scholarly journals Should We Rethink How We Do Research?

2021 ◽  
pp. 323-327
Author(s):  
Carlo Ghezzi

AbstractAdvances in digital technologies move incredibly fast from the research stage to practical use, and they generate radical changes in the world, affecting humans in all aspects of their life. The chapter illustrates how this can have profound implications on the way technological research is developed. It also discusses the need for researchers to engage more actively in public debates with society.

Author(s):  
Iliya Ivanov ◽  

At the advent of the 21st century, digital technologies have changed the way that hotel industry brings value to tourists around the world. The aim of this scientific report is to present the opportunities and perspectives for hotel business for digital transformation, as a crucial instrument for the growth of the industry and for meeting the needs of the new digital generation of consumers. With its potential, digital transformation is reshaping the industry, giving strategic advantages to companies focused on digital transformation of the business.


2020 ◽  
pp. 227-251
Author(s):  
Adam Gussow

In 2007, the author uploaded his first video to YouTube, a badly-lit and amateurish blues harmonica tutorial. Within a decade, his Dirty-South Blues Harp Channel had accumulated 500 videos, 20 million views, and 70,000 subscribers, and his website, ModernBluesHarmonica.com was enjoying 750,000 annual page views from 192 countries around the world. This chapter seeks to understand the way in which insurgent digital technologies have impacted the pedagogy of blues harmonica, a coterie pursuit whose trade secrets and professional practices had previously been communicated through face-to-face teaching between masters and apprentices. Acknowledging the ethical dilemmas provoked by a white blues musician who makes the harmonica’s esoteric technique available to a global audience, the author also describes the way YouTube’s “comments” section brought him together with Brandon Bailey, a young Black harmonica player from Memphis. The mentoring relationship they formed helped Bailey win a “Star Search” competition and benefited both men’s careers in unanticipated ways, suggesting that contemporary blues culture, although troubled, is also, if unevenly, a transracial brotherhood—an “inescapable network of mutuality,” in Martin Luther King Jr.’s words.


Author(s):  
Alexandra Fedorets ◽  
Stefan Kirchner ◽  
Jule Adriaans ◽  
Oliver Giering

Abstract Public debates and current research on “digitalization” suggest that digital technologies could profoundly transform the world of work. While broad claims are common in these debates, empirical evidence remains scarce. This calls for reliable data for empirical research and evidence-based policymaking. We implemented a data module in the Socio-Economic Panel to gather information on digitalization in three domains: artificial intelligence (AI), platform work, and digitalized workplace. This paper describes the existing approaches to measure technological exposure, the challenges in operationalization of digital transformation in a household survey, the implemented questionnaire items, and the research potential of this new data.


2020 ◽  
Vol 11 (1) ◽  
pp. 140-146 ◽  
Author(s):  
Nicola Liberati

AbstractThis paper aims to analyze the effects of the introduction of teledildos on our sexual lives according to postphenomenology and mediation theory. Digital technologies are getting very intimate by mediating even our sexual intercourse, as in the case of teledildonics. According to postphenomenology and mediation theory, technologies are never neutral, but they change how we live and how we relate to the world around us. Thus, we need to ask how these intimate technologies are going to affect us in the way we live our intimacy and relationships. This paper will show how teledildonics will allow human beings to have sexual intercourse with every object around by turning them into sexually interactive "quasi-others", and how this change will affect the way we give meanings and values to love and sex in general. The first part of this paper will show the introduction of teledildonics will affect how we perceive the world around us and how we are tempted by it. The second part will highlight how even the meanings and values we give to sex and love will be shaped according to the new potentialities provided by teledildos.


Author(s):  
Menno de Jonge

<p>There is an urgent need to transform the way we shape our built environment. Royal BAM Group is taking a leading role in the digital transformation of the industry. We are building the present while we are creating the future. We “make it before we make it”, in other words: we built it digital first, before we built it physically. After a brief introduction to Royal BAM Group, the WHY, the HOW and the WHAT are discussed, including examples of using digital technologies in real projects. The WHY part focusses on the needs of the digital transformation for the construction industry, showing that the world of construction is changing. In the second part, the HOW part, Royal BAM Group’s vision and strategy on the digital transformation is entailed. In the final part, the WHAT part, actual examples from daily practice in BAM are presented. Final conclusions and a summary of the presentation concludes the keynote.</p>


Author(s):  
Sophie Duchesne

This chapter deals with the way in which French social scientists study their fellow citizens’ national identity. Following Billig, national identity refers here to the way people feel “emotionally situated” within nations, whatever these emotions are; how and to what extent they believe that being French is part of their personal identity. Over recent decades, social scientists all over the world have investigated the complex feelings citizens have about their nations. In France, however, this issue has been somewhat overlooked. This disparity is a consequence of the political context and the role of social scientists in French public debates, as well as a legacy of Bourdieu’s work which has made them well aware of the power of categorization. As a conclusion, the chapter outlines a research agenda in order to overcome this sociological blind spot.


