Complexity and Passage
Chapter 15 treats rhythm as the shaping of events and their succession, rather than as a pre-existent or transcendent order of isochronous division or fixed pattern. Although “rhythm” has come to imply the regularity of a repeated unit or pattern, the author argues that it also evokes the dynamic, temporal connotations of flow conceived not as of a homogeneous substance (“time”) but rather as a fluid, active, and characterful creation of things or events. The chapter thus prioritizes a living, subjective sense of rhythm over a non-vital, objective concept. The author relates this concept to poetry through a reading of the opening of Keats’s “Hymn to Pan,” from Endymion, analyzing the continuing “life” of the vocal impulse along the lines and through the word-sounds taken as “mouth events”—a reading after the manner of M. H. Abrams.