The First Censuses and the History of Statistics in Mexico

Author(s):  
Leticia Mayer

During the viceregal period, the population of New Spain was counted various times. However, censuses, which can be called modern, did not begin until the end of the 18th century. The most important of these is the so-called Revillagigedo census, which led to a very interesting debate: should the population be counted one by one or is it better to calculate it with indirect data? This is a problem that continues to exist in the 21st century. In 1812, under the Constitution of Cádiz, all provinces, including overseas ones, were asked to carry out censuses and produce statistics, which led to a proliferation of figures during the first years of the War of Independence and afterward. From 1826 onward, “deviation from the norm” was registered. It was now important not only to count inhabitants but also to calculate how many criminals there were and how many sick people were registered in the statistics, which led to an effort at quantification. Both public officials and those regarded as “wise,” the scientists of the day, were interested in statistics. The low crime rate in Mexico City compared to Paris led to the assumption of the existence of an exceptional “Mexican type of man” with a very low percentage of criminals. The regularity offered by the “Law of Great Numbers” fascinated the inhabitants of the 19th century. However, in the second half of the century, statistical bulletins contained very grim data. Some doctors concerned with collecting statistics—who were actually public health reformers—produced terrible numbers; the mortality in Mexico City was horrifying. In order to verify and compare data, there was a great demand to create a specialized central office. This was founded in 1882 and was given the task of carrying out censuses at the end of the 19th century, something done successfully.

Author(s):  
Paweł Sygowski

<p>W czasach Rusi Halicko-Włodzimierskiej osadnictwo ruskie na terenie dzisiejszej Lubelszczyzny posuwało się systematycznie na zachód. W XV i XVI w. dotarło do doliny Wieprza. W jego środkowym biegu powstało wówczas kilka parafii prawosławnych – Łęczna, Puchaczów, a także Milejów. Parafie te po przystąpieniu diecezji chełmskiej do unii brzeskiej stały się unickimi. Usytuowanie ich na terenie ze wzrastającą przewagą osadnictwa polskiego spowodowało przechodzenie wiernych na rzymsko katolicyzm. Proces ten szczególnie widoczny jest w 2 połowie XVIII w. i 1 połowie XIX w. Parafia w Milejowie należąca do najstarszych na tym terenie, pod koniec XVIII w. liczyła zaledwie kilku parafian, a na początku XIX w. rezydował tu jedynie proboszcz unicki, ks. Bazyli Hrabanowicz. W 2 dekadzie XIX w. ówczesny właściciel dóbr milejowskich – Adam Suffczyński – rozpoczął starania o przekształcenie parafii unickiej w parafię rzymskokatolicką, a cerkwi unickiej w kościół. Okazało się to dosyć skomplikowane. Najpierw parafię unicką należało zamknąć, a dopiero potem utworzyć parafię rzymskokatolicką. Proces ten kontynuowała siostra Adama – Helena Chrapowicka, która wkrótce przekazała to zadanie kuzynowi Antoniemu Melitonowi Rostworowskiemu, a po jego śmierci założeniem parafii i budową kościoła zajęła wdowa po nim – Maria z Jansenów, a następnie ich syn Antoni Rostworowski. Parafia unicka została zamknięta w 1852 r., cerkiew rozebrana, a murowany kościół został wzniesiony w latach 1855-1856. Po śmierci wspomnianego proboszcza unickiego w 1832 r. (ostatniego tutejszego parocha), cerkwią opiekował się proboszcz Dratowa. Część wyposażenia cerkwi milejowskiej została przeniesiona do świątyni dratowskiej, gdzie spłonęło ono w roku 1886 r., w pożarze tamtejszej świątyni. Część wyposażenia zabezpieczona została we dworze milejowskim i po wybudowaniu kościoła przeniesiona do niego. Wśród tego wyposażenia wyróżnia się pochodząca z 2 połowy XVII w. ikona Matki Boskiej z Dzieciątkiem (w typie Eleusy), odnowiona w latach 2012-2013 staraniem ówczesnego proboszcza – ks. Andrzeja Juźko. Po akcji rozbiórkowej cerkwi w 1938 r. to jedna z wyjątkowo nielicznych, ocalałych ikon dawnej diecezji Kościoła wschodniego na Lubelszczyźnie.</p><p><strong>On the Religious Borderland. A Defunct Uniate Church under the Invocation of St. Praxedes the Martyr in Milejów and its Equipment</strong></p>SUMMARY<p>The parish in Milejów was one of the early Orthodox parishes in the Wieprz valley, recorded in the 1470s. The presence of the Orthodox priest in Milejów is documented in tax registers in the 16th century. More information on the Uniate parish and its Orthodox church can be found in the documents of the 18th-19th centuries. The author presents the history of the Milejów Uniate church and the parish with particular reference to the equipment of the church. First, the old Uniate church is described (the last quarter of the 17th and the fi rst half of the 18th century). The church had the high altar and three side altars; in addition, there were inter alia, liturgical vessels, altar bells, the bells on the belfry, liturgical books, an perhaps an iconostasis. The new Uniate church (the second half of the 18th and the fi rst half of the 19th century) – erected in the second half of the 18th century in place of the old one (which burnt down in ca. 1760) contained the high altar with the picture of Our Lady (painted on canvas) and two side altars. The equipment also included, inter alia, a silver and gilded pro Venerabili vessel, a chalice with a paten and a spoon, a can “for sick people”, an altar tin cross, a brass thurible, a metal swag lamp, three altar bells, a bell at the sacristy, four reliquaries, two small brass candlesticks, a processional cross, pictures, liturgical books. The next described stage is the end of the Uniate parish and the beginnings of the creation of the Roman-Catholic parish in the 19th century, founded in 1858. The new church – erected a few hundred meters from the place of the Uniate church – was consecrated in 1859. The equipment of the Uniate church before its demolition (the second quarter of the 19th century) included in 1828, inter alia, the above mentioned three altars, a new choir, a crucifi x, a confessional, a pulpit, candlesticks, pictures, and a new umbraculum. The inventory of 1847 also mentioned, inter alia, four icons situated near the high altar, a stoup, four benches, twenty candlesticks, and a porcelain chandelier. In the next part of the text the author describes the icons preserved in the Milejów church: „Matka Boska z dzieciątkiem” [Madonna and Child] and „Przemienienie Pańskie” [the Transfi guration of the Lord]. In the next parts of the article the author describes the history of the owners of Milejów, patrons and parish priests. At the end of the article he synthetically presents the history of the Milejów parish.</p>


