scholarly journals DIGITAL ART: A REVOLUTIONARY FORM OF ART & VISUAL COMMUNICATION

2019 ◽  
Vol 7 (11) ◽  
pp. 83-88
Author(s):  
Anshu Srivastava
Keyword(s):  
Digital Media ◽  
Computer Technology ◽  
Computer Software ◽  
Digital Art ◽  
Media Industry ◽  
Subtle Difference ◽  
3D Images ◽  
Digital World ◽  
Design Software ◽  
Accepted Form

In this age of technology our life revolves around 2D; 3D images & graphics. Creativity has now crossed all the limits it can’t be restricted to brush and canvas. With the advent of various innovative software’s designing is on the bloom and art become flawless. Digital art is harmony with good knowledge of design software enables us enter into the digital media industry. Today when everything around us become digitalized, the art are taking this step toward the digital world as well. The digital art is a most accepted form of art in the contemporary Indian art. This revolutionary form of art has given a new dimension of art, painting, sculpture and communication.  Digital art is created by artist with the help of the computer and sometime modified by computer software. It also creates a subtle difference between design and art. Digital art is the outcome of creativity and computer technology.

Construction of Visual Features of Indonesian Digital Poetry

2017 ◽  
Vol 3 (5) ◽  
pp. 1
Author(s):  
Johan Mahyudi ◽  
Djoko Saryono ◽  
Wahyudi Siswanto ◽  
Yuni Pratiwi
Keyword(s):  
Computer Technology ◽  
Visual Art ◽  
Feature Space ◽  
Digital Art ◽  
Visual Features ◽  
Technology Application ◽  
Digital Poetry ◽  
Textual Space ◽  
Neutral Space ◽  
Short Time

In short time, Indonesian digital poetry attracts its audience through a series of visualization features of the digital art. This research uses a short segment analysis on Indonesian videography digital poetry to demonstrate the existence of visual conglomeration practices through the creation of objects, features, a feature of space, measuring distance in feature space, and dimension reduction. These five approaches are proposed by Manovich (2014) in ​​grouping millions of visual artworks based on simple criteria. Of the three common objects are found, Indonesian animators, prefer individuals and texts as the main impression. The movement features are found in cinematic poetry and its rely depend on kinetic texts. Meanwhile, non-movement features can be found in the form of human imitation or part of them, portraits, silhouettes, and comics. Indonesian digital poetry of space features in form of textual space is prioritizing on the kinetics text, the space of time is prioritizing the presentation of objects association of words are spoken, the neutral space is prioritizing the use of computer technology application. The grouping of visual art composition is based on two criteria: the technique of creating and artistic impressions. The dimensional reducing is prominently practiced by Afrizal Malna.

scholarly journals Benefits and barriers: a qualitative study on online social participation among widowed older adults in Southwest China

2021 ◽  
Vol 21 (1) ◽  
Author(s):  
Yan Hong ◽  
Jingjing Fu ◽  
Dehui Kong ◽  
Siqi Liu ◽  
Zhu Zhong ◽  
...  
Keyword(s):  
Older Adults ◽  
Digital Media ◽  
Social Participation ◽  
Health Care Professionals ◽  
Early Stage ◽  
Economic Loss ◽  
Original Data ◽  
Southwestern China ◽  
Digital World ◽  
Barriers And Challenges

Abstract Background With the development of digital media, online activities are increasingly becoming part of the daily life of older adults. Widowed older adults generally would face changes in social interactions and activities due to widowhood; thus, the importance of online participation may be more prominent in this population. However, a detailed evidence on the experiences of online social participation among widowed older adults is relatively sparse. This study aimed to explore widowed older adults’ perceptions regarding online social participation in southwestern China. Methods This study adopted a qualitative approach. Semi-structured, in-depth individual interviews were conducted with 19 widowed older adults between September–December 2020. Thematic analysis was applied to analyse the data. Results Two major themes, “benefits” and “barriers” were identified from the original data analysis. Subcategories concerning the theme “benefits” were “benefit perception (convenience, flexible time, supplementation)”, “health promotion”, “emotional comfort”, and “social connection”. Subcategories of “barriers” were “worries: personal economic loss”, “concerns: security of digital device”, “troubles: the diversity of online social participation”, and “difficulties: using digital media”. Conclusions Social participation of widowed older adults in southwestern China has begun to be integrated into the digital world; however, it remains at an early stage with the simple purpose of engagement. The older adults may face many challenges for online social participation. Although there are barriers and challenges in online social participation, widowed older adults can reap its benefits, which can be used as an important measure to facilitate a fulfilling life and successful ageing. There is no doubt that online social participation will become a trend within the foreseeable future. Family, friends and health care professionals should pay more attention to the needs of online social participation in widowed older adults and provide adequate support for them to achieve a meaningful life.

scholarly journals Edge Models with the CAD Software: Creating a New Context for Mathematics in Elementary School

2021 ◽  
Author(s):  
Felicitas Pielsticker ◽  
Ingo Witzke ◽  
Amelie Vogler
Keyword(s):  
Elementary Schools ◽  
Digital Media ◽  
Computer Aided Design ◽  
Subjective Experience ◽  
Fourth Graders ◽  
Point Of View ◽  
Toulmin Model ◽  
Geometric Objects ◽  
Design Software ◽  
Aided Design

