LGBTQ+ Communities and Digital Media

2021 ◽  
Author(s):  
Brady Robards ◽  
Paul Byron ◽  
Sab D'Souza
Keyword(s):  
Social Media ◽  
Digital Media ◽  
Identity Work ◽  
Digital Networks ◽  
Ongoing Research ◽  
Queer People ◽  
Growing Body ◽  
Digital Spaces

Digital media offer spaces to many lesbian, gay, bisexual, transgender, and queer people (LGBTQ+) for connection, support, and friendship and hosts vital resources for learning and practicing diverse genders and sexualities. In this chapter, the authors review key research on LGBTQ+ communities and identities in digital spaces over several decades, dividing the chapter into three main sections: (1) community and connection, (2) romance and dating, and (3) identity work. In the first section on community and connection, they examine research centered on how LGBTQ+ people use digital media to forge connections and build “communities.” While this term is contested in the literature, many LGBTQ+ people use it to describe their experiences of digital networks. Second, they outline the growing body of research on how LGBTQ+ people use digital media in their romantic and sexual lives, from dating/hook-up apps to social media. They consider the challenges, pleasures, and opportunities in how LGBTQ+ people use digital media for sex and dating practices and potential. Third, they reflect on how these connections have figured into ongoing research on LGBTQ+ identities, where digital media allow LGBTQ+ people to develop shared languages to describe their experiences, to reflect on their lives, and to rehearse modes of self-representation.

Context collapse and anonymity among queer Reddit users

2019 ◽  
pp. 146144481989035 ◽  
Author(s):  
Anthony Henry Triggs ◽  
Kristian Møller ◽  
Christina Neumayer
Keyword(s):  
Social Media ◽  
Big Data ◽  
Digital Media ◽  
Queer People ◽  
Social Media Platforms ◽  
Queer Communities ◽  
Four Levels

This article maps out how people in queer communities on Reddit navigate context collapse. Drawing upon data from interviews with queer Reddit users and insights from other studies of context collapse in digital media, we argue that context collapse also occurs in anonymity-based social media. The interviews reveal queer Reddit users’ practices of context differentiation, occurring at four levels: somatic, system, inter-platform and intra-platform. We use these levels to map out how lesbian, gay, bisexual, transgender and queer or questioning (LGBTQ) people express their identities and find community on Reddit while seeking to minimize the risks imposed by multiple impending context collapses. Because living an authentic queer life can make subjects vulnerable, we find that despite Reddit’s anonymity, sophisticated practices of context differentiation are developed and maintained. We argue that context collapse in an era of big data and social media platforms operates beyond the control of any one user, which causes problems, particularly for queer people.

scholarly journals Redes sociales digitales en la migración trasnacional romá de Rumanía. Una polymedia transnacional = Digital Media and Digital Networks in the Romanian Roma Migration: A new transnational polymedia

2018 ◽  
pp. 107
Author(s):  
Francisco-Javier Ogáyar-Marín ◽  
Vasile Muntean ◽  
Juan-Francisco Gamella-Mora
Keyword(s):  
Social Media ◽  
Digital Media ◽  
Information And Communication Technologies ◽  
Social Life ◽  
Social Space ◽  
Transnational Migration ◽  
Digital Networks ◽  
Redes Sociales ◽  
Phone Calls ◽  
And Migration

Resumen: En este artículo estudiamos la convergencia de la migración romá rumana posterior a 1989 con el desarrollo de las tecnologías de la información y la comunicación (TIC) a partir de ese mismo período. Para ello hemos partido del trabajo etnográfico previo realizado durante dos campañas entre 2003-2007 y 2013-2016 respectivamente con siete redes romá Korturare procedentes de las regiones rumanas de Transilvania y el Bánato, centrándonos en tres de ellas por su presencia en la ciudad de Granada. El rol de los recursos de polymedia, un entorno emergente de posibilidades comunicativas, facilita y alienta los desplazamientos migratorios al reducir incertidumbres y permitir experiencias de copresencia (digitalizada) en un contexto transnacional. Esta situación favorece dinámicas de reproducción y control cultural, pero a la vez habilita y permite usos diferenciados en polymedia que esbozan transformaciones en las costumbres romá.Abstract: In this paper we explore the convergence of two contemporary parallel processes: the post-1990 transnational migration of Roma groups from some Eastern European countries, particularly Romania to the West, and the growing use by these populations of the expanding social media derived from the revolutionary development of new ICT (information and communication technologies). We have followed some groups from Transylvania and Banat to their western diaspora in a long-term ethnographic work that started in 2003 and was retaken in a recent ethnographic project (2013-2017). We have studied primarily groups living in Andalusia, although their family networks are extended today over more than 30 localities in a dozen of European and North American countries. These networks of networks form a social space or commuinity or reference that is largely maintained through digital communication. The different social media and communication options (from Facebook to cheap phone calls) generate a new kind of virtual environment or polymedia (Madianou and Miller 2011, 2012). In this paper we explore the effects of this new social space of communication in three major aspects of Roma social life: 1)Its effects in facilitating, supporting and inducing mobility and migration; 2) In cultural reproduction and transformation through the maintenance of specific systems of family, marriage, gender and conflict resolution, including the online transmission of public trials and courts (kris), funerary rituals and elaborated marriage ceremonies, including betrothal (mangaimo) and weddings (abev); and 3)In new processes of social distinction and differentiation following fracture lines of class, gender and generation.

