Parfit’s Final Arguments in Normative Ethics

2021 ◽  
pp. 213-232
Author(s):  
Brad Hooker

This paper starts by juxtaposing the normative ethics in the final part of Parfit’s final book, On What Matters, volume iii (2017), with the normative ethics in his earlier books, Reasons and Persons (1984) and On What Matters, volume i (2011). The paper then addresses three questions. The first is, where does the reflective-equilibrium methodology that Parfit endorsed in the first volume of On What Matters lead? The second is, is the Act-involving Act Consequentialism that Parfit considers in the final volume of On What Matters as plausible as Rossian deontology? The third is, how is the new argument that Parfit puts forward for Rule Consequentialism supposed to work?

Utilitas ◽  
2020 ◽  
Vol 32 (4) ◽  
pp. 416-426
Author(s):  
Katarzyna de Lazari-Radek ◽  
Peter Singer

AbstractIn the first two volumes of On What Matters, Derek Parfit argues that three major normative theories – Kantianism, Contractualism and Rule Consequentialism – are, in their most defensible forms, compatible, and can be reconciled in what he calls ‘Triple Theory’. This has led many to assume that Parfit does not believe that Act Consequentialism is a defensible form of Consequentialism. We draw on correspondence with Parfit to show that this assumption is incorrect. We then consider Parfit's efforts, in the third volume of On What Matters, to narrow the differences between Act Consequentialism and the triple theory, in part by treating impartial rationality as an external rival to morality, in much the same way that egoism is an external rival to morality. We argue that Parfit's attempts to bridge the gap between Act Consequentialism and Triple Theory meet with only limited success.


2021 ◽  
pp. 233-246
Author(s):  
Katarzyna de Lazari-Radek ◽  
Peter Singer

In the first two volumes of On What Matters, Derek Parfit argues that three major normative theories—Kantianism, Contractualism, and Consequentialism—are, in their most defensible forms, compatible, and can be reconciled as a ‘Triple Theory’. The form of Consequentialism that Parfit argues is compatible with Kantianism and Contractualism is Rule Consequentialism. This has led many to assume that Parfit does not believe that Act Consequentialism is a defensible form of Consequentialism. We draw on personal correspondence to show that this assumption is incorrect. We then consider how, in On What Matters, volume iii, which Parfit completed shortly before his death, he seeks to narrow the differences between Act Consequentialism and the Triple Theory. One of the ways in which he does this is to suggest that Impartial Rationality may be an external rival to Morality, in much the same way as egoism is an external rival to morality. We argue that this move undermines morality, as shown by Parfit’s own example of the judgements that we may make in the case of terror bombing. We conclude that Parfit’s attempts to bridge the gap between Act Consequentialism and Triple Theory meet with only limited success.


2021 ◽  
pp. 195-212
Author(s):  
Ingmar Persson

This paper aims to show that between Reasons and Persons and On What Matters the orientation of Derek Parfit’s philosophy underwent a significant change. The approach of Reasons and Persons is largely revisionist, which is exemplified by his reductionist account of personal identity. This account is omitted in On What Matters apparently because it does not fit in with the conciliationist project of this work. The aim of the first two volumes of that work is to show that, on the basis of a non-naturalist theory of normative reasons, three supposedly irreconcilable moral theories—rule-consequentialism, Kantian and Scanlonian contractualism—could converge to form a single Triple Theory. In the third volume, the conciliationist approach is carried further by Parfit’s attempt to show both that his metaethical position is in essential agreement with rivals, such as Gibbard’s expressivism, and to reconcile parts of common-sense morality and consequentialism in order to bring them together in the Triple Theory. This chapter argues that the failure of these attempts as well as the fact that the most controversial revisionist claims in Reasons and Persons are left out throw doubt on the feasibility of Parfit’s conciliationalist undertaking.


