“The Promise of Partnership”: Indian Business, the State, and the Bombay Plan of 1944

2014 ◽  
Vol 88 (1) ◽  
pp. 97-131 ◽  
Author(s):  
Medha Kudaisya
Keyword(s):  
Economic Policy ◽  
Turning Point ◽  
Business Groups ◽  
Development Planning ◽  
Economic Transformation ◽  
The State ◽  
Business Leaders ◽  
History Of ◽  
First Time ◽  
Insight Into

This article recounts the story of the Bombay Plan of 1944, a bold vision of economic transformation for postwar India put forth by business leaders. The Plan represented a turning point in the history of Indian business. It marked the institutionalization of a long relationship between business and nationalist leadership as well as a historic moment when business groups, for the first time, unhesitatingly aligned themselves with nationalist aspirations. Underlying the Bombay Plan was the idea of a close partnership between business and the state. Yet, within a decade, this optimism died out as the autarchic features of economic policy became increasingly pronounced in independent India. The story of the Bombay Plan provides an insight into the relations between business and state in the context of development planning in India.

The Department of Restoration and Examination of Works of Art of the Kharkiv State Academy of Design and Arts in the History of Restoration in Slobozhanshchyna

2021 ◽  
Vol 2021 (02) ◽  
pp. 186-198
Author(s):  
V. Shulika ◽  
Keyword(s):  
Educational Institution ◽  
The State ◽  
Educational Process ◽  
Art Gallery ◽  
Works Of Art ◽  
The First World War ◽  
Teachers And Students ◽  
History Of ◽  
Scientific Practical ◽  
First Time

The article is devoted to the scientific, practical and pedagogical experience of the Department of Restoration and Examination of Works of Art of the Kharkiv State Academy of Design and Arts throughout its existence in the context of the development of this industry in the historical territory of Sloboda Ukraine. The REWA department of KSADA is the only educational institution in the East of Ukraine that trains artists-restorers of easel and monumental painting, specialists in expertise. Over the years, the department has restored many hundreds of works of art, and graduates of the department successfully work in restoration and museum institutions in Ukraine and the EU. The establishment of the REWA department was preceded by a long historical process of restoration activities in the region, which dates back to the second half of the seventeenth century, the time of the founding of Slobozhanshchyna. The first local restorers were icon painters, who were invited to perform works of art in cities and monasteries. Later, in the nineteenth century, the role of restorers was performed by local, including well-known, painters (I. Bunakov, I. Kulikovsky, M. Uvarov). Restoration education in Slobozhanshchyna dates back to 1902, when the training and icon-painting workshop was opened in Sloboda Borysivka, where the restoration of icon-painting was taught for the first time in the historical Ukrainian lands. During the First World War, the unveiling of the icon of St. Nicholas of Miletus Monastery became a significant event in Kharkiv (1915). In the 1920s and 1930s well-known restorers and representatives of related professions who mastered the profession of a restorer (M. Kasperovych, I. Sviatenko, P. Fomin, etc.), worked in Kharkiv. A restoration workshop operated at the Ukrainian Art Gallery in 1930s, and in 1938 the first Ukrainian-language edition on this subject was published and a separate section devoted to restoration (V. Lokhanko “Artistic Materials and Painting Techniques”). In 1984, Kharkiv branch of the State Research and Restoration Workshops was opened. Higher restoration education in Slobozhanshchyna was started in 1988, as a section of painting restoration, which was transformed into an independent graduating department in 1994. Teachers and students of the department within the educational process carry out practical restoration of works of art, monitoring of private and museum collections, the state of preservation of monumental paintings. They develop and improve methods of restoration, publish and patent developments and discoveries. The Department of REWA is constantly working on improvement of teaching and methods of evaluating the work of students, planning to open new educational programs.

