Computer-aided indexing in the arts: the case for a thesaurus of art terms

1981 ◽  
Vol 6 (3) ◽  
pp. 6-11 ◽  
Author(s):  
Toni Petersen

Although many levels of computer-aided indexing exist, most art indexers use the computer at a rudimentary level, to perform little more than alphabetising services. This problem is compounded by the lack of standardised vocabulary or thesaurus. Each indexing project has developed its own subject list. Even those which attempt some co-ordination with a standard source like Library of Congress Subject Headings find themselves modifying existing terms and adding new ones. The National Endowment for the Humanities and the Council on Library Resources funded a project to establish the need for a comprehensive art and architecture thesaurus and, as the first phase of a projected three-stage plan, to construct an architecture thesaurus.This paper is written from the point of view of the indexer. Its intent is to describe how subject indexing activities in art are being aided by the use of computers. This discussion notes the current state of disarray among art subject indexing systems and suggests that the availability of a standardised vocabulary for art will provide an important adjunct to computerised indexing. This paper was delivered to the ARLIS/NA conference at San Francisco on 22 February 1981.

Ozone Therapy ◽  
2018 ◽  
Vol 3 (2) ◽  
Author(s):  
Marco Remondino

Sustainability, as a scientific concept, is multidisciplinary and very wide topic. Sustainable development bases its strategies not simply on the concept of growth, but rather on that of optimisation, around three main principles: ecosystem integrity, economic efficiency and social equity. The purpose of this paper, after an introduction about the concept of sustainability in general and as a strategy for the enterprises, is to discuss the potential of the use of ozone in different field, as a source of sustainable development, according to two of those principles, i.e. economic and environmental. In the first part, the concept of sustainability will be investigated in deep, with a managerial point of view, while the second part of the work will briefly analyse the current state of the arts of the uses of ozone, with also some practical examples. Finally, the discussion will take care of the reasons why the use of ozone, in several fields, could be considered as a driver for sustainability.


1986 ◽  
Vol 2 (8) ◽  
pp. 313-319
Author(s):  
R. G. Davis

In the final issue of the original series of Theatre Quarterly, TQ40 (1981), R. G. Davis described his experiences directing the plays of Dario Fo in Canada and the USA, focusing mainly on his work with We Won't Pay! We Won't Pay! Here, he looks not only at his own but at the half-dozen other productions of Fo's Accidental Death of an Anarchist which have so far been presented in North America – and finds himself, in retrospect, critical of his own work, as well as that of others. He concludes that it is impossible to attempt Fo's plays properly without at least an understanding of the political point of view he sums up as ‘anarcho-communist’ – a point of view which must communicate through the leading players. A regular contributor to the present and its predecessor journal, R. G. Davis, who founded the San Francisco Mime Troupe in the sixties, is presently teaching at San Francisco State University, reviewing for the magazine of the California Confederation of the Arts (by whose kind permission the following article is reprinted), and is now engaged in staging his own adaptation of llya Ehrenburg's The Life of an Automobile, as an ‘imagistic theatre’ production.


Author(s):  
Christopher S. Schreiner

While heralding the positive learning outcomes of computer-aided instruction, rigorous assessment must also monitor the changes in literacy that accompany it and qualify the benefits of technical content delivery. A decline in literary reading, recently documented by a National Endowment for the Arts study, is a case in point. This chapter inquires as to whether the cognitive and cultural changes incurred by reading fewer books are significant relative to the overall gains yielded by technological change in the classroom learning environment. It argues that the impressive focus on multimodal literacy in classrooms from elementary levels through college, which seems to favor diversity of content, is prone to exclude the analytic challenges that literary reading and the growth of historical consciousness demand. This chapter presents evidence that suggests the indispensability of literary reading experience alongside technologically enabled or enhanced modes of learning.


