The End of Creation

Author(s):  
Tom McLeish

The book finishes with an examination of the human purpose of creativity and creation. The evidence and narrative gathered so far is summarized in a ‘creation narrative’—a basic story of the emotional and cognitive trajectory of the creative process. Drawing on recent work in anthropology, narratology, and theology, and on phenomenological philosophy of the human condition, the chapter develops the thesis that creativity of all kinds contributes to a healing of a broken or incomplete human relationship with the world. The story of our growing understanding of the rainbow acts as an illustration of the extreme length, but great human depth, of this process.

Author(s):  
Alexei V. Nesteruk

This paper represents a direct continuation and development of my stance on the sense of the dialogue between theology and science as it is seen through the eyes of phenomenological philosophy and its extension towards theology. I further interpret the paradoxical position of humanity in the world (being an object in the world and subject for the world) to be the cause in the split between science and theology. Since, according to modern philosophy, no reconciliation between two opposites in the hermeneutics of the subject is possible, the whole issue of the facticity of human subjectivity as the sensebestowing centre of being acquires theological dimensions, requiring new developments in both theology and philosophy. The intended overcoming of the unknowability of man by himself, tacitly attempted through the “reconciliation” of science and theology (guided by a purpose to ground man in some metaphysical substance), is not ontologically achievable, but demonstrates the working of formal purposefulness (in the sense of Kant). Then the dialogue between theology and science can be considered as a teleological activity without a purpose representing never-ending hermeneutics of the human condition


Author(s):  
Leticia Flores Farfán

Assuming with Georges Bataille that men is a being who is not in the world “like water within the water”, that is to say, in an immanent and lack of distinction state, but that its destiny is shaped in the permanent significant joint or logos to which its unfinished nature jeopardizes him, we analyze the form in which the mythical story, characterized like a sacred word with symbolic and ontological quality within the perspective of Mircea Eliade, gives account of the wound or the original tear that constitutes the human condition.


2021 ◽  
pp. 003802292110146
Author(s):  
Ananta Kumar Giri

Our contemporary moment is a moment of crisis of epistemology as a part of the wider and deeper crisis of modernity and the human condition. The crisis of epistemology emerges from the limits of the epistemic as it is tied to epistemology of procedural certainty and closure. The crisis of epistemology also reflects the limits of epistemology closed within the Euro-American universe of discourse. It is in this context that the present essay discusses Boaventura de Sousa Santos’ Epistemologies of the South: Justice Against Epistemicide. It also discusses some of the limits of de Sousa Santos’ alternatives especially his lack of cultivation of the ontological in his exploration of epistemological alternatives beyond the Eurocentric canons. It then explores the pathways of ontological epistemology of participation which brings epistemic and ontological works and meditations together in transformative and cross-cultural ways. This helps us in going beyond both the limits of the primacy of epistemology in modernity as well as Eurocentrism. It also explores pathways of a new hermeneutics which involves walking and meditating across multiple topoi of cultures and traditions of thinking and reflections which is called multi- topial hermeneutics in this study. This involves foot-walking and foot-meditative interpretation across multiple cultures and traditions of the world which help us go beyond ethnocentrism and eurocentrism and cultivate conversations and realisations across borders what the essay calls planetary realisations.


2018 ◽  
Vol 22 (1) ◽  
pp. 31-49
Author(s):  
Paul Kucharski

My aim in this essay is to advance the state of scholarly discussion on the harms of genocide. The most obvious harms inflicted by every genocide are readily evident: the physical harm inflicted upon the victims of genocide and the moral harm that the perpetrators of genocide inflict upon themselves. Instead, I will focus on a kind of harm inflicted upon those who are neither victims nor perpetrators, on those who are outside observers, so to speak. My thesis will be that when a whole community or culture is eliminated, or even deeply wounded, the world loses an avenue for insight into the human condition. My argument is as follows. In order to understand human nature, and that which promotes its flourishing, we must certainly study individual human beings. But since human beings as rational and linguistic animals are in part constituted by the communities in which they live, the study of human nature should also involve the study of communities and cultures—both those that are well ordered and those that are not. No one community or culture has expressed all that can be said about the human way of existing and flourishing. And given that the unity and wholeness of human nature can only be glimpsed in a variety of communities and cultures, then part of the harm of genocide consists in the removal of a valuable avenue for human beings to better understand themselves.