THE PROJECT OF STAGING "KHOVANSHCHINA" BY M. P. MUSSORGSKY IN B.V. ASAFYEV’S ORCHESTRATION

2020 ◽  
Vol 1 (2) ◽  
pp. 95-102
Author(s):  
V. A. Aleksandrova ◽  
Keyword(s):  
The State ◽  
National Museum ◽  
State Archive ◽  
Central State ◽  
Saint Petersburg ◽  
Russian State ◽  
Archival Documents ◽  
History Of ◽  
Orchestral Score ◽  
First Time

The article is devoted to the history of an unrealized performance of M. P. Mussorgsky’s opera "Khovanshchina" orchestrated by B. V. Asafyev. On the basis of archival documents, stored in the Russian State Archive of Literature and Arts, the Russian National Museum of Music, Central State Archive of Literature and Art of Saint Petersburg, the Bolshoi Theatre Museum, most of which are introduced into scientific circulation for the first time, studied the circumstances under which the opera was planned to be staged in the State Academic Theatre of Opera and Ballet (nowadays — the Mariinsky Theatre). Fragments from the reports of the Artistic Council of Opera at the State Academic Theatre of Opera and Ballet meetings, the correspondence between B. V. Asafyev and P. A. Lamm, the manuscript "P. A. Lamm. A Biography" by O. P. Lamm and other unpublished archival documents are cited. The author comes to the conclusion that most attempts to perform "Khovanshchina" were hindered by the difficult socio-political circumstances of the 1930s, while the existing assumptions about the creative failure of the Asafyev’s orchestration don’t find clear affirmation, neither in historical documents, nor in the existing manuscript of the orchestral score.

Fate of Ideas: Some Reflections on the Enduring Significance of Manfred Frings’ Rejected Translation of Edmund Husserl’s Ideas II

2021 ◽  
Vol 37 (2) ◽  
pp. 149-165
Author(s):  
Andrew Barrette ◽  
Keyword(s):  
Lived Body ◽  
Phenomenological Movement ◽  
Half Century ◽  
Phenomenological Tradition ◽  
Living Tradition ◽  
History Of ◽  
First Time ◽  
Insight Into

This paper investigates a moment in the history of the phenomenological movement and offers an argument for its enduring significance. To this end, it brings to light, for the first time in a half-century, Manfred Frings’ rejected and so unpublished translation of Edmund Husserl’s Ideas II. After considering the meaning of the term Leib, which Frings renders ‘lived-body’ and to which the editor suggests ‘organism,’ a brief argument for the living tradition of phenomenology is given. It is claimed that the enduring significance of the document is found in the elucidation of the need to renew the phenomenological tradition through a collaboration across generations. Thus, even in its supposed “failure,” Frings’ translation gives data to future thinkers for insight into both their own life and the life of the ideas of phenomenology itself.

The 1912 Duma Elections: The State, the Opposition and the Clergy

Orthodoxia ◽  
2021 ◽  
pp. 111-124
Author(s):  
F. A. Gayda
Keyword(s):  
The State ◽  
Election Campaign ◽  
Difficult Situation ◽  
The Public ◽  
The Press ◽  
History Of ◽  
The Government ◽  
The Russian Empire ◽  
First Time ◽  
The Church

This article deals with the political situation around the elections to the State Duma of the Russian Empire in 1912 (4th convocation). The main actors of the campaign were the government, local administration, liberal opposition and the clergy of the Orthodox Russian Church. After the 1905 revolution, the “official Church” found itself in a difficult situation. In particular, anti-Church criticism intensified sharply and was expressed now quite openly, both in the press and from the rostrum of the Duma. A consequence of these circumstances was that in this Duma campaign, for the first time in the history of Russian parliamentarianism, “administrative resources” were widely used. At the same time, the authorities failed to achieve their political objectives. The Russian clergy became actively involved in the election campaign. The government sought to use the conflict between the liberal majority in the third Duma and the clerical hierarchy. Duma members launched an active criticism of the Orthodox clergy, using Grigory Rasputin as an excuse. Even staunch conservatives spoke negatively about Rasputin. According to the results of the election campaign, the opposition was even more active in using the label “Rasputinians” against the Holy Synod and the Russian episcopate. Forty-seven persons of clerical rank were elected to the House — three fewer than in the previous Duma. As a result, the assembly of the clergy elected to the Duma decided not to form its own group, but to spread out among the factions. An active campaign in Parliament and the press not only created a certain public mood, but also provoked a political split and polarization within the clergy. The clergy themselves were generally inclined to blame the state authorities for the public isolation of the Church. The Duma election of 1912 seriously affected the attitude of the opposition and the public toward the bishopric after the February revolution of 1917.

