Subjugated Histories and Affective Resistance

2019 ◽  
pp. 149-182
Author(s):  
Angela J. Aguayo

Starting in the early 1970s, many documentaries began addressing the shifting cultural climate surrounding the issue of abortion in the United States. While some consideration has been given to how abortion has been represented on television and in motion pictures, scant attention has been paid to how the documentary genre has forged the public space for this controversial issue. This chapter briefly maps and assesses how feminists have documented and utilized the documentary genre to recover women’s history and reclaim public space for reproductive justice and the failures to accomplish these aims as access to reproductive care continues to erode. The chapter tracks how women, engaged in feminist struggle, create documentary commons specific to the collision between lived experience and social expectations. The chapter focuses particularly on a moment in 2005 when Third Wave feminist and activist filmmakers attempted to engage abortion politics through the documentary confessional mode. Tracking the move from public confession to representations of an escalating and violent antichoice movement brings the struggle into sharper focus. Analysis of these documentaries and their parallel activist interventions includes interviews with three directors, archival material, and ethnographic research.

2019 ◽  
Vol 13 (1) ◽  
pp. 111-122
Author(s):  
Zala Pavšič

This article on the Yugoslavian version of the board game Monopoly is based on the assumption that things make people. In accordance with this a concept, the contribution begins with a historical overview of the development of this game in the United States, from its origins when it spreads around the country as a popular game, to the current day, when Monopoly is marketed a leading corporation in the field of board games, Hasbro. The popularity of the game is also evident from its presence in the public space in the form of metaphors: because of its emphasis on trading, it is sometimes referred to “greed”, and in the Balkans it can also serve as a metaphor for the nation state.In the memories of my interlocutors who helped me with their testimonies, the Yugoslav version of Monopoly is associated with pleasant memories: especially of childhood, youth and relatives or friends with whom they used to play the game. In my interviews I focused on two topics which did not play such a significant role in the testimonies of the interlocutors, but were, however, common in the testimonies of interviewees who got acquainted with the game as children: to the question of the supposed superiority of Slovenia, as Bled and Bohinj were the most expensive properties, and the presumption that Monopoly is a game which can reproduce cultural memory, in this case knowing the geography of the former common state. The thesis on Slovene superiority proved to rely on generations to which my interviewees belonged, since it appeared especially in the answers of the interlocutors who were born in the late 1980s. Hence, I assume that this thesis was more likely a projection of the outside reality of my interlocutors into the game than vice versa.Analysing the answers of my interlocutors more thoroughly, I reached the conclusion that Monopoly often appeared as the first reference through which they heard about a certain resort in the regions of the former Yugoslavia. This means that Monopoly contained traces of cultural memory which other sources of our everyday lives, education and upbringing ceased to transmit.


Author(s):  
Alexander Laban Hinton

Chapter 3 “Space,” continues to focus on interstitiality, lived experience, and the combustive acts of creativity and imagination that take place behind the justice face. It examines another NGO “vortex,” the Center for Social Development,” which was led by two Cambodian-Americans, Chea Vannath and Theary Seng and known for high-profile Khmer Rouge Tribunal outreach “Public Forums.” The chapter traces the origins of the non-governmental organization and the public forum project, noting how the forums changed in accordance with the historical moment and the vision of these leaders, including Chea Vannath’s deep Buddhist belief and Theary Seng’s Christianity even as both were also influenced by time spent in the United States. The chapter concludes with a return to the International Center for Transitional Justice outreach project and a discussion of the public forums as an imagined “public spheres,” alleged “spaces” of liberal democratic being asserted by transitional justice imaginary discourses.


2015 ◽  
pp. 11-25
Author(s):  
Martha Norkunas

Narrating the Racialization of Space in Austin, Texas and Nashville, TennesseePeople of color in the United States have been obligated to move through public space in particular ways, dictated by law and social custom. Narrators create cognitive maps of movement in the city shaped by racial codes of behavior. The maps change over time as law and social custom changes. The fluidity of the maps is also influenced by status, gender, class, and skin tone. This paper examines a rich body of oral narratives co-created with African Americans from 2004 to 2014 focusing on how men and women narrate their concepts of racialized space. It moves from narratives about the larger landscape — the city — to smaller, more personal public places — the sidewalk and the store — to intimate sites of contact in the public sphere. Many of the narratives describe complex flows of controlled movement dictated by racial boundaries in the context of capitalism. The narratives form an urban ethnography of the power relations inscribed on the landscape by racializing movement in space. Narracje o urasowieniu przestrzeni w Austin (Teksas) i Nashville (Tennessee)Nie-Biali w Stanach Zjednoczonych byli zmuszeni do poruszania się w przestrzeni publicznej w szczególny sposób, określony przez prawo i zwyczaj społeczny. W swoich narracjach badani tworzą mapy kognitywne ruchu w mieście, kształtowane przez rasowe kody zachowania. Mapy te zmieniały się w czasie pod wpływem zmian prawnych i zwyczajowych. Na płynność tych map wpływały także status, płeć, klasa i odcień koloru skóry. W artykule przeanalizowano bogaty zbiór relacji ustnych tak zwanych Afroamerykanów, zbieranych w latach 2004-2014; uwaga skupia się na tym, jak mężczyźni i kobiety opowiadają o swoim widzeniu przestrzeni urasowionej. Omówiono narracje o szerszej przestrzeni miasta, jak i węższej, skoncentrowanej na bardziej osobistych miejscach publicznych, takich jak sklep. Wiele narracji opisuje złożone wiązki kontrolowanych ruchów, dyktowane przez granice rasowe w kontekście kapitalizmu. Narracje te tworzą etnografię miejskości o relacjach władzy wpisanych w krajobraz, opartych na urasowieniu ruchu w przestrzeni.


