The Minimal Approval Account of Attributability

Author(s):  
August Gorman

This paper advances a new agentially undemanding account of the conditions of attributability, the Minimal Approval account, and argues that it has a number of advantages over traditional Deep Self theories, including the way in which it handles agents with conditions like addiction, Tourette syndrome, and misophonia. It is argued that in order for an agent to be attributionally responsible, the mental process that leads to her action must dispose her to be such that she would, upon reflection, approve to some minimal degree of being moved to action by the motive on which she in fact acts.

2020 ◽  
Vol 8 ◽  
Author(s):  
NATHAN CHEN ◽  
DAVID STAPLETON

We show that complex Fano hypersurfaces can have arbitrarily large degrees of irrationality. More precisely, if we fix a Fano index  $e$ , then the degree of irrationality of a very general complex Fano hypersurface of index  $e$ and dimension n is bounded from below by a constant times  $\sqrt{n}$ . To our knowledge, this gives the first examples of rationally connected varieties with degrees of irrationality greater than 3. The proof follows a degeneration to characteristic $p$ argument, which Kollár used to prove nonrationality of Fano hypersurfaces. Along the way, we show that in a family of varieties, the invariant ‘the minimal degree of a dominant rational map to a ruled variety’ can only drop on special fibers. As a consequence, we show that for certain low-dimensional families of varieties, the degree of irrationality also behaves well under specialization.


Servis plus ◽  
2017 ◽  
Vol 11 (3) ◽  
pp. 79-85
Author(s):  
Виктор Ильин ◽  
Viktor Il’in ◽  
Азер Мамедов ◽  
Azer Mamedov ◽  
Елена Бирюкова ◽  
...  

Understanding is a cognitive mental process of signification resources of hermeneutics. Special attention is paid to the evaluation of such components of this process, as the recognition of meanings in the communicative environment; organization of texts; the dimension of the situation; the appeal to super-texts varieties. Authors emphasize that the formal organization of the text is controlled with canons of the intra-system logic focusing on implementation of prosaic or poetic works. The first are distinguished by direct speech; the second are returnable, rhythmic way of forming of the speech with periodic repetitions, interfaces, similarity of the alternating ranks. The article also pays attention to the plot, representing the way of content disclosure, subject expansion, a plot statement through explanation of system of actions – intellectual, behavioral movements during the narration about happening. There is a general cultural model aligning "the fact with the deep ideological background", – the outlined circle of the phenomena (ontological basis) is linked to a creative manner of its primary development (epistemological basis). The categorical areas entering extremely wide types of a world perception are so formatted and reformatted: causalism, teleology, functionalism, historicism, probabilism, etc.


2021 ◽  
Vol 27 (2) ◽  
Author(s):  
Gary S. Karpinski

This article focuses on the perception and cognition involved in music listening skills as essential criteria in selecting solmization systems. Drawing on many aural key-identification studies performed by various researchers, and on the model for music perception developed by Karpinski (".fn_cite_year($karpinski_1990).") and formalized in Karpinski (".fn_cite_year($karpinski_2000)."), it concludes that the first and most fundamental process listeners carry out while attending to the pitches of tonal music is tonic inference. In addition, a tonic is inferable without reference to a complete diatonic pitch collection. Melodies that are unambiguous with regard to their tonic might never employ all seven diatonic pitch classes, they might state those pitch classes only gradually, or they might even change the collection without changing tonic. Nonetheless, listeners are able to infer tonics quickly and dynamically under any of the above conditions. According to Butler (".fn_cite_year($butler_1992).", 119), “listeners make assessments of tonal center swiftly and apparently without conscious effort” certainly well in advance of inferring or perceiving entire diatonic pitch collections. This article examines the means through which do-based minor movable-do solmization most closely models this mental process and contrasts that with la-based minor and its inherent inability to model the pitches of a musical passage until all seven of its diatonic members are explicitly stated (or at least implicitly present). This is not to say that la-based minor is ineffective, but simply that do-based minor most closely reflects and represents the way listeners infer tonality.