scholarly journals The Interaction of the State Museum Fund and Museums of the Tatar ASSR in the 1920s

2018 ◽  
Vol 15 (6) ◽  
pp. 754-763 ◽  
Author(s):  
Natalia V. Gerasimova
Keyword(s):  
Fine Arts ◽  
The State ◽  
Public And Private ◽  
Art Collections ◽  
Art Collection ◽  
State Museum ◽  
Scientific Principles ◽  
History Of ◽  
Private Museums ◽  
First Time

The article is devoted to one of the Soviet State’s policy directions at the first stage of its existence, aimed at the preservation of cultural va­lues and the formation of museum art collections. The poorly studied question about the features of this policy implementation is revealed on the example of the TASSR (Kazan Province — before May 1920), where in the 1920s a whole network of museums was created; almost in each of them, an art department was organized. The appeal to this topic is relevant in connection with the opening of a large number of public and private museums, which face similar challenges, as well as the active scientific activities of museums to study their own collections, in the framework of creation of the State Catalogue of the Museum Fund of the Russian Federation. For the first time, the article introduces into scientific circulation a number of sources, on the basis of which the main directions of this activity, as well as the museums’ art collections themselves, are analyzed. In the TASSR, the interaction with the State Museum Fund (SMF) was carried out by the Department for Museums and Protection of Monuments of Art, Anti­quities and Nature, employees of which (P.M. Dulsky and P.E. Kornilov) were engaged not only in organization of the artworks’ transferring to museums, but also in their selection. The article states that, thanks to the SMF, the Central Museum of the TASSR had the most complete and valuable art collection, and an interesting collection was formed in the Kozmodemyansky District Museum, which was part of the Kazan Province until 1920. This study shows that the SMF was an important and effective mechanism for the implementation of state policy in the field of culture: its activities contributed to the creation of provincial museums’ collections, based on scientific principles and aimed at presenting the history of fine arts development.

The Work of Testimony in the Age of Decolonization: Chronicle of a Summer, Cinema Verité, and the Emergence of the Holocaust Survivor

PMLA ◽  
2004 ◽  
Vol 119 (5) ◽  
pp. 1231-1246
Author(s):  
Michael Rothberg
Keyword(s):  
Turning Point ◽  
Discrete Event ◽  
Holocaust Survivor ◽  
Algerian War ◽  
The Public ◽  
Holocaust Memory ◽  
The Holocaust ◽  
History Of ◽  
The Public Sphere ◽  
First Time

The trial of Adolf Eichmann, in 1961, is generally considered a turning point in the history of Holocaust memory because it brought the Holocaust into the public sphere for the first time as a discrete event on an international scale. In the same year, Jean Rouch and Edgar Morin's film Chronicle of a Summer appeared in France. While absent from scholarship on memory of the Nazi genocide for over forty years, Chronicle of a Summer contains a scene of Holocaust testimony that suggests the need to look beyond the Eichmann trial for alternative articulations of public Holocaust remembrance. This essay considers the juxtaposition in Chronicle of a Summer of Holocaust memory and the history of decolonization in order to rethink the “unique” place that the Holocaust has come to hold in discourses on extreme violence. The essay argues that a discourse of truth and testimony arose in French resistance to the Algerian war that shaped and was shaped by memory of the Nazi genocide.