2021 ◽  
Vol 3 (1) ◽  
pp. 106-115
Author(s):  
John Wood

The Open Science (OS) movement has achieved extraordinary results in very few years. In this paper I argue it is now necessary to embed OS in the wider ecosystem of research and innovation, acknowledging some of the outstanding issues that need to be resolved as it beds down into the way research is done in the future. By sticking to a purest approach to OS its impact and current momentum may be lost. Digital technologies and global connectivity have ensured that OS is here to stay and will continue to expand its influence in the future. However, OS cannot stand aloof from what is the reality of what is happening elsewhere otherwise it will do a disservice to itself and the challenges facing the world.


2018 ◽  
Vol 86 (4) ◽  
pp. 509-530 ◽  
Author(s):  
Anna Mierzecka

Thesis/objective – The topic of this article is the influence of digital technologies on the functioning of academic libraries in the context of their users’ needs. Users’ information behaviors have changed significantly through the influence of these technologies, what can be identified in particular in students’ behaviors. Do far-reaching changes in the way in which users, in case of this article - students, interact with information cause transformations in the functioning and mission of academic libraries? On the basis of literature containing the results of researches conducted around the world an attempt was made to present the way academic libraries react to these changes and how they modify their services and resources. Research method – The first step in responding to the actual needs of users is to conduct research in this area. For this reason, the subject of the analysis in this article were publications presenting research on the users’ (students) needs in the context of using academic libraries. The next stage was to identify the texts in which the use of digital technology was discussed. The analyzed literature was selected from leading journals indexed in the Science Citation Index Expanded (SCI-EXPANDED), the Social Sciences Citation Index (SSCI), and the Arts & Humanities Citation Index (A & HCI), and included articles which were published within the last 5 years (2013-2018) – a period in which digital technologies in most academic libraries in the world were most widely used, making changes caused by them possible to be diagnosed, and which corresponds to the information query. The results of the query contained 328 articles, 80 of them have been analyzed in detail, because they were deemed to contain the results of research on the functioning of academic libraries in the context of the needs and expectations of the students. Results/conclusions – On the basis of the analysis it can be concluded that the widespread use of digital technologies has changed functioning of academic libraries to a large extent, but these changes are not revolutionary. The way of implementing library tasks has changed, but the tasks themselves as well as the mission of an academic library have remained similar. One of the most important postulates for the future is the necessity of far-reaching personalization of the services being offered. The conducted analysis is based on the research presented in the literature, the next planned stage is verification of these conclusions in empirical research.


2017 ◽  
Vol 225 (4) ◽  
pp. 324-335 ◽  
Author(s):  
Dimitrios Barkas ◽  
Xenia Chryssochoou

Abstract. This research took place just after the end of the protests following the killing of a 16-year-old boy by a policeman in Greece in December 2008. Participants (N = 224) were 16-year-olds in different schools in Attiki. Informed by the Politicized Collective Identity Model ( Simon & Klandermans, 2001 ), a questionnaire measuring grievances, adversarial attributions, emotions, vulnerability, identifications with students and activists, and questions about justice and Greek society in the future, as well as about youngsters’ participation in different actions, was completed. Four profiles of the participants emerged from a cluster analysis using representations of the conflict, emotions, and identifications with activists and students. These profiles differed on beliefs about the future of Greece, participants’ economic vulnerability, and forms of participation. Importantly, the clusters corresponded to students from schools of different socioeconomic areas. The results indicate that the way young people interpret the events and the context, their levels of identification, and the way they represent society are important factors of their political socialization that impacts on their forms of participation. Political socialization seems to be related to youngsters’ position in society which probably constitutes an important anchoring point of their interpretation of the world.


2019 ◽  
Vol 16 (4) ◽  
pp. 429-443
Author(s):  
Paul Mazey

This article considers how pre-existing music has been employed in British cinema, paying particular attention to the diegetic/nondiegetic boundary and notions of restraint. It explores the significance of the distinction between diegetic music, which exists in the world of the narrative, and nondiegetic music, which does not. It analyses the use of pre-existing operatic music in two British films of the same era and genre: Kind Hearts and Coronets (1949) and The Importance of Being Earnest (1952), and demonstrates how seemingly subtle variations in the way music is used in these films produce markedly different effects. Specifically, it investigates the meaning of the music in its original context and finds that only when this bears a narrative relevance to the film does it cross from the diegetic to the nondiegetic plane. This reveals that whereas music restricted to the diegetic plane may express the outward projection of the characters' emotions, music also heard on the nondiegetic track may reveal a deeper truth about their feelings. In this way, the meaning of the music varies depending upon how it is used. While these two films may differ in whether or not their pre-existing music occupies a nondiegetic or diegetic position in relation to the narrative, both are characteristic of this era of British film-making in using music in an understated manner which expresses a sense of emotional restraint and which marks the films with a particularly British inflection.


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