Comedy in the Holocaust: the Theresienstadt Cabaret

1996 ◽  
Vol 12 (48) ◽  
pp. 299-308
Author(s):  
Roy Kift

The concentration camp in Theresienstadt in the Czech Republic was unique, in that it was used by the Nazis as a ‘flagship’ ghetto to deceive the world about the real fate of the Jews. It contained an extraordinarily high proportion of VIPs – so-called Prominenten, well-known international personalities from the worlds of academia, medicine, politics, and the military, as well as leading composers, musicians, opera singers, actors, and cabarettists, most of whom were eventually murdered in Auschwitz. The author, Roy Kift, who first presented this paper at a conference on ‘The Shoah and Performance’ at the University of Glasgow in September 1995, is a free-lance dramatist who has been living in Germany since 1981, where he has written award-winning plays for stage and radio, and a prizewinning opera libretto, as well as directing for stage, television, and radio. His new stage play, Camp Comedy, set in Theresienstadt, was inspired by this paper, and includes original cabaret material: it centres on the nightmare dilemma encountered by Kurt Gerron in making the Nazi propaganda film, The Fuhrer Gives the Jews a Town. Roy Kift has contributed regular reports on contemporary German theatre to a number of magazines, including NTQ. His article on the GRIPS Theater in Berlin appeared in TQ39 (1981) and an article on Peter Zadek in NTQ4 (1985).

2005 ◽  
Vol 21 (4) ◽  
pp. 331-339
Author(s):  
Millie Taylor

In pantomime the Dame and comics, and to a lesser extent the immortals, are positioned between the world of the audience and the world of the story, interacting with both, forming a link between the two, and constantly altering the distance thus created between audience and performance. This position allows these characters to exist both within and without the story, to comment on the story, and reflexively to draw attention to the theatricality of the pantomime event. In this article, Millie Taylor concludes that reflexivity and framing allow the pantomime to represent itself as unique, original, anarchic, and fun, and that these devices are significant in the identification of British pantomime as distinct from other types of performance. Millie Taylor worked for many years as a freelance musical director in repertory and commercial theatre and in pantomime. She is now Senior Lecturer in Performing Arts and Music Theatre at the University of Winchester. An earlier version of this article was presented at the Conference on Arts and Humanities in Hawaii (2005), and an extended version will appear in her forthcoming book on British pantomime. Her research has received financial support from the British Academy.


2009 ◽  
Vol 25 (4) ◽  
pp. 303-305
Author(s):  
Maria Shevtsova

The co-editors of New Theatre Quarterly take time out here to reflect on the milestone of the journal reaching its hundredth consecutive issue, in succession to the forty of the original Theatre Quarterly. Simon Trussler was one of the founding editors of the ‘old’ Theatre Quarterly in 1971. He is the author of numerous books on drama and theatre, including New Theatre Voices of the Seventies (1981), Shakespearean Concepts (1989), the award-winning Cambridge Illustrated History of British Theatre (1993), The Faber Guide to Elizabethan and Jacobean Drama (2006), and Will's Will (2007). Formerly Reader in Drama in the University of London, he is now Professor and Senior Research Fellow at Rose Bruford College. Maria Shevtsova, who has been co-editor of New Theatre Quarterly since 2003, is Professor of Drama and Theatre Arts and Director of Graduate Studies at Goldsmiths, University of London. The author of more than one hundred articles and chapters in collected volumes, her books include Dodin and the Maly Drama Theatre: Process to Performance (2004), Fifty Key Theatre Directors (co-edited with Shomit Mitter, 2005), Robert Wilson (2007), Directors/Directing: Conversations on Theatre (with Christopher Innes, 2009), and Sociology of Theatre and Performance (2009).


2021 ◽  
Vol 20 (3) ◽  
pp. 55-77
Author(s):  
Krzysztof A. Tochman ◽  

The article presents Second Lieutenant Napoleon Segieda, alias Gustav Molin “Wera” or Jerzy Salski (after the war), born in the Zamość region, a resident of Pomerania, and a political courier to the government of the Polish Underground State (during the war), parachuted to the country on the night of 7th November 1941. The paper is the first attempt to show his biography and military achievements. He was a participant in the war of 1939 (the defense of Warsaw), and then, a prisoner of war in the German camps, whence, after many trials and tribulations, he arrived at the Polish Forces base in Great Britain. On completing his mission in the country (summer 1942), Segieda set off to London again with the first comprehensive report of the Polish Underground State to the Polish government-in-exile, London. As early as in 1942, being a witness to the extermination, he alerted the world to the Holocaust, to practically no effect, since the West was not particularly interested in the problem. From spring to summer 1942, Napoleon Segieda stayed in the city of Oświęcim where he collected information about the Concentration Camp Auschwitz. On 8th August 1942, he left Warsaw and, via Cracow and Vienna, reached Switzerland where, for unknown reasons, he got stuck on the way to London for a few months. His report was later distributed among many important and influential politicians of the allied community in Great Britain and the USA. It is worth mentioning that the messages on the Holocaust by Stefan Karboński (the head of the leadership of civil combat) also arrived in London during the summer 1942. After the war, Napoleon Segieda settled down in London, under the surname of Jerzy Salski, where he died completely forgotten.


