Building Democracy in South Asia: India, Nepal, Pakistan. By Maya Chadda. Boulder, CO: Lynne Rienner, 2000. 247p. $49.95 cloth, $19.95 paper.

2001 ◽  
Vol 95 (2) ◽  
pp. 493-494
Author(s):  
Elliot L. Tepper

Democracy is in vogue it seems. Everywhere in the world, the forces opposed to democracy seem to be in retreat, and the number of states calling themselves democracies is increas- ing. There are exceptions, of course: parts of Africa, tortured Burma, all over the Middle East, some aging Communist oligarchies, a few proud holdouts in sultanates and mountain monarchies. But they are increasingly anachronisms in the end-of-history world. Or are they? The literature is replete with controversy on the definition, durability, inevitably, and universality of democracy. Into this controversy comes a new book that takes direct aim at the literature of the past decades and provides a badly needed comparative analysis of some of the states in South Asia. Maya Chadda's goals are clear and ambitious: to bring the neglected experience of South Asia to the attention of a wider audience, in the context of the most central debates about the nature of democracy.

2009 ◽  
Vol 37 (1) ◽  
pp. 27-42 ◽  
Author(s):  
Pamela K. Gilbert

In the mid-1800s, two significant and widelyread Chartist poems appeared, both written in prison by Chartist organizers, and both using the epic form to interrogate the present, body forth a utopian future, and rewrite a history conceived both as broadly human and specifically national. These long poems, Thomas Cooper'sPurgatory of Suicides(1845) and Ernest Jones'sThe New World, first published in 1851 and then republished after 1857 as theRevolt of Hindostan, have much to tell us about how radicals envisioned the history of Britain, its relationship with empire, and the fulfillment of the ends of history. Cooper's poem proceeds in ten books, written in Spenserian stanzas, in which he dreams of visiting a purgatory of suicides: mythical and historical personages who have committed suicide debate the reasons for their condition and the condition of the world. Jones's poem was written in couplets, supposedly on the torn pages of a prayer book, in his own blood. The poem surveys the rise and fall of multiple empires, and also surveys recent political history closer to home. The two poems look to the past and the future, to universal history and its end. They thus participate in utopian political discourse, with its emphasis on the end of history, as well as the epic tradition. Both utopian and epic discourse in this period were affiliated with specifically national narratives, and the internationalist and universal elements of the poems sometimes inhabit these genres uneasily. Additionally, both poets attend to the religious tradition of eschatological discourse that underlies the secular notion of the end of history, and work to reconcile it with the political vision they are promoting. These writers use unique combinations of spatial and temporal frames to achieve the reconciliation of their diverse goals with the genres and discourses that they claim and transform.


Author(s):  
Vladimir P. Rozhkov ◽  

The article explores the problem of constructing concepts of the end of history. The author draws attention to the anthropogenic, social and historical factors of the emergence and increasing of interest to the topic of finiteness of the historical process. He notes its manifestation in eschatological intentions of theological comprehension and philosophical reflection of the meanings of completing the path of humanity from the past to the present. The author reveals the variable dynamics in the methodology of the philosophy of history, the peculiarity of which at the turn of the second and third millennia is seen in the fact that civilizational projects become dominant. F. Fukuyama and S. Huntington create competing concepts of the end of history in their parameters. The article provides a comparative analysis of methodological tools for designing the proposed models. As a result, the author comes to the conclusion about the limitations of the methodological resource of the civilizational approach, the conceptual implementation of which catalyzes the risk-generating character of the functioning of the international community. Developing the ideas of previous publications, he suggests applying a multi-level methodological synthesis based on the principles of differentiation and complementarity. In his opinion, the synthesis of elements of civilizational and formational methodology with moral and axiological semantic orientations of Christian exegetics can present an interesting perspective in this regard.


