Music for a French Piano
In late 1803, Beethoven acquired a new piano from the French firm of Sébastien Erard. This piano differed from the one built by Anton Walter that he owned in the late 1790s, most notably in its heavier construction, English-style action rather than the lighter Viennese action, triple stringing, four pedal stops (lute, dampers, buff, una corda), and five-and-a-half octave range from FF to c4. The piano’s influence on Beethoven’s compositional process is apparent in his Thirty-Two Variations on an Original Theme, WoO 80 (1806), a quasi-systematic exploration of piano techniques, textures, and sonorities that exploits both the capacities and limitations of the Erard.
2020 ◽
Vol 46
(2)
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pp. 299-311
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2012 ◽
Vol 16
(2)
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pp. 256-265
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1967 ◽
Vol 25
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pp. 312-313
1991 ◽
Vol 49
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pp. 374-375
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1968 ◽
Vol 26
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pp. 334-335
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1992 ◽
Vol 50
(2)
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pp. 1204-1205