Software Agents in Music and Sound Art Research/Creative Work: current state and a possible direction
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Composers, musicians and computer scientists have begun to use software-based agents to create music and sound art in both linear and non-linear (non-predetermined form and/or content) idioms, with some robust approaches now drawing on various disciplines. This paper surveys recent work: agent technology is first introduced, a theoretical framework for its use in creating music/sound art works put forward, and an overview of common approaches then given. Identifying areas of neglect in recent research, a possible direction for further work is then briefly explored. Finally, a vision for a new hybrid model that integrates non-linear, generative, conversational and affective perspectives on interactivity is proposed.
2020 ◽
Vol 34
(3)
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pp. 300-314
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2021 ◽
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2021 ◽
Vol ahead-of-print
(ahead-of-print)
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2019 ◽
Vol 7
(3)
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pp. 888-900
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2019 ◽
Vol 99
(4)
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pp. 2015-2113
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2020 ◽
pp. 1-21
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