1994 ◽  
Vol 56 (4) ◽  
pp. 697-726 ◽  
Author(s):  
Joshua Foa Dienstag

This article examines Hegel's philosophy of history with the intention of once again rendering it strange. Hegel's “historicism” has been accepted for so long that the actual terms of his history are rarely examined afresh. But his account of the past, it is argued here, is best understood through the vocabulary of art and beauty that he develops in the Aesthetics. Historical forms cannot be wholly grasped through the vocabulary of dialectical reason, but ought to be seen as “shapes” in a strong sense. Two principle conclusions follow from this reassessment: The first is that the Philosophy of History is best understood neither as an optimistic account of rational progress, nor as a tale of the “end of history” in liberal democracy, but as an attempt to “seduce us to life”—that is, an attempt to reconcile us to the world through the beauty of history. The second conclusion is that this attempt must fail. It fails because, in his effort to discern beauty in the past, Hegel imposes a completeness upon time that excludes the possibility of a future. Whether intentionally or not, Hegel's pessimism about art is transmitted to his philosophy of history. The Temple of Memory that Hegel builds to shelter our souls ends up imprisoning them instead.


2008 ◽  
Vol 30 (4) ◽  
pp. 9-27 ◽  
Author(s):  
Cary Carson

Abstract Are historic sites and house museums destined to go the way of Oldsmobiles and floppy disks?? Visitation has trended downwards for thirty years. Theories abound, but no one really knows why. To launch a discussion of the problem in the pages of The Public Historian, Cary Carson cautions against the pessimistic view that the past is simply passéé. Instead he offers a ““Plan B”” that takes account of the new way that learners today organize information to make history meaningful.


Author(s):  
Malik Daham Mata’ab

Oil has formed since its discovery so far one of the main causes of global conflict, has occupied this energy map a large area of conflict the world over the past century, and certainly this matter will continue for the next period in our century..


2020 ◽  
Author(s):  
Johann Johann And Devika

BACKGROUND Since November 2019, Covid - 19 has spread across the globe costing people their lives and countries their economic stability. The world has become more interconnected over the past few decades owing to globalisation and such pandemics as the Covid -19 are cons of that. This paper attempts to gain deeper understanding into the correlation between globalisation and pandemics. It is a descriptive analysis on how one of the factors that was responsible for the spread of this virus on a global scale is globalisation. OBJECTIVE - To understand the close relationship that globalisation and pandemics share. - To understand the scale of the spread of viruses on a global scale though a comparison between SARS and Covid -19. - To understand the sale of globalisation present during SARS and Covid - 19. METHODS A descriptive qualitative comparative analysis was used throughout this research. RESULTS Globalisation does play a significant role in the spread of pandemics on a global level. CONCLUSIONS - SARS and Covid - 19 were varied in terms of severity and spread. - The scale of globalisation was different during the time of SARS and Covid - 19. - Globalisation can be the reason for the faster spread in Pandemics.


Author(s):  
Farhad Khosrokhavar

The creation of the Islamic State in Iraq and Sham (ISIS) changed the nature of jihadism worldwide. For a few years (2014–2017) it exemplified the destructive capacity of jihadism and created a new utopia aimed at restoring the past greatness and glory of the former caliphate. It also attracted tens of thousands of young wannabe combatants of faith (mujahids, those who make jihad) toward Syria and Iraq from more than 100 countries. Its utopia was dual: not only re-creating the caliphate that would spread Islam all over the world but also creating a cohesive, imagined community (the neo-umma) that would restore patriarchal family and put an end to the crisis of modern society through an inflexible interpretation of shari‘a (Islamic laws and commandments). To achieve these goals, ISIS diversified its approach. It focused, in the West, on the rancor of the Muslim migrants’ sons and daughters, on exoticism, and on an imaginary dream world and, in the Middle East, on tribes and the Sunni/Shi‘a divide, particularly in the Iraqi and Syrian societies.


