The *amn'tgap: The view from West Yorkshire

2009 ◽  
Vol 45 (2) ◽  
pp. 251-284 ◽  
Author(s):  
JUDITH M. BROADBENT
Keyword(s):  
Nineteenth Century ◽  
Standard English ◽  
Past Century ◽  
First Person ◽  
British English ◽  
Repair Strategy ◽  
The Past ◽  
The Creation ◽  
Shed Light ◽  
Negative Form

The absence ofI amn'tfor the first person singular present tense negative form is taken to indicate that there is a gap in the paradigm. Recent accounts take a morphosyntactic approach and phonology is largely ignored. Such accounts typically focus on contemporary forms of Standard English. This paper, in contrast, compares nineteenth-century and contemporary West Yorkshire (WY) aux+n'tforms and pursues a largely phonological solution. The paper sets out to demonstrate that WY has never had a *amn'tgap and that changes over the past century shed light on the *amn'tgap problem. Contemporary WY is known to exhibit a phenomenon called secondary contraction, wherebyshouldn't[ʃʊdʔ], for example, may be pronounced [ʃunʔ]. I argue that secondary contraction is responsible for the creation of homophones foramn'tandaren't: [aːnt]/[aːt]. I will consider the possibility that certain aux+n'tforms have become lexicalised and that this has triggered secondary contraction as a phonological repair strategy. With the analysis of WY data as a backdrop, the paper then pursues the possibility that lexicalisation may have occurred, at a much earlier date, in precursors of Standard British English (SBE). Indeed, it seems plausible that homophony foramn'tandaren'tmay have led to prescription against new realisations ofamn't. The paper will show that grammaticallyamn'thas evolved in exactly the same way as other auxn'tforms, and it is only commentators who have treated it differently. If this is so, the *amn'tgap in SBE is man-made rather than grammatical in nature.

scholarly journals Зоопоэтика текста в калмыцкой басне ХХ в.

2021 ◽  
Vol 14 (2) ◽  
pp. 393-408
Author(s):  
Rimma M. Khaninova ◽  
Keyword(s):  
Research Methods ◽  
20Th Century ◽  
Fairy Tale ◽  
Cultural Construction ◽  
Political Orientation ◽  
Past Century ◽  
Semantic Code ◽  
The Past ◽  
The Social ◽  
The Creation

Introduction. In the genre system of Kalmyk poetry, the literary fable appeared in the 1930s. When it came to master the genre, Kalmyk poets mainly focused on the traditions of Russian fable of the 19th–20th centuries, primarily on I. A. Krylov’s works which they eagerly translated. The Kalmyk authors were the least likely to rely on traditions of Eastern literature — whether Indian, Tibetan, or Oirat Mongolian — since those sources written in Tibetan, Classical Mongolian and Clear Script (Kalm. todo bichiq) were virtually unavailable to them, and not all poets had knowledge of the scripts. National folklore, including myths, animal tales, household tales, aphoristic poetry (proverbs, sayings, riddles), to a certain extent contributed to the creation of plots and motifs, a gallery of images ― people and the animal world ― in the Kalmyk literary fable. The appeal to the fable was determined by the tasks of cultural construction in Kalmykia, the satirical possibilities of the genre designed to scourge social vices and human shortcomings, contribute to the correction of morals, facilitate education of a person in the new society. Attention to the fable in 20th-century Kalmyk poetry was not that universal and constant, by the end of the century it was no longer in demand and never revived further. The Kalmyk literary fable has been little studied so far, with the exception of several recent articles by R. M. Khaninova, which determines the relevance of this study. Goals. The article aims to study zoopoetics of text of the animalistic fable in Kalmyk poetry of the past century through examples of selected works by Khasyr Syan-Belgin, Muutl Erdniev, Garya Shalburov, Basang Dordzhiev, Timofey Bembeev, and Mikhail Khoninov. Methods. The work employs a number of research methods, such as the historical literary, comparative, and descriptive ones. Results. The animalistic fable is not the leading one in the general genre system of Kalmyk poetry of the past century, including among fables with human characters. It usually includes characters of the steppe fauna whose figurative characteristics are manifested in Kalmyk folklore. The social satire and political orientation of the fables are actualized by modern reality, actual international situation and events. The paper reveals a relationship between the animal fable and — Kalmyk folklore and the Russian fable tradition. Most of the fables have not yet been translated into Russian. Conclusions. In terms of national versification patterns, the study of the Kalmyk poetic animal fable has identified such synthetic forms as fable-fairy tale, fable-proverb, and fable-dream. The genre definition is not always specified by the authors, a moral usually concludes each quatrain-structured narrative. Genre scenes, monologues, and dialogues contribute to an in-depth reading of the context, symbolism of images, and semantic code.

