CURRENT THINKING: ON TRANSATLANTIC VICTORIANISM

2011 ◽  
Vol 39 (2) ◽  
pp. 595-603 ◽  
Author(s):  
John M. Picker
Keyword(s):  
Natural Selection ◽  
The Other ◽  
Literary Studies ◽  
Canadian Literature ◽  
Victorian Era ◽  
Transatlantic Literature ◽  
Current Thinking ◽  
The One ◽  
Great Exhibition

A few years ago, out of scholarly as well as pedagogical interest, I happened to be looking through two recent anthologies on the nebulous-sounding subject of “transatlantic literature.” I was teaching a new course on transatlanticism and was particularly curious to discover how these texts represented the period that is the focus of this journal and the one to which at least a few of its readers are attached. In both cases, I was struck by the degree to which “the Victorian” – the era, people, frame of mind, even the word itself – was either subsumed within Romanticism or absent. In Transatlantic Romanticism: An Anthology of British, American, and Canadian Literature, 1767–1867, edited by Lance Newman, Joel Pace, and Chris Koenig-Woodyard, the subtitle alone incorporated half of the Victorian era, even while the contents omitted virtually all of the Victorians we would expect to represent that half. That anthology as well as the other, Susan Manning and Andrew Taylor's Transatlantic Literary Studies: A Reader, included glossaries of salient terms for transatlantic inquiry, and while “Enlightenment,” “Peterloo,” “Romantics,” and “sublime” appeared there, “Victorian,” not to mention “Great Exhibition,” “natural selection,” and “utilitarianism,” did not.

The problem of woman’s emansipation in the feuilleton “Amazonia: a very inept story” by Mykola Chirsky

2020 ◽  
pp. 71-76
Author(s):  
Iryna Rusnak
Keyword(s):  
Scientific Understanding ◽  
The Other ◽  
Literary Studies ◽  
Ethical Guidelines ◽  
Compositional Structure ◽  
Urgent Task ◽  
The Subject ◽  
The One ◽  
Artistic Heritage

The author of the article analyses the problem of the female emancipation in the little-known feuilleton “Amazonia: A Very Inept Story” (1924) by Mykola Chirsky. The author determines the genre affiliation of the work and examines its compositional structure. Three parts are distinguished in the architectonics of associative feuilleton: associative conception; deployment of a “small” topic; conclusion. The author of the article clarifies the role of intertextual elements and the method of constantly switching the tone from serious to comic to reveal the thematic direction of the work. Mykola Chirsky’s interest in the problem of female emancipation is corresponded to the general mood of the era. The subject of ridicule in provocative feuilleton is the woman’s radical metamorphoses, since repulsive manifestations of emancipation becomes commonplace. At the same time, the writer shows respect for the woman, appreciates her femininity, internal and external beauty, personality. He associates the positive in women with the functions of a faithful wife, a caring mother, and a skilled housewife. In feuilleton, the writer does not bypass the problem of the modern man role in a family, but analyses the value and moral and ethical guidelines of his character. The husband’s bad habits receive a caricatured interpretation in the strange behaviour of relatives. On the one hand, the writer does not perceive the extremes brought by female emancipation, and on the other, he mercilessly criticises the male “virtues” of contemporaries far from the standard. The artistic heritage of Mykola Chirsky remains little studied. The urgent task of modern literary studies is the introduction of Mykola Chirsky’s unknown works into the scientific circulation and their thorough scientific understanding.

Entgrenzte Figuren – bewegte Erinnerungen. Migration im Spannungsfeld von Literatur und Begriff

2021 ◽  
Vol 15 (1-2) ◽  
pp. 109-139
Author(s):  
Hamid Tafazoli
Keyword(s):  
Cultural Production ◽  
Cultural Memory ◽  
Explanatory Power ◽  
Point Of View ◽  
The Other ◽  
Literary Studies ◽  
Aesthetic Perception ◽  
Migration Literature ◽  
External Space ◽  
The One

