The Role of Perspective in the Transformation of European Culture

2014 ◽  
pp. 49-70
Author(s):  
Dalibor Vesely
Keyword(s):  
2009 ◽  
Vol 51 (3) ◽  
pp. 563-589 ◽  
Author(s):  
Raf Gelders

In the aftermath of Edward Said's Orientalism (1978), European representations of Eastern cultures have returned to preoccupy the Western academy. Much of this work reiterates the point that nineteenth-century Orientalist scholarship was a corpus of knowledge that was implicated in and reinforced colonial state formation in India. The pivotal role of native informants in the production of colonial discourse and its subsequent use in servicing the material adjuncts of the colonial state notwithstanding, there has been some recognition in South Asian scholarship of the moot point that the colonial constructs themselves built upon an existing, precolonial European discourse on India and its indigenous culture. However, there is as yet little scholarly consensus or indeed literature on the core issues of how and when these edifices came to be formed, or the intellectual and cultural axes they drew from. This genealogy of colonial discourse is the subject of this essay. Its principal concerns are the formalization of a conceptual unit in the sixteenth and seventeenth centuries, called “Hinduism” today, and the larger reality of European culture and religion that shaped the contours of representation.


2021 ◽  
Vol 5 (S2) ◽  
pp. 284-302
Author(s):  
Iryna Yu Konovalova

The article is devoted to comprehension of specifics and formation prerequisites of composer’s and musical authorship phenomena historical formation in European culture of the Middle Ages. Genesis of composer’s phenomenon and individual musical authorship model is considered on the basis of historical, socio-cultural and aesthetic-artistic transformations, on awareness about their dynamic’s tendencies and general cultural institutionalization of an authorship phenomenon, as well as on an increasing role of individual creativity in an artistic realm. It is stated that multi-ethnic and anonymous culture of oral tradition, folklore and Christian singing practices, as well as instrumental improvisation’s traditions, became spiritual sources of this phenomena and turn into a strong foundation of musical professionalism and creative impulse for European authorial music evolution. It is emphasized that process of composer’s formation as a creativity subject and musical professionalism carrier was stimulated by the necessity of everyday vocal-choral practice, conditioned by the spiritual context of time, by intention on theocentric world’s picture and religious – Christian outlook dominance. Significant role of secular direction development in the context of music-author’s discourse formation and composer’s figure assertion in the late Middle Ages is highlighted. 


2019 ◽  
Vol 1 ◽  
pp. 157-177
Author(s):  
Wiesława Sajdek

The objective of the article is to recall the European philosophical basis of the philosophical culture, inextricably connected with ancient Greece and its language. Plato’s philosophy is in the very core of the culture and its salient component is the doctrine of anamnesis. The elements of the doctrine are dispersed in numerous dialogues, particularly in Meno, Phaedo, Phaedrus, therefore they are given more attention. Platonic reflection on anamnesis is related to his view on the soul whose development is associated with the process of cognizing, being essentially tantamount to recalling of what the soul saw before its imprisonment in the body. The role of myth in Plato’s philosophy, as well as in European culture as a whole, has been discussed, along with the main subject. On the background of the Platonic thought, examples of its reception in Polish Renaissance philosophy and in the poetry of the Romantic period has been presented.


wisdom ◽  
2021 ◽  
Vol 19 (3) ◽  
pp. 45-53
Author(s):  
Viktoriia SLABOUZ ◽  
Yuliia BUTKO ◽  
Leonid MOZHOVYI ◽  
Nataliia NIKITINA ◽  
Nataliia MATORYNA

The article considers the role of the ideas of linguistic philosophy in the context of the anthropological turn of culture that happened in the middle of the 20th century. Culture has constantly been developing on the horizon of man, and all its initiations have always met at the point of “life of man”, which is impossible without language as an essential anthropological attribute of man. The purports of linguistic philosophy (ordinary language philosophy) are relevant as never before. The study presented is based on the phenomenology of Nietzsche’s ideas of returning a new European thought to the origins of modern culture –the idea of a sovereign individual, which is determined by power over himself and his destiny, the ideas of the representatives and founders of linguistic philosophy, the slogan by I. Kant “Sapere aude!” (“Dare to think for yourself!”), on the historical excursus concerning the origin of the term “anthropological turn”. The anthropological turn in the culture of the 20th century together with the purports of linguistic philosophy brought back and developed further the main idea of new European culture – the idea of the self-worth of life, individuality, and freedom. These events gave a new value meaning to this idea.


