Spanish American Port Cities

Author(s):  
Jorge Díaz Ceballos

Following medieval political traditions, the conquest of America led by the Spanish crown was a highly urbanized enterprise. Cities defined the spaces of colonial America in terms of organization of the territory, control of the population, and the negotiation of political sovereignty on the ground. Early city foundation in the Antilles after 1492 was followed by the major occupation of continental America, when more than two hundred cities were founded over the 16th century. In the 17th and 18th centuries, cities in Spanish America became the hub of social integration, moving from ‘Spanish cities’ to what has been labeled ‘creole metropolises.’ During the age of revolution and independence, the late 18th and early 19th centuries, cities played a major role as the seats of national sovereignty. Typically struggles for independence would start with the rising of creole elites in the capital cities of each viceroyalty. Historiography on Spanish American cities has evolved in the last decades from an institutionally driven or urban growth approach to urban experiences, to an exploration of the multiple facets of urban life: commercial, economic, political, social, and cultural. In the renewal of urban history, the study of port cities has gained significance especially—although not exclusively—in connection to their commercial role, contributing thus to the development of new trends on Atlantic, global, and connected histories. Ports were also spaces for scientific development with shipyards and arsenals as main centers of technological innovation. Studies on port cities, however, have not been systematic and are notably disproportionate among regions and periods within the Spanish Atlantic. There are a considerably greater number of studies related to the first half of the 16th century and late 18th century and to the Caribbean and River Plate regions. Acknowledging this imbalance, this article will prioritize a geographical approach by focusing on particular cities within four main regions in the Atlantic—the Greater Antilles, Northern Mainland Caribbean, Southern Mainland Caribbean and the Southern Atlantic and River Plate Region—as a way to address the complexity of port experiences within those regions during different chronologies. A section on Pacific Connections ports is included to underline the connected nature of Spanish American port cities and their global outreach. Although local examples of port cities will be the core of this article, it opens with an updated review on the main urban history literature, with a section on primary sources following, and a general overview of regional or thematic works on ports, to move then to the geographical sections.

Almanack ◽  
2020 ◽  
Author(s):  
J. Bohorquez

Abstract This paper’s main goal is to advance some considerations on the interrelations between port cities and capital. More specifically, it sheds light on how these interdependencies took place in the eighteenth-century Portuguese and Spanish Atlantic world. This paper thus seeks to draw an urban political economy in transimperial, global, and contractual perspectives. For so doing, particular attention will be put to Rio de Janeiro’s projection far beyond the South Atlantic, and in particular, its interconnections with the Rio de la Plata basin and Potosi markets. Attention will also be paid to the impact of and repercussions that far-flung economic phenomena had for the urban domestic markets.


Author(s):  
Carmen Marcks
Keyword(s):  

A portrait bust of an African placed among the antiquities in the Royal Museum at Stockholm once belonged to the Roman artist Giovanni Battista Piranesi. It was brought to Sweden at the end of the 18th century at the instance of King Gustav III. The head is a work of the middle or second half of the 16th century. It belongs to a specific, local, Roman form of Mannerist portraits, which have in common a remarkable affinity to antique imperial portrait busts. While the head is an eclectic work combining an idealized countenance—a contemporary peculiarity of portrait art—with antique usages of portrayal, the bust itself seems to be a work that stands directly in the tradition of cinquecentesque Venetian busts. Obviously head and bust were not originally created as an ensemble.


2021 ◽  
Vol 133 (1) ◽  
pp. 3-27
Author(s):  
Sara Matrisciano ◽  
Franz Rainer

All major Romance languages have patterns of the type jaune paille for expressing shades of colour represented by some prototypical object. The first constituent of this pattern is a colour term, while the second one designates a prototypical representative of the colour shade. The present paper starts with a short discussion of the controversial grammatical status of this pattern and its constituents. Its main aim, however, concerns the origin and diffusion of this pattern. We have not found hard and fast evidence that Medieval Italian pigment compounds of the type verderame influenced the rise of the jaune paille pattern, which first appears in French in the 16th century. This pattern continued to be a minority solution during the 17th century, but established itself during the 18th century. In the 19th century, Italian, Spanish and Portuguese adopted the pattern jaune paille, while it did not reach Catalan and Romanian before the 20th century.


