scholarly journals Deodorizing China: Odour, ordure, and colonial (dis)order in Shanghai, 1840s–1940s

2016 ◽  
Vol 50 (3) ◽  
pp. 1092-1122 ◽  
Author(s):  
XUELEI HUANG

AbstractSmell is deeply meaningful to human beings. Often considered elusive, ephemeral, and volatile, it has long been excluded from scholarly accounts on culture and history. This article explores this ‘lower’ sense and the roles it played in the historical process of modernization in China. Through a close look at the efforts made by the Western colonial administration to deodorize Shanghai as well as diverse Chinese reactions, this article argues that smell constituted a hidden site where the dynamics of power relations were played out. Smell also opened up a window to showcase modernity's power and ambivalence. The first part of this article looks at how China smelled to the Western nose, against the historical background of the rising consciousness of smell, sanitation, and civility in Europe which began in the eighteenth century. The second part examines the ways in which the British administration applied the olfactory norms of the modern West to the end of taming Chinese stench. The final part provides a case study of ordure treatment in order to show how ambivalence arose in this modern smellscape and why.

2012 ◽  
Vol 17 (1) ◽  
pp. 66-75
Author(s):  
Chris Yuill

The North Laine in Brighton provides a useful case study in exploring different ways of experiencing and imagining urban life. The area possess many distinctive street forms and supports counter-cultural lifestyles, which emphasise environmentalism and alternative forms of capitalism, such as cooperative and collective organisation of the workplace. Drawing on the ideas and theories of Henri Lefebvre the essay focuses on (1) the various social and historical process that have conditioned and influenced the development of the area and (2) the various social power relations that have both sustained the area, allowing it to develop into its current format, and in turn question its future. A visual methodological approach is used to present the data and to convey the distinctive aesthetic of The North Laine.


Author(s):  
Volker Scheid

This chapter explores the articulations that have emerged over the last half century between various types of holism, Chinese medicine and systems biology. Given the discipline’s historical attachments to a definition of ‘medicine’ that rather narrowly refers to biomedicine as developed in Europe and the US from the eighteenth century onwards, the medical humanities are not the most obvious starting point for such an inquiry. At the same time, they do offer one advantage over neighbouring disciplines like medical history, anthropology or science and technology studies for someone like myself, a clinician as well as a historian and anthropologist: their strong commitment to the objective of facilitating better medical practice. This promise furthermore links to the wider project of critique, which, in Max Horkheimer’s definition of the term, aims at change and emancipation in order ‘to liberate human beings from the circumstances that enslave them’. If we take the critical medical humanities as explicitly affirming this shared objective and responsibility, extending the discipline’s traditional gaze is not a burden but becomes, in fact, an obligation.


2005 ◽  
Vol 84 (2) ◽  
pp. 202-220 ◽  
Author(s):  
Colin Kidd

Hugh Trevor-Roper (Lord Dacre) made several iconoclastic interventions in the field of Scottish history. These earned him a notoriety in Scottish circles which, while not undeserved, has led to the reductive dismissal of Trevor-Roper's ideas, particularly his controversial interpretation of the Scottish Enlightenment, as the product of Scotophobia. In their indignation Scottish historians have missed the wider issues which prompted Trevor-Roper's investigation of the Scottish Enlightenment as a fascinating case study in European cultural history. Notably, Trevor-Roper used the example of Scotland to challenge Weberian-inspired notions of Puritan progressivism, arguing instead that the Arminian culture of north-east Scotland had played a disproportionate role in the rise of the Scottish Enlightenment. Indeed, working on the assumption that the essence of Enlightenment was its assault on clerical bigotry, Trevor-Roper sought the roots of the Scottish Enlightenment in Jacobitism, the counter-cultural alternative to post-1690 Scotland's Calvinist Kirk establishment. Though easily misconstrued as a dogmatic conservative, Trevor-Roper flirted with Marxisant sociology, not least in his account of the social underpinnings of the Scottish Enlightenment. Trevor-Roper argued that it was the rapidity of eighteenth-century Scotland's social and economic transformation which had produced in one generation a remarkable body of political economy conceptualising social change, and in the next a romantic movement whose powers of nostalgic enchantment were felt across the breadth of Europe.


Author(s):  
Roy Tzohar

This, the conclusion of this book, draws out those features and themes that are common to the various accounts of metaphor presented in the preceding chapters and examines their possible applications. The text also briefly examines further ways in which these features may be applied to deepen and enrich our understanding of the Buddhist and more generally Indian philosophical engagement with figurative language. As a quick case study, the final part of the discussion explores how the Yogācāra theory of meaning sheds light on the concrete use of distinct figures, focusing on a list of similes prevalent in the school’s literature.