Antarctic Archaeology

2017 ◽  
Author(s):  
A. Zarankin ◽  
Melisa A. Salerno
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
South Shetland Islands ◽  
Shetland Islands ◽  
The Past ◽  
Late Nineteenth ◽  
Dominant Narratives ◽  
Different Characteristics ◽  
Shed Light ◽  
Over Time

Antarctica was the last continent to be known. Human encounters with the region acquired different characteristics over time. Within the framework of dominant narratives, the early ‘exploitation’ of the territory was given less attention than late nineteenth- and early twentieth-century ‘exploration’. Nineteenth-century exploitation was especially associated with sealing on the South Shetland Islands. Dominant narratives on the period refer to the captains of sealing vessels, the discovery of geographical features, the volume of resources obtained. However, they do not consider the life of the ordinary sealers who lived and worked on the islands. This chapter aims to show the power of archaeology to shed light on these ‘invisible people’ and their forgotten stories. It holds that archaeology offers a possibility for reimagining the past of Antarctica, calling for a revision of traditional narratives.

Rolling and Trembling of the Abdomen: Movement as a Subaltern Subject in Colonial Egypt

2016 ◽  
Vol 2016 ◽  
pp. 141-147
Author(s):  
Maria Faidi
Keyword(s):  
Nineteenth Century ◽  
Power Relations ◽  
Historical Context ◽  
Past Century ◽  
Belly Dance ◽  
British Colonialism ◽  
Feminist Analysis ◽  
The Past ◽  
Egyptian Culture ◽  
Subaltern Subject

Accordingly to Shay and Sellers-Young (2005) “the term “belly dance” was adopted by natives and non-natives to denote all solo dance forms from Morocco to Uzbekistan that engage the hips, torso, arms and hands in undulations, shimmies, circles and spirals.” Dance historian Curt Sachs depicted the dance as “the swinging of the rectus abdominis” (Sachs 1963). This movement has been performed by many oriental dancers in the past century and has become part of the routine of oriental dancers worldwide. This movement has even named the dance “belly dance,” and become one of the most representative elements of contemporary Egyptian culture.This paper will be organized as follows: firstly, I am going to explain succinctly how I use the term “subaltern” in relation to dance and colonialism. Secondly, I am going to present the main scenarios, actors, and factors in which the rolling and trembling of the abdomen was danced, watched, desired and hated at the end of the nineteenth century, provoking strong love/hate reactions among the fin de siecle public. The discourse intermingles both dance and feminist analysis observing how movement constituted a metaphor of the unequal power relations between the metropolis and the colony within the particular historical context of British colonialism in Egypt.

scholarly journals Social Marking in Memory Entrepreneurship: The Battle Over Zapata’s Legacy

2016 ◽  
Vol 12 (2) ◽  
pp. 100-123
Author(s):  
Tyler S. Schafer ◽  
David R. Dickens
Keyword(s):  
Collective Memory ◽  
Indigenous Rights ◽  
The Past ◽  
Zapatista Movement ◽  
Mexican Government ◽  
The Creation ◽  
Collective Representations ◽  
Shed Light ◽  
Social Marking ◽  
Made In

