Japan: The Culture of Insubordination in the Army, 1868–1945

Author(s):  
Danny Orbach

The soldiers and sailors of Imperial Japan (1868–1945) are often presented in Western popular publications as obedient robots, unblinkingly following their commanders to certain death. In fact, however, the Imperial Japanese Army and Navy were among the most disobedient military forces in modern history. Structural flaws in the political code of the early Japanese state, as well as a series of misguided reforms to the Army, incubated an ideology of military independence from civilian rule. The Army, placed directly under the Emperor, did not institutionally believe it had to unconditionally obey the civilian government. Even worse, generals used their connections with the sovereign as an excuse for their individual disobedience. In the 1920s, this ideology of military independence converged with a subculture of insubordination from below, recalling revolutionary traditions of the mid-19th century. According to this ideology, prevalent among both officers and civilian activists, spontaneous political violence was justified when motivated by sincere patriotism and imperial loyalty. By the 1930s, insubordination from above and from below converged to produce a strong sense of military superiority, independence from any kind of civilian supervision, and endemic violence. The result was an unending series of unauthorized military operations, political assassinations, and coups d’état. These terrified the civilian leadership and eventually drove Japan to imperial overreach and disastrous, unwinnable wars.

2020 ◽  
pp. 95-111
Author(s):  
Punsara AMARASINGHE

The modern international law is considered an offshoot of European intellectual contributions as its basic foundation is deeply imbued with the political and social upheavals took place in European history. As an example, the Westphalian order emerged in the culmination of thirty years war in 1648 was regarded as the most pivotal mile stone in modern history of international law. Yet the European domination and its intellectual contribution to the development of international law systematically excluded non-European nations from international law and its protection, which finally paved the path to use international law in the 19th century as a tool of legitimizing the colonial expansion. This paper seeks to trace the historiography of modern international law and its dubious nature of disdaining non-Europeans and their civilizational thinking. Furthermore, this paper argues how European historical encounters carved the map of international law from a vantage point, which gave an utter prominence upon the European intellectual monopoly. The results emerge from this paper will strongly suggest the need of an alternative scholarship to unveil the history of international law.


2006 ◽  
Vol 11 (2) ◽  
pp. 315-325 ◽  
Author(s):  
Roberto Briceño-León

This article analyzes the changes in violence in Venezuela during the last forty years. It links the ups and downs of the oil revenues and the political crisis of the country to the changes in the homicide rates, which increased from 7 per 100 thousand inhabitants in 1970 to 12 in 1990, 19 in 1998 and 50 in 2003. The article characterizes Venezuela as a rentist society and shows its trajectory from rural violence to the beginning of urban violence, the guerilla movements of the 60s, the delinquent violence related to the abundance of oil revenues and the violence during the popular revolt and the sackings of 1989 in Caracas. After this, we analyze the coups d'état of 1992 and the influence the political violence exerted upon criminal violence. We describe the political and party changes in the country, their influence upon the stabilization of homicide rates since the mid-90s and their remarkable increase during the H. Chávez government. The article finishes with an analysis of the current situation, the official prohibition to publish statistics on homicides and with some thoughts about the perspective of greater violence in Venezuela.


Author(s):  
Brian Klaas

The political history of Africa is a history defined by political exclusion. Groups of people and politicians have been excluded from political participation on the basis of religion, ethnicity, gender, sexuality, class, and disability throughout the continent. Sometimes political exclusion is a result of a bigoted ideology of a group being inferior—as was the case during the colonial period. Other times, leaders use exclusion in order to maintain power, attempting to neutralize their rivals by removing them from the political system. That exclusion often creates destabiliziation, and sometimes violence. In some cases, notably in Côte d’Ivoire, for example, the debate over who is “legitimate” to include in politics and who is “illegitimate” has sparked civil wars and coups d’état. However, there is a strategic logic to political exclusion: it often tempts autocratic leaders as seemingly the “easiest” way of staying in power in the short term, even if it creates a higher risk of political violence in the long run. Nonetheless, political exclusion remains a widespread feature of most African states well into the 21st century. Until African politics become more inclusive, it is likely that the volatility associated with exclusionary politics will persist even if democratic institutions become stronger over time.