Introduction

2019 ◽  
pp. 1-3
Author(s):  
Alan Shuback
Keyword(s):  
Human Development ◽  
Turning Point ◽  
Human Society ◽  
History Of ◽  
Object Lesson ◽  
First Time

The invention of the wheel is frequently cited as a seminal turning point in the history of human development, but that grand event was surely predated by an equally important occurrence: the first time a man managed to climb onto a horse’s back and ride the animal an appreciable distance without falling off. Since that long-ago day in the misty past, horses have become an integral part of human society, providing us with recreation, sport, companionship, a means of transportation, an ally in war, and an aid to labor, as well as supplying an object lesson in the appreciation of beauty. Simply looking at horses makes a person feel better....

A new species and notes on unusual natural history of Cladochaeta Coquillett, 1900 (Diptera: Drosophilidae)

Zootaxa ◽  
2018 ◽  
Vol 4410 (3) ◽  
pp. 483 ◽  
Author(s):  
FERNANDO DA SILVA CARVALHO-FILHO ◽  
GABRIELA PIRANI ◽  
THIAGO GECHEL KLOSS
Keyword(s):  
New Species ◽  
Natural History ◽  
Brazilian Amazon ◽  
First Record ◽  
The State ◽  
Female Specimen ◽  
Urban Garden ◽  
History Of ◽  
First Time ◽  
A New Species

A new species of Cladochaeta Coquillett (Diptera: Drosophilidae) is described, C. caxiuana sp. nov. from the Brazilian Amazon, based on 10 male and 10 female specimens obtained from nymphs of Sphodroscarta trivirgata (Amyot & Serville, 1843) (Hemiptera: Auchenorrhyncha: Aphrophoridae). The female of Cladochaeta atlantica Pirani & Amorim, 2016 is described based on specimens reared from spider egg sacs of the spider Cryptachaea migrans (Keyserling, 1884) (Araneae: Theridiidae) obtained in the state of Espírito Santo, Brazil. This is the first record of this fly genus attacking a spider egg sac. The species Cladochaeta sororia (Williston, 1896) is recorded for the first time from Brazil, based on specimens collected in an urban garden in the Amazon. In addition, an unidentified female specimen of Cladochaeta Coquillett, 1900 was obtained from the cocoon of a spider wasp of the genus Notocyphus Smith (Hymenoptera: Pompilidae). 

scholarly journals A new stage in the study of the medieval Solkhat and its districts (Review of the Book: A Code of Monuments of History, Architecture and Culture of the Crimean Tatars. Volume IV. Old Crimea)

2021 ◽  
pp. 261-268
Author(s):  
Vadim V. Maiko ◽  
Keyword(s):  
Cultural Heritage ◽  
The State ◽  
Complete List ◽  
Scientific Center ◽  
The Crimea ◽  
History Of ◽  
The Republic ◽  
Cultural Heritage Objects ◽  
Academy Of Sciences ◽  
First Time

The review considered the next IV Volume of a multi-volume publication: A Code of monuments of history, architecture and culture of the Crimean Tatars, prepared jointly by the Crimean Scientific Center of Sh. Marjani Institute of history of Academy of Sciences of the Republic of Tatarstan, the Department of History of Fevzi Yakubov “Crimean Engineering and Pedagogical University” and the State Hermitage with the involvement of specialists studying the history and archeology of Solkhat. This volume is entirely devoted to the monuments of history, archeology and architecture of Solkhat – Stary Krym and its district of the second half of the XIII-XIX centuries. For the first time in Russian historiography, the most complete list of cultural heritage objects has been collected. All archaeological works were carried out in Solkhat and its district from the second half of the 1920s and up to today. Previously unpublished photographs and drawings are given in the volume. This publication is rightly considered a new stage in the study of this unique historical place of the Crimea.

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