scholarly journals The Ambassadorial LPs of Dizzy Gillespie:World StatesmanandDizzy in Greece

2016 ◽  
Vol 10 (3) ◽  
pp. 239-269 ◽  
Author(s):  
DARREN MUELLER
Keyword(s):  
Cold War ◽  
African Americans ◽  
Social Position ◽  
The State ◽  
Cultural Hierarchy ◽  
Political Landscape ◽  
Jazz Musician ◽  
War Propaganda ◽  
Record Company ◽  
Musical Diplomacy

AbstractIn 1956, trumpeter Dizzy Gillespie became the first jazz musician to participate in the State Department's Cultural Presentations program, a highly public aspect of U.S. Government's Cold War propaganda efforts abroad. Seeking to capitalize on this historic moment, Gillespie's record company issued two LPs featuring his ambassadorial ensemble: World Statesman (1956) and Dizzy in Greece (1957). To date, scholarship about the tours highlights how Gillespie skillfully navigated the shifting political landscape both on and off the bandstand. The role that commercial record making played in the renegotiation of African Americans’ social position during this era, however, remains undertheorized. This article reveals how, despite the albums’ claims of representation from abroad, the LPs contain only a small portion of Gillespie's tour repertoire. I argue that these LPs were never meant to document the tours with veracity; rather, they were products of a political and technological moment when Gillespie's record label could leverage musical diplomacy to circulate an elevated vision for jazz within the country's cultural hierarchy.

The Principled Brand Strategist

2018 ◽  
Author(s):  
Emily Abrams Ansari
Keyword(s):  
Cold War ◽  
Cultural Diplomacy ◽  
The State ◽  
Aaron Copland ◽  
Strategic Response ◽  
Political Landscape ◽  
Old Left ◽  
Musical Works ◽  
War Experience ◽  
The Cold War

This chapter examines the Cold War experience of composer Aaron Copland. It argues that after suffering at the hands of Senator Joseph McCarthy and his cronies in the early 1950s, Copland reoriented himself. He not only turned away from musical Americanism as a composer but also took advantage of opportunities to tour overseas for the State Department, both to remove the taint of leftism from his image and to politically neutralize the Americanist style. Yet Copland’s Cold War choices were not simply a strategic response to a radically altered political landscape. Both his work with government and his musical works from this period show his enduring commitment to a set of strong personal principles that shaped his compositions, his writings, and his cultural diplomacy work across his long career. Copland’s ability to stay true to what he believed in ensured he never succumbed to cynicism, as did many other members of the Old Left.

The National Council of Negro Women and Apartheid

2017 ◽  
Author(s):  
Nicholas Grant
Keyword(s):  
Cold War ◽  
Black Women ◽  
African Americans ◽  
International Politics ◽  
State Department ◽  
The State ◽  
National Council ◽  
African Child ◽  
The Poor ◽  
The Cold War

This chapter examines the anti-apartheid politics of the Washington-based National Council of Negro Women (NCNW). Outlining the organization’s broader commitment to black international politics, it shows how its leadership worked with the State Department as it ought to expand its international activities in this era. As such, the chapter demonstrates how black liberals adapted to the climate of the Cold War when attempting to challenge colonialism overseas. Finally, by tracing the involvement of the NCNW with the African Children’s Feeding Scheme initiative, the chapter documents how highly gendered representations of the African family worked to promote a diasporic consciousness among African Americans. During the 1950s, images of the oppressed African mother, the poor and malnourished African child, and the African family in need of protection were deliberately employed as gendered motifs around which black women could build international alliances.

Moral Imperatives: South Korean Studenthood and April 19th

2012 ◽  
Vol 71 (2) ◽  
pp. 399-422
Author(s):  
Charles R. Kim
Keyword(s):  
Cold War ◽  
Social Organization ◽  
Full Advantage ◽  
The State ◽  
Protest Movement ◽  
Nationalist Discourse ◽  
South Korean ◽  
Political Landscape ◽  
Privileged Position ◽  
Global Sixties

An oft-overlooked part of the Global Sixties, the seminal event of April 19th (1960) set the foundation for South Korea's combative, youth-driven democratization struggles between the years 1960 and 1987. This article turns to the eve of the eight-week protest movement in order to examine the production of students as a nationwide social organization of youths well-versed in nationalist discourse and conversant in patriotic practices. Throughout the heady weeks of February, March, and April 1960, youthful protestors drew on elements of this ideological training in an unlikely fashion to employ them in protests against the state. Taking full advantage of the privileged position of students in nationalist discourse, the protestors of April 19th cemented the importance of the upright student demonstration in South Korea's emerging postcolonial, Cold War political landscape.