2018 ◽  
Vol 10 (1) ◽  
pp. 51
Author(s):  
Yeni Mulyani Supriatin

Penelitian ini bertujuan mengungkap peristiwa Perang Bubat yang terjadi pada abad ke-14 atau tahun 1357 M dan resepsi sastranya. Masalah yang dibahas adalah bagaimana latar belakang terjadinya Perang Bubat, reaksi, dan tanggapannya. Teori yang digunakan adalah resepsi sastra. Metode untuk pengumpulan data adalah kualitatif dengan menerapkan prinsip resepsi sastra. Hasil penelitian menggambarkan bahwa terjadinya Perang Bubat adalah Raja Sunda tidak tunduk pada kehendak Gajah Mada dan Gajah Mada ingin menyatukan Nusantara. Resepsi sastra terhadap Perang Bubat dapat dikelompokkan menjadi 3, yaitu resepsi dari aspek kesejarahannya, resepsi pengaruhnya terhadap penciptaan karya baru, dan resepsi terhadap struktur sastra.  Simpulan penelitian ini adalah peristiwa Bubat diresepsi setelah dua abad berlalu, yaitu pada abad ke-16  dan peristiwa tersebut diresepsi ulang pada abad ke-20-an. Hasil resepsi sastra  dari abad ke-18 sampai dengan abad ke-20 cukup beragam. Keberagaman resepsi itu menunjukkan bahwa terdapat perbedaan horizon harapan pembaca.  This study aims to reveal the events of the Bubat War that occurred in the 14th century or the year 1357 AD and literary receptions that emerged after the incident occurred. The issue discussed is how the background of the Bubat War and the reactions and responses to the event through literary receptions. The theory used in analyzing data is literary receptions. The method used for data collection is qualitative by applying the principle of literary receptions. The results of this study illustrate that the background of the Bubat War have two versions and both controversial, the first version because the King of Sunda entourage do not obey to the will of Gajah Mada, on the other hand, the second version is that Gajah Mada tactics in unifying the archipelago while the Kingdom of Sunda is a state that has not been submitted. Literary receptions to the War of Bubat can be grouped into three, they are the reception of its historical aspect, the reception of its influence on the creation of new works, and the reception of the literary structure. The conclusion of this research is  Bubat event was perceived after two centuries passed, in the 16th century and the event was redrawn in the 20th century. Results of literary receptions in the 18th century until the 20th century quite diverse. The diversity of the receptions shows the difference in the horizon of readers' expectations.    


Knygotyra ◽  
2020 ◽  
Vol 74 ◽  
pp. 35-95
Author(s):  
Sondra Rankelienė

In this article, the latest data about the personal book collection items of King of Poland and Grand Duke of Lithuania Sigismund II Augustus in Vilnius University (VU) Library are presented. The authors that have been doing research on these books have not ascertained all of the embossed images that were used for cover decoration and have not identified the locations of where these books were bound and have not disclosed all of the provenances. In order to amend the lack of knowledge about the books of Sigismund II Augustus in VU library, the book covers of the King’s personal library were reviewed de visu and decorative ornaments were described. The ownership signs of the books were registered once again. While describing and comparing these books with the copies in various libraries of the world, the number of physical books (14) and publications in composite volumes (21) kept in VU library was assessed. The name of one book and a publisher’s imprint of two books were specified, eight provenances that were not mentioned by previous authors were registered. While describing book covers, the embossed images were given provisory names. Connections between the supralibros, dates of binding, decorative wheels, single embossed images, and other decorative elements were detected and lead to a reasonable conclusion that eight out of fourteen books from the Sigismund II Augustus collection were bound in Kraków, five were bound by bookbinders in Vilnius, while one was rebound in the 18th century. The identification of tools used by craftsmen that worked in Kraków and Vilnius will allow to ascertain the manufacturing location of similar book covers made in the middle of the 16th century.