Menotyra ◽  
2017 ◽  
Vol 24 (1) ◽  
Author(s):  
Asta Giniūnienė

The article for the first time analyses the decoration parts of the Christ’s tomb of the second halfof the 18th century found a few years ago in Švėkšna church. The Christ’s tomb from the oldchurch was transferred to the  new church, which was built in 1804 and used until the  4thdecade of the 19th century. On the basis of the sources and remained fragments we can statethat this was a complicated structure of the Paschal decoration designed under the Europeanbaroque scenery principles. It was composed of the paintings on boards and canvas and mis-cellaneous accessories. The  Christ’s tomb paintings are characterised by a  symbolic allegoriccontent and artistry. The prophets of the Old Testament and characters the New Testamentreflecting the Paschal Triduum liturgy were depicted in the decoration. The survived outlinepaintings of Adam and Eve in Paradise, Noah waiting for the Saviour, and Angels Lamentingover the Death of Jesus are the exceptional iconography images in the Lithuanian church art.The decorations of the Christ’s tomb were created by the professional masters who decoratedthe churches in Samogitia in the second part of the 18th century. The images of suffering anddead Jesus used in the figuration of the Paschal Triduum influenced the spread of the Passionscenes. This is supported by an interesting archival fact about the shrine with a group of sculp-tures depicting the tomb of Christ in the Švėkšna churchyard.The fragments of the Paschal decorations in the Švėkšna church are important baroque scen-ery exhibits, which are valuable for the history of the Lithuanian church art and scenography.The investigation of the Holy Week figuration in the Švėkšna church is a valuable illustrationof this multidimensional cultural, religious and artistic phenomenon.


Diacronia ◽  
2018 ◽  
Author(s):  
Gheorghe Chivu

The history of the verbal forms sum and sunt, introduced into the literary writing by the Transylvanian Latinist School, reveals a winding process in the elaboration of certain cultured norms proper to the modern literary Romanian. Not at all linear, this process was concurrently influenced by two, often divergent, tendencies that were active from the end of the 18th century up to the beginning of the 20th century: the use of some cultured forms, borrowed from Latin or created according to Latin patterns; and the revitalization of certain linguistic forms with regional diffusion. Initially proposed as literary pronunciations, the two verbal forms were soon adopted and used as etymological graphic forms that corresponded to sîm and suntu from certain conservative patois. During the second half of the 19th century (sum), and during the first decades of the 20th century (sunt), the two graphic forms became orthoepic norms as well, due to the phonological tradition of the Romanian writing.


