A Lotus Blooms in the End Times: Cosmological Topography and the Tibetan State

Author(s):  
Ian MacCormack

Abstract The ruler of the central Tibetan state, the Desi Sangyé Gyatso (1653–1705), recognized its capital city of Lhasa as having the radial form of an eight-petaled flower or eight-spoked wheel. This article examines the Desi’s writings to reflect on the relationship between symbolically ordered space and cosmology. Scholars have often explained such spaces as representing a cosmological model, assigning that model the role of a static foundation and distancing it from human activity. This Tibetan case is read as evidence for another way of thinking about cosmological topography, namely as a creative process in a self-consciously critical relationship with its encompassing world. At stake is the general question of how humans both inhabit the cosmos and actively participate in ordering it.

2020 ◽  
Vol 15 (2) ◽  
pp. 95-109
Author(s):  
Heba Aziz ◽  
Osman El-Said ◽  
Marike Bontenbal

The objective of this study was to measure the level of cruise tourists' satisfaction as well as the relationship between satisfaction, recommendation, return intention, and expenditure. Also, the impact of factors such as nationality, length of the visit, and age on the level of expenditure was measured. An empirical approach for data collection was followed and a total of 152 questionnaires were collected from cruise tourists visiting the capital city of Oman, Muscat, as cruise liners anchor at Sultan Qaboos Port. Results of the regression analysis supported the existence of a causal relationship between satisfaction with destination attributes, overall satisfaction, recommendation, return intention, and expenditure. It was found that the average expenditure varies according to age and length of the visit. Recommendations for policy makers were suggested on how to increase the role of cruise tourism in strengthening the economy.


2019 ◽  
Vol 3 (1) ◽  
pp. 2-27
Author(s):  
Wouter Egelmeers ◽  
Joris Vandendriessche

IMPORTING TEXTS FROM ABROAD Editors’ reuse of foreign historical texts in Dutch periodicals, 1780-1860 This article explores the ways in which the editors of five Dutch history journals and three magazines for general circulation copied historical texts from abroad, between 1780 and 1860. By comparing original texts with reprinted versions, we show that the editors’ work involved not only ‘passive’ duplication (reprinting in full), but also more active forms of intervention, from the selection of text fragments to their translation, modification or critical review. These varied editorial practices point to a broader creative process through which historical knowledge was tailored to an emerging and nationally-oriented academic audience. Editors here assumed the role of mediators, gatekeepers even in the sense that their judgment determined the very choice of texts. At a time when the study of history was evolving at both the national and international level, and when the relationship between actors making up the disciplinary field was also in flux, editors thus became influential figures.


Author(s):  
Jonathan Crowe

The role of implications in Australian constitutional law has long been debated. Jeffrey Goldsworthy has argued in a series of influential publications that legitimate constitutional implications must be derived in some way from authorial intentions. I call this the intentionalist model of constitutional implications. The intentionalist model has yielded a sceptical response to several recent High Court decisions, including the ruling in Roach v Electoral Commissioner that the Constitution enshrines an implied conditional guarantee of universal franchise. This article outlines an alternative way of thinking about constitutional implications, which I call the narrative model. I argue that at least some constitutional implications are best understood as arising from historically extended narratives about the relationship of the constitutional text to wider social practices and institutions. The article begins by discussing the limitations of the intentionalist model. It then considers the role of descriptive and normative implications in both factual and fictional narratives, before applying this analysis to the Australian Constitution. I argue that the narrative model offers a plausible basis for the High Court’s reasoning in Roach v Electoral Commissioner.


Author(s):  
Jenny Marie

This paper analyses three crucial research skills: problem identification, data collection and hypothesis formation. It concludes that science research students should be taught about the creative process as they are under pressures that can inhibit creative thought. They should also be taught the importance of tacit knowledge for learning how to do research, as this will aid the process. Styles of thought and language allow researchers to identify and solve problems and limit what the latter can be. Students may benefit from further knowledge of these, so they can understand why their interpretations differ from others and how to create truly original hypotheses. The paper calls for further research into the relationship between language and hypothesis formation.


Popular Music ◽  
2003 ◽  
Vol 22 (3) ◽  
pp. 357-374 ◽  
Author(s):  
Sean Albiez

Johnny Rotten / John Lydon was and remains the first voice of British punk and yet consistently refuses to identify with punk as a subculture. In revisiting his observations on his career with the Sex Pistols and Public Image Ltd (PiL) in the 1976–1980 period, this article considers how ‘narratives of self’ enable us to gain insights into individual subjectivity and the (trans) formation of identity. Through this material we can investigate the role of Lydon's idiosyncratic cultural capital in his creative process. It is suggested that this investigation requires us to consider ideas of cultural continuity and flow in relation to Lydon, the creative contexts within which he operated and the relationship between progressive music, punk and post-punk in the 1970s.