Abstract My paper discusses the controversial relationship between literature and literary studies by using the example of the term ›migration literature‹. It demonstrates in the first part that ›migration literature‹ as a term in literary studies does not expose explications of rational reconstructions of a conceptual content in Harald Fricke’s and Klaus Weimar’s understanding. In its history (Adelson 1991; 2004), ›migration literature‹ goes back to a chain of different terms and definitions as Gastarbeiter- or Ausländerliteratur and reflects strategies of homogenization and exclusion. From the 1980s forward, those terms produce in cultural contexts a semantic field that propagates culture based on a definition of ex negativo (Tafazoli 2019). The first part of my paper describes an outline of influences of homogenization and reductionism on the discourses of migration in literary studies and explains in the second part an asymmetrical relationship between motive on the one hand and terminology on the other. The term ›migration literature‹ seems to dominate this relationship by determination of a source of ›accepted truths‹ related to the life and background – specifically to the place of birth and the origin – of the author (Bay 2017). By prioritization of criteria beyond narrative reality, literary studies led in the 1980s and 1990s discourses on migration on the sidelines of canon of German speaking literature (Weigel 1991; Wilpert 2001). With regard to terminological determination in order to produce interpretative sovereignty (Foucault 1994), my paper exemplifies in the second part that the term ›migration literature‹ collects selected and limited fields of social, historical and political knowledge in perspective adjustment and in order to classify literature beyond aesthetic criteria. By this means, inductive standards (Müller 2010a; 2010b) classify the literary object ›migration‹ ontologically and regardless of factuality of the author’s life on the one hand and fictionality of narrative text on the other. The ontological classification has been used, for example, in contexts that replace the figure of stranger (Fremder) by the figure of migrant and determines the latter as figuration of external space of culture. The replacement suggests a perspective rigidity in the cultural production of knowledge that flows into a terminological classification and claims with the term ›migration literature‹ sovereignty over culture. From this point of view, the author and his work should be located in the external space of canonized literature. The second part of my paper comes to the conclusion that the term ›migration literature‹ has been developed in politicized frames of external-textual ›accepted truths‹ and bases its stability on cultural essentialism and exclusion regardless of heterogenetic appearance (Bhatti 2015). With regard to theories of »literature on the move« (Ette 2001), my paper understands that migration has always formed a considerable part of literary production. Therefore, migration could be understood as a literary motive. This meaning would undermine an ontological understanding of culture. Narrative texts develop poetics of migration and create by figurations of migration a poly-perspectivity in which migration advances to a polysemantic motive. My paper discusses these thoughts in the context of cultural memory in the third part and understands varied and multifaceted constructions of cultural memory on all sides of cultural borders. This part confronts the asymmetrical relationship between motive and terminology with discussions on migration as narrative of cultural memory that belongs to cultural majority and minority equally, at the same time and in the same space. Based on this understanding, my paper argues that migration as a motive construct shapes and leads discourses of culture under the conditions of global re-formation. The shift of the perspective from conceptual classification to close-readings of literary constructions should lead us to considerations about the openness of the narrative in distinction to terminological unity and should also initiate a paradigm shift in locating migration in discourses of literary studies. The theoretical considerations will be exemplified in the fourth section by Mohammad Hossein Allafis Frankfurter Trilogie that is a collection of the novels Die Nächte am Main (1998), Die letzte Nacht mit Gabriela (2000) and Gabriela findet einen Stapel Papier (2012). The fourth part of my paper examines in Frankfurter Trilogie a reading that integrates migration as a motive into the discourse of cultural memory of global challenges. Using the example of the Trilogie, this part of my paper demonstrates that discussions on migration in the context of cultural memory could initiate a shift in the perspective of reception from conceptual homogenization to narrative openness. The shift of perspective shows that literature translates the questions of community into the aesthetic perception of the form of culture and civilization in which the community actually articulates and appears itself and shows also that reading of migration as a statement about one nation has lost its explanatory power. The last part of my paper resumes my thoughts and takes position in the current fields of research in literary studies.

From a Literary Work to a Movie and Back. Literary and Literary Studies Contexts for the Art of Screenplay

Tekstualia ◽  
2020 ◽  
Vol 1 (60) ◽  
pp. 43-54
Author(s):  
Rafał Koschany
Keyword(s):  
Literary Work ◽  
The Other ◽  
Literary Studies ◽  
Literary Genre ◽  
Other Hand ◽  
The One ◽  
Literary Phenomenon

Screenplays are a paradoxical and ambivalent phenomenon. On the one hand, a screenplay is a literary genre and its development attests to the process of its emancipation from the power of fi lm and fi lm theory. On the other hand, however, the screenplay read as the text „is becoming a movie” already during the act of reading. The screenplay – as a quasi-literary phenomenon – can be a useful and inspiring tool in fi lm interpretation, as it opens up a variety of methodological possibilities.

