Ithe kingdom of Bamiyān: Buddhist art and culture of the Hindu Kush. By Deborah Klimburg-Salter.(Istituto Universitario Orientale. Dipartimento di Studi Asiatici. Series Maior V.) pp. xix, 226. 90 pl., 2 maps. Naples and Rome, Istituto Universitario Orientale and Istituto Italiano per il Medio ed Estremo Oriente, 1989. - Shahr-i Zohak and the history of the Bamiyan valley, Afghanistan. By P.H.B. Baker and F.R. Allchin. (Ancient India and Iran Trust Series No. 1. B.A.R. International Series 570.) pp. x, 215, 162 figs., 3 maps. Oxford, British Archaeological Reports (Tempus Reparatum), 1991. £28.00.

1992 ◽  
Vol 2 (2) ◽  
pp. 288-294
Author(s):  
Warwick Ball
Keyword(s):  
Buddhist Art ◽  
Ancient India ◽  
Hindu Kush ◽  
Art And Culture ◽  
History Of

HIGHER EDUCATION IN ANCIENT INDIA

2018 ◽  
Vol 6 (26) ◽  
Author(s):  
Satyendra Singh Chahar ◽  
Nirmal Singh
Keyword(s):  
Cultural History ◽  
Early Stage ◽  
University Education ◽  
Educational Institutions ◽  
Educational Method ◽  
Men And Women ◽  
Ancient India ◽  
Herbert Spencer ◽  
History Of ◽  
The Ideal

University education -on almost modern lines existed in India as early as 800 B.C. or even earlier. The learning or culture of ancient India was chiefly the product of her hermitages in the solitude of the forests. It was not of the cities. The learning of the forests was embodied in the books specially designated as Aranyakas "belonging to the forests." The ideal of education has been very grand, noble and high in ancient India. Its aimaccording to Herbert Spencer is the 'training for completeness of life' and ‘the molding o character of men and women for the battle of life’. The history of the educational institutions in ancient India shows a glorious dateline of her cultural history. It points to a long history altogether. In the early stage it was rural, not urban. British Sanskrit scholar Arthur Anthony Macdonell says "Some hundreds of years must have been needed for all that is found" in her culture. The aim of education was at the manifestation of the divinity in men, it touches the highest point of knowledge. In order to attain the goal the whole educational method is based on plain living and high thinking pursued through eternity.

From Temples to Teahouses

2020 ◽  
Vol 7 (1) ◽  
pp. 34-61
Author(s):  
Gareth Fisher
Keyword(s):  
Social Media ◽  
Cultural Revolution ◽  
Lay Leaders ◽  
Buddhist Art ◽  
Lay Buddhism ◽  
Private Spaces ◽  
Art And Culture ◽  
Lay Buddhists ◽  
Key Events ◽  
State Restrictions

This article presents an overview of the nature of lay Buddhist revival in post-Mao China. After defining the category of lay practitioner, it outlines key events in the revival of lay Buddhism following the end of the Cultural Revolution. Following this, it describes three main aspects of the revival: the grassroots-organized formation of communities of lay Buddhists that gather at temples either to share and discuss the moral teachings of Buddhist-themed media or to engage in devotional activities; devotional and pedagogical activities organized for lay practitioners by monastic and lay leaders at temples and lay practitioners’ groves; and, more recently, the emergence of private spaces for specific practices such as meditation, the appreciation of Buddhist art and culture, and the discussion of teachings from specific Buddhist masters. The article concludes that while government-authorized temples continue to be active spaces for lay practitioners interested in Dharma instruction from monastics, regular devotional activities, and opportunities to earn merit and gain self-fulfillment through volunteerism, greater state restrictions on spontaneous lay-organized practices in temple space are increasingly leading lay practitioners to organize activities in private or semi-private spaces. The introduction of social media has facilitated the growth of Buddhist-related practices for laypersons in nontemple spaces.

scholarly journals Art. II.—Samudra Gupta (A specimen chapter of the projected Ancient History of Northern India from the Monuments.)

1897 ◽  
Vol 29 (1) ◽  
pp. 19-33
Author(s):  
Vincent A. Smith
Keyword(s):  
Fourth Century ◽  
Ancient History ◽  
The South ◽  
Ancient India ◽  
Northern India ◽  
History Of

The following history of the reign of the great conqueror, Samudra Gupta, who was emperor of Northern India, and made extensive, though temporary, conquests in the south, about the middle of the fourth century of the Christian era, is offered as a specimen of the author's projected “Ancient History of Northern India from the Monuments.” Though that projected history may never be completed, I venture to think that fragments of it may not be altogether valueless, and that they may suffice to prove that even now the materials exist for the construction of an authentic and fairly readable “History of Ancient India.”

