Skeptical Theism

2021 ◽  
pp. 96-130
Author(s):  
Laura W. Ekstrom
Keyword(s):  
Point Of View ◽  
Human Condition ◽  
Skeptical Theism ◽  
Michael Bergmann ◽  
The Human Condition

This chapter critically examines skeptical theism, roughly the point of view that God exists but that God’s reasons for permitting evils are beyond our abilities to discern. Matters addressed include the epistemic import of appearances of pointlessness, the skeptical theses and analogies for the human condition with respect to apparently pointless evils defended by Michael Bergmann, and concerns about skeptical spread. The chapter provides support for the idea that, if there were God-justifying reasons for evils, we would see them, thereby defending a key premise in the argument from pointless evils and the argument from facts about evil.

The Time Machine; or, the Fourth Dimension as Prophecy

PMLA ◽  
1969 ◽  
Vol 84 (3) ◽  
pp. 530-535
Author(s):  
Robert M. Philmus
Keyword(s):  
Point Of View ◽  
Human Condition ◽  
Fourth Dimension ◽  
Time Machine ◽  
Essential Aspect ◽  
Active Audience ◽  
Logical Conclusion ◽  
The World ◽  
The Future ◽  
The Human Condition

Most of the early science fantasies of H. G. Wells are, as he defines the term, prophetic: the myths that they develop to a logical conclusion represent a critique of some historical or essential aspect of the human condition. The Time Machine, his first scientific romance, explores the premises of prophetic fantasy at the same time that it embodies a myth of its own. In it Wells envisions the future devolution of man, already outlined in previous essays of his, as the ultimate consequence of what he perceived as a present attitude of complacent optimism, an attitude he dramatizes in the reaction of the Active audience to the Time Traveller's account of the world of 802,701 and beyond. Although the Time Traveller accepts this vision as literally true, his own theories about that world make it clear that its significance pertains to it only as a metaphoric projection of tendencies existing in the present. Thus the structure of The Time Machine reveals the Time Traveller's point of view, like that of his audience, to be limited: his final disappearance into the fantasied world of the future vindicates the rigorous integrity of Wells s prophecy.

Pecca Fortiter for the Sake of Morality?Making Sense of Wrong in Hegel’s System of Right

2014 ◽  
Vol 35 (2) ◽  
pp. 204-227
Author(s):  
Alexander T. Englert
Keyword(s):  
Point Of View ◽  
Human Condition ◽  
Phenomenology Of Spirit ◽  
Similar Role ◽  
Making Sense ◽  
Moral Point ◽  
Moral Point Of View ◽  
The Will ◽  
The Human Condition

AbstractThe goal of this paper is to clarify the role ‘wrong’ plays in Hegel’s system of right, as both a form of freedom and the transition to morality. Two approaches will be examined to explore wrong in practical philosophical terms: First, one could take the transition to bedescriptivein nature. The transition describes wrong as a realized fact of the human condition that one inherits from the outset. Second, one could see it asprescriptive. Actual wrongdoing would be essential for the subject’s progression tobecoming moral. Though both are most likely the case, emphasis is given to the latter since it represents the actualization of potential. Furthermore, it will be suggested that wrong plays a similar role as that which alienation does in thePhenomenology of Spirit; both bridge the will as abstract personality with the moral point of view.

scholarly journals H. ARENDT‘S INTERPRETATION OF NATURAL AND ARTIFICIAL IN THE POLITICAL PHENOMENOLOGY OF THE HUMAN CONDITION / H. ARENDT NATŪROS IR ARTEFAKTO INTERPRETACIJA ŽMOGAUS BŪKLĖSPOLITINĖJE FENOMENOLOGIJOJE

2012 ◽  
Vol 5 (2) ◽  
pp. 93-102
Author(s):  
Gábor Kovács
Keyword(s):  
Political Philosophy ◽  
Modern Science ◽  
Point Of View ◽  
Human Condition ◽  
The Political ◽  
Human Beings ◽  
Modern Age ◽  
Sociological Literature ◽  
Human World ◽  
The Human Condition