2020 ◽  
Vol 22 (3) ◽  
pp. 267-270
Author(s):  
I. V. Gaivoronsky ◽  
G. I. Nichiporuk ◽  
M. V. Tvardovskaya

Abstract. In November 2019, an important historical event was held. A small collection of F. Ruysch, which is stored in the fundamental Museum of the Department of normal anatomy of the Military medical Academy named after S. M. Kirov, has received a second life, thanks to friendly scientific relations between Military medical Academy and the University of Leiden. The unique collection of anatomical preparations, which Peter I called The Eighth wonder of the world, was created by the great Dutch anatomist, doctor of medicine, Professor of anatomy and botany at the University of Amsterdam F. Ruysch. A large collection was acquired by Peter I in 1717 specifically to the future of the Kunstkammer (now the Museum of Peter the Great) and taken to Russia under the supervision of the first President of the Petersburg Academy of Sciences L.L. Blumentrost. Small collection of F. Ruysch was presented to Peter I in the late seventeenth century (1697). It has withstood more than 300-year storage period. Numerous movements and different storage conditions, of course, left its mark on the appearance of these precious unique anatomical specimens. The last event of violations were associated with the early repair of the anatomical building of the Military medical Academy.We must pay tribute to the enthusiasm and unselfishness of the staff of Leiden University headed by a great friend of Russia I.F. Hendriks, who was able to organize a team of professionals in the Museum business. This team included the head of Leiden University, Professor P.C.W. Hodendoorn and specialist in restoration and percussively anatomical preparations A.J. Van Dam. Hard work was multi-stage. First conducted a thorough verification of anatomical specimens of F. Ruysch with the existing directories of the Departments records. Identification of the preparations to the F. Ruysch collection was carried out by the appearance of containers, labels, appearance of preparations, the study of embalming fluid. Photo documentation of each study drug was accompanied by reports signed bilateral commission. After pre-treatment the special chemicals and equipment were delivered, and conducted direct work on restoration and percussively. It lasted 10 days. Members of the Department received a unique master class on the restoration of wet embalmed museum anatomical specimens, and received recommendations for their storage.


2010 ◽  
Vol 22 ◽  
pp. 122-162
Author(s):  
Tina Hamrin-Dahl

This story is about a kind of pilgrimage, which is connected to the course of events which occurred in Częstochowa on 22 September 1942. In the morning, the German Captain Degenhardt lined up around 8,000 Jews and commanded them to step either to the left or to the right. This efficient judge from the police force in Leipzig was rapid in his decisions and he thus settled the destinies of thousands of people. After the Polish Defensive War of 1939, the town (renamed Tschenstochau) had been occupied by Nazi Germany, and incorporated into the General Government. The Nazis marched into Częstochowa on Sunday, 3 September 1939, two days after they invaded Poland. The next day, which became known as Bloody Monday, approximately 150 Jews were shot deadby the Germans. On 9 April 1941, a ghetto for Jews was created. During World War II about 45,000 of the Częstochowa Jews were killed by the Germans; almost the entire Jewish community living there.The late Swedish Professor of Oncology, Jerzy Einhorn (1925–2000), lived in the borderhouse Aleja 14, and heard of the terrible horrors; a ghastliness that was elucidated and concretized by all the stories told around him. Jerzy Einhorn survived the ghetto, but was detained at the Hasag-Palcery concentration camp between June 1943 and January 1945. In June 2009, his son Stefan made a bus tour between former camps, together with Jewish men and women, who were on this pilgrimage for a variety of reasons. The trip took place on 22–28 June 2009 and was named ‘A journey in the tracks of the Holocaust’. Those on the Holocaust tour represented different ‘pilgrim-modes’. The focus in this article is on two distinct differences when it comes to creed, or conceptions of the world: ‘this-worldliness’ and ‘other- worldliness’. And for the pilgrims maybe such distinctions are over-schematic, though, since ‘sacral fulfilment’ can be seen ‘at work in all modern constructions of travel, including anthropology and tourism’.


Author(s):  
S. S. Khodyachikh

The article analyzes the circumstances and conditions that led to the successful escape from the Auschwitz concentration camp of a group of Polish prisoners of war under the leadership of Leonard Zawacki, prisoner 13390. The escape was carried out on September 28, 1944 by a group of six prisoners of war, two of whom changed into SS uniforms and “escorted” four glaziers to work outside the camp. Zawacki’s memoirs, published in Poland in the form of a short-run pamphlet, as well as many hours of interviews in which he talked about his traumatic experience, life in imprisonment, partisan unit, and the very escape, are introduced into scientific circulation. Zawacki’s memoirs are a valuable source not only about the history of the World War II and the Holocaust, but also the deep experiences of a man who went through the hell of Auschwitz and survived against all odds.


