TSSummarize: A Visual Strategy to Summarize Biosignals

2021 ◽  
Author(s):  
Joao Rodrigues ◽  
Phillip Probst ◽  
Hugo Gamboa
Keyword(s):  
Visual Strategy

scholarly journals VISUAL STRATEGIES OF CONTEMPORARY ART: A Case Study of Banksy’s Artworks

2020 ◽  
Vol 7 (1) ◽  
pp. 9-14
Author(s):  
Singgih Prio Wicaksono
Keyword(s):  
Contemporary Art ◽  
Visual Communication ◽  
Visual Language ◽  
Symbolic Meaning ◽  
Social Implications ◽  
Visual Strategy ◽  
Descriptive Approach ◽  
Visual Strategies

Visual Strategy of Contemporary Art: The Study of Banksy’s Artwork. The development of contemporary art has introduced a new understanding and recognition of esthetics. This article aims to describe postesthetic phenomena as trends in the visual communication of contemporary art. The method used is a descriptive approach and analysis of Banksy's work. This study produces a discussion about: 1). Postesthetic symptoms in Banksy's work, 2). Characteristics of Banksy's work, 3). Banksy's symbolic meaning, 3). Social implications arising from the postesthetic approach to Banksy's work. Keywords: visual language, consumerism, contemporary art

The Influence of Visual and Temporal Dynamics on Split Attention

2011 ◽  
pp. 944-962
Author(s):  
Florian Schmidt-Weigand
Keyword(s):  
Visual Attention ◽  
Eye Tracking ◽  
Multimedia Learning ◽  
Temporal Dynamics ◽  
User Interaction ◽  
Individual Characteristics ◽  
Learning Material ◽  
Visual Strategy ◽  
Split Attention ◽  
Design Characteristics

This chapter introduces eye tracking as a method to observe how the split of visual attention is managed in multimedia learning. The chapter reviews eye tracking literature on multirepresentational material. A special emphasis is devoted to recent studies conducted to explore viewing behavior in learning from dynamic vs. static visualizations and the matter of pacing of presentation. A presented argument is that the learners’ viewing behavior is affected by design characteristics of the learning material. Characteristics like the dynamics of visualization or the pace of presentation only slightly influence the learners’ visual strategy, while user interaction (i.e., learner controlled pace of presentation) leads to a different visual strategy compared to system-paced presentation. Taking viewing behavior as an indicator of how split attention is managed the harms of a split source format in multimedia learning can be overcome by implementing a user interaction that allows the learner to adapt the material to perceptual and individual characteristics.

scholarly journals Discovering Collaborative Advantage: The Contributions of Goal Categories and Visual Strategy Mapping

2016 ◽  
Vol 76 (6) ◽  
pp. 912-925 ◽  
Author(s):  
John M. Bryson ◽  
Fran Ackermann ◽  
Colin Eden
Keyword(s):  
Collaborative Advantage ◽  
Visual Strategy

Being Fair to the Hounds: The Function and Practice of Annotation, II

2002 ◽  
Vol 29 ◽  
pp. 63-88 ◽  
Author(s):  
David Henige
Keyword(s):  
Subject Matter ◽  
Main Body ◽  
Visual Strategy ◽  
The Subject ◽  
Definition Of

Visual strategy begins on the first page. The most pretentious form of first page differentation is the “lead-in” quotation whereby the author prefaces the main body of the text with a quote from an esteemed scholar, a famous decision, or some other prestigious source. … The objective of the “lead-in” quote is to spark immediate attention with a titillating example of erudition, humor, or impertinence… Ideally the lead-in quote should be obscure—oriental sources are recommended—and should not have a substantive link to the subject matter of the article. … This technique can generate guilt among readers who suspect the game but lack the nerve to speak out.His books positively clank and groan under the weight of apparatus. Very good it is too.As indicated in the first part of this paper, I adopt a generous definition of “annotation” in this discussion. There the traditional forms, footnotes, and other textual apparatus were discussed. Here I want to concentrate on a number of forms of annotation that are not usually treated under that rubric. Included (in roughly the order in which they are likely to appear in a given work) are titles, tables of contents, prefaces, epigraphs, graphs and charts, maps, quoted matter, facsimiles, appendices, glossaries, bibliographies, and indexes. Each of these is an occasion—and an opportunity—to provide access to the text, to the author's own sources, or to the author's mind. While every work will not use all of these, certain of them (prefaces, tables of contents, bibliographies, and indexes) should be a part of every substantial scholarly study.

scholarly journals Foveal Visual Strategy during Self-Motion Is Independent of Spatial Attention