AbstractDigital media have become increasingly important in recent years and can offer new possibilities for mathematics education in elementary schools. From our point of view, geometry and geometric objects seem to be suitable for the use of computer-aided design software in mathematics classes. Based on the example of Tinkercad, the use of CAD software — a new and challenging context in elementary schools — is discussed within the approach of domains of subjective experience and the Toulmin model. An empirical study examined the influence of Tinkercad on fourth-graders’ development of a model of a geometric solid and related reasoning processes in mathematics classes.

scholarly journals From audiences to data points: The role of media agencies in the platformization of the news media industry

2021 ◽  
pp. 016344372110298
Author(s):  
Ida Willig
Keyword(s):  
Digital Media ◽  
News Media ◽  
Media Industry ◽  
Ethical Challenges ◽  
Media Audiences ◽  
Data Points ◽  
The Public Sphere ◽  
The Many ◽  
Marketing Budgets

Media agencies have become one of the key actors in the contemporary media industry: by channelling marketing budgets to some media and some platforms and not to others, media agencies play an important role in creating the digital media infrastructure and laying the tracks of the public sphere. Yet we know very little about these commercial middlemen between advertisers and audiences, what they do, and how we should understand their role in the digital media ecology. This article discusses the role of media agencies in relation to platformization with a focus on the news media sector. Based on interviews, publicly available material and trade journals, the article depicts an industry deeply engaged in digitizing, tracking and commodifying media audiences, while at the same time aware of ethical challenges of the digital media infrastructure. This leads to a call for more political attention and critical research on the democratic implications of the new value chains between platforms, advertisers, audiences, media agencies and news media as well as the many tech companies providing derived digital services and products.

The logic of entrapment: Digital proletarians; digital fascism; symbiosis between a virus and autocracy

Maska ◽  
2020 ◽  
Vol 35 (200s3) ◽  
pp. 98-108
Author(s):  
Miško Šuvaković
Keyword(s):  
Human Life ◽  
Digital Art ◽  
Media Representation ◽  
Essential Difference ◽  
Possible World ◽  
Digital World ◽  
Production And Consumption ◽  
Artistic Interpretation ◽  
Transitional Forms ◽  
The Difference

Abstract This text was written on the occasion of the 200th issue of Maska magazine. My goal is to identify and interpret the time when the text is written and when the 200th issue of Maska will be published. I identified a situation of sociability at the time of the coronavirus pandemic and the dominance of digital/postdigital communications. I am interested in the difference between media representation, virus events and political-or-artistic interpretation of modern and transitional forms of human life. If we are talking about digital art/culture/society in relation to the technological turns from the mechanical to the analogue-electronic world, from the analogue to the digital world, from the digital world to the post-digital world, and from the post-digital world into a De Re media possible world, then we are facing a conflict between the dialectic of emancipation through the new and the differentiation of the production/and/consumption of the new in a time and space where the human being is becoming the product of its own product. It is important to index the contemporary antagonism between the ‘digital proletarian’ and ‘digital fascism’. Confronted with digital fascism, digital proletarians pursue a risky process of self-fulfilment and thereby liberation/emancipation in complex digital practices and their impacts on other forms of existence – in a critical and dialectic ontology. Therein lies the essential difference between the politics of functionalism and that of liberation.

scholarly journals Counter-hegemony of the East Java Biennale art community against the domination of hoax content reproduction

2020 ◽  
Vol 33 (1) ◽  
pp. 26
Author(s):  
Jokhanan Kristiyono ◽  
Rachmah Ida ◽  
Musta'in Mashud
Keyword(s):  
Social Movements ◽  
Modern Society ◽  
Digital Art ◽  
Research Approach ◽  
Media Industry ◽  
Digital Counter ◽  
Digital Format ◽  
The Social ◽  
The Media ◽  
Art Community

This research analyses and describes in detail how the digital biennale activities that are a part of the Indonesian Digital art community has become a form of criticism and silent resistance to the social hegemony. It refers to the ideology, norms, rules, and myths that exist in modern society in Indonesia, especially the reproduction of hoax content. Hoax refers to the logic people who live in a world of cyber media with all of its social implications. This phenomenon is a problem, and it is at the heart of the exploration of the art community in East Java Biennale. The critical social theory perspective of Gramsci’s theory forms the basis of this research analysis. The qualitative research approach used a digital ethnomethodology research method focused on the online and offline social movements in the Biennale Art Community. The data collection techniques used were observation and non-active participation in the process of reproduction-related to the exhibition of Indonesian Biennale digital artworks. It was then analyzed using Gramsci’s hegemony theory. The purpose of this study was to describe the process of social movements in a digital format conducted by the Indonesian Biennale when reproducing works of art to counteract the dominance and hegemony of the Hoax phenomenon in Indonesia. The benefit of this research was that it obtained a preposition of Gramsci’s hegemony theory in the world of digital art as created by contemporary Indonesian Biennale artists. Digital technology has had a tremendous effect on the media industry, government, trade, informal industry sector, human resources, urban planning, services, disaster relief, health, education, religion, artistic and cultural expression, in addition to various other fields. The conclusion obtained from this research is that there is a formation of a new hegemony, a digital hegemony. This new hegemony is of particular concern for the digital artists in East Java Biennale. Through the digital format works, the artists also try to communicate their art as a form of silent resistance, protest, and criticism of the hegemony that occurs in society, referring to the ideology, norms, and myths. It can be called a digital counter-hegemony.s

scholarly journals Developing and Implementing a Conceptual Composite Materials Design Database