Author(s):  
Daniel Martin Feige

Der Beitrag widmet sich der Frage historischer Folgeverhältnisse in der Kunst. Gegenüber dem Gedanken, dass es ein ursprüngliches Werk in der Reihe von Werken gibt, das späteren Werken seinen Sinn gibt, schlägt der Text vor, das Verhältnis umgekehrt zu denken: Im Lichte späterer Werke wird der Sinn früherer Werke neu ausgehandelt. Dazu geht der Text in drei Schritten vor. Im ersten Teil formuliert er unter der Überschrift ›Form‹ in kritischer Abgrenzung zu Danto und Eco mit Adorno den Gedanken, dass Kunstwerke eigensinnig konstituierte Gegenstände sind. Die im Gedanken der Neuverhandlung früherer Werke im Lichte späterer Werke vorausgesetzte Unbestimmtheit des Sinns von Kunstwerken wird im zweiten Teil unter dem Schlagwort ›Zeitlichkeit‹ anhand des Paradigmas der Improvisation erörtert. Der dritte und letzte Teil wendet diese improvisatorische Logik unter dem Label ›Neuaushandlung‹ dann dezidiert auf das Verhältnis von Vorbild und Nachbild an. The article proposes a new understanding of historical succession in the realm of art. In contrast to the idea that there is an original work in the series of works that gives meaning to the works that come later, the text proposes to think it exactly the other way round: in the light of later works, the meanings of earlier works are renegotiated. The text proceeds in three steps to develop this idea. Under the heading ›Form‹ it develops in the first part a critical reading of Danto’s and Eco’s notion of the constitution of the artworks and argues with Adorno that each powerful work develops its own language. In the second part, the vagueness of the meaning of works of art presupposed in the idea of renegotiating earlier works in the light of later works is discussed under the term ›Temporality‹ in terms of the logic of improvisation. The third and final part uses this improvisational logic under the label ›Renegotiation‹ to understand the relationship between model and afterimage in the realm of art.


Author(s):  
Douglas J. Davies

This tripartite chapter calls for a creative approach that engages diverse themes while striving for satisfying resolutions of disciplinary tensions between anthropology and theology. It calls for this even if these resolutions are not achieved. The first part, entitled “Intrapersonal and Interpersonal Dialogue,” is heavily autobiographical, and offers a case study of reflexivity, excusing its indulgence in biographical reflection on account of its intention to pinpoint the very particular and contextual nature of idea development. The second part, headed “Further Conversation Pieces,” picks up just such ideas open to anthropological–theological conversation, including a cautionary gloss on the over-easy use of anthropology and theology as discrete terms. The third and final part, described as “Disciplinary Quandaries,” takes some of these formal classifications of disciplines further and also brings together some personal and institutional factors surrounding both anthropological and theological practice.


Religions ◽  
2021 ◽  
Vol 12 (4) ◽  
pp. 232
Author(s):  
Christina M. Gschwandtner

What is the nature (or “Wesen”) of the liturgical phenomenon? It has become immensely popular to describe liturgical or ritual practice as a kind of “holy play,” whether as metaphor, as productive analogy for pragmatic or theological purposes, or even as making an ontological claim about what liturgy “is” in its essence. The present article seeks to complicate the association of the phenomena of liturgy and of play. The first part traces the origins of the notion of play and the development of its application to ritual in the most influential sources from Kant to Gadamer. The second part highlights its prevalence in the contemporary discussion and elucidates how it is being used. The third part provides a phenomenological analysis to demonstrate important differences between the two phenomena and to question the contention that liturgy is a form of play. The final part tries to ascertain the broader practical and theological aims being served by the association of the two phenomena and—via a return to the question of the nature of the liturgical phenomenon in a more theological mode—suggests that these aims might be accomplished more productively in ways that avoid the downsides of identifying ritual or liturgy with play.


1987 ◽  
Vol 49 (2) ◽  
pp. 251-273 ◽  
Author(s):  
Joseph H. Carens

Many poor and oppressed people wish to leave their countries of origin in the third world to come to affluent Western societies. This essay argues that there is little justification for keeping them out. The essay draws on three contemporary approaches to political theory — the Rawlsian, the Nozickean, and the utilitarian — to construct arguments for open borders. The fact that all three theories converge upon the same results on this issue, despite their significant disagreements on others, strengthens the case for open borders and reveals its roots in our deep commitment to respect all human beings as free and equal moral persons. The final part of the essay considers communitarian objections to this conclusion, especially those of Michael Walzer.