Disciplinary Translations

2020 ◽  
Vol 26 (2) ◽  
pp. 230-250
Author(s):  
Casper Bruun Jensen
Keyword(s):  
Science And Technology Studies ◽  
Science And Technology ◽  
Research Community ◽  
The Other ◽  
Literary Studies ◽  
Knowledge Change ◽  
Technical Mediation ◽  
The One ◽  
Nonhuman Agency ◽  
Instructive Case

Early in his career, Bruno Latour’s limited readership consisted mainly of the research community in science and technology studies (STS) that he helped to inaugurate. Today the situation could hardly be more different. Latour is now subject to the “translations”—the processes by which ideas travel—that he has provided such powerful tools for analyzing. He has become a “mutable mobile”—eminently transportable but always changing as he goes—that in different contexts exists as a variety of conceptual characters or figurations. As the Latour network continues to see significant extensions and transformations, it offers an instructive case for understanding the potentials and dynamics of traveling texts and ideas—and of their relation to existing disciplinary formations—as ecologies of knowledge change. This article examines the reception and adaptation of Latour’s ideas in two quite different intellectual contexts: anthropology and literary studies. The proliferation of Latour figurations is shown to be a consequence of interactions between, on the one hand, existing disciplinary constellations of ideas, concerns, and practices, and, on the other hand, his own often ambiguous arguments on topics including theory and method, nonhuman agency and politics, and technical mediation.

scholarly journals The Papal Aggression of 1850: A Study in Victorian Anti-Catholicism

1974 ◽  
Vol 43 (2) ◽  
pp. 242-256 ◽  
Author(s):  
Walter Ralls
Keyword(s):  
Roman Catholic ◽  
The Other ◽  
Crystal Palace ◽  
Underlying Causes ◽  
The One ◽  
Great Exhibition

For those wishing to generalize about the Victorians the Great Exhibition of 1851 usually proves irresistable. But it does seem an obvious omission that so little is said about the disorders which kept the country upended during the preceding six months, that is, during the episode of the restoration of the Roman Catholic hierarchy, the “Papal Aggression”. Christopher Dawson has urged that the one needs the other to symbolize properly the Victorian frame of mind. Here I wish to outline the underlying causes of this last great outburst of No-Popery feeling in an effort to trace the paradox of the aroused, angry, bigoted Guy Fawkes Day-men of November appearing the next summer as the staid, curious and progressive-minded citizens sunning themselves in the glory of all that glittering machinery so carefully displayed beneath the vaulted glass dome of their Crystal Palace.

Editor's Column: In Medias Res

PMLA ◽  
2005 ◽  
Vol 120 (2) ◽  
pp. 321-326
Author(s):  
Marianne Hirsch
Keyword(s):  
Peer Review ◽  
Review Process ◽  
Peer Review Process ◽  
The Other ◽  
Good News ◽  
Literary Studies ◽  
The One

What have i learned during my year and a half as editor of PMLA? Now, at the midpoint of my term, I thought I might reflect on some of my hopes and hesitations about the editorship and think about what, from the submissions to PMLA and from the process of its publication, we might glean about important trends in literary studies and the humanities more broadly. Two things have delighted and frustrated me, in particular: the workings of the peer review process, on the one hand, and the disciplinary and subdisciplinary boundaries that inform our writing and teaching, on the other. On these issues and on their relation, I have some good news and some less good news to report.

scholarly journals Translation and the Application of Linguistics

2002 ◽  
Vol 39 (2) ◽  
pp. 374-386
Author(s):  
Probal Dasgupta
Keyword(s):  
Applied Linguistics ◽  
Scientific Progress ◽  
Translation Studies ◽  
The Other ◽  
Literary Studies ◽  
General Level ◽  
Avant Garde ◽  
Linguistic Research ◽  
Theory Of Language ◽  
The One

Abstract This article explores some topics at the boundary between linguistics theory and the applied linguistic foundations of the practice of translation. Section 1, The irrelevance of the avant-garde , considers the relation between such academic adventures as semiotics and poststructuralism on the one hand and the theory of language and the practice of translation on the other, and argues that radical antiscientism does not bear on the foundations of translation. Section 2, The irrelevance of the technical , looks at formal syntax and semantics in relation to the concepts of applied linguistics and shows that careful contemporary linguistics cannot underpin an applied enterprise that includes translation studies. Section 3, The substantive hase of translation , indicates (in some detail for translation and at a general level for other applied linguistic activities) the direction that the contemporary integration of various lines of linguistic research is taking vis-à-vis the needs of such applied enterprises as translation, literary studies, language planning, lexicography, and language teaching. Section 3 invokes a concept of substance as opposed to form and thus sets the scene for the concluding section 4, Pragmatics, applied studies, and scientific progress , which argues that it is necessary to take help from linguistics in order to construct the field of translation studies in such a way that practitioners can truly benefit freely from all relevant branches of knowledge, in view of the fact that chaos is an obstacle to genuine freedom.