1993 ◽  
Author(s):  
William J. Rasdorf ◽  
Lisa K. Spainhour
Keyword(s):  
Composite Materials ◽  
Computer Technology ◽  
Data Model ◽  
Data Representation ◽  
Future Research ◽  
Clear Understanding ◽  
Analysis And Design ◽  
Problems And Solutions ◽  
Software Interfaces ◽  
Design Software

Abstract Researchers and materials engineers require a greater understanding of the problems and solutions that emerge when integrating composite materials data with computer technology so that utilitarian composite materials databases can be developed to effectively and efficiently support analysis and design software. Composite materials constitute a representational challenge due to their composition and use. However, this paper suggests that a conceptual composite material data model and application software interfaces must be developed to support the dissemination and use of composite materials data. This paper primarily serves to analyze several of the problems facing developers of composite materials databases, evolving from the complexity of the materials themselves and from the current lack of testing and data representation standards. Without a clear understanding of the scope and nature of these problems, there is no possibility of designing concise yet comprehensive composites data models, yet we feel that such an understanding is presently lacking. In addition, an effort is made to present possible solutions to these difficulties being suggested and/or implemented both by the authors and by other researchers in the field. Such an effort provides a firm foundation upon which future research may be based.

scholarly journals KECERDASAN BUATAN MANUSIA (ARTIFICIAL INTELLIGENCE); TEKNOLOGI IMPIAN MASA DEPAN

2018 ◽  
Vol 9 (2) ◽  
pp. 257-274
Author(s):  
Ririen Kusumawati
Keyword(s):  
Artificial Intelligence ◽  
Information Technology ◽  
Human Brain ◽  
Computer Technology ◽  
Computer Software ◽  
Software Tool ◽  
Human Form ◽  
Natural Approach ◽  
Collaborative Art ◽  
Software And Hardware

The computer technology has incredibly increased. Computer software and hardware compete to meet the customer's needs. The research intends to spread the knowledge of information technology, specifically, on the artificial intelligence. The concept of artificial intelligence is adopting and imitating human form, character, and habit which to be implemented on the computer. Using natural approach, the research aims to investigate whether artificial intelligence (AI) will produce the duplication of God's creation. Another important reason of other reseaches on AI is to create a computer which is smart and able to understand human brain working system. Hence, AI has been designed into more practical with faster CPU, cheaper mass memory, and sophisticated software tool. The concept of integrating AI science or collaborative art among sub-fields of technology will stimulate and lead to further AI researches, and it will be an interesting topic for AI researchers for developing AI technology in the future.

scholarly journals Traditional Ulama', Islamic Traditions, and Ngaji Pasanan within the Networked Society

2021 ◽  
Vol 19 (2) ◽  
pp. 266-304
Author(s):  
Mohamad Sobirin
Keyword(s):  
Digital Media ◽  
Live Streaming ◽  
Digital Information ◽  
Political Issues ◽  
The Public ◽  
Digital Space ◽  
Digital World ◽  
Two Samples ◽  
Long Time ◽  
Digital Information Technology

In Ramadan, kiai in various pondok pesantren (Indonesian Islamic Boarding Schools) conduct lecturing activities known as "Ngaji Pasanan". This tradition has been going on for a long time ago till today. However, since 2017 up to now, it has been seen to be held by taking advantage of digital information technology through live streaming via Facebook, YouTube or other media platforms. In 2020, online “Ngaji Pasanan” has become a trend nationwide. This study aims to reveal the context of the online “Ngaji Pasanan phenomenon, which is carried out by the ulama' in pondok pesantren, by taking two samples, namely K.H. Mustofa Bisri and K.H. Said Aqil Siradj. Data collection and analysis used a netnographic approach. This study found that: First, Ngaji Pasanan of the two traditional Ulama' who used digital media were actually conducted offline, but were mediated by the internet and broadcast online. Second, through the online “Ngaji Pasanan”, the two traditional Ulama' not only convey the teachings in the kitab kuning but also contextualize them into socio-religious issues within the digital world, beside they also produce religious discourses and actual nationalities that are being debated by the public, whether in the online or offline context. Third, the presence of traditional Ulama' in the digital space, on the other hand, has been used by netizens to support their opinions by framing their positions on controversial religious and political issues. Fourth, the presence of traditional ulama' in the digital space is more driven by their insistence on addressing the flow of religious and national discourse in the digital space compared to their affirmation of the use of digital technology to carry out the academic tradition of pondok pesantren in Ramadan, namely "Ngaji Pasanan".

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