scholarly journals What can science fiction tell us about the future of artificial intelligence policy?

AI & Society ◽  
2021 ◽  
Author(s):  
Andrew Dana Hudson ◽  
Ed Finn ◽  
Ruth Wylie

AbstractThis paper addresses the gap between familiar popular narratives describing Artificial Intelligence (AI), such as the trope of the killer robot, and the realistic near-future implications of machine intelligence and automation for technology policy and society. The authors conducted a series of interviews with technologists, science fiction writers, and other experts, as well as a workshop, to identify a set of key themes relevant to the near future of AI. In parallel, they led the analysis of almost 100 recent works of science fiction stories with AI themes to develop a preliminary taxonomy of AI in science fiction. These activities informed the commissioning of six original works of science fiction and non-fiction response essays on the themes of “intelligence” and “justice” that were published as part of the Slate Future Tense Fiction series in 2019 and 2020. Our findings indicate that artificial intelligence remains deeply ambiguous both in the policy and cultural contexts: we struggle to define the boundaries and the agency of machine intelligence, and consequently find it difficult to govern or interact with such systems. However, our findings also suggest more productive avenues of inquiry and framing that could foster both better policy and better narratives around AI.

Author(s):  
Brad Morantz

Artificial intelligence is the stuff of science fiction writers, robots taking over the world, and computers knowing our every thought and action. Advanced methodologies is the utilization of accepted artificial intelligence programs in mathematical applications to solve a variety of problems. In this chapter, many of these methods will be described and sample applications provided to better explain the advantages of this method in problem solving.


2020 ◽  
Vol 25 (4) ◽  
Author(s):  
Christopher Moehle ◽  
Jessica Gibson

“Robotics”, “Artificial Intelligence”, and “Machine Learning” have become an almost impossibly broad amalgam of terminologies that span across industries to include everything from the cotton gin to self-driving cars, and touch a broad range of biotechnology and med tech applications.  We address the spread of these transformative technologies across every interpretation of the analogy, including the spectrum ranging from practical, highly economic products to inventive science fiction with speculative business cases.  In this two-part article, we first briefly overview the high-level commonalities between historically successful products and the economic factors driving adoption of these intelligent technologies in our current economy.  In doing so, we focus heavily on “Augmentation” as a central theme of the best products historically, now, and in the near future.  In the second part of the article, we further illustrate how “Augmented Intelligence” can be applied to biotech. This is done through a mini-case study, or a detailed practicum, on Ariel Precision Medicine, to illustrate how “Augmented Intelligence” can be applied to precision medicine currently.


2015 ◽  
Vol 7 (1) ◽  
pp. 151-158
Author(s):  
Crina Leon

Steinar Lone is a literary translator and a non-fiction writer, a member of the Norwegian Association of Literary Translators and of the Norwegian Non-Fiction Writers and Translators Organization. He has translated Romanian literature into Norwegian for 22 years, starting in 1993 with Mircea Eliade’s On Mântuleasa Street. He has translated Mihail Sadoveanu’s The Hatchet, Camil Petrescu’s The Procrustean Bed, as well as the Blinding trilogy, Nostalgia, Travesti, Why We Love Women and Europe has the shape of my brain by Mircea Cărtărescu. For his translation of Blinding. The Left Wing he was awarded the Norwegian Critics Prize for Literature in the year 2009. Steinar Lone has also translated poetry such as Vasco Da Gama by Gellu Naum. More recent or near future translations include I’m a Communist Biddy by Dan Lungu, The Book of Whispers by Varujan Vosganian and Little Fingers by Filip Florian. As a fiction translator, he has been awarded a state scholarship for 3 years in 2015, which will allow him to continue translating Romanian literature into Norwegian.


Author(s):  
Deniz Yaman

In the 1980s and 1990s, there were indispensable elements for the science fiction movies: cyborgs. This half-biologic and half-machine species had fully developed intelligence. And there was such a future fiction that appeared in these films that, on the one hand, raised admiration for the technologies that have not yet emerged, and on the other hand raised serious future concerns. The purpose of this study is to discuss the interaction of fear, artificial intelligence, and humans. And it is also aimed to research the way of representation of this interaction via aestheticization. Because of this, The Lawnmower (1992) has been chosen and analyized within the context of Production of Space Theory by Lefebvre. The Lawnmower has an importance about the imagining of dystopic and aesthetic way artificial intelligence technology would affect human life in the near future.