2020 ◽  
Vol 2 (3) ◽  
pp. 29-52
Author(s):  
Antonio Bellisario ◽  
Leslie Prock

The article examines Chilean muralism, looking at its role in articulating political struggles in urban public space through a visual political culture perspective that emphasizes its sociological and ideological context. The analysis characterizes the main themes and functions of left-wing brigade muralism and outlines four subpolitical phases: (i) Chilean mural painting’s beginnings in 1940–1950, especially following the influence of Mexican muralism, (ii) the development of brigade muralism for political persuasion under the context of revolutionary sociopolitical upheaval during the 1960s and in the socialist government of Allende from 1970 to 1973, (iii) the characteristics of muralism during the Pinochet dictatorship in the 1980s as a form of popular protest, and (iv) muralism to express broader social discontent during the return to democracy in the 1990s. How did the progressive popular culture movement represent, through murals, the political hopes during Allende’s government and then the political violence suffered under the military dictatorship? Several online repositories of photographs of left-wing brigade murals provide data for the analysis, which suggests that brigade muralism used murals mostly for political expression and for popular education. Visual art’s inherent political dimension is enmeshed in a field of power constituted by hegemony and confrontation. The muralist brigades executed murals to express their political views and offer them to all spectators because the street wall was within everyone's reach. These murals also suggested ideas that went beyond pictorial representation; thus, muralism was a process of education that invited the audience to decipher its polysemic elements.


2018 ◽  
Vol 42 ◽  
pp. 140-155
Author(s):  
Dmitry A. Badalyan

“Zemsky Sobor” was one of the key concepts in Russian political discourse in the 19th and the beginning of the 20th centuries. It can be traced to the notion well-known already since the 17th century. Still in the course of further evolution it received various mew meaning and connotations in the discourse of different political trends. The author of the article examines various stages of this concept configuring in the works of the Decembrists, especially Slavophiles, and then in the political projects and publications of the socialists, liberals and “aristocratic” opposition.


2016 ◽  
Vol 4 (2) ◽  
pp. 170 ◽  
Author(s):  
K. Eylem Özkaya Lassalle

The concept of failed state came to the fore with the end of the Cold War, the collapse of the USSR and the disintegration of Yugoslavia. Political violence is central in these discussions on the definition of the concept or the determination of its dimensions (indicators). Specifically, the level of political violence, the type of political violence and intensity of political violence has been broached in the literature. An effective classification of political violence can lead us to a better understanding of state failure phenomenon. By using Tilly’s classification of collective violence which is based on extent of coordination among violent actors and salience of short-run damage, the role played by political violence in state failure can be understood clearly. In order to do this, two recent cases, Iraq and Syria will be examined.


2006 ◽  
Vol 33 (1) ◽  
pp. 125-143 ◽  
Author(s):  
Robert W. Russ ◽  
Gary J. Previts ◽  
Edward N. Coffman

Canal companies were among the first enterprises to be organized in the corporate form and to require large amounts of capital. This paper examines the stockholder review committee of a 19th century corporation, the Chesapeake and Ohio Canal Company (C&O), and discusses how the C&O used this corporate governance structure to monitor and improve financial management and operations. A major strength was the concern and dedication of the stockholders to the company, while a major weakness was the political control exerted by the State of Maryland. The paper provides an historical perspective on corporate governance in the 19th century. This research contributes to the literature by providing detailed workings and practices of a stockholder review committee. The paper documents corporate governance efforts in archival sources that provide an early example of accountability required in a corporate charter and the manner in which the stockholders carried out this responsibility.


Author(s):  
Marjorie Lamberti

The much admired school system of 19th-century Germany served as a model for the educational systems of many other countries, including Britain and the United States. In this illuminating study of German primary schools, Lamberti examines an educational tradition that was the object of wide emulation, but which was often misinterpreted by its admirers. Lamberti also explores the political significance of German educational policies in the Kulturkampf, in the suppression of Polish nationalism in the eastern provinces, and more generally in the struggle between the competing strands of liberalism and authoritarianism in the German state.


Itinerario ◽  
2009 ◽  
Vol 33 (2) ◽  
pp. 17-27 ◽  
Author(s):  
Már Jónsson

On 2 January 1625, the English ambassador Robert Anstruther met with King Christian IV of Norway and Denmark and requested his participation in a union of Protestant states against Emperor Ferdinand II and the Catholic League in Germany. Within three days, King Christian proposed to contribute five thousand soldiers for one year, as part of an army of almost thirty thousand men. In early June, despite opposition from the Danish Council of State, reluctant to put a huge amount of money into foreign affairs, Christian decided to join what he called “the war for the defence of Lower Saxony”. He then headed an army of mercenaries southwards through Lower Saxony, secured all crossings over the river Weser and prepared to confront the Catholic forces. On 29 November, it was decided that Denmark would be in charge of military operations in Northern Germany, whereas England and the United Provinces would provide a monthly subsidy. The political and military prospects for Denmark were excellent, to say the least. It had the fourth strongest navy in Europe (after Spain and the two new allies), and only a few years before the Danish warships had been described by a French observer as “merveilles de l'océan”. A small standing army of two regiments had recently been established and Denmark was the fourth European state to do so after France, Spain and the neighbouring Sweden.


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