Specificity and independence of the literary game

2012 ◽  
Vol 40 (3) ◽  
pp. 411-429 ◽  
Author(s):  
Bernard Lahire
Keyword(s):  
Nineteenth Century ◽  
Research Agenda ◽  
Pierre Bourdieu ◽  
The State ◽  
The Political ◽  
Literary Field ◽  
Dominant Position ◽  
German Speaking ◽  
Minority Literatures ◽  
Shed Light

In developing his theory of the “literary field,” Pierre Bourdieu essentially had in mind the case of France from the second half of the nineteenth century, the use of which as a case undoubtedly contributed to his marginalizing numerous aspects of the national microcosm. Among its unstated and unrecognized particular qualities, France is mono-national (rather than multinational) and monolingual (rather than multilingual), and occupies the dominant position in the international Francophone world (much as Germany is at the heart of the German-speaking world). A state, a nation, a language, a territory, a literature — all of these make one unit and prevent one from considering situations more complex or tangled, such as those of many minority literatures. These allow the tackling of issues — among others, problems of their “autonomy” in relation to realities outside of literature such as the political, religious, linguistic, and economic. Rather than imposing constraints on a research agenda, the study of minority literatures allows one to shed light on the complex and contradictory relations between the political (the national, the communal, and sometimes the state), the market, and the literary game.

‘In Italy we don’t have the means for illusion’: Grand opéra in nineteenth-century Bologna

2007 ◽  
Vol 19 (3) ◽  
pp. 199-222 ◽  
Author(s):  
CORMAC NEWARK
Keyword(s):  
Nineteenth Century ◽  
The State ◽  
The Political ◽  
Musical Style ◽  
Political Issues ◽  
Civic Pride ◽  
Relative Status ◽  
Don Carlos ◽  
Grand Opera ◽  
Shed Light

ABSTRACTContemporary press reports of two important stagings of grand opéra in Bologna – Rossini’s Guillaume Tell (as Rodolfo di Sterlinga) in 1840 and the Italian première of Verdi’s Don Carlos in 1867 – shed light on some intriguing details of the beginning and culmination of the genre’s reception in Italy. Through the prism of local civic pride, they illuminate not only the national standing of the composers in question and the state of regional operatic production, but also the political issues of the day as they impinged – frequently in unexpected ways – on then-current debates about musical style and genre. In particular, when read alongside the pronouncements of Angelo Mariani (conductor in Bologna from 1860) and, above all, Verdi, they reveal that the role, provenance and relative status of the works’ visual aspect (apparently so integral to the development of grand opéra) figured surprisingly importantly in the complicated and often contradictory discourse on unity in the nation at large.

The State

2019 ◽  
pp. 124-152
Author(s):  
Paul Stock
Keyword(s):  
Nineteenth Century ◽  
Balance Of Power ◽  
The State ◽  
The Political ◽  
Early Nineteenth Century ◽  
Late Eighteenth ◽  
Definitive Form

Chapter 6 discusses late eighteenth- and early nineteenth-century geography books’ sustained focus on the political states of Europe. The books present states both as organic communities with multi-faceted jurisdictions, and as increasingly centralized governmental authorities. They usually specify that monarchy is the definitive form of European government, and that European states share a propensity for ‘liberty’, broadly defined as respect for law and property, and the maintenance of the balance of power in Europe. Some geographical texts talk about ‘nations’, but ideas about European polities remain reliant on established notions of governmental structures.

Autoexoticism with Promotional Purposes? Samuel-Henri Berthoud and Provincial Literary Ruse in Nineteenth-Century France

PMLA ◽  
2017 ◽  
Vol 132 (2) ◽  
pp. 397-404 ◽  
Author(s):  
Valentina Gosetti
Keyword(s):  
Nineteenth Century ◽  
Literary Field ◽  
Dominant Culture ◽  
Cultural Center ◽  
Literary Works ◽  
The North ◽  
Nineteenth Century France ◽  
Foreign Land ◽  
Incomplete Picture ◽  
Shed Light

