Digitization of Buddhism (Digital Humanities and Buddhist Studies)

Buddhism ◽  
2020 ◽  
Author(s):  
Marcus Bingenheimer

The period between 1990 and 2010 saw a momentous change in the way humans store information. The transition from a society that encodes its information mainly in analogue ways to one that relies mainly on digital media has far-reaching consequences for each of its subsystems, including religion and academia. The well-understood materiality of analogue media, which encode information in unique, persistent, easily addressable items, which are embedded in economic and legal arrangements, has been replaced by a regime where most information is encoded digitally. Computationally mediated, digital information can be quickly produced, changed, multiplied, and transmitted, but is always reliant on a many-layered infrastructure of network, hardware, and software standards. How is Buddhist heritage digitized and how does that impact Buddhist studies? Buddhists, from the very beginning of their tradition, have often been “early adopters” and eager to use whatever new media were available to store, manage, and transmit their cultural heritage. With the advent of writing in India, Buddhism is mentioned in the earliest examples of Indian epigraphy (the Aśokan edicts, 3rd century bce), and the oldest surviving Indian manuscripts (c. 1st century ce) are of Buddhist texts. In China, Buddhism became the first religion to make use of printing to copy their sacred scriptures. Famously, the earliest dated printed book (868 ce) is a Chinese version of the Diamond Sutra. In Buddhist studies, like in other fields of academic inquiry, researchers had to learn within a generation to digitally access and manage primary sources (see Digitization of Primary Sources) and research tools (see Digitization of Research Tools). Cyberspace has become a new frontier for research into contemporary Buddhism (see Buddhism in Cyberspace). Similar to other fields in the Humanities, the application of research methods specific to digital data (see Application of Computational Methods in Buddhist Studies), however, is still in its infancy. This article is neither a link list, nor a bibliography in the traditional sense, but an attempt to survey the landscape of initiatives and approaches toward the use of computational methods in Buddhist studies. To prevent link rot, I cite URLs only where projects are not easily findable via a simple online search for their name. Most of the resources in this article are the product of teamwork; very few are created by a single person alone. Because of this, I generally forgo mentioning individuals, focusing instead on the institutions that maintain a resource. Acronyms are only given where they are widely used.

Author(s):  
Christian Pentzold ◽  
Anne Kaun ◽  
Christine Lohmeier

In our fast-forward times, the special issue ‘Back to the Future: Telling and Taming Anticipatory Media Visions and Technologies’ examines the future-making capacity of networked services and digital data. Its contributions ask about the role media play in forecasting the future and their part in bringing it about. And they are interested in the expectations and anticipatory visions that accompany the formation and spread of new media. Along these lines, the eight articles in this special issue explore the future-making dimension of new media. As a whole, they provide an empirically grounded analysis of the ways media reconfigure the relations and distances among present, past, and future times. The contributions delineate imaginaries of futures related to digital media. Furthermore, they attend to interventions into the plans and efforts of making futures and they inquire about the creation of differently vast and (un)certain horizons of expectation. Together, the articles share the assumption that mediated futures are actively accomplished and enacted; they do not simply appear or wait for us to arrive in them.


In today’s world, the enhancement in internet technologies, digital data are mostly used to share the information in public networks. There are many traditional security techniques used to provide security to the digital information. But the existing methods don’t provide much of the security to digital media like image, video, audio, etc. The digital watermarking is employed in the protection of digital information. This paper gives a review on digital image watermarking based on the visual cryptography to reach secure protection for the images. The secret information can be inserted in the original images. The secret key is generated from the watermark image with the help of visual cryptography to claim the ownership of images. Various types of Visual Cryptography and Digital Image Watermarking techniques are explained in real time application.


Author(s):  
NIK ZULKARNAEN Khidzir ◽  
Ahamad Tarmizi Azizan ◽  
Khairul Azhar Mat Daud ◽  
Ahmad Rasdan Ismail