Modernity, in philosophical and sociological literature, has “traditionally” been presented as the age when artifacts supplant nature and destroy the originally given natural environment. The process of modernization, from this point of view, is the process of de-naturalization. This widely shared conviction has basically been questioned by Hannah Arendt. During the centuries of modern age, in the detriment of the commonly created and uphold human world, process of re-naturalization has been taking place, Arendt argues. This means, from other aspect, that modernity is the age of world-alienation. It is one of the results of modern science that human beings lose their confidence in the reliability of their senses. The Arendtian critique of modernity, which has deeply been influenced by Martin Heidegger's philosophy, takes a difference between the notions of Earth and world. In Arendt's theory technology enhances the processes of re-naturalization. The problem of the relation of natural and artificial, in The Human Condition (1958), has been inserted in two narratives; one of them is the narrative of cultural criticism and another is that of political philosophy. These narratives have been embedded in different contexts borrowing ambivalences and inconsistencies to Arendt's argumentation. Santrauka Filosofinėje ir sociologinėje literatūroje modernybė „tradiciškai“ buvo pristatoma kaip epocha, kai artefaktai išstumia gamtą ir griauna pirminę natūralią aplinką. Šiuo požiūriu modernizacijos procesas – tai denatūralizacijos procesas. Šį plačiai paplitusį įsitikinimą iš esmės ginčijo Hanna Arendt. Pasak jos, moderniosios epochos šimtmečiais bendrai kurto ir puoselėto žmogaus pasaulio nenaudai vyko renatūralizacijos procesas. Kita vertus, tai reiškia, kad modernybė – tai pasaulio atskirties epocha. Viena iš moderniojo mokslo pasekmių yra ta, kad žmonės praranda pasitikėjimą juslėmis. Arendt modernybės kritika, giliai paveikta Martino Heideggerio filosofijos, atskiria Žemės ir pasaulio sąvokas. Arendt teorijoje technologija sustiprina renatūralizacijos procesus. Natūros ir artefakto santykio problema Žmogaus būklėje (1958) buvo įterpta į du naratyvus; vienas jų – tai kultūrinės kritikos naratyvas, o kitas – politinės filosofijos naratyvas. Šie naratyvai įsitvirtino skirtinguose kontekstuose, Arendt argumentacijai suteikdami dviprasmiškumų ir neatitikimų.

Dirty Rotten Shame? The Value and Ethical Functions of Shame

2016 ◽  
Vol 59 (2) ◽  
pp. 232-251 ◽  
Author(s):  
Michael Uebel
Keyword(s):  
Phenomenological Approach ◽  
Human Experience ◽  
Point Of View ◽  
Human Condition ◽  
Social Field ◽  
Ethical Point ◽  
The Social ◽  
Shame And Guilt ◽  
The Relationship ◽  
The Human Condition

Approaching the human condition of shame from an ethical point of view, this essay traces the problems involving the relationship between shame and guilt, and between shame and the social field. Drawing on a phenomenological approach to shame phenomena, the essay explores moral and philosophical theories of shame underpinning our humanistic and psychological appreciation of this most basic human experience, one that, as we suggest, has both positive and negative valences.

An Adolescent Girl Experiments with Sexuality: Rain (Christine Jeffs, 2001)

2018 ◽  
Author(s):  
Alistair Fox
Keyword(s):  
New Zealand ◽  
Adolescent Girl ◽  
Emotional Problems ◽  
Human Condition ◽  
The Core ◽  
Parental Neglect ◽  
The Human Condition

The analysis in this chapter focuses on Christine Jeffs’s Rain as evidence of a shift that had occurred in New Zealand society whereby puritan repression is no longer perceived as the source of emotional problems for children in the process of becoming adults, but rather its opposite – neoliberal individualism, hedonism, and the parental neglect and moral lassitude it had promoted. A comparison with Kirsty Gunn’s novel of the same name, upon which the adaptation is based, reveals how Jeffs converted a poetic meditation on the human condition into a cinematic family melodrama with a girl’s discovery of the power of her own sexuality at the core.