PMLA ◽  
1970 ◽  
Vol 85 (5) ◽  
pp. 1050-1062 ◽  
Author(s):  
Barbara K. Lewalski

Milton's references in the preface to Samson Agonistes and in The Reason of Church Government to the Book of Revelation as tragedy have great significance for his drama. His cited authority, David Pareus, and several other Protestant commentators identified the Book of Revelation as tragedy on the basis of form (the alternation of dramatic episodes and Choruses) and subject—the spiritual combat of the Elect with Antichrist and their torment and suffering at his hands throughout all time, reversed only at the end of history when they share Christ's Apocalyptic victory over him. Protestant exegates often linked the Samson story typologically with the Book of Revelation, presenting Samson as type of the suffering Elect and the exercise of Samson's vocation as Judge (deliverer of God's people and executor of the wrath of God upon His enemies) as type of the Elect judging the world with Christ at the last day. This context assists the interpretation of Milton's Samson, bringing into focus its treatment of Samson's judgeship. The Samson Apocalypse link also brings a new perspective to certain moot questions: the date of the play, the interpretation of Samson's character, the presence of contemporary political reference, the nature of the drama's tragic effect.


2017 ◽  
Vol 3 (1) ◽  
pp. 49-66
Author(s):  
Zaprulkhan Zaprulkhan

Abstract: In 1989 Francis Fukuyama with his article The End of History? In the journal The National Interest revolves a speculative thesis that after the West conquered its ideological rival, hereditary monarchy, fascism and communism, the constellation of the world of international politics reached a remarkable consensus to liberal democracy. A few years later, Samuel P. Huntington came up with a more provocative thesis that ideological-based war would be a civilization-based war in his article, The Clash of Civilizations? In the journal Foreign Affairs. It reveals that in the future the world will be shaped by interactions among the seven or eight major civilizations of Western civilization: Confucius, Japan, Islam, Hinduism, Orthodox Slavs, Latin America and possibly Africa. Huntington directed the West to pay particular attention to Islam, for Islam is the only civilization with great potential to shake Western civilization. Departing from the above hypotheses, this paper will specifically discuss the bias of Fukuyama and Huntington's thesis on Islam, and how its solution to build a dialogue of civilization by taking the paradigm of dialogue from Ibn Rushd and Raghib As-Sirjani. Abstrak: Pada tahun 1989 Francis Fukuyama dengan artikelnya The End of History? Dalam jurnal The National Interest revolusioner tesis spekulatif bahwa setelah Barat telah menaklukkan lawan-lawan ideologisnya, monarki herediter, fasisme dan komunisme, konstelasi politik internasional mencapai konsensus yang luar biasa untuk demokrasi liberal. Beberapa tahun kemudian, Samuel P. Huntington muncul dengan tesis yang lebih provokatif bahwa perang berbasis ideologis akan menjadi perang berbasis peradaban dalam artikelnya, The Clash of Civilisations? Dalam jurnal Luar Negeri. Ini mengungkapkan bahwa di masa depan akan dibentuk oleh interaksi antara tujuh atau delapan peradaban utama peradaban Barat: Konfusius, Jepang, Islam, Hindu, Slavia Ortodoks, Amerika Latin dan mungkin Afrika. Perhatian Huntington pada Islam adalah potensi terpenting untuk mengguncang peradaban Barat. Berangkat dari hipotesis di atas, makalah ini akan secara khusus membahas bias tesis Fukuyama dan Huntington tentang Islam, dan bagaimana mereka akan mengambil paradigma dialog dari Ibn Rushd dan Raghib As-Sirjani.


English Today ◽  
2008 ◽  
Vol 24 (2) ◽  
pp. 3-12 ◽  
Author(s):  
Kingsley Bolton

ABSTRACTThe contemporary visibility and importance of English throughout the Asian region coupled with the emergence and development of distinct varieties of Asian Englishes have played an important part in the global story of English in recent years. Across Asia, the numbers of people having at least a functional command of the language have grown exponentially over the last four decades, and current changes in the sociolinguistic realities of the region are often so rapid that it is difficult for academic commentators to keep pace. One basic issue in the telling of this story is the question of what it is we mean by the term ‘Asia’, itself a word of contested etymology, whose geographical reference has ranged in application from the Middle East to Central Asia, and from the Indian sub-continent to Japan and Korea. In this article, my discussion will focus on the countries of South Asia, Southeast Asia, and East Asia, as it is in these regions that we find not only the greatest concentration of ‘outer-circle’ English-using societies but also a number of the most populous English-learning and English-knowing nations in the world.


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