Why Did Antigone Kill Herself?

1993 ◽  
Vol 9 (34) ◽  
pp. 107-109
Author(s):  
Jan Kott

In suggesting an answer to the question which forms the title of this article, Jan Kott seeks relevant connections between the rites of a past civilization and the history of the twentieth century – each age sharing across the millennia the capacity to hate those it chooses to make its victims. Since the publication of his seminal study, Shakespeare Our Contemporary, in 1964, Jan Kott has published in a wide range of fields, always displaying a characteristic combination of critical perception, insight into performance potential, and open sensibility towards the cultures of past and present. Jan Kott has also from the first been an Advisory Editor of Theatre Quarterly as of New Theatre Quarterly. He will be eighty in 1994, and in NTQ40, due for publication in November of that year – as it happens, also the eightieth issue of this journal and its predecessor – we plan a special issue by way of celebration. Although a number of contributions have already been commissioned, further ideas for articles of a kind appropriate to the occasion are welcome.

2012 ◽  
Vol 59 (2) ◽  
pp. 214-244 ◽  
Author(s):  
JAMES ROBSON

The reception of Aristophanes has gained extraordinary momentum as a topic of academic interest in the last few years. Contributions range from Gonda Van Steen's ground-breaking Venom in Verse. Aristophanes in Modern Greece to Hall and Wrigley's Aristophanes in Performance 421 BC–AD 2007, which contains contributions from a wide range of scholars and writers, a number of whom have had experience of staging Aristophanes' plays as live theatre. In Found in Translation, J. Michael Walton has also made strides towards marrying the theory of translation to the practice of translating Aristophanes (something I have myself also sought to do in print). And with the history of Aristophanic translation, adaptation, and staging being rapidly pieced together (in the English-speaking world at least, where Hall, Steggle, Halliwell, Sowerby, Walsh, and Walton, for example, have all made their own contributions), much of the groundwork has been laid for a study such as is attempted in this article. Here I aim to take a broad look across a range of translations in order to see how one particular text type within Aristophanic drama has been approached by translators, namely Aristophanes' lyric passages. The aim of this study will be to give both an insight into the numerous considerations that translators take into account when translating Aristophanic lyric and an impression of the range of end products that have emerged over the last two hundred years.


2020 ◽  
pp. 240-258
Author(s):  
Mary E. Sommar

This is the story of how the church sought to establish norms for slave ownership on the part of ecclesiastical institutions and personnel and for others’ behavior toward such slaves. Chronicles, letters, and other documents from each of the various historical periods, along with an analysis of the various policies and statutes, provide insight into the situations of these unfree ecclesiastical dependents. Although this book is a serious scholarly monograph about the history of church law, it has been written in such a way that no specialist knowledge is required of the reader, whether a scholar in another field or a general reader interested in church history or the history of slavery. Historical background is provided, and there is a short Latin lexicon. This chapter summarizes the conclusions drawn in earlier chapters and provides a brief overview of the question of ecclesiastical servitude up to the twentieth century.


2019 ◽  
Author(s):  
Samuel Grinsell

Abstract The first Aswan Dam was built at the dawn of the twentieth century and celebrated as a triumph of imperial engineering. Five years after its completion, workers returned to extend the dam. Photographer D. S. George recorded both the building and extension projects for the Egyptian Public Works Department in a series of images that give a unique insight into the place of engineering in the imperial imagination. The dam was built at the same time as Britain was seeking to secure its domination of the Nile Valley, having recently seized control of Sudan. Mastering the river’s water was vital to expanding agriculture in Egypt, a central plank of British policy in the region. Representations of the dam speak to a larger history of empire and power in northeast Africa. This article examines the tension between bombastic confidence and nagging anxiety in the ideologies of empire. Drawing together water, engineering, and environmental histories, it explores the connections between attempts to control the politics of the Nile Valley and efforts to harness its waters. The key themes found in the albums—nature, technology, work, and conservation—will be used as lenses through which to scrutinize the peculiar form of modernity that engineers attempted to forge on the world’s longest river. This analysis reveals that imperial officials sought total mastery of the environment but that the difficulties faced in realizing such grand schemes also generated persistent anxieties and so helps us understand the fears that accompanied the ambitions of imperial modernity.


2019 ◽  
Vol 17 (4) ◽  
pp. 422-431
Author(s):  
Martin Conway

The concept of fragility provides an alternative means of approaching the history of democracy, which has often been seen as the ineluctable consequence of Europe’s social and political modernisation. This is especially so in Scandinavia, as well as in Finland, where the emergence of a particular Nordic model of democracy from the early decades of the twentieth century onwards has often been explained with reference to embedded traditions of local self-government and long-term trends towards social egalitarianism. In contrast, this article emphasises the tensions present within the practices and understandings of democracy in the principal states of Scandinavia during the twentieth century. In doing so, it provides an introduction to the articles that compose this Special Issue, as well as contributing to the wider literature on the fragility of present-day structures of democracy.


2017 ◽  
Vol 52 (3) ◽  
pp. 491-518
Author(s):  
Bianca Gaudenzi ◽  
Astrid Swenson

Introducing the Journal of Contemporary History Special Issue ‘The Restitution of Looted Art in the 20th Century’, this article proposes a framework for writing the history of looting and restitution in transnational and global perspective. By comparing and contextualizing instances of looting and restitution in different geographical and temporal contexts, it aims to overcome existing historiographical fragmentations and move past the overwhelming focus on the specificities of Nazi looting through an extended timeframe that inserts the Second World War into a longer perspective from the nineteenth century up to present day restitution practices. Particular emphasis is put on the interlinked histories of denazification and decolonization. Problematizing existing analytical, chronological and geographical frameworks, the article suggests how a combination of comparative, entangled and global history approaches can open up promising new avenues of research. It draws out similarities, differences and connections between processes of looting and restitution in order to discuss the extent to which looting and restitution were shaped by – and shaped – changing global networks.