2019 ◽  
Vol 20 (2) ◽  
Author(s):  
Carol-Anne Rodrigues

In modern day architecture practice, the role of the hand in the design process has been displaced by the advent of new technology. There is an inherent desire in practice to rely fully on the computer, which within its digital parameters removes the direct connection of the architect’s hand from the creative process. To create meaningful architecture, it is imperative to understand that the relationship of the architect’s hand in the design process is as critical as the relationship of the architectural joint to the project. To understand the hand, I approached it architecturally and rigorously studied its form and structure. At the same time, I studied several sculptors and artists, such as Richard Serra, Eduardo Chillida, Robert Morris and Eva Hesse who concentrated on the process over the final product.  I created section drawings of select pieces and analyzed them with hand motions to study their forms. With these analyses, I created a material joint that explored different ways to “hold” masses and “join” different materials. With my hand analyses and material joints, I have understood the level of the “joint” at different scales: from the hand that makes the architecture to the actual structure that holds architecture together.


Author(s):  
Piotr Spyra

<p>The main purpose of the dissertation is an attempt to answer the question of how religion inspired and still inspires the works of jazz musicians. Some people think that jazz and religion have nothing in common or even that they are in opposition. The present article tries to show that this common way of thinking is not correct: jazz grew from religious music, and owing to its creative freedom (improvisation) it can be very a good way of expressing religious feelings. The thesis consists of two major parts. The first part contains an attempt to systematize the relationship between music and religion. Relying on the knowledge about ethnography and religion, the author discusses the subordinate role of music in relation to religion. The next chapter presents the most important philosophical and theological attempts to explain the phenomenon of music. The last chapter is devoted to the presentation of the religious roots of jazz. The second part discusses the works of selected jazz musicians in the context of different religions. Featured here are the following faiths: Christianity, Islam, Buddhism, Hinduism, Scientology and some original religious systems. At the end of the paper there is a summary. The author proves that over the centuries religion has accompanied and inspired the works of the most famous musicians who have gone down in history as outstanding jazz musicians. Many of them openly declared their faith, thanked God on CD’s, in interviews, in the titles of songs. Many of them created forms associated with religious (sacred) music. Others sought in the spiritual world their identity, sources of their talent and mystery of making music, and some were inspired by selected aspects of religion.</p>


2021 ◽  
Author(s):  
N. Seijo

Eating disorders are considered some of the most difficult to treat and have the highest mortality rate of all mental disorders (Agras, 2001). Among them, anorexia nervosa is one of the psychiatric diagnoses with the highest mortality rate (Arcelus et al., 2011). In a longitudinal study conducted by Bulkin et al. (2007) from 1980 to 2005, it was found that – 80 – General question of world science applying medication and working with behavior yielded inconclusive results (Openshaw, et al. 2004). If eating disorders were solely dependent on food, it would make sense that changing eating behaviors makes it easier to get out of the disorder. Unfortunately, however, this is often not the case. The clinical case presented here is a clear example of the relationship between eating disorders and trauma, particularly sexual, emotional, power, and physical abuse.


Humaniora ◽  
2015 ◽  
Vol 6 (2) ◽  
pp. 190 ◽  
Author(s):  
Mia Angeline

This article describes the role of myth and some universal themes of myth, such as the creation of the world, a huge flood, death, and the end of the world. Almost all the world's myths concern this universal themes, as seen from the similarity of some of the myths followed by many cultures in the world. These myths have primary functions to human’s behavior and attitude because people keep telling almost the same myths to their predecessors. The goals for this research are (1) knowing the functions of myths with famous themes from various culture and (2) knowing the background and relationship between myths and modern culture. The result describes the relationship between the cultural myths, where the core of the story is the truth of humanity. In addition, myth acts as a template to organize their daily activities as well as human activity, but it also serves to introduce human to a greater power in the universe. The values in each story will be interpreted as rules and customs that must be met, and this has resulted in the emergence of a culture passed down from generation to generation. 


Neophilology ◽  
2020 ◽  
pp. 709-721
Author(s):  
Nataliia G. Solodovnikova

We describe the established relationship between linguoecology and emotioology, which is manifested in the emergence and development of emotive linguoecology. We substantiate the use “ecology” concept in the refraction of emotivity. We consider the influence of emotivity on the boundaries of ecology. The material of the work is an artistic emotive text, on the example of which its ecology is established by the method of emotive analysis. As an assumption, the follow-ing is accepted: emotive analysis is universally applicable to any text, both in terms of its func-tional, stylistic, and genre affiliation, and in terms of its temporal relevance; ecology of the text is related to the emotional motivation of its author and is determined by the rating sign of emotives in the text. The main result of the work is to clarify the emotional coordinates of ecology by refer-ring to the role of emotions as the motivational basis of all human activity. The work concludes that ecology is manifested in the emotional motivation of the author who produces an emotive text. We noted why the relationship between emotive and ecological linguistics ensures their mutual development and resilience. We list the main emotive perspectives of linguoecology and linguoecological perspectives of emotionology. We predict the possibilities of their further integration.


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