Eat yourself fitter: John Latham and Clement Greenberg’s Art and Culture

2000 ◽  
Vol 25 (2) ◽  
pp. 40-44
Author(s):  
Simon Ford
Keyword(s):  
New York ◽  
Modern Art ◽  
Conceptual Art ◽  
Suitable Condition ◽  
Museum Of Modern Art ◽  
Art And Culture ◽  
History Of

In 1966 John Latham and some friends began chewing Clement Greenberg’s book Art and culture: collected essays. The resulting art work, entitled Art and Culture (1966-1969), is now recognised as a seminal conceptual art work and is part of the collection of the Museum of Modern Art, New York. Latham, however, had borrowed the book from St. Martin’s School of Art library and when he was unable to return it in a suitable condition his teaching contract was not renewed. This essay looks at the history of the work, the ideas behind its creation, and the issues it raises for the culture of the book today.

A ‘Lengthy Digression’: Why Mining Lagged Elsewhere

2019 ◽  
pp. 163-206
Author(s):  
Jeannette Graulau
Keyword(s):  
The North ◽  
Ore Bodies ◽  
Catchment Areas ◽  
Hindu Kush ◽  
The World ◽  
Mining History ◽  
Silver Mining ◽  
History Of ◽  
Mountain Development ◽  
Mining Regions

This chapter provides the mining history of the mountains of the rest of the world. It begins with England in which major silver discoveries took place in Bere Ferrers or Bere Ferris, a valley of the Tamar River in North Devon, southwest of Dartmoor, and at Combe Martin in the north after the mid-thirteenth century. However, English mines were challenging as they were physically distant from the central arteries of international trade of continental Europe and the commercial cities with continental catchment areas. This chapter also talks about silver mining that flourished in the Persian Province of Khorasan, the Samanid region of Transoxiana, and the Hindu Kush. These are the lands of the most spectacular mountain heights, where mountains piled up one behind another and mountain development assumes its grandest forms. It ends with mining history in India in which its mining exploits did not compete with the achievements of European mining regions. Mining in Zawar endured technical difficulties. Geologist Bagghi states that miners worked on hard siliceous quarzitic ore bodies, where drilling today calls for the use of tungsten carbide bits.

scholarly journals Džon i Žaklina Kenedi: politika, kultura i „nova granica“ odevanja

2016 ◽  
Vol 10 (4) ◽  
pp. 857
Author(s):  
Simona Čupić
Keyword(s):  
Political Affiliation ◽  
Social Changes ◽  
Specific Kind ◽  
The Public ◽  
Contemporary Politics ◽  
Internal Politics ◽  
Art And Culture ◽  
History Of ◽  
The 1960S ◽  
The Cold War

Jacqueline Kennedy’s style is one of the mainstays of the history of fashion and popular culture, as well as contemporary politics. John Kennedy’s way of dressing garnered much less attention. Even though, at first glance, not as interesting as the first lady’s “fashion sense”, the president’s style was no less thought-out. If, however, we view the changes in clothing as social changes and a determinant of various kinds of social differentiation: marital status, sex, occupation, religious and political affiliation, the way in which the Kennedys were presented to the public becomes more interesting – from the (carefully planned) photos and appearances to art and culture. Having in mind that the 1960s were a time when the appropriation of popular and fictional came back into modern art, and that general changes inherent in the new lifestyle, as well as a layered image of American internal politics, and the cold war map of the world, the carefully thought-out image of the presidential couple can be viewed as a specific kind of metaphor for a complicated time.

scholarly journals The works of Leningrad popular science film studio “Lennauchfilm” in the 1970s – 1980s

2021 ◽  
pp. 19-29
Author(s):  
Mariya Vladimirovna Kalenichenko
Keyword(s):  
Social Life ◽  
Popular Science ◽  
Time Period ◽  
Film Directors ◽  
Archival Documents ◽  
Art And Culture ◽  
History Of ◽  
Film Texts ◽  
Scientific Achievements

This article is dedicated to examination of works of the film directors of the Leningrad popular science film studio “Lennauchfilm” in the 1970s – 1980s. Based on the archival documents presented in the Central Archive of Literature and Art of Saint Petersburg, the author analyzes the work of the film studio: carries out classification of filmography by formal-semantic criterion, as well as determines the key processes typical to this time period. The following main trends are highlighted: natural science, technical-propagandistic, historical-revolutionary, military-patriotic, social life, history of art and culture. Special attention is given to the films that cover the topics, which have not previously been included in the field of popular science cinematography. The novelty of this research lies in classification of the thematic trends of the Leningrad film studio as an integral artistic system, as well as in comparison of the plots of popular science film texts by each direction over the two decades. As a result, the author identified the main trends, which broadened the thematic field in the work of the studio, as well as fundamentally changed the representations on the goals and tasks of popular science cinematography. The key object of popular science cinematography is being shifted during the Perestroika period. Emphasis is place not on science and technological achievements, but human and society. Film directors through their works conveyed the attitude of society towards science, raising the questions of transformation of ethics and morality in the context of scientific and technological revolution. The idea of the harm of scientific achievements and responsibility of the scholars before society is being advanced. Without any doubt, the works of the Leningrad film directors broadened the ideological-artistic range by offering the own vision of specificity of the Soviet popular science cinematography.