scholarly journals Children’s digital playgrounds as data assemblages: Problematics of privacy, personalization, and promotional culture

2018 ◽  
Vol 5 (2) ◽  
pp. 205395171880521 ◽  
Author(s):  
Karen Louise Smith ◽  
Leslie Regan Shade
Keyword(s):  
Social Media ◽  
Digital Media ◽  
Personal Information ◽  
Mobile Apps ◽  
The Internet ◽  
Privacy Rights ◽  
Rights Of The Child ◽  
Data Flows ◽  
Social Media Platforms ◽  
Digital Spaces

Children’s digital playgrounds have evolved from commercialized digital spaces such as websites and games to include an array of convergent digital media consisting of social media platforms, mobile apps, and the internet of toys. In these digital spaces, children’s data is shared with companies for analytics, personalization, and advertising. This article describes children’s digital playgrounds as a data assemblage involving commercial surveillance of children, ages 3–12. The privacy sweep is used as a method to follow the personal information traces that can be expected to be disclosed through typical use of two children’s digital playgrounds: the YouTube Kids app and Fisher-Price Smart Toy plush animal and companion app. To trace the data flows, privacy policies and other publicly available documents were analyzed using political economy and privacy informed indicators. This article concludes by reflecting upon the dataveillance and commercialization practices that trouble the privacy rights of the child and parent when data assemblages in children’s digital playgrounds are surveillant.

No Grand Pronouncements Here...: Reflections on Cancel Culture and Digital Media Participation

2020 ◽  
Vol 21 (6) ◽  
pp. 621-627
Author(s):  
Eve Ng
Keyword(s):  
Social Media ◽  
Digital Media ◽  
Media Studies ◽  
English Language ◽  
Entry Point ◽  
Online Discourse ◽  
Message Boards ◽  
Long Form ◽  
Digital Media Studies ◽  
Digital Spaces

Although there are numerous prominent examples of social media misuse, these cases should not disproportionately characterize the scope or potential of digital media participation as a whole. Using cancel culture as an entry point, this essay discusses how digital practices often follow a trajectory of being initially embraced as empowering to being denounced as emblematic of digital ills. However, while platforms such as Twitter do have characteristics that militate against nuanced debate, scholars can productively direct attention to interactions in other digital spaces, particularly using methods that yield more qualitatively informative data. These spaces include message boards and comment threads, which foster more long-form engagement. It is also important to look beyond the major English-language platforms, both to account for platform-specific features and so that conditions of online discourse routine in many global contexts, such as negotiating censorship, are centrally theorized in digital media studies.

Effects of Image Upload on Social Media as Media Promotion in Journal Publishers

CCIT Journal ◽  
2020 ◽  
Vol 13 (1) ◽  
pp. 20-31
Author(s):  
Untung Rahardja ◽  
Ani Wulandari ◽  
Marviola Hardini
Keyword(s):  
Social Media ◽  
Digital Media ◽  
Digital Content ◽  
Three Solutions ◽  
Conventional Process ◽  
Promotion System

Digital content is content in various formats, whether written, image, video, audio or combination so that it can be read, displayed or played by a computer and easily sent or hared through digital media. Digital content has abundant benefits, especially in the field of promotion. Where when a place of business or a body wants to introduce a product or service that is owned, it definitely requires content such as images as a promotional media. However, if you have to distribute posters to everyone you meet, it is not in line with current technological advancements because you are still using a conventional process. Therefore, to overcome this problem, social media can be used to process digital content easily and quickly. In this study, there are 3 (three) problems that will be overcome by 2 (two) methods, and 3 (three) solutions are produced. The advantage of digital content in social media is that it can be accessed anytime and anywhere, so it is concluded that the use of digital content in social media is able to overcome problems and is a creativepreneur effort found in the promotion system of a journal publisher.   Keywords—Digital Content, Creativepreneur, ATT Journal, Social Media

“Tradition,” Vernacularism, and Learning to Be a Folk Musician With Social Media

2020 ◽  
pp. 442-466
Author(s):  
Simon Keegan-Phipps ◽  
Lucy Wright
Keyword(s):  
Social Media ◽  
Digital Media ◽  
Case Studies ◽  
Folk Music ◽  
Learning Mechanisms ◽  
Media Technologies ◽  
Arts And Humanities ◽  
The Arts ◽  
The Social ◽  
Social Shaping

This chapter considers the role of social media (broadly conceived) in the learning experiences of folk musicians in the Anglophone West. The chapter draws on the findings of the Digital Folk project, funded by the Arts and Humanities Research Council (UK), and begins by summarizing and problematizing the nature of learning as a concept in the folk music context. It briefly explicates the instructive, appropriative, and locative impacts of digital media for folk music learning before exploring in detail two case studies of folk-oriented social media: (1) the phenomenon of abc notation as a transmissive media and (2) the Mudcat Café website as an example of the folk-oriented discussion forum. These case studies are shown to exemplify and illuminate the constructs of traditional transmission and vernacularism as significant influences on the social shaping and deployment of folk-related media technologies. The chapter concludes by reflecting on the need to understand the musical learning process as a culturally performative act and to recognize online learning mechanisms as sites for the (re)negotiation of musical, cultural, local, and personal identities.

