely mass communication theory, film, semiotics, representation and social criticism. By using a descriptive qualitative approach with Roland Barthes' semiotic analysis technique which consists of denotation, connotation and myth, this study aims to determine the representation of social criticism in the film Parasite. The method used in this research is semiotic analysis method. In this study, it was found that the message conveyed by the director as a communicator in the film Parasite regarding social problems was packaged with a dark comedy genre film that included some social criticism in it. Social criticisms depicted in this film include criticism of poverty which is depicted through living and living with unemployment, criticism of crimes committed by lower-class families by falsifying documents, and uneven urban planning.Kritik sosial dianggap sebagai bentuk komunikasi mendalam yang bertujuan atau mengendalikan suatu sistem sosial. Parasitemerupakan sebuah film yang merepresentasikan kesenjangan sosial yang tajam dan mengandung kritik sosial mengenai masalah sosial yang terjadi di Korea Selatan. Penelitian ini menggunakan berbagai teori yaitu teori komunikasi massa, film, semiotika, representasi dan kritik sosial. Dengan menggunakan pendekatan kualitatif yang bersifat deskriptif dengan teknik analisis semiotika Roland Barthes yang terdiri dari denotasi, konotasi dan mitos penelitian ini memiliki tujuan untuk memiliki tujuan untuk mengetahui representasi kritik sosial dalam film Parasite. Metode yang digunakan dalam penelitian ini adalah metode analisis semiotika. Dalam penelitian ini ditemukan bahwa pesan yang disampaikan oleh sutradara sebagai komunikator dalam film Parasite mengenai masalah sosial, dikemas dengan film bergenre komedi gelap yang menyelipkan beberapa kritik sosial didalamnya. Kritik sosial yang digambarkan pada film ini antara lain kritik terhadap kemiskinan yang digambarkan melalui tempat tinggal dan hidup dengan pengangguran, kritik terhadap kejahatan yang dilakukan oleh keluarga kelas bawah dengan memalsukan dokumen, dan pembangunan tata kota yang tidak merata.


2019 ◽  
Vol 3 (1) ◽  
pp. 64
Author(s):  
Anak Agung Istri Manik Warmadewi

[Title: Semiotic analysis on Australian tourism advertisement] The aim of this study is to analyze the "signifier and signified which contain in two Australian tourism advertisements. Each of them has their own theme, those are “Zoo without Fences” and “Meet the Locals”. The method that is used in collecting the data is documentation method and to analyze the data in this study, semiotic analysis method is used which relies to Roland Barthes theory, for signifier, signified, denotation and connotation. Based on final identification and data analysis, can be known that all advertisements have the same denotation meaning but different connotation meaning. The connotation meaning for each advertisement is different to other advertisement. For example, first advertisement has connotation meaning unlimited tranquility and freedom in Kangaroo Island. While the second advertisement means feeling the patienty of local habitant of Australia.


Koneksi ◽  
2021 ◽  
Vol 5 (2) ◽  
pp. 229
Author(s):  
Millenia Vega Wong ◽  
Daniel Tamburian

Film is a description of audio visual media in mass communication that can display words, sounds, stories and their combination. Films are a means of public entertainment in which there are insights, knowledge and messages to be conveyed to the audience. Susah Sinyal is a film that tells the story of a single parent woman in carrying out her role. The role of a single parent is a situation where a single parent must play the role of both mother and father at the same time. This research focuses on the role of a single mother named Ellen who is represented in the Susah Sinyal film. Ellen's really love  her job and it makes her lose time with her child so that the relationship between the two doesn't get along. Therefore, this study aims to show how the representation of single mothers in the Susah Sinyal film. This type of research uses qualitative research and Roland Barthes' semiotic analysis method. Researchers collected data through observation and observation by watching the film Susah Tanda. Through observation, the researcher identified a number of scenes that represented single mothers in the Susah Sinyal film. The results of this study indicate that single mothers represented by Ellen have a firm and emotional character. In addition, Ellen is also an independent woman, hardworking, very responsible for what she does, and optimistic about her abilities.Film adalah suatu gambaran media audio visual dalam komunikasi massa yang dapat menampilkan kata-kata, suara, cerita dan gabungannya. Film merupakan sarana hiburan masyarakat yang didalamnya terdapat wawasan, pengetahuan dan pesan yang ingin disampaikan kepada penikmatnya. Film Susah Sinyal merupakan film yang bercerita tentang kehidupan perempuan single parent dalam menjalankan perannya. Peran single parent merupakan keadaan dimana orang tua tunggal yang harus memerankan perannya sebagai ibu maupun ayah sekaligus. Penelitian ini berpusat pada peran ibu tunggal bernama Ellen yang direpresentasikan dalam film Susah Sinyal. Kecintaan Ellen dengan pekerjaannya membuat ia kehilangan waktu dengan anaknya sehingga membuat hubungan keduanya tidak akur. Maka dari itu, penelitian ini bertujuan untuk menunjukkan bagaimana representasi ibu tunggal dalam film Susah Sinyal. Jenis penelitian ini menggunakan penelitian kualitatif dan metode analisis semiotika Roland Barthes. Peneliti mengumpulkan data melalui observasi dan pengamatan dengan menonton film Susah Sinyal. Melalui pengamatan, peneliti mengidentifikasi sejumlah scene yang merepresentasikan ibu tunggal dalam film Susah Sinyal. Hasil penelitian ini menunjukkan ibu tunggal yang direpresentasikan oleh Ellen mempunyai karakter yang tegas dan emosional. Selain itu, Ellen juga adalah  perempuan yang mandiri, pekerja keras, sangat bertanggung jawab dengan apa yang dikerjakannya, dan optimis dengan kemampuannya.


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