“There speaks the provincial!”—Goncharov, The Same Old StoryIn nineteenth-century france, the so-called province, denoting everything outside Paris, was considered a foreign land by Parisian writers, who often constructed it as an exotic space. When we deal with this kind of provincial exoticism, however, considering this perspective alone risks painting an incomplete picture of the French literary field. Through the example of Samuel-Henri Berthoud, an author from the north of France, my intention here is to shed light on autoexoticist practices by indigenous provincial writers and to explore how they actively reclaimed, fostered, and enhanced exotic constructions about their provinces. Indeed, a wealth of evidence supports my argument that their acceptance of hegemonic constructions from the dominant culture was not passive but rather an active and creative reappropriation. This essay also challenges the idea of a stable hegemonic cultural center around which the marginal authors and literary works gravitate. Before tackling these issues, let us take a step back and briefly survey the particular value of provincial France at the beginning of the nineteenth century.

The Bureaucracy and the Nazi Party

1966 ◽  
Vol 28 (2) ◽  
pp. 172-192 ◽  
Author(s):  
E. N. Peterson
Keyword(s):  
Nineteenth Century ◽  
Political Party ◽  
The State ◽  
The Political ◽  
Nazi Party ◽  
Individual Resistance ◽  
The Individual ◽  
The Masses ◽  
Failure Life ◽  
Group Resistance

THE individual in the twentieth century finds himself dwarfed by two giant institutions which decide his political destiny: the state, with its efficient bureaucrat methodically signing papers that may mean success or failure, life or death, for everyman and his world; the other is the political party, which aspires to control the state by mobilizing the masses. Nineteenth-century bureaucracy tended to be rigid and authoritarian, yet unrelated to popular support and limited in its impact on daily life. The nineteenth- century liberal, suspicious of the state, attempted to protect the individual by further limiting the bureaucrat; the twentiethcentury liberal hopes to use the bureaucrat to limit the privately powerful, whereas the totalitarian party hopes to dominate the state and therewith to dominate everyman. When a monopolistic party controls a monolithic state, the individual seems to have no choice but to flee, to obey or to disappear into a concentration camp. Overt individual resistance appears senseless; overt group resistance extremely dangerous and almost certainly doomed to failure.

Military Orders in Nineteenth-Century Brazil: Portuguese Tradition, the Holy See, and the Independent Nation

2014 ◽  
Vol 71 (1) ◽  
pp. 71-99 ◽  
Author(s):  
Camila Borges Da Silva
Keyword(s):  
Nineteenth Century ◽  
The State ◽  
Colonial Power ◽  
Local Elites ◽  
Holy See ◽  
Pedro I ◽  
Military Orders ◽  
Shed Light

This article is a study of the controversial role of Portuguese military orders in Brazil, starting from that nation’s independence in 1822 and continuing through the nineteenth century, under both the first Emperor of Brazil, Dom Pedro I, and his son, Dom Pedro II. The debates around the presence of the orders, whose mission was rooted in both Portuguese colonial power and the authority of the Holy See, on Brazilian soil are important because they shed light on the process and nature of the growth of that nation’s independence. The government’s struggle to maintain the orders in Brazil, in spite of ongoing criticism, and only with the exertion of great diplomatic effort, demonstrates how necessary they were to the functioning of the state. The orders constituted an important source of income, yes, but they were valuable even more as ways of granting honor and prestige. Their presence allowed Dom Pedro I to unite the empire of Brazil by decorating local elites, thus securing their services and loyalty.

scholarly journals Theorising International Urban Politics

2020 ◽  
pp. 030582982097168
Author(s):  
Ari Jerrems
Keyword(s):  
International Relations ◽  
Urban Politics ◽  
Research Agenda ◽  
Review Article ◽  
Global Politics ◽  
The Political ◽  
Disciplinary Boundaries ◽  
The Relationship ◽  
Shed Light ◽  
Academic Debate

Research across several disciplines has focused on the intersection between the international and the urban to shed light on transformations in global politics. Recently, this intersection has become the focus of critical International Relations scholars. Despite transversal interest, disciplinary boundaries often limit the scope of academic debate. In the interest of developing a transdisciplinary research agenda, this review article charts three different ways that scholars have theorised the relationship between the international, the urban, and the political across disciplines. A review of five recently published books, situated within a broader study of the literature, serves to do this.