2021 ◽  
Vol 12 (2) ◽  
pp. 97-111
Author(s):  
Ewa Barnaś-Bara

In 2019 in Rzeszów the XVIII World Festival of the Polish community folk groups was held. The festivals have been organized since 1969, being the Song and Dance Group of Olza one of their most frequent participants. Rzeszów hosted other groups from the Czech Republic which were equally successful. The groups are widely-recognized in their own country receiving many prizes and awards in there. The paper indicates the different dimensions of Polish-Czech integration, namely personal, linguistic, educational, cultural and behavioral. The activities undertaken by the concert organizers as well as the individual effort of the participants and the audience alike made that creating the community, integration and building contacts between different nationalities, regions and cultures was possible. The main source constituted the materials collected at the Centre of Research on the Poles and the Polish community in the world of the University of Rzeszów as well as the press articles published locally and nationally.


Author(s):  
Christopher Devers

This timely and eye-opening book from Ke Zhang, Curt Bonk, Tom Reeves, and Tom Reynolds, MOOCs and Open Education in the Global South (Zhang, Bonk, Reeves, & Reynolds, 2020), provides 28 chapters that describe the challenges, successes, and opportunities of MOOCs and open education from the perspective of 68 authors from 47 countries in the Global South (http://moocsbook.com). Before those chapters, a detailed preface from the four editors lays out the journey that the world community took to get to this point in the metaphor of a wanderer who makes his or her path by pushing ahead and exploring the road in front. In addition, an insightful foreword is provided by Mimi Miyoung Lee from the University of Houston who had previously co-edited an award-winning book with Bonk, Reeves, and Reynolds; namely, MOOCs and Open Education Around the World (Bonk, Lee, Reeves, & Reynolds, 2015). Thus, consider the current book Part 2 of what is likely to become a many act play in the world of MOOCs and open education. With the foreword and preface, there are 30 pieces in total (Note: the front matter is available for free from: http://moocsbook.com/MOOCs_Open-Ed_Global-South-frontmatter_2020_Zhang_Bonk_Reeves_Reynolds.pdf).


2016 ◽  
Vol 32 (60) ◽  
pp. 131
Author(s):  
Emmanuel Nicolás Kahan ◽  
Laura Schenquer

We live in an era in which the Holocaust has become a universal trope of historic trauma. The Nazi genocide has come to be known as the greatest disaster of civilization and, as such, simply mentioning it or comparing it to other repressive events stirs or blocks meanings about specific events. In the case of Argentina, the resonance of the memory of the Holocaust penetrated the origins of the most recent military dictatorship. As early as the year 1976, external voices that denounced the regime for perpetrating genocide were heard publically around the world. This article analyzes some uses of the Holocaust during the military dictatorship in Argentina, questioning the ways in which the memory of the Holocaust stirred or blocked feelings and the collective imagination on the repressive regime's practices.


2015 ◽  
Vol 4 (3) ◽  
Author(s):  
Carlene Slobodian

Pearson, Kit. Awake and Dreaming. Toronto: Puffin Classics, 2013. Print.Recently published in a new edition by Puffin Classics, Awake and Dreaming feels just as relevant to lonely children as it did when it was first published in 1996. One of Canada’s favourite authors of junior fiction, Pearson’s award-winning tale of a lonely girl, Theo, will wrench at the heartstrings of readers of all ages.Nine-year-old Theo longs to be part of a large family, with brothers and sisters to play with, living a stable life that does not involve moving from apartment to apartment. Her young mother works long hours for low pay, and is focused on her own problems and wants, neglectful, at times, of Theo’s desire to be cared for. Theo uses books as an escape from her dreary and lonely life, daydreaming during school of the kind of large, caring family she reads about in library books.Shortly after Theo and her mother move to their new Vancouver neighbourhood, her mother, Rae, runs into an old friend and they begin to date. Soon Theo is shuttled onto a ferry to Victoria to live with an aunt she barely remembers, until Rae and her boyfriend can “get used to living with each other” and she can return to her mother. While on the ferry, Theo meets her perfect idea of a family, and they welcome her into her home. She lives a wonderful, stable life for a few months, before she starts to be ignored again, this time by the only people whom she thought truly cared about her. A sharp return to her old life leaves her feeling miserable and more lonely than ever. Was her dream family just that, a dream? Will she ever find them again? Who was that strange woman staring at her on the ferry? Readers will have to finish the book to discover the startling and intricate tale behind Theo’s unusual circumstances.Awake and Dreaming is similar in tone to some of Pearson’s other works, which tend to feature lonely and, at times, frightened children, who are forced to confront the harsh realities of the world in which they live. Although this book was published almost twenty years ago, the majority of the content is still relevant and applicable to children growing up across Canada  today. Though the magic in the plot twist is dubious even for those die-hard believers in magic, the message of hope and of Theo’s desperation to belong to her peer group are strongly enforced throughout the novel. A new introduction written by Kenneth Oppel, as well as a character list, author profile, and discussion questions are included in this edition, making it a useful addition to classrooms, libraries, and book clubs.Reviewer: Carlene SlobodianRecommended: 3 stars out of 4Carlene Slobodian is an MLIS candidate at the University of Alberta with a lifelong passion for children’s literature. When not devouring books, she can be found knitting, cooking, or discovering new kinds of tea to sample.


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