scholarly journals The fate of the Russian archaeologist at the era-breaking time

2021 ◽  
pp. 185-193
Author(s):  
Mironenko Maria P. ◽  
Keyword(s):  
Civil War ◽  
The State ◽  
Active Participant ◽  
The North ◽  
Art And Culture ◽  
Russian North ◽  
History Of ◽  
The Creation ◽  
Breaking Time ◽  
Written Sources

The article is devoted to the fate of an archaeologist, historian, employee of the Rumyantsev Museum, local historian, head of the section for the protection of museums and monuments of art and antiquities in Arkhangelsk, member and active participant of the Arkhangelsk Church Archaeological Committee and the Arkhangelsk Society for the Study of Russian North K.N. Lyubarsky (1886–1920). The Department of Written Sources of the State Historical Museum stores his archive, which sheds light on the history of his struggle to protect churches and other monuments of art and culture dying in the North of Russia during the revolution and civil war, for the creation of the Arkhangelsk Regional Museum.

The science of therapeutic images

2017 ◽  
Vol 30 (2) ◽  
pp. 69-87 ◽  
Author(s):  
Connor Cummings
Keyword(s):  
Psychiatric Patients ◽  
Psychiatric Research ◽  
Original Research ◽  
Convulsive Therapy ◽  
British Art ◽  
Scientific Analysis ◽  
Therapeutic Mechanism ◽  
Art And Culture ◽  
History Of ◽  
Electro Convulsive Therapy

The Netherne Hospital in Surrey is perhaps the most prestigious site in the history of British art therapy, associated with the key figures Edward Adamson and Eric Cunningham Dax, whose pioneering work involved the setting-up of a large studio for psychiatric patients to create expressive paintings. What is little-known, however, is the work of the designated scientist for psychiatric research, Hungarian Jewish émigré Francis Reitman, who was charged with an overall scientific analysis of the artistic products of the studio. Schooled in the biological psychiatric tradition of Ladislas J. Meduna in Budapest prior to his exile to the Maudsley Hospital in 1938 – and committed to treatments such as leucotomy and electro-convulsive therapy (ECT) – Reitman was an unusual candidate for research into the unconscious processes behind art and psychosis. Yet he authored two highly popular and widely reviewed books on his analyses of the abundant artistic output created by patients with schizophrenic diagnoses at the Netherne. In his Psychotic Art (1950) and Insanity, Art and Culture (1954), Reitman compared such schizophrenic images with those produced by artists under the influence of mescaline and examined the artistic output of patients having undergone leucotomy. This article draws on archival materials and Reitman’s original research publications in order to reconstruct his theory of schizophrenic art within the complex context of postwar British psychiatry, negotiating as he did between biologically reductive understandings of Freudian and Jungian psychoanalytic categories, and ultimately synthesizing concepts from both. It also analyses Reitman’s implicit theory of the therapeutic mechanism of art in the treatment of psychiatric patients.

The library of the Kunsthistorisches Institut in Florence

2005 ◽  
Vol 30 (4) ◽  
pp. 5-9 ◽  
Author(s):  
Jan Simane
Keyword(s):  
Scientific Literature ◽  
Renaissance Art ◽  
New Era ◽  
Research Libraries ◽  
High Profile ◽  
Research Activities ◽  
German Research ◽  
Art And Culture ◽  
History Of ◽  
Systematic Structure

The history of the library founded in 1897 at the Kunsthistorisches Institut in Florence is marked by a very close connection with the history and profile of the Institute itself. The demand for scientific literature for research on Florentine Renaissance art and culture was the key motivation for establishing a German research library in Florence, where this art and culture flourished. But from the very beginning the holdings covered Italian art as a whole, not just the Renaissance and Florentine art. The acquisition policy as well as the internal organisation and systematic structure of the library have right up to the present day mirrored the research activities of the Institute and its scholars. With the founding of a consortium of the three German research libraries in Florence, Munich (Zentralinstitut für Kunstgeschichte) and Rome (Bibliotheca Hertziana) in 1994, a new era began. High-profile bibliographic information, additional services and the integration of the library in Florence into this co-operative network became a further characteristic of the existing identity of the Institute and its library, which were – and continue to be – closely tied to Florence and Tuscany.

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