Disputes over historical representations often revolve around competing narratives about the past, but the processes through which these narratives are constructed are often neglected. In this paper, we extend the concept of collective memory using Brekhus’ notion of social marking to investigate the creation and maintenance of collective representations of the Mexican revolutionary Emiliano Zapata. We analyze the claims made in speeches and communiqués produced by two opposing groups—the Mexican government and the Zapatista movement—in a decades-long dispute over land and indigenous rights. Moreover, we argue that processes of social marking can further explain the selective nature of collective memory, that is, how certain parts of the past are remem­bered and emphasized while others are de-emphasized and forgotten. Also, in our analysis of social marking, we identify a naturalization process that is utilized by actors in mnemonic battles to recast their constructed representations of the past as natural, pure, and true. We close with a discussion of how understanding the naturalization process as outlined here can shed light on current political and historical disputes.

scholarly journals The Problem of Realist Events in American Journalism

2014 ◽  
Vol 2 (2) ◽  
pp. 84-95 ◽  
Author(s):  
Kevin G. Barnhurst
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Digital Media ◽  
Digital Communications ◽  
Past Century ◽  
Public Radio ◽  
News Content ◽  
The Past ◽  
News Websites ◽  
American Journalism

Since the nineteenth century, more kinds of news outlets and ways of presenting news grew along with telegraphic, telephonic, and digital communications, leading journalists, policymakers, and critics to assume that more events became available than ever before. Attentive audiences say in surveys that they feel overloaded with information, and journalists tend to agree. Although news seems to have become more focused on events, several studies analyzing U.S. news content for the past century and a half show that journalists have been including fewer events within their coverage. In newspapers the events in stories declined over the twentieth century, and national newscasts decreased the share of event coverage since 1968 on television and since 1980 on public radio. Mainstream news websites continued the trend through the 2000s. Instead of providing access to more of the “what”, journalists moved from event-centered to meaning-centered news, still claiming to give a factual account in their stories, built on a foundation of American realism. As journalists concentrated on fewer and bigger events to compete, audiences turned away from mainstream news to look for what seems like an abundance of events in digital media.

The Music Behind the Mask: Rossini’s Uncanny Salon

2021 ◽  
Vol 14 (1) ◽  
pp. 83-114
Author(s):  
Simon Cohen
Keyword(s):  
Nineteenth Century ◽  
Cultural History ◽  
Old Age ◽  
The Past ◽  
The Uncanny ◽  
Nineteenth Century France ◽  
Scant Attention ◽  
A Site ◽  
Changing Attitudes ◽  
Shed Light

Despite receiving scant attention from scholars and performers, Rossini’s Péchés de vieillesse (Sins of Old Age), written between 1857 and 1868 for his private salon, have a unique and expressive stylistic language. In these works, the composer gives musical voice to the uncanny discourses that emerged around the idea of his “creative death.” This paper establishes how Rossini’s return to composition functioned as a musical “exhumation,” with his compositional activities functioning as a site for broader discourses about disease, aging, and death in nineteenth-century France. Close readings of visual depictions of Rossini by Eugène Delacroix and Antoine Etex shed light on changing attitudes toward the composer, which coincided with broader aesthetic shifts taking place at the time. The tensions engendered by Rossini’s precarious status as both living and dead, and his nostalgic relationship to the past, constitute a kind of doubleness that can be heard in his late compositions. Bringing together cultural history and musical analysis, I show that the privacy of Rossini’s salon gave rise to music with unique signifying potential that has not yet been duly acknowledged.

New Light on Sterne: An Old Man's Recollections of the Young Vicar

PMLA ◽  
1965 ◽  
Vol 80 (5) ◽  
pp. 549-553 ◽  
Author(s):  
James M. Kuist
Keyword(s):  
Nineteenth Century ◽  
British Museum ◽  
Laurence Sterne ◽  
Present Knowledge ◽  
Private Life ◽  
Early Years ◽  
Past Century ◽  
Public Records ◽  
The Past ◽  
Insight Into