The Patria Potestad Hoax

2020 ◽  
pp. 105-126
Author(s):  
Deborah Shnookal
Keyword(s):  
Cold War ◽  
The State ◽  
Parental Authority ◽  
Catholic Clergy ◽  
News Broadcasts ◽  
Psychological Warfare ◽  
The Family ◽  
Pedro Pan ◽  
War Propaganda ◽  
The Impact

This chapter reviews the impact in Cuba of Cold War propaganda about the family and communism. It investigates the origins of the rumor campaign maintaining that the Cuban revolutionary government planned to eliminate patria potestad (parental authority) and make all Cuban children wards of the state. The rumors were backed up by the printing and circulation of a fake law by the anti-Castro movement. The author examines how this hoax was also spread through sensational news broadcasts on the CIA’s Radio Swan and through other psychological warfare (or psywar) propaganda, along with pronouncements by Catholic clergy, and considers why this fearmongering was so effective in convincing many Cuban parents to send their children out of the country with Operation Pedro Pan.

Prologue

2017 ◽  
Author(s):  
Peter D. McDonald
Keyword(s):  
Cold War ◽  
Cultural Diversity ◽  
The State ◽  
The Political ◽  
Cultural Expression ◽  
Intangible Heritage ◽  
History Of ◽  
Definition Of ◽  
The Cold War ◽  
Print Literacy

The section introduces Part II, which spans the period 1946 to 2014, by tracing the history of the debates about culture within UNESCO from 1947 to 2009. It considers the central part print literacy played in the early decades, and the gradual emergence of what came to be called ‘intangible heritage’; the political divisions of the Cold War that had a bearing not just on questions of the state and its role as a guardian of culture but on the idea of cultural expression as a commodity; the slow shift away from an exclusively intellectualist definition of culture to a more broadly anthropological one; and the realpolitik surrounding the debates about cultural diversity since the 1990s. The section concludes by showing how at the turn of the new millennium UNESCO caught up with the radical ways in which Tagore and Joyce thought about linguistic and cultural diversity.

Epic Cruelty: On Post-Pandemic Performance

2021 ◽  
Vol 37 (2) ◽  
pp. 119-136
Author(s):  
Rick Mitchell
Keyword(s):  
Climate Change ◽  
United States ◽  
African Americans ◽  
The United States ◽  
California State University ◽  
The State ◽  
State University ◽  
White Supremacist ◽  
Systemic Racism ◽  
Disaster Capitalism

As today’s catastrophic Covid-19 pandemic exacerbates ongoing crises, including systemic racism, rising ethno-nationalism, and fossil-fuelled climate change, the neoliberal world that we inhabit is becoming increasingly hostile, particularly for the most vulnerable. Even in the United States, as armed white-supremacist, pro-Trump forces face off against protesters seeking justice for African Americans, the hostility is increasingly palpable, and often frightening. Yet as millions of Black Lives Matter protesters demonstrated after the brutal police killing of George Floyd, the current, intersecting crises – worsened by Trump’s criminalization of anti-racism protesters and his dismissal of science – demand a serious, engaged, response from activists as well as artists. The title of this article is meant to evoke not only the state of the unusually cruel moment through which we are living, but also the very different approaches to performance of both Brecht and Artaud, whose ideas, along with those of others – including Benjamin, Butler, Latour, Mbembe, and Césaire – inform the radical, open-ended, post-pandemic theatre practice proposed in this essay. A critically acclaimed dramatist as well as Professor of English and Playwriting at California State University, Northridge, Mitchell’s published volumes of plays include Disaster Capitalism; or Money Can’t Buy You Love: Three Plays; Brecht in L.A.; and Ventriloquist: Two Plays and Ventriloquial Miscellany. He is the editor of Experimental O’Neill, and is currently at work on a series of post-pandemic plays.