Philosophy ◽  
1985 ◽  
Vol 60 (231) ◽  
pp. 71-87 ◽  
Author(s):  
Don Mannison

What are we moved to when we are moved by something? Sometimes to tears; other times to action; and, on other occasions, to quiet contemplation. When a member of the Sierra Club is moved by something, he or she may be moved to tears or to political activism; but ‘being moved by’ in such circumstances just might consist in feelings of awe. ‘Moved by’ carries an obvious suggestion of causality on its semantic face. What I am moved by is what brings it about that I feel or act the way I do. To be ‘unmoved’ is to be unresponsive; or, at times, to lack compassion. To be moved by something or someone often involves having care or concern for that which is found moving. A variety of this sort of concern just could be an essential ingredient in the stance of the environmental preservationist.


1999 ◽  
Vol 57 (4) ◽  
pp. 1046-1056
Author(s):  
ANIBAL SILVEIRA

Mental process imply a harmonious functioning of psychic systems, assembled into larger units, psychic spheres (Table 1). Their neurophysiological representatives are brain systems of areas and pathways (Figs 1-4). Under functional and/or organic disturbances these systems originate the leading mental symptoms (Table 2) characterizing the diverse endogenous psychoses: hence, the latter's distinctive patterns. Accordingly, understanding and classification of psychoses should rest on the pathogenic dynamisms, not on clinical description. This is why Kleist's and Leonhard's conceptions of the endogenous psychoses surpass any other to exist. Kleist stands among the founders of psychiatry, by describing the "degeneration psychoses" and many single psychoses, as well as redefining, isolating and clarifying the progressive ones, later on renamed as schizophrenias (Table 3). Such pathogenic criterion may also be useul to define mental conditions other than psychoses, as hysteria, neuroses and psychopathic inferiority (Tables 4 and 5). One should consider here, besides the psychic systems and spheres involved, the way they were caught and the corresponding developmental phase. In Kleist's "degeneration psychoses"- cyclic or episodic (Table 6) the systems and spheres are disturbed by functional transient processes due to latent dispositions, while his and Leonhard's schizophrenias (Table 7) show a rather progressive, deteriorating course. The nature of the disorder is itself genetically determined, as is either its confinement to one sphere or its spreading out. The spread out pattern, while exceptional in schizophrenia, represents a rule for the "degeneration psychoses", in discussant's mind. Both groups may have symptoms alike by involvement of the same sphere (Table 8), but proper diagnosis is reached by taking pathogenesis into consideration.


2015 ◽  
Vol 15 (1) ◽  
pp. 19
Author(s):  
Giuseppe Gerbino

Ambiguously poised between composition and improvisation, works designated as fantasia in the sixteenth century thrived on the imaginative power of virtuoso performers. Or so the term would seem to suggest: it is not immediately clear in what sense this music should be understood and singled out as the product of the imagination. Isn’t music, any kind of music, the product of the imagination? What idea of imagination was this particular kind of music meant to represent? Drawing on the Aristotelian doctrine of the internal senses, this essay explores the relationship between fantasia as a musical process and sixteenth-century notions of fantasia as a mental process. From our vantage point in history, fantasia offers a rare opportunity to observe a cultural and musical practice aimed at translating the workings of the mind into a sensible object, which the perceiving subject can then (re)experience as a representation of his own inner life, in the way he himself imagines it. 