Deadly Mirrors: Animal Death in Tommaso Landolfi and Stefano D'Arrigo

Paragraph ◽  
2019 ◽  
Vol 42 (1) ◽  
pp. 76-90
Author(s):  
Damiano Benvegnù
Keyword(s):  
Short Story ◽  
Killer Whale ◽  
Human Condition ◽  
Nonhuman Animal ◽  
Western Philosophy ◽  
Mise En Abyme ◽  
The Human Condition

From Hegel to Heidegger and Agamben, modern Western philosophy has been haunted by how to think the connections between death, humanness and animality. This article explores how these connections have been represented by Italian writers Tommaso Landolfi (1908–79) and Stefano D'Arrigo (1919–92). Specifically, it investigates how the death of a nonhuman animal is portrayed in two works: ‘Mani’, a short story by Landolfi collected in his first book Il dialogo dei massimi sistemi (Dialogue on the Greater Harmonies) (1937), and D'Arrigo's massive novel Horcynus Orca (Horcynus Orca) (1975). Both ‘Mani’ and Horcynus Orca display how the fictional representation of the death of a nonhuman animal challenges any philosophical positions of human superiority and establishes instead animality as the unheimlich mirror of the human condition. In fact, in both stories, the animal — a mouse and a killer whale, respectively — do die and their deaths represent a mise en abyme that both arrests the human narrative and sparks a moment of acute ontological recognition.

Dreams of a Black Commons on Turtle Island

2021 ◽  
Vol 14 (2) ◽  
pp. 454-473
Author(s):  
Rachel Zellars
Keyword(s):  
Twentieth Century ◽  
Indigenous Peoples ◽  
Human Condition ◽  
Wild Mushrooms ◽  
Black Migration ◽  
Black Freedom ◽  
Indigenous Sovereignty ◽  
Black Land ◽  
The Human Condition

This essay opens with a discussion of the Black commons and the possibility it offers for visioning coherence between Black land relationality and Indigenous sovereignty. Two sites of history – Black slavery and Black migration prior to the twentieth century – present illuminations and challenges to Black and Indigenous relations on Turtle Island, as they expose the “antagonisms history has left us” (Byrd, 2019a, p. 342), and the ways antiblackness is produced as a return to what is deemed impossible, unimaginable, or unforgivable about Black life.While the full histories are well beyond the scope of this paper, I highlight the violent impossibilities and afterlives produced and sustained by both – those that deserve care and attention within a “new relationality,” as Tiffany King has named, between Black and Indigenous peoples. At the end of the essay, I return briefly to Anna Tsing’s spiritual science of foraging wild mushrooms. Her allegory about the human condition offers a bridge, I conclude, between the emancipatory dreams of Black freedom and Indigenous sovereignty.  

Das Internet der Tiere: Natur 4.0 und die conditio humana

2016 ◽  
Vol 7 (2) ◽  
pp. 111-124
Author(s):  
Alexander Pschera
Keyword(s):  
Industry 4.0 ◽  
Industrie 4.0 ◽  
Human Condition ◽  
Digital Culture ◽  
The Internet ◽  
Conditio Humana ◽  
The Many ◽  
The Human Condition

"Neben der Industrie hat die Digitalisierung auch die Natur ergriffen. Die Tatsache, dass Tausende von Tieren mit GPS-Sendern aus- gerüstet und überwacht werden, erlaubt, analog zur Industrie 4.0 auch von einer Natur 4.0 zu sprechen. Dieses Internet der Tiere verändert den Begriff, den der Mensch von der Natur hat. Er transformiert die Wahrnehmung vor allem der Natur als etwas fundamental An- deren. Neben den vielen kulturellen Problematisierungen, die das Internet der Tiere mit sich bringt, lassen sich aber auch die Umrisse einer neuen, ganz und gar nicht esoterischen planetarisch-post-digitalen Kultur aufzeigen, die die conditio humana verändert. In addition to industry, digitalization has also taken hold of nature. The fact that thousands of animals are provided and monitored with GPS transmitters allows to speak of nature 4.0 by way of analogy to industry 4.0. This internet of animals changes our idea of nature. Most of all, it transforms the perception of nature as something fundamentally other. Beside the many cultural problems that the internet of animals implies, it can also outline a new, not at all esoteric planetary post-digital culture that is about to change the human condition. "

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