2021 ◽  
Vol 19 (1) ◽  
pp. 97-127
Author(s):  
Leah Bornstein-Makovetsky

This article discusses the biographies and economic and public activities of the Ḥatim family in Istanbul in the late 18th century and throughout the 19th century. Most of the attention is focused on R. Shlomo Ḥatim and his son Yitsḥak, who were members of the Jewish elite in Istanbul and settled in Jerusalem at the ends of their lives. R. Shlomo, who is said to have served the Ottoman authorities in Istanbul, settled in Jerusalem more than ten years before the leaders of the Jewish economic elite in Istanbul were executed in the 1820s. His son, surviving this purge, followed much later, immigrating to Israel in 1846, but died immediately thereafter. This article provides insights into the business activities of the Ḥatim family, as well as the activities of Yitsḥak Ḥatim as an Ottoman official in Istanbul. I also discuss two more generations of this family, considered an elite, privileged one, and that was highly esteemed among well-known rabbis in the Ottoman Empire. I also discuss the ties that developed between the communities of Istanbul and Jerusalem in the first half of the 19th century as a result of initiatives of officials in Istanbul and of immigration from Istanbul to Jerusalem.


Author(s):  
O.E. Fedorenko ◽  
К.V. Коlyadenko

An epidemic of any infectious disease is an invisible ruthless enemy that cannot be defeated by military, political, economic or ideological means. Humanity always reacts to such threats quite nervously and subconsciously tries to mythologize them, at least a little, in order to somehow psychologically protect itself from the real fear of imminent death. Since there is no rational defense against such a threat, people for the most part react in an irrational manner.The 19th century, almost the same as the previous centuries, «started» in epidemiological terms almost from the very beginning of its calendar. Only in contrast to the previous 18th century, the main and dominant danger was posed by another infectious pathology — cholera.In the history of medicine, over the 19th century, as many as six outbreaks of cholera epidemics were recorded since 1817. The first of them began in East Bengal and lasted 8 years (1817—1824), gradually, covering almost all India and big regions of the Middle East. It was worsened by the traditional travels of both Hindu and Muslim pilgrims to «holy places» who spread Vibrio cholerae on foot and through active communication with local residents.One of the significant reasons why cholera epidemic continued with minimal interruptions for almost the entire nineteenth century was an insufficient level of scientific knowledge in microbiology and the resulting ignorance of the causative agent of cholera — vibrio and its properties.Another factor was a complete lack of understanding by society of the need to observe at least the simplest sanitary standards in everyday life. And there was also misunderstanding among the leadership which tried to limit the next outbreak of cholera mainly by administrative measures without adequate explanations of their essence and necessity to the population.


Author(s):  
Karolina Karpińska

This article is dedicated to discussing the implementation of the descriptive geometry, i.e. the scientific novelty from the end of the 18th century, in secondary school education on the Polish territories in the 19th century. At that time, Polish lands were under the occupation of three empires: Prussia, Austria, and Russia. Over the time, the policy of the partition empires toward the Poles was changing in intensity. As a consequence, in the 19th century, there were schools on the Polish territories with Polish, Prussian, Austrian and Russian curricula and relevant lecture languages. The article analyses the implementation of descriptive geometry into teaching mathematics in schools located in all three partitions. Keywords: descriptive geometry, history of mathematics education, history of mathematics


Author(s):  
Doron Swade

The principles on which all modern computing machines are based were enunciated more than a hundred years ago by a Cambridge mathematician named Charles Babbage.’ So declared Vivian Bowden—in charge of sales of the Ferranti Mark I computer— in 1953.1 This chapter is about historical origins. It identifies core ideas in Turing’s work on computing, embodied in the realisation of the modern computer. These ideas are traced back to their emergence in the 19th century where they are explicit in the work of Babbage and Ada Lovelace. Mechanical process, algorithms, computation as systematic method, and the relationship between halting and solvability are part of an unexpected congruence between the pre-history of electronic computing and the modern age. The chapter concludes with a consideration of whether Turing was aware of these origins and, if so, the extent—if any—to which he may have been influenced by them. Computing is widely seen as a gift of the modern age. The huge growth in computing coincided with, and was fuelled by, developments in electronics, a phenomenon decidedly of our own times. Alan Turing’s earliest work on automatic computation coincided with the dawn of the electronic age, the late 1930s, and his name is an inseparable part of the narrative of the pioneering era of automatic computing that unfolded. Identifying computing with the electronic age has had the effect of eradicating pre-history. It is as though the modern era with its rampant achievements stands alone and separate from the computational devices and aids that pre-date it. In the 18th century lex continui in natura proclaimed that nature had no discontinuities, and we tend to view historical causation in the same way. Discontinuities in history are uncomfortable: they offend against gradualism, or at least against the idea of the irreducible interconnectedness of events. The central assertion of this chapter is that core ideas evidenced in modern computing, ideas with which Turing is closely associated, emerged explicitly in the 19th century, a hundred years earlier than is commonly credited.