LINGUISTICA ◽  
2017 ◽  
Vol 6 (1) ◽  
Author(s):  
Rita Rasi Uli Sihombing ◽  
Sumarsih Sumarsih ◽  
Syamsul Bahri

The study is concerned with the way the writer explores The Use of Processes as Reflected in Woman Portrayals in Batak Toba Songs Lyrics. How the use processes linguistically represented and the reason of processes realization as it is. The research method used in this paper is qualitative research and based on Halliday Theory use in the types of process. There were 244 clauses of process from the 15 song of Batak Toba. The findings of this research showed that six types of process. it implied that songs in Batak Toba expressed that Mental Process is the dominant type as 38, 6 % from the 94 clauses is found. It implied that the woman portrayals in Batak Toba song expressed what the feel with the sensing which covering thinking, feeling and emotions which happened inside human being. It related to the relational process that cause of the value of woman in the Batak Toba song lyric with the identification of the position woman portrayals. Keywords: Process, Six Types of Processes, Woman Portrayals


SIASAT ◽  
2020 ◽  
Vol 5 (3) ◽  
pp. 9-15
Author(s):  
Sharon Campbell- Phillips ◽  
Deb Proshad Halder ◽  
Serlange Campbell ◽  
Daneil Phillips

Communication is the exchanging of information through speaking, writing and signals. It plays an important to our development; it is the dissemination of ideas, and information to persons. Cognition is our mental process in which we acquire knowledge and understanding, and this is done through our thoughts, our experiences, and our senses. Cultural differences involve what people’ believe how they behave, the language they speak, and their practices based on their ethnicity. Cross-cultural differences in cognition can be very effective to certain operations conducted by persons; however, it can also limit us based on our perspective.  To gather information and to understand how culture affects cognition and the way we think, questionnaires, surveys and experiments were used. Questionnaires were administered to tertiary level students, surveys were administered to teachers and experiments were conducted among students from various culture and background. The experiments were centered on visualization, focus and critical thinking. The purpose of this study is to investigate if cultural differences affect the way we think, and this double-dissociation is discussed in terms of implications for different developmental trajectories, with different developmental sub-tasks in the different cultures.


Author(s):  
D. C. L. Bessades ◽  
R. B. dos Santos ◽  
A. C. Vieira

Let [Formula: see text] be a field of characteristic zero and [Formula: see text] the algebra of [Formula: see text] matrices over [Formula: see text]. By the classical Amitsur–Levitzki theorem, it is well known that [Formula: see text] is the smallest degree of a standard polynomial identity of [Formula: see text]. A theorem due to Rowen shows that when the symplectic involution [Formula: see text] is considered, the standard polynomial of degree [Formula: see text] in symmetric variables is an identity of [Formula: see text]. This means that when only certain kinds of matrices are considered in the substitutions, the minimal degree of a standard identity may not remain being the same. In this paper, we present some results about the minimal degree of standard identities in skew or symmetric variables of odd degree of [Formula: see text] in the symplectic graded involution case. Along the way, we also present the minimal total degree of a double Capelli polynomial identity in symmetric variables of [Formula: see text] with transpose involution.


2018 ◽  
Vol 12 (2) ◽  
pp. 213-225
Author(s):  
Arina Isti’anah

The study of main characters becomes one of delicate angles to observe in literary work. Instead of the various literary criticisms, linguistics also provides stylistics as the approach to appreciate and interpret literary work, including character analysis. ―Interpreter of Maladies‖ is one of the short stories written by Jhumpa Lahiri which attracts readers‘ attention. Readers may comment the way Lahiri portrays the main character of the story, Mr. Kapasi. To interpret the character‘s feeling in the story, Halliday‘s Functional Linguistics is employed to observe what happens in the character‘s thought. The previous purpose is facilitated by transitivity analysis focusing on the mental process analysis. Transitivity focuses on the clause analysis as the unit which brings meanings, including types of participants in the clause. Halliday divides mental process into four: perceptive, cognitive, emotive, and desiderative. The analysis shows that perceptive, cognitive, and affective dominate the narrator‘s description on Mr. Kapasi, while desiderative appears the least in the main character. The choice of those mental process types signals that Lahiri portrays Mr. Kapasi as an attentive, intellectual, and affectionate character.


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