1998 ◽  
Vol 37 (04/05) ◽  
pp. 518-526 ◽  
Author(s):  
D. Sauquet ◽  
M.-C. Jaulent ◽  
E. Zapletal ◽  
M. Lavril ◽  
P. Degoulet

AbstractRapid development of community health information networks raises the issue of semantic interoperability between distributed and heterogeneous systems. Indeed, operational health information systems originate from heterogeneous teams of independent developers and have to cooperate in order to exchange data and services. A good cooperation is based on a good understanding of the messages exchanged between the systems. The main issue of semantic interoperability is to ensure that the exchange is not only possible but also meaningful. The main objective of this paper is to analyze semantic interoperability from a software engineering point of view. It describes the principles for the design of a semantic mediator (SM) in the framework of a distributed object manager (DOM). The mediator is itself a component that should allow the exchange of messages independently of languages and platforms. The functional architecture of such a SM is detailed. These principles have been partly applied in the context of the HEllOS object-oriented software engineering environment. The resulting service components are presented with their current state of achievement.


Author(s):  
Zuzana Kvetanová

The submitted study addresses the topic of the current state of the opinion journalism and its genres in the Slovak periodical press. The author draws attention to the question of classification of the opinion journalism of a rational and emotional type from the genre categorization point of view and, simultaneously, reflects on its application in the present journalistic practice. This brings a certain rate of confrontation between the defined theoretical premises and their subsequent practical (non-)implementation. The main objective of the study is to clarify the presence of genres of analytical and literary opinion journalism stated by media theory in the environment of the Slovak periodicals. Presentation of the basic terminological axis and the related explication of journalism genres included in the opinion journalism constitute the secondary objectives of the paper. For the purposes of achieving the set objectives, the author uses methods of logical analysis of text in combination with discourse analysis. Similarly, she predicts the evident presence of the phenomenon of hybridization in the Slovak journalistic practice.


2019 ◽  
pp. 37-47
Author(s):  
Yao Yueqin ◽  
Oleksiy Kozlov ◽  
Oleksandr Gerasin ◽  
Galyna Kondratenko

Analysis and formalization of the monitoring and automatic control tasks of the MR for the movement and execution of various types of technological operations on inclined and vertical ferromagnetic surfaces are obtained. Generalized structure of mobile robotic complex is shown with main subsystems consideration. Critical analysis of the current state of the problem of development of universal structures of mobile robots (MRs) for the various types of technological operations execution and elaborations of computerized systems for monitoring and control of MR movement is done. In particular, wheeled, walked and crawler type MRs with pneumatic, vacuum-propeller, magnetic and magnetically operated clamping devices to grip with vertical and ceiling surfaces are reviewed. The constructive features of the crawler MR with magnetic clamping devices capable of moving along sloping ferromagnetic surfaces are considered. The basic technical parameters of the MR are shown for the further synthesis of computerized monitoring and automatic control systems. Formalization of the tasks of monitoring and control of the MR positioning at the processing of large area ferromagnetic surfaces is considered from the point of view of control theory.


Author(s):  
Andrea Harris

The Conclusion briefly examines the current state of the New York City Ballet under the auspices of industrial billionaire David H. Koch at Lincoln Center. In so doing, it to introduces a series of questions, warranting still more exploration, about the rapid and profound evolution of the structure, funding, and role of the arts in America through the course of the twentieth century. It revisits the historiographical problem that drives Making Ballet American: the narrative that George Balanchine was the sole creative genius who finally created an “American” ballet. In contrast to that hagiography, the Conclusion reiterates the book’s major contribution: illuminating the historical construction of our received idea of American neoclassical ballet within a specific set of social, political, and cultural circumstances. The Conclusion stresses that the history of American neoclassicism must be seen as a complex narrative involving several authors and discourses and crossing national and disciplinary borders: a history in which Balanchine was not the driving force, but rather the outcome.


Author(s):  
Olivier Asselin

“Canadian cinema.” The term may appear self-evident but is problematic. First, one may question the value of national approaches to culture, especially here, in Quebec and Canada, where the debates over the Nation seem interminable, and especially now, in an era of globalization. Next, one may question the value of media-centered approaches to culture, especially when the successive waves of the “digital revolution” have blurred the boundaries between technologies and among artistic practices. Rather than try to survey “important” fiction films for theatres in Quebec or Canada, this essay adopts another point of view to examine the presence of cinema in Montreal museums over the past few years by focusing on three singular exhibitions. It may well be symptomatic of the current state of film in Quebec and Canada—but also, paradoxically, everywhere else—and says much about the relationship between medium and nation, the expansion of cinema beyond the movie theatre, and the internationalization of culture.


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