Author(s):  
Wang Yu

The study of the first reading by the means of the national musical language and opera and theatrical tradition of China of the Oriental theme Turandot at the opera Wei Minglinu «The Chinese Princess» was conducted with the aim of outlining the specifics of the new figurative role of the heroine, its mental-psychological peculiarities; considering the metamorphosis of the Oriental tradition through the «congenital» of the exotic to the national-authentic. Scientific approaches are taken from the contextual field of comparative and imagoology, the methodology of which touches upon the field of studying the problems of mutual cultural representations of peoples, the assimilation of cultural heritage and images of a certain ethnic group in the consciousness and art of other nations, in correspondence with the actual problems of Orientalism in music. Reading the image of Turandot by a Chinese composer creates an opportunity for a new interpretative turn in the voluminous space of the existence of this text, the emergence of new measurements of the indicators of content and its characteristics. Image Turandot as an original model with the corresponding geocultural imago in the fabulous poetics of the perceptual field «East as Exotics and Danger», passing complex path of modification during the 300- year existence in the adaptation of different cultures, is embodied in means of national semantics of bright ethnographic-anthropological type. The author constructs an ethno-form from an Oriental-exotic heroine, demonstrating his national identity, revealing the typical ethnological features of the whole people. This allows us to interpret this opera as a national first reading, in which the generally accepted European model of Oriental travel fantasy semantics turns into a reasoned, realistic, based on traditional philosophical foundations, Chinese lyrical drama, in which exotic elements of European culture appear. The fact of this transcultural diffusion involves scientific research in the field of dialogue of cultures, encouraging new discoveries when meeting with the Other, re-evaluating, updating, rebuilding the position of "My" and "Other" in relation to to generally human and universal.


2019 ◽  
Vol 41 (3) ◽  
pp. 109-125
Author(s):  
Ryszard Polak

THE CATHOLIC CHURCH AND GERMAN NEOPAGANISM IN LEON HALBAN’S THOUGHTThis article presents the views of Leon Halban referring to the problems of German religiosity. In the first part of the article, the family and the character and the academic achievements of this scholar were characterized. In the next part of the article, his views on the role of the Catholic Church in European culture were analyzed and his position in which he made a critical assessment of German religiosity was presented. Halban assumed that the Christianity practiced by Germans since the Middle Ages did not result from their authentic conversion. The Germans were often religiously indifferent and tended to fall into various heresies and deviations from faith. They also sought to achieve supremacy of the state over the Church in public life and law. Halban argued that a renewal of morality can only be achieved in the Catholic Church, whose ethical principles and doctrine should be propagated and applied in everyday life.


Author(s):  
Elisabetta Biffi ◽  
George Kritsotakis

<p class="IATED-Affiliation">This paper presents a reflection on the role of cooperative research in addressing the topic of evaluation within the field of adult education. To this end, the authors outline a specific cooperation initiative that involved academics and practitioners from the field of adult education in different European countries.The project presented here is based on the hypothesis that in order to enhance evaluation at the European level, it is necessary to build a European culture of evaluation, which may be developed by creating a concrete space for collaboration among practitioners and researchers from a range of European adult education contexts.</p><p class="IATED-Affiliation">Specifically, the project wasdesigned to promote an exchange of experiences, expertise and practices among academic researchers and “practitioners” (Schön, 1983)involved in the evaluation of adult education. A key role was played by a Mobility Workshop: viewed as the core of the collaborative approach proposed, the Workshop provided a concrete opportunity for collaboration amongevaluators and researchers from different countries within Europe.</p><p class="IATED-Affiliation"> </p>


2020 ◽  
pp. 123-147 ◽  
Author(s):  
Magdalena Szulc-Brzozowska

The purpose of the paper is to present theoretical and methodological aspects of the research project EUROJOS, which is anchored and developed in Lublin ethnolinguistics. It aims to create the cognitive definition of the selected concepts, regarded as values in the European culture. The cognitive definition is based on 3 types of data: lexicographical sources, surveys and text corpora, with the latest playing a crucial role at profiling the concepts. The methodological criteria are indicated as validated by the description of chosen results from other research papers regarding the concept WORK in some languages and the concept DEMOCRACY in Polish and German. Whereas the study of the concept WORK objects to demonstrate the all-embracing definition of the concept, its universal meaning aspects, the example of DEMOCRACY shows the relevancy of profiling, thus also of the role of public discourse and the media.


2016 ◽  
pp. 209-217
Author(s):  
Tetyana Perga

The origin of the European culture of remembrance of environmental disasters is investigated. It is proved that it’s important part occupies the «culture of disaster», which was formed at the beginning of the first millennium A.D. in response to natural disasters. It is analyzed its essence, which means a broad range of preventive measures aimed to minimize the material and cultural losses from possible natural and man-made disasters. Promising areas of 217 development and the role of memory in the maintaining and updating information on such events are discussed.


Author(s):  
Muminkhujaev Abrorkhuja Muksumkhodjaevich ◽  

The article discusses the history of liberalism and the reasons why is it playing a key role in the politics of European countries. The article also analyzes the practical and vital role of liberalism in the political and social life of European countries. In particular, the positive results of the liberal approach to threats that contradict European culture, mentality, ideology (Nazism, nationalism, LGBT movement, local separatism) are illustrated with examples. Through the article the author tries to proove liberalism is the most apt way to solve political and social problems for the time being.


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