Indigenous language newspapers and the digital media conundrum in Africa

2021 ◽  
pp. 026666692098340
Author(s):  
Kevin Onyenankeya
Keyword(s):  
Social Media ◽  
Digital Media ◽  
Digital Transformation ◽  
Qualitative Approach ◽  
Indigenous Language ◽  
Technological Determinism ◽  
Traditional Media ◽  
Digital Revolution ◽  
The Future ◽  
Major Factors

The future of journalism is being shaped by the convergence of technology and societal shifts. For indigenous language press in Africa battling to stay afloat amidst stiff competition from traditional media, the pervasive and rapidly encroaching digital transformation holds both opportunities and potential threats. Using a qualitative approach, this paper examined the implication of the shift to digital media for the future of the indigenous language newspaper in Africa and identifies opportunities for its sustainability within the framework of the theories of technological determinism and alternative media. The analysis indicates poor funding, shrinking patronage, and competition from traditional and social media as the major factors facing indigenous newspapers. It emerged that for indigenous language newspapers to thrive in the rapidly changing and technology-driven world they need to not only adapt to the digital revolution but also explore a business model that combines a futuristic outlook with a practical approach.

scholarly journals Social Media Influencer’s Reputation: Developing and Validating a Multidimensional Scale

2021 ◽  
Vol 13 (2) ◽  
pp. 631
Author(s):  
Eun Ah Ryu ◽  
Eun Kyoung Han
Keyword(s):  
Social Media ◽  
Digital Media ◽  
Economic Value ◽  
Reliability And Validity ◽  
Political Influence ◽  
Measurement Tool ◽  
Opinion Formation ◽  
Consumption Behavior ◽  
The Social ◽  
The Media

Since the introduction of smartphones in 2009, social networking services (SNS), which have seen a surge in users, facilitated changes in the media environment along with social influence that has increased the economic value and political influence of SNS. In particular, as consumers’ media use and consumption behavior change around digital media, social media plays a very important role in consumers’ lives. From this perspective, influencers who influence not only consumers’ consumption behavior, but also decision-making and opinion formation based on social media are attracting attention. Therefore, the aim of this study was to develop items to measure an influencer’s reputation as a new source of information in the SNS environment; no previous researchers have presented generalized measurement items for an influencer’s reputation. We intended to identify what dimensions and items in the existing literature could effectively measure a social media influencer’s reputation and to verify each item’s relevance as a measure of a social media influencer’s reputation. Based on in-depth interviews with 30 experts and empirical findings from 557 adults, this study identified dimensions that impact on a consumer’s perception of a social media influencer and developed a scale. The results showed that the social media Influencer’s Reputation scale comprises four distinctive dimensions: Communication skills, influence, authenticity, and expertise. Additionally, the reliability and validity of the scale were assessed, using exploratory and confirmatory analyses and construct validity. The findings confirmed that the social media influencer’s reputation scale measurement items, in this study, can be used as a consistent measurement tool for each dimension. It is also important to develop value in favor of the marketing strategy by increasing value through the influencer’s reputation.

scholarly journals PARE0012 AWARENESS CAMPAING “LUPUS.GR 2020”

2020 ◽  
Vol 79 (Suppl 1) ◽  
pp. 1292.2-1292
Author(s):  
K. Antonopoulou ◽  
M. Konstantinidis
Keyword(s):  
Social Media ◽  
Digital Media ◽  
High Impact ◽  
Direct Mail ◽  
Press Conference ◽  
International Ngos ◽  
Help Line ◽  
Telephone Calls

Background:LUPUS GR 2020Objectives:To sensitize and educate the wide public about lupusTo contribute to the process of de-stigmatization as the rigid problem of prejudice and stigma prevails.Methods:The campaign “LUPUS GR 2020” consists of photographs, each of which has a different message for Lupus and 2 TV spots. The well know artists participated did not take any fee.The campaign consists of Press Announcements in digital and off digital media, in Social Media (Instagram - Twitter - Facebook), in Eleana Site and in YouTubePost of the artists in their personal social media pagesPress ConferenceDirect mail in international NGOs e.g. Lupus Europe, PAIN ALLIANCE EUROPE, AGORA PLATFORM, etc.Results:We announced the campaign on January 24, 2020. Until end of January, we have 36 press clipping, 3 TV interviews, more than 35.000 views of the post in our fb and increase of telephone calls in our help line about lupusConclusion:The campaign has a high impact in the wide public as well as in all the stakeholders.Figure:Disclosure of Interests:None declared

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