In a volume of miscellaneous manuscripts at the British Museum, placed at random and inconspicuously among larger folio leaves, is a set of notes headed “Sterne.” The notes were written by Joseph Hunter, the nineteenth-century antiquary and literary historian, and they came to the British Museum with Hunter's other papers shortly after his death in 1861. In view of the abundant information about Sterne's private life which the notes contain, it is surprising that this item has remained unindexed and that it is not mentioned in the catalogue description of the volume. In the absence of such references, very likely only an occasional reader who has happened upon them has seen these notes, and, since the major biographies of Laurence Sterne make no use of distinct details which Hunter provides, it is quite possible that none of Sterne's biographers have encountered Hunter's information during the past century. At present, our familiarity with the early years of Sterne's marriage and his residence at Sutton-on-the-Forest is rather limited, based as it is upon isolated public records, some letters, fugitive anecdotes, and the unflattering and sometimes vicious account written by John Croft. No impartial memoirs with any claim to authenticity or wealth of details have until now seemed available. Thus, the intimate account of Sterne which Hunter has given presents to modern scholars an unexpected and promising opportunity to gain new insight into the life and, perhaps, into the work of one of England's most unusual writers. A transcript of Hunter's notes appears below, followed by a brief evaluation of them according to our present knowledge of Laurence Sterne.

scholarly journals The Periphrastic Future with Shall and Will in Modern English

PMLA ◽  
1925 ◽  
Vol 40 (4) ◽  
pp. 963-1024 ◽  
Author(s):  
Charles C. Fries
Keyword(s):  
General Rule ◽  
The Other ◽  
Past Century ◽  
First Person ◽  
The Past ◽  
Subordinate Clauses ◽  
Points Of View ◽  
Reported Discourse ◽  
The Many ◽  
Considerable Body

One cannot read through the mass of discussions of the problem of shall and will published during the past century nor even those written since 1900 without being impressed by the wide diversity of the points of view and the definite conflict of the opinions and conclusions thus brought together. Even among those articles that can be grouped as expressing the conventional rules there is considerable variety and contradiction, not in the general rule for independent declarative statements (that a shall with the first person corresponds with a will with the second and third) but in the other rules concerning questions, reported discourse, and subordinate clauses. That there is a considerable body of literary usage which conflicts with the conventional rules is indicated by the many pages in these articles devoted to pointing out instances in which “the best of our authors” have violated the rules.

Sinkiang and Sino-Soviet Relations

1960 ◽  
Vol 3 ◽  
pp. 32-41 ◽  
Author(s):  
Allen S. Whiting
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Past Century ◽  
Important Place ◽  
Inner Asia ◽  
The Past

Sinkiang occupies an important place in the vast arc of Inner Asia linking Russia and China. Over the past century, it has witnessed recurring political and economic tension between these two Powers. On one occasion, Sino-Russian co-operation suppressed anti-Chinese rebellion among its predominantly Moslem peoples. More frequently, however, Russian influence benefited from these results, to the detriment of Chinese power. In addition, Russian trade concessions during the nineteenth century, and Soviet mineral exploitation in the twentieth century, spurred economic penetration of China's largest province.

Buddhist Apologetics and a Genealogy of Comparative Religion in Siam

Numen ◽  
2015 ◽  
Vol 62 (1) ◽  
pp. 76-99 ◽  
Author(s):  
Thongchai Winichakul
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
Religious Identity ◽  
Comparative Religion ◽  
Past Century ◽  
Theravada Buddhism ◽  
The Past ◽  
Integral Component ◽  
Object Of Study ◽  
First Time

Contemporary identity in Thailand is prominently configured through an allegiance of reformed Buddhism with the modern Thai state. What is not well understood, however, is the centrality of “comparative religion” to the construction of this naturalized religionationalist identity, for interreligious study in Siam has been an integral component of modern Thai identity since the mid-nineteenth century. First, the emergence of “religion” as an object of study in modern Thailand is explored here, in an effort to detail the genealogy of this field for the first time. The articulation of Thai religious identity is identified as a response to intellectual challenges from colonial influences, especially the reproofs of Buddhism by Christian missionaries and Orientalist scholarship on religion. Thai Buddhist intellectuals responded to these challenges by robustly countering that Theravada Buddhism was, in fact, superior to Christianity and other religions. Finally, I explore the contentions between the Thai Buddhist apologetics and their opponents as a genealogy of the knowledge in comparative religion in Siam over the past century and a half. Given this genealogy, the field of comparative religion in Thailand is revealed as being far from a disinterested pursuit of knowledge; rather, it is part of the formation and reaffirmation of Thai national identity.

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