Politeja ◽  
2021 ◽  
Vol 18 (6(75)) ◽  
pp. 5-27
Author(s):  
Piotr Uhma

Many political changes that have taken place across the world in the last decade have been connected with the spill-over of a new narrative in the public dimension. Among other things, this narrative has emphasized returning control over the public space to the people once again, revitalization of the democratic community, restraint on an expansion of judicial power over representational politics, and in many instances, a specific national approach to the questions of governance. These trends have gained the name “illiberal democracy”, a description which Viktor Orban introduced into the language of political practice a few years later. Indeed, in many countries worldwide, from the United States of America (USA) during the presidency of Donald Trump, Central and Eastern Europe, to Turkey and Venezuela, it has been possible to observe changes which had the principal leitmotif to negate liberal democracy as the only possibility of organizing public space within the state. These trends are continuing, and there are no signs of them disappearing in the near future. The new dispensation in the USA under President Biden also does not guarantee an immediate return to the liberal internationalism of the 1990s. Political changes directed toward the constitutional space of the State have inspired researchers to consider the issues of new constitutionalism, new forms of democracy, and the rule of law beyond liberalism. This article is an attempt to transfer these considerations to the international level. The text aims to consider whether withdrawal from the liberal doctrine could also be observed on an international level and what these facts could mean for the intellectual project of constitutionalization of international law. Building upon reflections on constitutionalism and constitutionalization of international law, this text presents what has up until now been the mainstream understanding of international law as a liberal construct. This showcases the illiberal turn observed among certain countries as exemplified by the anti-liberal and realist language of their constitutional representatives. In this respect, this analysis is a modest contribution to the so far nascent field of sociology of international law. However, the main endeavor of this article is to unchain the notions of international liberalism and constitutionalization of international law as being popularly understood as two sides of the same coin. Consequently, the idea of political constitutionalism of international law is introduced. Seeing things from this perspective, this text focuses on the material rather than formal aspects of international law's constitutionalization. Within the stream of so called thick constitutionalism, there are a few elements listed with which the discussion about international law may continue to engage, if this law is to be considered as legitimate not only formally, but also substantially.


2020 ◽  
pp. 45-66
Author(s):  
Giorgos Velegrakis ◽  
Danai Liodaki

This paper analyses five public art projects exhibited in documenta 14 in Athens in 2017 that redefine and interact with the public space and therefore, form three different narratives on public space. These narratives are outlined according to the different interpretations of ‘public space’, ‘public sphere’ and democracy by the various artists. Our argument is structured as follows; firstly, we present an analysis of public art and its basic features drawing from contemporary literature. Secondly, we provide a number of key facts regarding documenta and documenta 14, outlining the main reasons we selected it as a reference point. Thirdly, we describe the three narratives about public space that we came up with after our field research and interviews with the respective artists: Sanja Iveković, Joar Nango, Rasheed Araeen, Mattin and Rick Lowe. We then discuss the relations between them and develop a model that unravels the way artists explore the public domain, look for locations, and redefine public space and the lived experience in the city. To do so, we engage with theoretical approaches as well as elaborations on specific artworks that engage the shifts and changes of the lived urban experience through art.


Archeion ◽  
2020 ◽  
pp. 372-410
Author(s):  
Katarzyna Pepłowska

The latest trends in the world archival science. A commentary on the session of the International Council on Archives in Adelaide „Designing the Archive 2019" The aim of the article is to present the latest achievements of the world archival science and draw attention to academic achievements, projects, problems and challenges which were discussed by the international archive community at Designing the Archive 2019, a conference of the International Council on Archives which took place in October 2019 in Adelaide, the capital city of South Australia. Designing archives is not only the main topic of the conference, but also a trend which has become visible in direct actions taken by archives. It generates certain problems and challenges for archives, but also gives them opportunities to grow. Since the article refers in particular to innovations in archives, it discusses solutions adopted e.g. in Norway, the Netherlands, New Zealand, the United States and Australia, and refers also to Costa Rica and China, paying particular attention to innovative working methods in archives, which make use of experiments to design ICT tools, inspire creativity in archive employees and develop IT tools in harmony with people’s needs and expectations, which in practice results in developing special theme applications. The article also makes a reference to the latest research in designing and using the space of archive buildings, as well as designing research laboratories and the public space to satisfy the needs of 21st century users and attract new ones. The article also discusses the role of marketing and digital economy in the functioning of archives in this context. New trends in the world archival science are also silent archives and research on archive trauma, whose foundation is a new approach towards judging the value of documentation, popular in the United States and based on the feminist approach. Silent archives are a difficult subject, but international research shows that archivists meet the needs of the oppressed.


