Tristan und Isolde at the Margins of Music-Analytical Discourse: A Dialogic Perspective

2021 ◽  
Vol 8 (1) ◽  
pp. 88-113
Author(s):  
John Koslovsky

Whether or not the Prelude to Richard Wagner's 1859 music drama Tristan und Isolde is the most analyzed piece in the history of Western music, owing to its ongoing canonical status, it behooves us to consider how it has affected the field of music analysis over the past 150 years. More than any other piece, Wagner's Prelude is able to expose the many conflicts that arise between analytical approaches: while it can demonstrate the limits of one particular approach vis-à-vis another, it may also reveal new potentialities that divergent analyses offer when seen from an intertextual point of view.<br/> As a test case, this article will position three contemporaneous analyses of the opening measures of the Prelude against one another: Horst Scharschuch's post-Riemannian harmonic analysis and Jacques Chailley's style-historical analysis, both from 1963, and William Mitchell's Schenkerian analysis of 1967. Drawing on Mikhail Bakhtin's concepts of "dialogism" and "heteroglossia," I will trace a broader historiographical and intertextual network surrounding the history of analyzing Tristan, with the goal of refocusing our analytical priorities around this work and penetrating the continuities and discontinuities between competing analyses. In this way, the article aims at opening up a further dialogic space in music analysis, both in our historical considerations and in the way we approach analysis as an intertext—that is, by traversing the fissures in the reified verities of a "unified" analysis and the multiple interpretative transpositions underlying our deciphering of analytical texts. It will conclude by offering yet another interpretation of Wagner's famous chord.

2012 ◽  
Author(s):  
Eileen Ka-May Cheng

“What is historiography?” asked the American historian Carl Becker in 1938. Professional historians continue to argue over the meaning of the term. This book challenges the view of historiography as an esoteric subject by presenting an accessible and concise overview of the history of historical writing from the Renaissance to the present. Historiography plays an integral role in aiding undergraduate students to better understand the nature and purpose of historical analysis more generally by examining the many conflicting ways that historians have defined and approached history. By demonstrating how these historians have differed in both their interpretations of specific historical events and their definitions of history itself, this book conveys to students the interpretive character of history as a discipline and the way that the historian’s context and subjective perspective influence his or her understanding of the past.


Author(s):  
Alexandra Wilson

La bohème is one of the most frequently performed operas in the world. But how did it come to be so adored? Drawing on an extremely broad range of sources, Alexandra Wilson traces the opera’s rise to global fame. Although the work has been subjected to many hostile critiques, it swiftly achieved popular success through stage performances, recordings, and filmed versions. Wilson demonstrates how La bohème acquired even greater cultural influence as its music and dramatic themes began to be incorporated into pop songs, film soundtracks, musicals, and more. In this cultural history of Puccini’s opera, Wilson offers a fresh reading of a familiar work. La bohème was strikingly modern for the 1890s, she argues, in its approach to musical and dramatic realism and in flouting many of the conventions of the Italian operatic tradition. Considering the work within the context of the aesthetic, social, and political debates of its time, Wilson explores Puccini’s treatment of themes including gender, poverty, and nostalgia. She pays particular attention to La bohème’s representation of Paris, arguing that the opera was not only influenced by romantic mythologies surrounding the city but also helped shape them. Wilson concludes with a consideration of the many and varied approaches directors have taken to the staging of Puccini’s opera, including some that have reinvented the opera for a new age. This book is essential reading for anyone who has seen La bohème and wants to know more about its music, drama, and cultural contexts.


Author(s):  
Fayzulla Tolipov ◽  

The article describes the specifics of the system of financing of small business and entrepreneurship in the recent history of Uzbekistan, the funds allocated for small business and entrepreneurship, the activities of commercial banks and the financial and banking system, some problems in the field. It also noted that since the early days of independence, a unique business environment has been created in the country to support the interests of entrepreneurs in the framework of development programs in this area, data on the role of financial mechanisms in the further development of small business and entrepreneurship in the country have been studied from a historical point of view. The article highlights the positive situation in the country's macro and microeconomic indicators, ie the active participation of banks in attracting local entrepreneurs and foreign investment, the existing problems in this area and the measures taken to address them. It analyzes the important factors and strategies of banks' participation in the development of business and entrepreneurship.