2014 ◽  
Vol 27 (1) ◽  
pp. 1-6
Author(s):  
Margo S. Gewurtz

During most of the modern history of the expansion of Western Christendom, China, as the world’s most populous country, was the great prize. Although the results were disappointing, as the numbers of converts both Protestant and Catholic remained relatively small throughout the height of China missions in the nineteenth and first half of the twentieth century, the promise of China missions never diminished. Despite the pre-eminence of China in overall mission history, very little attention has been given to the role and influence of China missions beyond the borders of China proper either to the Chinese diaspora or to the wider mission community. This special issue is a first attempt to explore the impact of “China” in missions beyond China’s borders. For our purposes, China becomes both a place where tactics and vocabulary could be invented and tried, a sort of laboratory for mission methodology, and a place of the imagination where “muscular” Christianity could be displayed and tested, or where medical practices were adapted with global implications. In more recent times, China missions, not allowed on the mainland after 1950, have once again as they did in the nineteenth century, addressed the needs of the Chinese diaspora in Europe and America. The essays in this collection challenge scholars to reflect more broadly on the variety of intercultural encounters enabled by missionary work, and ask us to think of this history trans-nationally by going beyond the borders of single nations or mission fields to embrace a global perspective.


2000 ◽  
Vol 32 (126) ◽  
pp. 174-192 ◽  
Author(s):  
Nini Rodgers

In the second half of the twentieth century few subjects have excited more extensive historical debate in the western world than black slavery. American investigation has centred upon the actual operation of the institution. An impressively wide range of historical techniques, cliometrics, comparative history, cultural studies, the imagination of the novelist, have all been employed in a vigorous attempt to recover and evaluate the slave past. In Britain, the first great power to abolish the Atlantic trade and emancipate her slaves, the emphasis has been on the development of the anti-slavery movement, described by W. E. H. Lecky in 1869 as ‘a crusade’ to be rated ‘amongst the three or four perfectly virtuous pages comprised in the history of nations’, and therefore an obvious candidate for twentieth-century revision. Any discussion of black slavery in the New World immediately involves the historian in economic matters. Here the nineteenth-century orthodoxy launched by Adam Smith and developed by J. S. Mill and his friend J. E. Cairnes, author of The slave power (1862) and professor of political economy and jurisprudence in Queen’s College, Galway, saw slavery as both morally wrong and economically unsound, an anachronism in the modern world. Since the 1970s this view has been challenged head-on by American historians arguing that, however morally repugnant, slavery was a dynamic system, an engine of economic progress in the U.S.A. Such a thesis inevitably revives some of the arguments used by the nineteenth-century defenders of slavery and has equally inevitably attracted bitter anti-revisionist denunciation.


2021 ◽  
Vol 6 (3-4) ◽  
pp. 265-287
Author(s):  
Feras Krimsti ◽  
John-Paul Ghobrial

Abstract This introduction to the special issue “The Past and its Possibilities in Nahḍa Scholarship” reflects on the role of the past in nineteenth- and early twentieth-century nahḍa discourse. It argues that historical reflection played a pivotal role in a number of scholarly disciplines besides the discipline of history, notably philosophy and logic, grammar and lexicography, linguistics, philology, and adab. Nahḍawīs reflected on continuities with the past, the genealogies of their present, and the role of history in determining their future. The introduction of print gave new impulses to the engagement with the historical heritage. We argue for a history of the nahḍa as a de-centred history of possibilities that recovers a wider circle of scholars and intellectuals and their multiple and overlapping local and global audiences. Such a history can also shed light on the many ways in which historical reflection, record-keeping practices, and confessional, sectarian, or communalist agendas are entwined.


2018 ◽  
pp. 69-83
Author(s):  
Samuel Shaw

This chapter argues that late nineteenth- and early twentieth-century artists seem to have been especially attracted by quarries, treating them as a means of exploring modernity through the lens of rural romanticism. Quarries regularly appear in paintings in many of the artists associated with rural modernity: William Rothenstein, Edward Wadsworth, Walter Bell, Roger Fry, and J. D. Fergusson, among them. Appreciating that there is no single way of categorising and representing quarries, this chapter (the first ever study of this important subject) explores many of the common themes to be found in paintings of quarries in the first half of the twentieth century. It considers a wide range of artists and art-works — the majority of which are owned by rural art galleries — in close relation to the history of rural industries in such regions as Cornwall, West Yorkshire, and Edinburgh.


2021 ◽  
Vol 24 (1) ◽  
pp. 47-52
Author(s):  
Viktoriya S. Vorontsova ◽  
Mikhail M. Kanarskii ◽  
Marina V. Petrova ◽  
Igor V. Pryanikov

Medical rehabilitation is a process aimed at promoting and facilitating recovery from physical injury, psychological and mental disorders and clinical illness. The history of medical rehabilitation is a fascinating journey through time, providing insight into many different areas of medicine. When modern rehabilitation emerges in the mid-twentieth century, it stems from a combination of management approaches focusing on orthopedic and biomechanical understanding of movement patterns, on mastering neuropsychological mechanisms, and on an awareness of the socio-professional dimension of everyday reality.


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