PMLA ◽  
1969 ◽  
Vol 84 (3) ◽  
pp. 530-535
Author(s):  
Robert M. Philmus

Most of the early science fantasies of H. G. Wells are, as he defines the term, prophetic: the myths that they develop to a logical conclusion represent a critique of some historical or essential aspect of the human condition. The Time Machine, his first scientific romance, explores the premises of prophetic fantasy at the same time that it embodies a myth of its own. In it Wells envisions the future devolution of man, already outlined in previous essays of his, as the ultimate consequence of what he perceived as a present attitude of complacent optimism, an attitude he dramatizes in the reaction of the Active audience to the Time Traveller's account of the world of 802,701 and beyond. Although the Time Traveller accepts this vision as literally true, his own theories about that world make it clear that its significance pertains to it only as a metaphoric projection of tendencies existing in the present. Thus the structure of The Time Machine reveals the Time Traveller's point of view, like that of his audience, to be limited: his final disappearance into the fantasied world of the future vindicates the rigorous integrity of Wells s prophecy.


Author(s):  
Andrew Gibbons

Tragedy is a central theme in the work of Albert Camus that speaks to his 46 years of life in “interesting times.” He develops a case for the tragic arts across a series of letters, articles, lectures, short stories, and novels. In arguing for the tragic arts, he reveals an epic understanding of the tensions between individual and world manifest in the momentum of liberalism, humanism, and modernism. The educational qualities of the tragic arts are most explicitly explored in his novel The Plague, in which the proposition that the plague is a teacher engages Camus in an exploration of the grand narratives of progress and freedom, and the intimate depths of ignorance and heroism. In the novel The Outsider Camus explores the tragedy of difference in a society obsessed with the production of a normal citizen. The tragedy manifests the absurdity of the world in which a stranger in this world is compelled to support the system that rejects their subjectivity. In The Myth of Sisyphus Camus produces an essay on absurdity and suicide that toys with the illusion of Progress and the grounds for a well-lived life. Across these texts, and through his collection of letters, articles, and notes, Camus invites an educational imagination. His approach to study of the human condition in and through tragedy offers a narrative to challenge the apparent absence of imagination in educational systems and agendas. Following Camus, the tragic arts offer alternative narratives during the interesting times of viral and environment tragedy.


2020 ◽  
pp. 3-10
Author(s):  
Jennifer Anna Gosetti-Ferencei

Introduces some of the central ideas of existentialism—including subjective truth, finitude, being-in-the-world, facticity, transcendence, inwardness, and the self as becoming—as relevant to an individual living in the contemporary moment. Highlights existentialist concern both for human individuality and for commonly-shared features of the human condition. Emphasizes existentialist attention both to the despairing aspects of human life and to the affirmation of existence as worthy of wonder. Introduces a few key thinkers—Kierkegaard, Marcel, Heidegger, Sartre, Nietzsche—while also indicating the diversity of existentialism to be emphasized throughout the book. Addresses what existentialism may have to offer in the context of contemporary challenges to objective truth and communal forms of meaning.


2021 ◽  
pp. 43-80
Author(s):  
Cathy Benedict

Through a series of scaffolded lesson plans that begin in the classroom and then move out into the world, this chapter addresses friendship and bullying through the lens of critical literacy. Friendship has long been the sacrosanct goal of elementary socialization. This chapter calls into question the simplicity of the concept and weighs that against bullying. The texts used in this chapter begin “simply” enough, with books such as Tubby the Tuba and Ben’s Trumpet, but then moves into texts that push students to consider poverty and war as a form of bullying. Books such as Petar’s Song, The Harmonica, and finally Revolución afford opportunities for both critical reflection and musicking, while a reimagined version of Peter and the Wolf asks students to ponder ethical dilemmas grounded in loyalty, death, societal pressures, the human condition, nature, friendship, and sacrifice.


1994 ◽  
Vol 53 (3) ◽  
pp. 573-595
Author(s):  
Andrew Halpin

The objective of this article is very limited, but if realised, I believe it has far-reaching implications. I want to examine the narrow topic of Unger's approach to rights. In exploring this objective I shall not be concerned with considering Unger's general approach to law, or with other aspects of his legal theory. Nor shall I question the assumptions that Unger may be making about the human condition or the nature of the world in which we live. Ignoring these wider concerns, my objective is to demonstrate that the new rights of Unger's deviationist doctrine in fact embody the old rights of legal formalism that their author has purported to abandon. The implications are twofold. First, for Unger's general enterprise: if it turns out that there is nothing new in his radical showpiece of rights, then some aspersions must be cast on the claims of novelty and radical efficacy made for “the program of empowered democracy” in which this showpiece is set.


Sign in / Sign up

Export Citation Format

Share Document