2019 ◽  
pp. 7-20
Author(s):  
Marcin Gadocha

The article is a survey and an attempt to bring closer the questions connected with the education of future tradesmen in Cracow from the 16th century until the first half of the 19th century. Thus far, there has been no thorough study devoted to this topic. In the 16th century, young adepts of trade would start learning this occupation in their father’s business, further family’s business or in the dynamically developing trading houses in Cracow. In the 16th c. and 17th c. there was no merchants’ guild in Cracow, which could oversee the process of learning the “art of trade”. Only the establishment of the Merchants’ Congregation in 1722 brought about changes in this respect. Ultimately, in the new statute of the Congregation from 1833, the new principles of training were formulated. Candidates had to present their birth certificate, the recommending certificate written by their parents or foster parents. Moreover, the candidate had to be able to read, write and calculate in Polish or German. Learning took three years in the 16th and 17th centuries; in the 18th century this period was prolonged, in the 19th century lasted from 4 to 6 years. According to the author, the problem still requires further in-depth research. After the archival query, it seems that there are good possibilities to obtain valuable material connected with mercantile art in Cracow.


2020 ◽  
Vol 26 ◽  
pp. 11-41
Author(s):  
Maciej Ziemierski

17th century testaments of the Królik family from Krakow The article is dedicated to the Królik family from Krakow, who lived in the town from the late 16th century until the first years of the 18th century. The family members initially worked as tailors, later reinforcing the group of Krakow merchants in the third generation (Maciej Królik). Wojciech Królik – from the fourth generation – was a miner in Olkusz. The text omits the most distinguished member of the family, Wojciech’s oldest brother, the Krakow councillor Mikołaj Królik, whose figure has been covered in a separate work. The work shows the complicated religious relations in the family of non-Catholics, initially highly engaged in the life of the Krakow Congregation, but whose members gradually converted from Evangelism to Catholicism. As a result, Wojciech Królik and his siblings became Catholics. This work is complemented by four testaments of family members, with the first, Jakub Królik’s, being written in 1626 and the last one, Wojciech Królik’s, written in 1691.


2013 ◽  
Vol 52 (3-4) ◽  
Author(s):  
Mihály Balázs

Although in recent years there has been an upsurge in the research of the history of early modern spirituality, this research has paid hardly any attention to the Unitarian denomination. The reasons for this lie beyond the scope of the present study: between the late 16th century and the late 18th century the denomination had to refrain from the use of printing, and thus, the manuscript versions of prayer texts were threatened by loss and destruction. It is a unique paradox, however, that the first edited protestant Hungarian prayer book of considerable length was published precisely by this denomination in 1570/1571. The first part of the paper explores the concept of the prayer book based on Johann Habermann’s famous Gebetbüchlein, and compares it to the greatest achievements of the same sort within this period, the Catholic Péter Pázmány’s and the Calvinist Albert Szenci Molnár’s works. This section is followed by a survey of the vivid reception of Heltai’s work, with particular focus on the way the Unitarian author’s work was used in the Lutheran community of Lőcse. The concluding part argues that building on the foundations of this tradition, as well as on the heritage of Calvinist prayer culture, an unparalleled Unitarian prayer literature developed in the 17th-18th centuries, which deserves the attention of comparative research.


2009 ◽  
Vol 36 (2-3) ◽  
pp. 299-323
Author(s):  
Frida Villavicencio

In 1756 Joseph Zepherino Botello Movellán (1734–c.1785) wrote theCathecismo breve en lengua tarasca(“Brief catechism in the Tarascan language”). It was written in Purepecha or Tarascan, an indigenous language spoken in the northwestern part of the state of Michoacan, Mexico, by about 100,000 people. This is the only known 18th-century religious document written in this language, thus its great importance. Botello includes four word lists in his catechism which give us a small vocabulary. The word lists clearly do not have the extensive coverage or the lexicographic importance of the dictionaries of the 16th century; however, the value of this hand-written vocabulary lies in the fact that there is nothing else comparable from the 18th century. The composition and content of Botello’s catechism, produced by a typical member of the illustrious Creole class, it has features characteristic of the end of the century.
In this paper, I describe the principal characteristics of Botello’s catechism with its four lexical lists, in particular that of body parts. A point of reference for my analysis is the list of body parts in theArte y Diccionario: con otras obras en lengua Michoacanaby Juan Bautista de Lagunas, OFM (fl.1539–1574, d.1604) of 1574. The Catechism gives us a good idea of Purepecha in the 18th century and its historical development. The language in the document shows it to be closer to that of the 16th century than it is to modern Purepecha. It suggests that Spanish prepositions were possibly introduced in the 18th century. Botello’s catechism contains much interesting information on a variety of topics, such as orthography, dialectal variations, derivational processes, loan words and semantic relations. The language in this document documents the grammaticalization of the plural markers. Some data for the Spanish of the 18th century are also presented.


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