A Special Intermittence and Continuity in Local History: The Chinese Diaspora and Their Hometown in Battlefield Quemoy during 1949-1960s

2011 ◽  
Vol 7 (2) ◽  
pp. 169-186 ◽  
Author(s):  
Chiang Bo-wei
Keyword(s):  
Cold War ◽  
Local History ◽  
The State ◽  
Chinese Diaspora ◽  
Overseas Chinese ◽  
Military Rule ◽  
Close Attention ◽  
Community Power ◽  
The Military ◽  
The Relationship

Abstract From 1949, Quemoy became the battlefront between the warring Nationalists and Communists as well as the frontline between Cold War nations. Under military rule, social and ideological control suppressed the community power of traditional clans and severed their connection with fellow countrymen living abroad. For 43 long years up until 1992, Quemoy was transformed from an open hometown of the Chinese diaspora into a closed battlefield and forbidden zone. During the war period, most of the Quemoy diasporic Chinese paid close attention to the state of their hometown including the security of their family members and property. In the early 1950s, they tried to keep themselves informed of the situation in Quemoy through any available medium and build up a new channel of remittances. Furthermore, as formal visits of the overseas Chinese were an important symbol of legitimacy for the KMT, Quemoy emigrants had been invited by the military authority to visit their hometown since 1950. This was in fact the only channel for the Chinese diaspora to go home. Using official files, newspapers and records of oral histories, this article analyzes the relationship between the Chinese diaspora and the battlefield, Quemoy, and takes a look at the interactions between family and clan members of the Chinese diaspora during 1949-1960s. It is a discussion of a special intermittence and continuity of local history.

Colonial Plunder and the Failure of Restitution in Postwar Korea

2017 ◽  
Vol 52 (3) ◽  
pp. 607-624
Author(s):  
Christine Kim
Keyword(s):  
Cold War ◽  
Modern Society ◽  
National Interests ◽  
Cultural Patrimony ◽  
Cultural Hierarchy ◽  
The Us ◽  
The Usa ◽  
Artistic Achievement ◽  
The Government ◽  
Academic Resources

This article evaluates the US ‘Monuments Men’ operations in Korea, focusing on wartime and postwar efforts undertaken by the government of the USA to preserve and restore artwork seized by Japan. The Asian initiative, conceived a year after the European model was established, likewise drew upon cultural, intellectual, and academic resources. Yet fundamental differences in personnel, perceptions of Korean cultural backwardness, prevailing imperialist attitudes, and Cold War sensibilities rendered a very different kind of project. Ultimately the ‘Monuments Men’ succeeded primarily in preserving the cultural patrimony of Japan, but it failed to recover any plundered objects from Korea, or the rest of Asia for that matter. Focusing on the US deliberations regarding repatriation of Korean looted art, this article lays bare both the US preoccupation with maintaining the national interests of its newest ally, and exposes an understanding of East Asian cultural hierarchy that privileged Japan’s artistic achievement and modern society above all.

West of Jim Crow

2020 ◽  
Author(s):  
Lynn M. Hudson
Keyword(s):  
Black Women ◽  
African Americans ◽  
Civil Rights ◽  
Civil Rights Movement ◽  
Jim Crow ◽  
The United States ◽  
The State ◽  
Freedom Fighters ◽  
White Schools ◽  
Black Bodies

This book follows California’s history of segregation from statehood to the beginning of the long civil rights movement, arguing that the state innovated methods to control and contain African Americans and other people of color. While celebrated in popular discourse for its forward-thinking culture, politics, and science, California also pioneered new ways to keep citizenship white. Schools, streetcars, restaurants, theaters, parks, beaches, and pools were places of contestation where the presence of black bodies elicited forceful responses from segregationists. Black Californians employed innovative measures to dismantle segregation in the nineteenth and twentieth centuries; they borrowed some tactics from race rebels in the South, others they improvised. West of Jim Crow uses California to highlight the significance of African American resistance to racial restrictions in places often deemed marginal to mainstream civil rights histories. Examining segregation in the state sheds light on the primacy of gender and sexuality in the minds of segregationists and the significance of black women, black bodies, and racial science, in the years preceding the modern civil rights struggle. California has much to teach us about the lives of African Americans who crossed the color line and the variety of tactics and strategies employed by freedom fighters across the United States.

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