The article attempts to comprehend the essence and possibility of forming discourse competence among foreign and Russian students with simultaneous immersion in patriotic discourse. It is highlighted that the addition of the humanitarian series of “History of Civilizations” and “Features of Russian Civilization” to the educational process at the university creates the necessary pedagogical conditions for organizing a special linguo-ethno-cultural environment that forms active social interaction of authors within the framework of the medical and patriotic linguistic scenario. The authors of the article conducted a semantic and historical analysis of interpretations of the concept of “patriotism” that were studied from the point of view of traditional and liberal culture. The article presents the results of a socio-pedagogical study of students' perceptions of this concept. The article describes various theoretical and methodological approaches to the definition of the concepts of “discourse” and “discursive picture of the world” as well as psycholinguistic features of the method of semantic differential. Special attention in the article is paid to the typologies of discourse presented in the scientific literature. The authors of the article present the principle of genre and the principle of thematic correlation as the basis for distinguishing between types of discourse and highlight differences in language and discursive pictures of the world. The tasks of educators is to form not only purely medical discursive competence, but also to immerse the listener in “correctly” interpreted picture, saturated with verbal patterns that allow to create statements of patriotic content.


Author(s):  
J. B. Brown-Gilpin

The wide variety of reproductive patterns and behaviour in the many species of Nereidae already studied clearly justifies further research. But the life history of Nereis fucata (Savigny) is not only of interest from the comparative point of view. Its commensal habit (it occurs within shells occupied by hermit crabs) immediately gives it a special importance. This alone warrants a detailed study, particularly as no commensal polychaete has yet been reared through to metamorphosis and settlement on its host (Davenport, 1955; Davenport & Hickok, 1957). The numerous interesting problems which arise, and the experimental methods needed to study them, are, however, beyond the range of a paper on nereid development. It is therefore proposed to confine the present account to the reproduction and development up to the time when the larvae settle on the bottom. The complete life cycle, the mechanism of host-adoption, and related topics, will be reported in later papers.


1979 ◽  
Vol 24 (7) ◽  
pp. 604-609 ◽  
Author(s):  
Ittamveetil N. Kutty ◽  
Arthur P. Froese ◽  
Quentin A.F. Rae-Grant

Summary The HKM is but one of the many Eastern religious beliefs imported into the West. However, because of the way it is practised, it is the one which confronts North American values most directly. It is an offshoot of Hinduism and comprises a wide diversity of beliefs. It attracts many Western youths, much to the anguish of their parents and community leaders. Those who look at the HKM from a Western cultural point of view argue passionately with those who believe in it. The authors, one of whom (I.N.K.) has cultural roots in Hinduism and Western training in child psychiatry, attempt to look at this phenomenon dispassionately and analyze some of the relevant factors which attract Western youth to this culturally alien religion. A brief historical sketch of the HKM is given followed by an account of the significance of religion from a psychoanalytical perspective. The case history of a 15 year old adolescent male is presented and discussed in psychodynamic terms followed by an attempt to understand his attraction to the HKM. The manner in which the HKM met the needs of this adolescent may have implications for the management and understanding of similar cases, especially when professional interventions do not bring about the desired results of solving rather than just suppressing the intense and painful conflicts of development in adolescence.


In a Rutherford Memorial Lecture there are two alternative courses that might be taken. One is to describe one or other of the great developments that have later followed out from the many things which Rutherford started; the other is to describe some aspect of his own work from a historical point of view. If, as we hope and intend, the institution of these lectures should survive for many years, the first policy will probably be more useful in later times, but there still remain a number of people who lived through the wonderful experiences of those days, and while we survive it may be more interesting perhaps for us to leave some small records of what we saw. But there seems little purpose in merely giving again and again a biography recounting all the things that Rutherford did, and so I have chosen one item from among his discoveries, and I propose to give an account of this. It is the discovery of Atomic Number. I am going to try and give a picture of this whole subject; in it Rutherford of course played the leading part, but others made very important contributions, and it will be the whole history of it that I shall try to describe, and not merely his part in it. In the history of science there has been every now and then what I may call an ‘easy’ discovery, by which I do not in the least mean that it was easy to discover, but that when discovered it is so easy to understand, that it is difficult afterwards to see how people had got on without it. One example of such an ‘easy’ discovery was the discovery by Copernicus that the earth goes round the sun. After his time it was possible for anyone almost to forget what astronomy had been like before his day, and yet we have to recognize that the subject had been studied for three or four thousand years by many exceedingly intelligent men. Atomic number is another such ‘easy’ discovery. Any recent book on chemistry or physics describes the chemical elements in terms of it, and now with the development of atomic energy, even the daily press discusses quite readily the differences between uranium 238 and 235, and possibly even recalls that uranium is element number 92. In all the doubts that we may have about how future scientific discoveries will reshape our outlook on the world, we can feel sure that this one thing will never be changed; that the isotopes of the atoms of chemical elements will always have known atomic numbers and atomic weights. It now seems so simple that it is hard to believe how recently it was all discovered, and I want to show you that this ‘easy’ discovery was not at all easy to make.


