Porno Para Ricardo: rock music and the ‘obsession with identity’ in contemporary Cuba

Popular Music ◽  
2014 ◽  
Vol 33 (3) ◽  
pp. 455-472 ◽  
Author(s):  
Tom Astley
Keyword(s):  
National Identity ◽  
Rock Music ◽  
The State ◽  
Cultural Discourse ◽  
Rock Band ◽  
Revolutionary Period ◽  
Musical Forms ◽  
The Revolution

AbstractThe desire to construct and define a sense of national identity has often been regarded as something of an ‘obsession’ in Cuban political and cultural discourse. Throughout the Revolution, rock music has consistently played some part in the making of a Cuban soundscape. Yet rock has often been seen as something of a threat to an ‘autochthonous’ construction of Cuban culture, and has often been denied legitimacy as part of the Cuban soundworld. Despite the rather liminal position it occupied throughout the revolutionary period, rock music in contemporary Cuba is as ‘obsessed’ with constructing, defining and reflecting a sense of Cubanness as more ‘recognisably Cuban’ musical forms. In this paper I explore some of the negotiations and conflicts in the music of the controversial rock band, Porno Para Ricardo: negotiations between traditional musics, the state and rock music in the perennial quest to defineCubanía.

Returning to the Roots

2021 ◽  
pp. 121-165
Author(s):  
Fatemeh Shams
Keyword(s):  
Social Justice ◽  
The State ◽  
Islamic Republic ◽  
State Institutions ◽  
Political Influences ◽  
Persian Poetry ◽  
The Impact ◽  
The Village ◽  
Revolutionary Period ◽  
The Revolution

This chapter explores the enduring symbiosis between the village motif, social justice, and populist politics in Iran during the first three decades after the revolution. At first, it briefly highlights the evolution of the allegorical village in classical and contemporary Persian poetry. The focus will later be shifted towards the representation of the village in revolutionary poetry. We will see that it has remained a recurring motif in Persian poetry of the post-revolutionary period, employed by a variety of writers and state institutions for a range of means. As a symbol, it has been a conduit into which any ideology can be poured; the village allegory can be manipulated to both condemn and support the official politics of the state. The chapter examines the key socio-political influences behind the evolution of rural themes, the work of official poets, and the impact of the village on the cultural doctrine of the Islamic Republic.

German symbolism in rock music: national signification in the imagery and songs of Rammstein

Popular Music ◽  
2008 ◽  
Vol 27 (3) ◽  
pp. 457-472 ◽  
Author(s):  
ROBERT G.H. BURNS
Keyword(s):  
National Identity ◽  
Rock Music ◽  
Performance Style ◽  
Rock Band ◽  
German Identity ◽  
Commercial Enterprise ◽  
Textual Content

AbstractIn this article, I discuss aspects of national identity in the performance style of the German rock band Rammstein from the perspectives of imagery, vocal style and the textual content of their songs. Investigation into Rammstein’s music reveals transformations of signifiers from earlier German performance styles and earlier textual themes that the band use as a means of relocating notions of German identity into their own performances. The adoption of national German signifiers enables Rammstein to establish connections between the band and the growth of national awareness among German youth who follow them. In this way, marketing and promotion of notions of a new national German identity to generations unaware of the origins of neo-romantic, national German signifiers in Rammstein’s music supports a successful commercial enterprise that, I argue, runs close to boundaries existing between national and nationalist.

Dialogue or Confrontation?

2012 ◽  
Vol 3 (1) ◽  
pp. 93-116 ◽  
Author(s):  
Ringo Ringvee
Keyword(s):  
National Identity ◽  
Religious Identity ◽  
The State ◽  
Religious Movements ◽  
New Religious Movements ◽  
Religious Traditions ◽  
Neoliberal Governance ◽  
Religious Associations ◽  
Liberal Attitude

The article focuses on the relations between the state , mainstream religions and new religious movements in Estonia from the early 1990s until today. Estonia has been known as one of highly secular and religiously liberal countries. During the last twenty years Estonian religious scene has become considerably more pluralist, and there are many different religious traditions represented in Estonia. The governmental attitude toward new religious movements has been rather neutral, and the practice of multi-tier recognition of religious associations has not been introduced. As Estonia has been following neoliberal governance also in the field of religion, the idea that the religious market should regulate itself has been considered valid. Despite of the occasional conflicts between the parties in the early 1990s when the religious market was created the tensions did decrease in the following years. The article argues that one of the fundamental reasons for the liberal attitude towards different religious associations by the state and neutral coexistence of different traditions in society is that Estonian national identity does not overlap with any particular religious identity.