scholarly journals Geneza i początki Studium Słowiańskiego UJ

LingVaria ◽  
2019 ◽  
Vol 14 (27) ◽  
pp. 11-33
Author(s):  
Mirosław Skarżyński
Keyword(s):  
Higher Education ◽  
Young People ◽  
Early Years ◽  
The Other ◽  
Literary Studies ◽  
Wide Range ◽  
Communist Government ◽  
The One ◽  
And Linguistics ◽  
Slavic Studies

The Origin and Early Years of the Slavic Institute of the Jagiellonian UniversityIn 1925, the Slavic Institute was opened at the Jagiellonian University with a view to educate experts in Slavic studies. The intention was for the studies to be interdisciplinary, it was planned to create departments not only in literary studies and linguistics, but covering a possibly wide range of disciplines. The idea of the Study was born not in the academic milieu, but among politicians. The intention was to create an institution which, on the one hand, would educate Poles about Slavdom, and on the other, would win Poland sympathizers in other countries by inviting young people from Slavic countries and making it possible for them to study in Cracow. It was also planned that Polish graduates of the Institute would be given scholarships to various Slavic countries. Another goal of the Institute was to prevent Czechoslovakia from dominating Slavdom. Due to the economic situation of Poland in late 1920s and early 1930s, the project was implemented only partially. The contribution of the Institute to the development of Slavic studies in Poland, however, is unqestionable, especially in the field of personnel education. The Institute was closed in 1951, as part of the reform of higher education that was undertaken by the communist government and destroyed the academic milieu in Poland.

scholarly journals A Critic to Darwinian Theory on Resources Scarcity on the Basis of Quranic Verses

2021 ◽  
Vol 8 (9) ◽  
pp. 18
Author(s):  
Ramezan Mahdavi Azadboni
Keyword(s):  
Natural Selection ◽  
Evolutionary Theory ◽  
Resource Scarcity ◽  
The Other ◽  
Biological Resource ◽  
Biological Resources ◽  
Basic Assumptions ◽  
The World ◽  
The Subject ◽  
The One

One of the important components in the theory of the evolution of species is the idea of natural selection. The question is, are the assumptions of the subject in the idea of natural selection compatible with the religious conception of nature and the world around? In this study, the author will discover on the base of Quranic verses that how the theory of biological resource scarcity as one of the basic assumptions in the idea of natural selection conflicts with the Qur'anic interpretation regarding nature. If we can show the lack of credibility and inaccuracy of the idea of the biological resources scarcity and the inappropriateness of biological resources with the needs of the creatures-as one of the assumptions underlying evolutionary theory-in this case, an important step has been to distort the above-mentioned theorem. In the Holy Qur'an, traits such as selfishness are often warned that are considered as the basis of excesses leads to poverty and shortages. Quraanic promises according to which righteous individuals will govern on earth, on the one hand, and the divine promise of securing the living of the beings on the other hand effectively challenges the idea of natural selection.

Decadence and the Organic Metaphor

2005 ◽  
Vol 89 (1) ◽  
pp. 131-149 ◽  
Author(s):  
WHITNEY DAVIS
Keyword(s):  
Natural Selection ◽  
Social Transformation ◽  
The Other ◽  
Evolutionary Account ◽  
Human Culture ◽  
Other Hand ◽  
Natural Forms ◽  
Cultural Forms ◽  
The One ◽  
Cultural World

ABSTRACT While Charles Darwin's evolutionary account of organic decay, decline, and extinction provided a model for accounts of supposedly similar processes in the domain of human culture and society, Darwin's own theory of natural selection depended on models of cultural and social transformation, degeneration, and destruction. In the full circuit of the organic metaphor of decadence, then, a theory of culture was applied to nature and then re-applied to the cultural world even though cultural forms do not always literally display processes of organic morbidity, and natural forms do not always literally display the results of intentional human artistry, cultivation, and collection. The organic metaphor of decadence was some-times used to imagine a continuous and regenerating life; sometimes, however, the organic metaphor was used to imagine the necessity of all-pervasive death. The essay compares and contrasts these two approaches——exemplified, on the one hand, by Darwin's own writings and, on the other hand, by Joris-Karl Huysmans's Against Nature.

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