AbstrakMedia digital telah dikenal pasti sebagai salah satu media yang paling penting di abad ke-21. Media baruini dianggap cara yang paling berkesan untuk mengurus kadar penghasilan data digital yang meningkatsetiap hari terutama di dunia siber. Artikel ini menjejaki evolusi pembangunan teknologi media digital,peluang dan cabaran terhadap pengamal industri. Kajian literatur berkaitan dan analisis kandunganmedia digital berdasarkan bentuk dan keupayaannya (Penerokaan, Eksperimen, Komunikasi, Komposit,dan Pintar) dan mengetengahkan perbincangan isu-isu berkaitan peluang dan cabaran dalam industri.Pembangunan media digital mencipta beberapa peluang baru untuk penghasilan kandungan digital darisegi kreativiti, kebebasan dan fleksibel untuk berinteraksi dengan media digital. Walau bagaimanapun,terdapat beberapa cabaran yang perlu diatasi seperti pemilikan maklumat, hak cipta dan harta intelek bagimemastikan masyarakat digital memperoleh manfaat sebenar pembangunan media digital. Hasil kajianboleh membantu penyedia kandungan digital, pengamal media baru dan juga ahli teknologi komunikasimaklumat untuk memanfaatkan teknologi media digital yang ada bagi mengoptimumkan teknologi mediadigital sebagai alat untuk keperluan mereka dan bersedia untuk menghadapi cabaran masa depan. Abstract Digital media has been identified as one of the most important media in the 21st century. This kind of newmedia is considered the most effective way to manage the high volume amount of digital data createdevery day especially in cyber world. This article traces the evolution of digital media in its technologicaldevelopment, opportunities and practitioners-challenges in the industry. The critical review on relatedliterature leads to five categories of digital media based on their forms, abilities (Investigational,Experimental, Communicative, Composite, and Intelligent) and highlights opportunities and challengingissues in the industry. The development of digital media creates several opportunities to the contentcreator in terms of their creativity, freedom and flexibility to interact with digital media. However, there arefew serious challenges need to be overcome such as information ownership, copyright and intellectualproperty in order to ensure that digital society gain the real benefit of digital media development.The findings could assist the digital content providers, new media practitioner as well as informationcommunication technologist to discover their directions toward optimizing the digital media technology asa tool for their needs and be prepared for some possible challenges.


Author(s):  
ANDRIANA SHYSHAK

The relevance of the research topic is due to the fact that educational and cognitive activities of pupils are formed in the primary school years. A pupil learns the system of competencies gradually, which influences the development of his cognitive mental processes. Taking into consideration the fact that the field of education is in the stage of digitalization, pupils of primary school work with digital information during the educational process. The work with digital data itself is a means of forming educational and cognitive activities of junior pupils. The purpose of the article is to specify the essence of the concepts “educational and cognitive activity” and “digital information”; investigate the features of the formation of educational and cognitive activities of pupils of primary school while working with digital information. In the article educational-cognitive activity is substantiated as activity which is directed on mastering a system of competencies. Therefore development of its cognitive mental processes is carried out. Being a complex category, its components are the educational and cognitive activities of a learner. One of the means of forming educational and cognitive activities of pupils of primary school are work with digital information. It is specified that digital information is information, the creation, storage, transmission and processing of which is carried out by means of information and communication technologies. In the context of digitalization of primary education, the specifics of the gradual acquisition of knowledge, skills, abilities and experience of cognition by the pupils of primary school while working with digital information are outlined: perception, comprehension and understanding, generalization, consolidation and application. The characteristic features of cognitive activity of primary school pupils (sensation, perception, memory, thinking, attention, imagination and speech) were analyzed through the prism of their work with digital information, which are caused by the specific form of educational material and the age characteristics of pupils of primary school. It is determined that motivation is the basis for the formation of educational and cognitive activities of pupils of primary school while working with digital materials; the motives of educational and cognitive activities that relate to the interaction of primary school pupils with digital information are characterized: the desire to learn something new, the desire to learn new ways of action, the desire to work with information and digital media.


Author(s):  
Ying Liu

The rapid development of new media technology has a significant impact on the traditional graphic design art. It not only promotes the rapid development of graphic design field, but also accelerates the transformation and upgrading of the whole visual communication design education concept. The traditional teaching concept of graphic design cannot meet the needs of students, but the education of graphic design under digital information can improve the satisfaction of students with gorgeous visual effects. Therefore, it is of great significance to study the reform of modern graphic design education mode in the digital media environment. This paper first analyzes the development of digital media art and graphic design education, then studies the relationship between graphic design teaching and mobile digital media, and finally discusses the value of digital media art in graphic design teaching and the significance of reform.