‘Ossian fürs Frauenzimmer’? Lengefeld, Günderrode, and the Portuguese Translations of ‘Alcipe’ and Adelaide Prata

2013 ◽  
Vol 22 (3) ◽  
pp. 343-360
Author(s):  
Gerald Bär
Keyword(s):  
Nineteenth Century ◽  
Gender Studies ◽  
German Speaking ◽  
Female Writers ◽  
And Gender ◽  
Shed Light

This article examines German and Portuguese Ossian translations by female writers, particularly translations of Dar-thula, one of Macpherson's most popular pieces. Charlotte von Lengefeld's and Karoline von Günderrode's German translations raise the question of whether Ossian was considered a suitable subject for women, offering further insights into the reasons for the astonishing popularity of Macpherson's publications in German-speaking countries. The Portuguese versions of the Marquesa de Alorna and Adelaide Prata and their favourable reviews shed light on their acceptance in nineteenth-century Portugal. Comparison of the different approaches and objectives of these four translators together with the analysis of their different source texts and skills is intended to contribute to debate on translation and gender studies.

scholarly journals Mass petitions as a way to evaluate ‘public opinion’ in the late nineteenth-century Ottoman empire? The case of internal strife among Gaza’s elite

2013 ◽  
Vol 4 (2) ◽  
pp. 135-152 ◽  
Author(s):  
Yuval Ben-Bassat
Keyword(s):  
Nineteenth Century ◽  
Public Opinion ◽  
Ottoman Empire ◽  
The State ◽  
The Political ◽  
Late Nineteenth Century ◽  
Free Press ◽  
Late Nineteenth ◽  
Political Alignments ◽  
Key Questions

This article evaluates collective petitions (arz-ı mahzars) sent to Istanbul from Gaza at the end of the nineteenth century as a way of assessing the political mood of the elite in Ottoman provincial towns. Gaza was the theatre of considerable tension, cleavages, and rivalry among its elite. One of the key questions in this context is the implications of sending collective petitions from towns such as Gaza to the imperial centre given the political censorship and the absence of free press at a time when there was nonetheless greater communication between the centre and the provinces, and an altered relationship between the state and its subjects. Thus more than ever before collective petitions represented local political alignments and what could be very cautiously defined as ‘public opinion’ among the elite in provincial Ottoman towns such as Gaza.

Book review: Utilitarianism and the Art School in Nineteenth-Century Britain, written by Malcolm Quinn

2014 ◽  
Vol 22 (2) ◽  
pp. 237-256
Author(s):  
Dave Beech
Keyword(s):  
Nineteenth Century ◽  
Art Teachers ◽  
The State ◽  
Historical Study ◽  
The Political ◽  
Cultural Transition ◽  
Factory Workers ◽  
Art School

Malcolm Quinn’s book,Utilitarianism and the Art School in Nineteenth-Century Britain, is an historical study of the birth pangs of the state-funded art school that interrogates the politics of art’s reproduction within the context of Victorian reformism in which the art school was proposed as a mechanism to improve the standards of taste of manufacturers and factory workers, as well as of artists, designers, art teachers and others. The review locates the political and cultural transition from the academy to the art school as the construction of a specifically bourgeois institution of art.

PROCEDURE AS POLITICS IN THE CAPE COLONY: THE CAREER OF ANDREW GONTSHI, 1880–1904

2020 ◽  
Vol 61 (3) ◽  
pp. 409-427
Author(s):  
Elizabeth Thornberry
Keyword(s):  
Nineteenth Century ◽  
The State ◽  
Political Organization ◽  
Political Agenda ◽  
The Political ◽  
Court Cases ◽  
Eastern Cape ◽  
Black Intellectuals ◽  
Cape Of Good Hope ◽  
Law And Politics

AbstractIn 1881, Andrew Gontshi became the first black law agent in the Colony of the Cape of Good Hope and thus South Africa's first black lawyer. Records of court cases argued by Gontshi and his fellow black law agents provide a rich new archive for understanding the political sensibilities of the nineteenth-century Eastern Cape, where Gontshi practiced law and participated in the development of new forms of political organization, as well as the meaning of law to black intellectuals. In both law and politics, Andrew Gontshi employed procedural tactics to hold the state accountable to its own formalities. In Gontshi's world, law provided not a source of justice but a set of tools that could be used to advance a political agenda. Gontshi's story thus prompts a reconsideration of law's place in the intellectual tradition of South Africa's liberation struggle.

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