2018 ◽  
Vol 7 (2) ◽  
pp. 218
Author(s):  
Intania Ananda Jonisa ◽  
Susas Rita Loravianti ◽  
Rasmida Rasmida

AbstrakKarya tari yang berjudul “Guriah Limpapeh” terinspirasi dari kehidupan sosial perempuan Minangkabau yang pengkarya amati di sekeliling pengkarya bersikap dan bertingkah laku tidak sesuai dengan etika idealnya perempuan Minangkabau. Dalam aplikasinya menginterpretasikan bergesernya nilai dan etika perempuan hari ini dan mengungkap nilai yang relevan dengan adat dan budaya Minangkabau. Dalam konsep gerak sebagai media utama tari pengkarya mengembangkan gerak yang relevan dengan konsep garapan, selain itu diperkuat dengan menggunakan drum sebagai properti dan setting. Karya ini digarap dalam tiga bahagian yakni pada bagian pertama menginterpretasikan tentang kehidupan dan aktivitas masyarakat di Kecamatan Matur, bahagian kedua menggambarkan perubahan memori pada dahulu dan zaman sekarang, kemudian bahagian ketiga menginterpretasikan bagaimana pola tingkah laku perempuan yang dalam adat Minangkabau yang disebut Simarewan dan Mambang Tali Awan yang menjadi konflik dalam garapan, sedangkan bagian endingnya adalah mengekspresikan idealnya perempuan Minangkabau yang disebut dengan Parampuan. Karya ini diperkuat dengan musik untuk memperkuat suasana, demikian juga elemen-elemen dan artistik lainnya untuk penampilannya memilih ruang terbuka atau outdoor. Kata Kunci: interpretasi, perempuan, adat MinangkabauAbstractThis work of dance entitled  as "Guriah Limpapeh" which is inspired from the social life of Minangkabau women, that the observed around the worker’s attitude and behaved not in accordance with the ideal ethics of Minangkabau women. In its application interpet the shifting values and ethics of women today and reveal values relevant to the customs and culture of Minangkabau. In the concept of motion as the main medium of the dance the developer develops a motion that is relevant to the concept of arable, besides being strengthened by using drums as property and settings. This work is worked on in three parts, namely in the first part of interpreting the life and activities of the community in the mature sub-district, the second part describes the change of memory in the past and present, then the third part interprets how the female behavior patterns in the Minangkabau tradition called simarewan and mambang tali awan  which becomes conflict in claim while the final part is expressing ideally the Minangkabau women who is called parampuan. This work is strengthened by music to strengthen the atmosphere, as well as other artistic and elements for his appearance in choosing open space or outdoor.Keywords: interpretation, women, adat Minangkabau.


2019 ◽  
Vol 34 ◽  
Author(s):  
Maciej Bartłomiej Turała

The article aims to put forward a method for measuring the innovation potential of cities as one of main drivers – alongside education and culture – of their development potential (Orankiewicz &Turała, 2019). The discussion which is carried out in the paper starts with the concept of territorial capital put forward by Camagni and Capello [2013] and refers to other approaches to measuring the innovation potential of cities (Marszał 2012; Siłka 2018). The main assumptions behind the method of measurement are briefly described in the second part of the article – the proposed measurement of innovation potential reflects four factors: (1) the capacity to generate knowledge and innovative solutions; (2) the capacity to disseminate research results; (3) the capacity to bridge the gap between academia and economic activity or, in other words, the capacity to commercialise research outcomes and (4) the robustness of economic activity in the most innovative sectors. Data on the above factors of innovation potential was collected for all urban communes in Poland (306 cities) for the period between 2013 and 2016. A set of rankings of Polish cities based on their innovation potential between 2013 and 2016 is then presented – the third part of the article discusses the differentiation of innovation potentials of cities by region as well as in different classes in terms of city size. The final part of the article concentrates on the significance of various drivers of the innovation potential of cities.


Author(s):  
Ruipeng LEI

LANGUAGE NOTE | Document text in Chinese; abstract in English only.David Solomon proposes in his article that deep divisions in our culture, which are reflected in the variety and opposition of foundational normative theories, are key to understanding the contemporary crisis in bioethics. Solomon examines two recent attempts to respond to this crisis of authority in bioethics and suggest that both proposals make the situation worse. However, his criticism of principlism, which has been dominant in bioethics since the 1980s, seems implausible. As observed by Aristotle, the rationale of a principle-based approach lies in the tensions between generality, considered judgment and ethical deliberation. The principle-based approach to meta-ethics is characterized as a dialectic between moral principles and considered judgment, which is analogous to Rawls’s concept of reflective equilibrium. The four principles formulated by Beauchamp and Childress are prima-facie binding, but subject to specification and balancing. It is possible for us to overcome these deep foundational disagreements in normative ethics by emphasizing the foundational principle held by the ancient Greeks; that is, our natural desire to live a good life.DOWNLOAD HISTORY | This article has been downloaded 41 times in Digital Commons before migrating into this platform.


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