Nation Branding:

MedienJournal ◽  
2017 ◽  
Vol 37 (3) ◽  
pp. 7
Author(s):  
Gisela K. Cánepa
Keyword(s):  
Economic Growth ◽  
National Identity ◽  
Cultural Identity ◽  
Social Contract ◽  
The State ◽  
Nation Branding ◽  
Great Opportunity ◽  
National Community ◽  
Neoliberal Governmentality ◽  
Entrepreneurial Spirit

Nation branding plays a central role within neoliberal governmentality, operating as a technology of power in the configuration of emerging cultural and political formations such as national identity, citizenship and the state. The discussion of the advertising spot Perú, Nebraska  released as part of the Nation Branding campaign Marca Perú  in May of 2011, constitutes a great opportunity to: (i) argue about the way in which audiovisual advertisement products, designed as performative devises, operate as technologies of power; and (ii) problematize the terms in which it founds a new social contract for the Peruvian multicultural national community. This analysis will allow me to approach neoliberalism as a cultural regime in order to discuss the ideological nature of the uncontested celebratory discourse that has emerged in Perú and which explains the economic growth of the last decades as the outcome of a national entrepreneurial spirit that would be distinctive of Peruvian cultural identity.

Парламент или Советы: российский выбор 1918 года

2016 ◽  
Vol 14 (3) ◽  
pp. 93-99
Author(s):  
Игорь А. Исаев
Keyword(s):  
Legal History ◽  
Direct Action ◽  
The State ◽  
European Countries ◽  
The Political ◽  
Political Systems ◽  
Basic Principles ◽  
Political Form ◽  
The Revolution

The article deals with one of the most important issues in the Soviet political and legal history. The choice of the political form that was established almost immediately after the victory of the Bolsheviks in the Revolution of 1917, meant a change in the direction of development of the state. Councils became an alternative to the parliamentary republic. The article analyzes the basic principles of both political systems and the reasons for such a choice. The author emphasizes transnational political direction of the so-called “direct action” which took place not only in Russia, but also in several European countries.

TANTANGAN DAN PENGUATAN IDEOLOGI PANCASILA DALAM MENGHADAPI ERA REVOLUSI INDUSTRI 4.0

2019 ◽  
Vol 2 (02) ◽  
pp. 66-78
Author(s):  
Nurul Fadilah
Keyword(s):  
Content Analysis ◽  
National Identity ◽  
Data Analysis ◽  
Data Collection ◽  
Human Resources ◽  
Research Method ◽  
Industrial Revolution ◽  
Qualitative Approach ◽  
The State ◽  
Way Of Life

The ideology of Pancasila as a way of life, the basis of the state, and national identity has a various challenge from time to time so that the existence of Pancasila as an Ideology must be maintained, especially in industrial revolution 4.0. The research method used is a qualitative approach by doing study of literature. In data collection the writer used documentation while in techniques data analysis used content analysis, inductive and descriptive. Results of the research about challenges and strengthening of the Pancasila Ideology in facing the era of the industrial revolution 4.0 are: (1)  grounding Pancasila, (2) increasing professional human resources based on Pancasila’s values, (3) maintaining the existence of Pancasila as the State Ideology.

Mobilized Yet Contained: Popular Women, Feminisms, and Organizing around Venezuela’s 2012 Organic Labor Law

2021 ◽  
pp. 0094582X2110130
Author(s):  
Rachel Elfenbein
Keyword(s):  
Division Of Labor ◽  
Labor Law ◽  
The State ◽  
Political Field ◽  
Gendered Division Of Labor ◽  
Women's Organizing ◽  
State Adoption ◽  
Las Mujeres ◽  
The Revolution

Venezuela’s state-led national-popular Bolivarian process opened up a new political field for feminism—an approach that was both institutional and popular, aiming to combine forces from above and from below and use state gender institutions to foment popular women’s organization. Yet this field was conflictual, containing contesting popular feminist projects with different implications for the gendered division of labor. Analysis of popular women’s organizing around Venezuela’s 2012 organic labor law shows that state adoption of feminism marked a gendered political opening for popularizing feminism while also presenting risks of state co-optation of popular women’s organizing. The state understood popular women’s organization and mobilization as central to the revolution, yet it generally attempted to limit their autonomy and organizing to challenge the gendered division of labor. El bolivarianismo nacional-popular liderado por el estado venezolano abrió un nuevo campo político para el feminismo: un enfoque que era tanto institucional como popular y cuyo objetivo era combinar fuerzas tanto de arriba como de abajo, así como utilizar las instituciones estatales de género para fomentar las organizaciones populares de mujeres. Sin embargo, este campo resultó conflictivo, y parte de su contenido impugnaba proyectos feministas populares con diferentes implicaciones para las divisiones de género en el trabajo. El análisis de la organización popular de las mujeres en torno a la ley orgánica del trabajo de Venezuela de 2012 muestra que la adopción estatal del feminismo marcó una apertura política de género con intenciones de popularizar el feminismo a la vez que presentaba el riesgo de que la organización popular de las mujeres fuera cooptada por el estado. El estado consideraba la organización y movilización popular de las mujeres como esenciales a la revolución. Sin embargo y hablando generalmente, se abocó a limitar su autonomía y organización cuando se trataba de desafiar las divisiones de género en el trabajo.

Rocking the State. Rock Music and Politics in Eastern Europe and Russia

2021 ◽  
Vol 73 (3) ◽  
pp. 592-593
Author(s):  
Hasan Selçuk Türkmen
Keyword(s):  
Eastern Europe ◽  
Rock Music ◽  
The State ◽  
Music And Politics
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