Author(s):  
Isabel Rivers

This chapter analyses the editions, abridgements, and recommendations of texts by seventeenth-century nonconformists that were made by eighteenth-century dissenters, Methodists, and Church of England evangelicals. The nonconformist writers they chose include Joseph Alleine, Richard Baxter, John Flavel, John Owen, and John Bunyan. The editors and recommenders include Philip Doddridge, John Wesley, Edward Williams, Benjamin Fawcett, George Burder, John Newton, William Mason, and Thomas Scott. Detailed accounts are provided of the large number of Baxter’s works that were edited, notably A Call to the Unconverted and The Saints Everlasting Rest, and a case study is devoted to the many annotated editions of Bunyan’s Pilgrim’s Progress and the ways in which they were used. The editors took into account length, intelligibility, religious attitudes, and cost, and sometimes criticized their rivals’ versions on theological grounds.


Author(s):  
Douglas J. Davies

This tripartite chapter calls for a creative approach that engages diverse themes while striving for satisfying resolutions of disciplinary tensions between anthropology and theology. It calls for this even if these resolutions are not achieved. The first part, entitled “Intrapersonal and Interpersonal Dialogue,” is heavily autobiographical, and offers a case study of reflexivity, excusing its indulgence in biographical reflection on account of its intention to pinpoint the very particular and contextual nature of idea development. The second part, headed “Further Conversation Pieces,” picks up just such ideas open to anthropological–theological conversation, including a cautionary gloss on the over-easy use of anthropology and theology as discrete terms. The third and final part, described as “Disciplinary Quandaries,” takes some of these formal classifications of disciplines further and also brings together some personal and institutional factors surrounding both anthropological and theological practice.


Author(s):  
Andrew Kahn ◽  
Mark Lipovetsky ◽  
Irina Reyfman ◽  
Stephanie Sandler

In the context of Sentimentalism in the 1770s, literary culture opened up to representations of human subjectivity. The chapter considers genres of poetry devoted to the themes of pleasure, death, and posterity. It also considers the spaces of poetry and modes of exchange, whether through the album, the salon, and the verse epistle. Two case studies explore the use of different literary forms in the further development of identity, individual and also authorial. The first looks at Radishchev’s experiment in writing a fictional diary as a psychological exercise. The second examines the tradition of imitation of Horace’s Monument poem in Russian poetry in the eighteenth century as well as by later poets, such as Pushkin and Brodsky. The case study shows how these Russian versions express changing ideas about imitation and originality as well as poets’ concern with posterity.


2018 ◽  
Vol 69 (1) ◽  
pp. 184-197
Author(s):  
Claudia Jacobi

Abstract Literary criticism has mentioned some affinities between Guy de Maupassant’s literary work and Freud’s psychoanalysis, without ever reflecting on Maupassant’s literary anticipation of the Oedipus complex. The latter is particularly evident in the short novel Hautot père et fils (1889), which has not received much attention to date. The article aims to illustrate some evident parallels between Maupassant’s literary representation of a father-son conflict and Freud’s scientific approach. In doing so, it does not intend to deliver a demonstration of the emergence of Freudian concepts from naturalistic fiction. It shall rather be considered as a literary case study, which illustrates the discourse-historical process of transformation from the physiological paradigm of naturalism to the psychological paradigm of the arising psychoanalysis.


2021 ◽  
pp. 152747642110272
Author(s):  
Altman Yuzhu Peng

This article provides a feminist analysis of Chinese reality TV, using the recent makeover show— You Are So Beautiful (你怎么这么好看) as a case study. I argue that the notion of gender essentialism is highlighted in the production of You Are So Beautiful, which distances the Chinese show from its original American format— Queer Eye. This phenomenon is indicative of how existing gender power relations influence the production of popular cultural texts in post-reform China, where capitalism and authoritarianism weave a tangled web. The outcomes of the research articulate the interplay between post-socialist gender politics and reality TV production in the Chinese context.


2021 ◽  
pp. 136754942199423
Author(s):  
Anne M Cronin ◽  
Lee Edwards

Drawing on a case study of public relations in the UK charity sector, this article argues that cultural intermediary research urgently requires a more sustained focus on politics and the political understood as power relations, party politics and political projects such as marketization and neoliberalism. While wide-ranging research has analysed how cultural intermediaries mediate the relationship between culture and economy, this has been at the expense of an in-depth analysis of the political. Using our case study as a prompt, we highlight the diversity of ways that the political impacts cultural intermediary work and that cultural intermediary work may impact the political. We reveal the tensions that underpin practice as a result of the interactions between culture, the economy and politics, and show that the tighter the engagement of cultural intermediation with the political sphere, the more tensions must be negotiated and the more compromised practitioners may feel.


Sign in / Sign up

Export Citation Format

Share Document