Author(s):  
M. Kumarasamy ◽  
G. N. K. Suresh Babu

Machine intelligence will in near future replace human capabilities in almost all organizations across the world. Manufacturers, Services sectors and institutions will rapidly move on to Artificial superintelligence that will surpass human decision making power to bring significant risk for humanity. Advances in artificial intelligence will transform modern life by reshaping transportation, health, science, finance, and the military. This development turns out to be ‘bad’ or ‘extremely bad’ for humanity.


2020 ◽  
Vol 5 (3) ◽  
pp. 186-199
Author(s):  
Elena Yu. Saprykina

In various epochs, science fiction writers shared an interest in problems related to the humanization of an artificial body and the process of human interaction with a man’s own creation. In the 20th century Italian literature, in particular, this theme emerged already at the dawn of the century (e.g. а futuristic novel by F.T. Marinetti) and was present up until the beginning of the current “age of artificial intelligence.” Fantastic plots of several short stories and novellas by D. Buzzati and T. Landolfi, written in the 1950s and 60s, depicted ambivalent perception of the technogenic civilization and its novelties by the modern cultural consciousness. On the one hand, these works reflected the turning of the machine into an indispensable attribute of the social status of the modern human, the guarant of her private life success and mental health. On the other hand, in science fiction, there is a clear tendency to dramatize the problems and difficulties that the technological age set for a human — in particular, the problem of preserving the privilege of the human consciousness over the increasingly sophisticated artificial intelligence of the machine.


2016 ◽  
Vol 1 (3) ◽  
pp. 141
Author(s):  
Rana Sağıroğlu

Margaret Atwood, one of the most spectacular authors of postmodern movement, achieved to unite debatable and in demand critical points of 21st century such as science fiction, postmodernism and ecocriticism in the novel The Year of The Flood written in 2009. The novel could be regarded as an ecocritical manifesto and a dystopic mirror against today’s degenerated world, tending to a superficial base to keep the already order in use, by moving away from the fundamental solution of all humanity: nature. Although Atwood does not want her works to be called science fiction, it is obvious that science fiction plays an introductory role and gives the novel a ground explaining all ‘why’ questions of the novel. However, Atwood is not unjust while claiming that her works are not science fiction because of the inevitable rapid change of 21st century world becoming addicted to technology, especially Internet. It is easily observed by the reader that what she fictionalises throughout the novel is quite close to possibility, and the world may witness in the near future what she creates in the novel as science fiction. Additionally, postmodernism serves to the novel as the answerer of ‘how’ questions: How the world embraces pluralities, how heterogeneous social order is needed, and how impossible to run the world by dichotomies of patriarchal social order anymore. And lastly, ecocriticism gives the answers of ‘why’ questions of the novel: Why humanity is in chaos, why humanity has organized the world according to its own needs as if there were no living creatures apart from humanity. Therefore, The Year of The Flood meets the reader as a compact embodiment of science fiction, postmodernism and ecocriticism not only with its theme, but also with its narrative techniques.


Author(s):  
Mahesh K. Joshi ◽  
J.R. Klein

New technologies like artificial intelligence, robotics, machine intelligence, and the Internet of Things are seeing repetitive tasks move away from humans to machines. Humans cannot become machines, but machines can become more human-like. The traditional model of educating workers for the workforce is fast becoming irrelevant. There is a massive need for the retooling of human workers. Humans need to be trained to remain focused in a society which is constantly getting bombarded with information. The two basic elements of physical and mental capacity are slowly being taken over by machines and artificial intelligence. This changes the fundamental role of the global workforce.


Author(s):  
Mahesh K. Joshi ◽  
J.R. Klein

The world of work has been impacted by technology. Work is different than it was in the past due to digital innovation. Labor market opportunities are becoming polarized between high-end and low-end skilled jobs. Migration and its effects on employment have become a sensitive political issue. From Buffalo to Beijing public debates are raging about the future of work. Developments like artificial intelligence and machine intelligence are contributing to productivity, efficiency, safety, and convenience but are also having an impact on jobs, skills, wages, and the nature of work. The “undiscovered country” of the workplace today is the combination of the changing landscape of work itself and the availability of ill-fitting tools, platforms, and knowledge to train for the requirements, skills, and structure of this new age.


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