Author(s):  
Sandra Patton-Imani

Queering Family Trees explores the lived experience of family-making among queer mothers in the United States between 1991 and 2015. While the legalization of same-sex marriage and adoption has provided avenues toward equality for some couples, structural and economic barriers have meant that others—especially queer women of color who often have fewer financial resources—are not, in practice, able to avail themselves of supports necessary to create and sustain their families. This interdisciplinary ethnographic research draws on interviews with Indigenous, African American, Latina, Asian American, and white queer mothers living in a range of US states, considered in relation to news media, public law, and policy debates. I apply a reproductive justice analysis, critically exploring the ways intersections of race, gender, socioeconomic status, and sexual orientation shape the experiences of families navigating social and legal contexts that define queer families as “illegitimate.” I explore these debates in relation to policy changes in adoption, welfare, and immigration, making evident how same-sex marriage furthers a neoliberal economic agenda. Little mainstream or scholarly attention has been given to the lives and families of lesbians of color. Indeed, the erasure of queers of color from these debates was crucial to maintaining a narrative equating marriage with equality. The family-making narratives of these mothers challenge the assimilation versus resistance framework that has shaped understandings of LGBTQ marriage debates. I argue that, contrary to public narratives celebrating equality through marriage, the federal legalization of same-sex marriage reinforces existing structures of inequality grounded in race, gender, sexuality, and class.


2018 ◽  
Vol 65 (4) ◽  
pp. 467-485 ◽  
Author(s):  
Juan Cruz Esquivel ◽  
Rodrigo Toniol

Religion in the public space constitutes a structuring issue of the contemporary debates of the social sciences of religion. This article mobilizes part of that literature, circumscribing it to the Latin American context. In that attempt, we work in two dimensions. First, we present how, from the historical and political configurations of our region in the debate, problems and questions about the public space are addressed distant from those commonly encountered when the empirical reference corresponds to the United States-Europe map. The aim is to explore the regional particularities for an effort to theoretically and methodologically strengthen the analysis of this topic. The second dimension contemplated in the text is the presentation of concrete empirical situations in which religion in public space is condensed as a controversy, that mobilize and is mobilized by different actors: politicians, religious, academics, media. These two dimensions go through the thematic issue that follows this article.


2020 ◽  
Vol 15 (2) ◽  
pp. 203-220 ◽  
Author(s):  
Perttu Männistö

Finnish schools are often pictured as models for open-ended, child-oriented and dialogic education. In this research article, I approached these phenomena by analysing the organization of a public space in one Finnish school. I used Hannah Arendt’s ([1958] 2013) phenomenological concepts ‐ action and labour ‐ to analyse what kind of consequences the organization of the public space of one Finnish school and the activities promoted within it has on the actions and thinking of the students. Did the studied school promote students active participation in the society or did it rather prepare the labour force for the society to keep functioning as it is? In phenomenology, the goal is to study the lived experience of the informants ‐ in this case, of the people acting in the public space of a school. I collected the ethnographic data that was used in the article by doing observations and interviews in one Finnish school in two separate classrooms in the autumn of 2015. My findings elucidate that not everyone was treated equally within the public space of the school. More so, students did not have real opportunities to act freely, i.e. politically and collectively in the school because power was in the hands of the teachers. The students were mostly taught to labour individually, internalize proper behaviour and were recognized through their labour represented by school tasks. Furthermore, most of the classes were packed full, which meant that constant hurry was the pace for life in the school during most of the days. This again made the realization of activities, which would represent action, nigh impossible in the first place.


2018 ◽  
Vol 14 (4) ◽  
pp. 581-601
Author(s):  
Kimala Price

Over the last two decades, LGBTQ and reproductive justice advocacy groups have attempted to queer reproductive justice by building coalitions and developing a shared agenda between the new movements. The recent election of Donald Trump as the 45th president of the United States has presented a different set of challenges to this queering process. Through the examination of the political actions and stances taken by the Trump administration as well as the public discourse on identity politics and intersectionality that has emerged in the wake of Trump's election, this article explores what queering reproductive justice looks like in this changed political environment and discusses the implications of Trump's election on the potential for cross-movement coalition building. How does this political moment help us further develop the concept of political intersectionality?


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