Author(s):  
Natalia Yurievna Kireyeva ◽  
Angelina Leonidovna Kuts

The opera by Jacques Offenbach &ldquo;The Tales of Hoffmann&rdquo; is a unique phenomenon in the history of the opera genre attracting the attention of interpreters and researchers. Dealing with the text, musicians face particular problems caused by an unusual story behind the opera and its other peculiarities. The purpose of this article is to study the specificity of the opera at the literary, music, and stage levels using&nbsp; the hermeneutical approach. The three independent original works of Hoffmann were combined in a grand drama composed by J. Barbier and M. Carr&eacute;, and then in a libretto (J. Barbier) by means of deconstruction of romantic stereotypes of the main character, which reveals the peculiarities of the opera under consideration and explains the topicality of this research. The music analysis is aimed at the detection of expressive means through which the composer had managed to explain the idea of the authors of the literary text and get it across to the audience. The key formative way of building a music drama is a &ldquo;romantic irony&rdquo; (M. Ya. Kuklinskaya). That&rsquo;s where the genre dualism of the opera under consideration comes from, which manifested itself in the form of the synthesis of the genres opera comique and opera lyrique. The authors also detect the interaction of elements of both genres helping to create an unusual atmosphere of the opera, and the play with the audience, allowing manipulating the spectators&rsquo; expectations, which is more typical of operetta than of opera genre.&nbsp; &nbsp;


2020 ◽  
Vol 17 (1) ◽  
pp. 11
Author(s):  
Teuku Amnar Saputra Muhammad Alfatih Suryadilaga

The Post Truth era has made truth relative from a personal point of view not based on scientific facts. Freedom of information access makes the quality not proportional to the existing quantity. This relative truth has implications for the development of hadith which has been consumed by Muslim World in general. From the historical point of view, the modification of the hadith is inseparable from the interests of three Islamic thought orientations, namely Syiah, Ahlusunnah Wal Jamaah and Khawarij. The purpose of this study is to map the history of the development of the hadith from the time of the Prophet Muhammad and how the truth of the traditions used by the community from the time of the Prophet Muhammad to the Post Truth era. The results of this study indicate that the distribution of hadith originated in the early days of Islam, but not in official writing. Then came the official codification period in the caliph Umar bin Abdul Aziz II century Hijri. In the next period the hadith is recorded in the form of books and in the global era the hadith has been in the form of a website to the implications that can be used through smartphones. But in terms of the truth of the hadith in the Post Truth Era is still influenced by the interests of related parties so that the truth must be reviewed. Seeing the many uses of hadith in accordance with the wishes of the stakeholders. The interests are in the form of political interests and the interests of content providers with commercial purposes in various forms such as applications, dissemination on social media.


Author(s):  
M. Koigeldiev ◽  

The 20-30 years of the XX-th century in the history of Kazakhstan are characterized by the formation of such a form of governance of the republic from the center as the institute of emissaries. This form of management remained unchanged until the end of the Soviet period. The system of administrative management has acquired a new character, consolidating the former imperial positions based on the search for sources of raw materials and sales markets. The history of the formation and activity of the Institute of emissaries as a management system in Kazakhstan was not considered as an object of historical analysis. For the first time in the Kazakh historiography in the context of the 20-30s, the author analyzes the origins of the formation of this institute of management. The article highlights the beginning of a new stage in the Kazakh history, which implies a generalization of the activities of the power system and its nature from the point of view of modern realities.


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