2006 ◽  
Vol 26 (2) ◽  
pp. 564-572 ◽  
Author(s):  
M. Wei
Keyword(s):  
Spatial Attention ◽  
Visual Strategy ◽  
Self Motion

scholarly journals DESAIN MEDIA KOMUNIKASI VISUAL PENUNJANG EVENT WISUDA

CCIT Journal ◽  
2017 ◽  
Vol 10 (1) ◽  
pp. 98-113
Author(s):  
Triyono Triyono ◽  
Kemal Salahuddin ◽  
Hendi Setiawan
Keyword(s):  
Mass Media ◽  
New Media ◽  
Visual Communication ◽  
Educational Institution ◽  
Education Level ◽  
Bachelor's Degree ◽  
Communication Media ◽  
Visual Strategy ◽  
Computer Based ◽  
The Media

Graduation organizing events in an educational institution is the most awaited moment by the student who has completed the learning. That Moment is the awarding accordance to each education level. STMIK Raharja is a computer-based educational institution in Tangerang city which organizes Graduation event for Diploma and Bachelor's Degree annually. The implementation of the graduation is the biggest event to the colleges therefore the preparation is organized carefully starting from the committee formation. Refer to this event so that required a new media visual communication to support the implementation runs attractive and successful. This event is held not only to reward graduates but also to promote the college to invited guests or public. The aims of this study is to determine the media used to be effective in organizing events and drafting Graduation visual communication media to support the event as an image of the college. The methodology used is objective visual, strategy visual, copy writing, art directing and rough layout designing, comprehensive layout, and final artwork . The media visual communication are designed to 9 items such as banners outside and inside, banners up and down, Backdrop, Invitation Cards and contents of the invitation,  book Cover, media advertised of Greetings & Success addressed to Graduations in mass media and souvenir such as fans and glasses. 

scholarly journals Visualizing the experience of flight

Novos Olhares ◽  
2020 ◽  
Vol 9 (1) ◽  
Author(s):  
Maria Nilsson
Keyword(s):  
Asylum Seekers ◽  
Visual Representation ◽  
Forced Migration ◽  
Compositional Analysis ◽  
Close Reading ◽  
Visual Storytelling ◽  
Global Migration ◽  
Visual Strategy ◽  
Specific Focus

This paper explores how photojournalism addresses refugee migration in Sweden, a country currently receiving a large influx of asylum seekers, in particular during a surge in global migration in 2015. Theoretically informed by literature calling for a compassionate visual storytelling focusing on the experience of refugees, the specific focus is on entries in the Swedish Picture of the Year contest. Images of children were particularly prominent among contest entries focusing on forced migration in the examined years, presenting an opportunity to further explore visual representation while also considering portraiture as a photojournalistic genre and visual strategy. A close reading drawing on semiotics and compositional analysis was conducted on images and written contest jury motivations. Findings showed a humanitarian aesthetic, formality as a storytelling tool, and an unresolved tension between showing and shielding young victims of trauma.

scholarly journals A comparative analysis of visual strategy in elite and amateur handball goalkeepers

2013 ◽  
Vol 8 (Proc3) ◽  
pp. 743-753 ◽  
Author(s):  
Jesús Rivilla-García ◽  
Alejandro Muñoz ◽  
Ignacio Grande ◽  
Mercedes Sanchís ◽  
Javier Sampedro
Keyword(s):  
Comparative Analysis ◽  
Visual Strategy

The iconic body: Mussolini unclothed

Modern Italy ◽  
2016 ◽  
Vol 21 (4) ◽  
pp. 361-381 ◽  
Author(s):  
Alessandra Antola Swan
Keyword(s):  
Public Relations ◽  
Visual Language ◽  
The Body ◽  
Visual Strategy ◽  
Communications Industry ◽  
Heads Of State ◽  
Innovative Capacity

The body partially disrobed as a visual strategy for self-branding is the theme of this article. During Fascism, photography, in synergy with the communications industry ante-literam, was an essential part of the construction of the cult of the leader that transformed the figure of Mussolini into an icon. Mussolini’s partial nudity is considered here as a powerful political tool. The Duce, in anticipation of our celebrities today, did not hesitate to undress and display his torso in what Valerie Sperling calls ‘iconic public-relations stunts’ that were both exhibitionistic and voyeuristic (Sperling 2014, 21). Deconstructing the visual language of Fascist propaganda that made the man into a myth, this article illustrates the most iconic aspects of Mussolini’s visual strategy, demonstrating his innovative capacity to take advantage of a modern attitude towards self-representation, similar to that adopted by today’s heads of state.

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