2018 ◽  
Vol 15 (2) ◽  
pp. 151-163 ◽  
Author(s):  
Daniel E. O'Leary ◽  
Scott Spangler

ABSTRACT The explosion of social and other digital media now provides virtually a continuous stream of information about organizations, their people, and their products. Although CEOs and others see the use of that social and digital information as a potential opportunity for creating value, they also recently have noted that one of the biggest risks organizations face is the potential threat to organizational and brand reputations from those same digital media. Accordingly, organizations are seeking out systems that allow them to continuously review and monitor social and other digital media in time to respond to both threats and opportunities. This paper presents a case study that investigates a system that is designed to monitor and mine the rapidly growing amounts of digital data to help banks better understand changes taking place in their worlds—regarding their products, reputations, clients, vendors, competitors, and others. Critical decisions must be made on what issues, people, and products to monitor, what digital sources to monitor, and what to do whenever some potential problem is found. The purpose of this paper is to investigate issues associated with implementing continuous monitoring systems for brand and reputation in financial organizations, with a particular focus on the “information behavior” (Feldman and March 1981) of such systems. In particular, the computer science in continuous monitoring systems seems to be ahead of actual use of such systems in organizations. As a result, although continuous monitoring systems can help companies address the mechanics of “how to do continuous monitoring,” there are many open questions and implementation issues in the actual use of such systems. As a result, this paper first provides a brief background of digital disruption, some digital risks, and continuous monitoring systems. Second, the paper examines the structure and design of a system in a banking context, investigating the key system design capabilities associated with such systems. In particular, we page through different screen artifacts to gain an understanding of how the system works. Third, we examine some of the issues facing a CIO as she seeks a system to meet the bank's digital needs.


2021 ◽  
Vol 5 (1) ◽  
Author(s):  
Muhammad Zamroni

The present digital era is marked by the emergence of computer technology and other technologies that support electronic access to information. Various digital media that are connected to each other form a new media that is more compatible, easily and quickly accessed, which is then called media convergence. During its development, this has led to various changes in the mass media on how information is presented to the public. In this regard, the television media is no exception, which has undergone several changes due to media convergence. YouTube is a platform that is considered to be one of the most compatible forms of media convergence with television characters. This research focuses on how audiences or television viewers enjoy Indonesian television programs on the YouTube platform, which is analyzed from the number of viewers to see the viewing patterns and measure the impact of media convergence on television. The results of this study can provide an up-to-date picture of how Indonesians watch television and what steps have been taken by television stations in dealing with these impacts. Keywords: media convergence, television, YouTube, digital, information.


2020 ◽  
Vol 237 (10) ◽  
pp. 1172-1176
Author(s):  
Charlotte Schramm ◽  
Yaroslava Wenner

AbstractThe digital media becomes more and more common in our everyday lives. So it is not surprising that technical progress is also leaving its mark on amblyopia therapy. New media and technologies can be used both in the actual amblyopia therapy or therapy monitoring. In particular in this review shutter glasses, therapy monitoring and analysis using microsensors and newer video programs for amblyopia therapy are presented and critically discussed. Currently, these cannot yet replace classic amblyopia therapy. They represent interesting options that will occupy us even more in the future.


Author(s):  
Jesse Schotter

Hieroglyphs have persisted for so long in the Western imagination because of the malleability of their metaphorical meanings. Emblems of readability and unreadability, universality and difference, writing and film, writing and digital media, hieroglyphs serve to encompass many of the central tensions in understandings of race, nation, language and media in the twentieth century. For Pound and Lindsay, they served as inspirations for a more direct and universal form of writing; for Woolf, as a way of treating the new medium of film and our perceptions of the world as a kind of language. For Conrad and Welles, they embodied the hybridity of writing or the images of film; for al-Hakim and Mahfouz, the persistence of links between ancient Pharaonic civilisation and a newly independent Egypt. For Joyce, hieroglyphs symbolised the origin point for the world’s cultures and nations; for Pynchon, the connection between digital code and the novel. In their modernist interpretations and applications, hieroglyphs bring together writing and new media technologies, language and the material world, and all the nations and languages of the globe....


Author(s):  
Dan J. Bodoh

Abstract The growth of the Internet over the past four years provides the failure analyst with a new media for communicating his results. The new digital media offers significant advantages over analog publication of results. Digital production, distribution and storage of failure analysis results reduces copying costs and paper storage, and enhances the ability to search through old analyses. When published digitally, results reach the customer within minutes of finishing the report. Furthermore, images on the computer screen can be of significantly higher quality than images reproduced on paper. The advantages of the digital medium come at a price, however. Research has shown that employees can become less productive when replacing their analog methodologies with digital methodologies. Today's feature-filled software encourages "futzing," one cause of the productivity reduction. In addition, the quality of the images and ability to search the text can be compromised if the software or the analyst does not understand this digital medium. This paper describes a system that offers complete digital production, distribution and storage of failure analysis reports on the Internet. By design, this system reduces the futzing factor, enhances the ability to search the reports, and optimizes images for display on computer monitors. Because photographic images are so important to failure analysis, some digital image optimization theory is reviewed.


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