Author(s):  
Mari Hvattum

In its most general sense, historicism refers to a new historical consciousness emerging in late-18th- and early-19th-century Europe. This novel “historical-mindedness,” as the cultural historian Stephen Bann has called it, sprung from a recognition that human knowledge and human making are historically conditioned and must be understood within particular historical contexts. Historicism inspired new interest in the origin and development of cultural phenomena, not least art and architecture. When used in relation to architecture, historicism usually refers to the 19th-century notion that architecture is a historically dynamic and relative phenomenon, changing with time and circumstance. This in contrast to 18th-century classicism which tended to uphold the classical tradition as a universal ideal and a timeless standard. Historicism in architecture often entails Revivals of various kinds, i.e., the reference to or use of historical styles and motifs. The term is related to concepts such as eclecticism, revivalism, and relativism. In architectural history, an early anticipation of a historicist way of thinking is Johann Joachim Winckelmann’s History of the Art of Antiquity (1764). While still idealizing Greek art, Winckelmann also analyzed Egyptian, Etruscan, Phoenician, and Persian art and architecture, paying close attention to the historical conditions in which each of these cultures emerged. This new attentiveness to the relationship between cultural conditions and artistic expression lies at the heart of historicism, as does the related idea that architecture has the capacity to represent an epoch or a nation, forming a veritable index of cultural development. There is a strong organicist aspect to historicism, i.e., a tendency to think about cultural phenomena as organic wholes that evolve according to laws.


Author(s):  
Tatiana Feklova

The history of the Russian Magneto-Meteorological Observatory (RMMO) in Beijing has not been extensively researched. Sources for this information are Russian (the Russian State Historical Archive, Saint Petersburg Branch of the Archive of the Academy of Sciences, Russian National Library) and Chinese (the First Historical Archive of Beijing, the Library of the Shanghai Zikavey Observatory) archives. These archival materials can be scientifically and methodologically analyzed. At the beginning of the 18th century, the Russian Orthodox Mission (ROM) was founded in the territory of Beijing. Existing until 1955, the ROM performed an important role in the development of Russian–Chinese relations. Russian scientists could only work in Beijing through the ROM due to China’s policy of fierce self-isolation. The ROM became the center of Chinese academic studies and the first training school for Russian sinologists. From its very beginning, it was considered not only a church or diplomatic mission but a research center in close cooperation with the Russian Academy of Sciences. In this context, the RMMO made important weather investigations in China and the Far East in the 19th century. The RMMO, as well as its branch stations in China and Mongolia, part of a scientific network, represented an important link between Europe and Asia and was probably the largest geographical scientific network in the world at that time.


Author(s):  
Lourdes Parra Lazcano

Foreign travelers arrived in large numbers in Mexico, especially after Mexican War of Independence, to see the country and access its commercial potential. Each of them talked about the Valley of Mexico, its richness and human diversity. The way these travelers wrote about their “gazes” over this valley—in particular Fanny Calderón de la Barca—is key to understanding the politics of their trips. After their initial viewing, foreign travelers described the Mexican social and political situation as ripe for exploitation and improvement. Despite the fact that these travel accounts consider only an arbitrary section of the Mexican reality, affected by the bias and life history of each writer, they offer valuable material in their portrayal of Mexican society at that time. Hernán Cortés and Alexander von Humboldt’s views of the Mexican Valley were highly influential for the subsequent foreign travelers who went to Mexico during the 19th century, mainly from the United Kingdom, central Europe, and the United States. The work of Fanny Calderón de la Barca, and her gaze as it falls upon the Valley of Mexico, reflect the politics of mid-19th-century Mexico.


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