scholarly journals NFTs, or The Readymade Reversed

October ◽  
2021 ◽  
pp. 3-4
Author(s):  
David Joselit
Keyword(s):  
Contemporary Art ◽  
Media Discourse ◽  
Asset Class ◽  
Multi Media ◽  
The Relationship

Abstract Modern and contemporary art have redefined the relationship between information and matter. Whether in the readymade's scrambling of the categories of art and commodity or Conceptual art's translation of matter into information, the artwork is embedded in a dynamic multi-media discourse. The NFT, or non-fungible-token, reverses this long genealogy of contemporary art by hijacking the category of art as nothing more than a tool for designing a new asset class, ripe for exuberant speculation. In short, the readymade—whose purpose was to demonstrate the fungibility of artworks when shifted from one discursive category to another—has been reversed.

scholarly journals Film and Media as a Site for Memory in Contemporary Art

2017 ◽  
Vol 14 (1) ◽  
pp. 157-173
Author(s):  
Domingo Martinez Rosario
Keyword(s):  
Contemporary Art ◽  
Cultural Memory ◽  
Media Art ◽  
The Past ◽  
Multi Media ◽  
A Site ◽  
The Relationship ◽  
Film And Video ◽  
With Memory

Abstract This article explores the relationship between film, contemporary art and cultural memory. It aims to set out an overview of the use of film and media in artworks dealing with memory, history and the past. In recent decades, film and media projections have become some of the most common mediums employed in art installations, multi-screen artworks, sculptures, multi-media art, as well as many other forms of contemporary art. In order to examine the links between film, contemporary art and memory, I will firstly take a brief look at cultural memory and, secondly, I will set out an overview of some pieces of art that utilize film and video to elucidate historical and mnemonic accounts. Thirdly, I will consider the specific features and challenges of film and media that make them an effective repository in art to represent memory. I will consider the work of artists like Tacita Dean, Krzysztof Wodiczko and Jane and Louise Wilson, whose art is heavily influenced and inspired by concepts of memory, history, nostalgia and melancholy. These artists provide examples of the use of film in art, and they have established contemporary art as a site for memory.

scholarly journals Sex Dolls in the Swedish Media Discourse: Intimacy, Sexuality, and Technology

2021 ◽  
Author(s):  
Robin Björkas ◽  
Mariah Larsson
Keyword(s):  
Critical Discourse Analysis ◽  
Critical Discourse ◽  
Sexual Practices ◽  
Media Discourse ◽  
Positive Effects ◽  
Therapeutic Uses ◽  
Broad Variety ◽  
The Media ◽  
Definition Of ◽  
The Relationship

AbstractSex dolls are a complex phenomenon with several diverse possible emotional, sexual and therapeutic uses. They can be part of a broad variety of sexual practices, and also function as a sexual aid. However, the media discourse on sex dolls first and foremost concerns how we perceive the relationship between intimacy and technology. A critical discourse analysis of the Swedish media discourse on sex dolls reveals six themes which dominate the discourse: (a) the definition of what a human being is; (b) a discourse on the (technological and existential) future; (c) a social effort; (d) a loveless phenomenon; (e) men’s violence against women; and (f) pedophilia. Accordingly, this discourse is very conservative and normative in its view of sexuality, technology, and humanity. Overall, the dominant themes do not provide any space for positive effects of technology on human sexuality, and if they do, it is usually as a substitute for something else.

A Framework for Understanding the Relationship between Social Media Discourse and Mental Health

2020 ◽  
Vol 4 (CSCW2) ◽  
pp. 1-23
Author(s):  
Sanjana Mendu ◽  
Anna Baglione ◽  
Sonia Baee ◽  
Congyu Wu ◽  
Brandon Ng ◽  
...  
Keyword(s):  
Mental Health ◽  
Social Media ◽  
Media Discourse ◽  
The Relationship

scholarly journals Vanitas Obsolescentum An exhibition of images

2021 ◽  
Author(s):  
Lianne Wing Yan Ho
Keyword(s):  
Contemporary Art ◽  
North American ◽  
Art History ◽  
Conceptual Development ◽  
17Th Century ◽  
North American Society ◽  
Dutch Golden Age ◽  
American Society ◽  
Relationship Of ◽  
The Relationship

Vanitas Obsolescentum is a comment on the obsolescence of contemporary commodity. It draws from prominent theories of obsolescence and appropriates 17th century Dutch Vanitas paintings. This paper begins by addressing themes relevant to the conceptual development of the series, including theories of obsolescence as presented by Packard, Papanek and Slade, the relationship of Dutch Golden Age society to contemporary North American society, Dutch Vanitas paintings, and appropriation of the Vanitas genre in contemporary art history and within this series. It provides a rationale for the use of holography as medium to express concepts of transience and hyperreality. This paper concludes with a discussion of the specifics of Vanitas Obsolescentum, including the symbolism and meaning of each piece within the series.

scholarly journals Practices of Constructing Regional Identity in the Media Discourse of Tatarstan

2020 ◽  
pp. 52-66
Author(s):  
O. V. Ilyina ◽  
E. V. Kablukov
Keyword(s):  
Regional Identity ◽  
Cultural Identification ◽  
Media Discourse ◽  
Traditional Religion ◽  
Regional Center ◽  
The Media ◽  
Relationship Of ◽  
First Time ◽  
The Relationship ◽  
Empirical Material

The authors consider identity as a conditional discursive construct, the result of subjects of discourse identifications and offer their own methodology for its analysis. It is shown that regional identity can be represented in the form of a model based on spatial and temporal identifications that specify the coordinate system of reality in which there are residents of the region in question. The concept of space-time is complemented by a set of diverse thematic identifications, including economic, political, cultural, ethnic, religious, linguistic, etc. For the first time in the framework of the socio-constructionist paradigm, a discursive model of the regional identity of the inhabitants of Tatarstan is constructed in the article. The empirical material of the study is the corpus of texts of Tatarstan media for 2017-2019. It is shown that the spatial identification of Tatarstan people includes the practice of selecting, nominating and describing significant geographical objects, the practice of constructing relations of Tatarstan with other geographical objects. Particular attention is paid to the practice of constructing the capital status of a regional center, as well as the relationship of spatial and political identifications. Analyzing the practices of ethnic, religious, linguistic and cultural identification, the authors come to the conclusion that the identity of the Tatarstan people is ethnocentric: despite the declared multinationality and multi-confessionality of the region, Tatars as an ethnic group, Tatar language, Tatar culture and Islam as a traditional religion of the Tatars are of particular importance.

Contemporary Art Museums' Marketing Strategies

2014 ◽  
pp. 371-388
Author(s):  
Zeynep Guney Celebi
Keyword(s):  
Literature Review ◽  
Contemporary Art ◽  
Modern Art ◽  
Art Museums ◽  
Marketing Strategies ◽  
Entertainment Industry ◽  
Museum Marketing ◽  
Marketing Tool ◽  
The Relationship

Contemporary art museums are significant actors in the entertainment industry, which is recreated by new forms of leisure time activities every day. Entertainment that is used as an important and effective marketing tool in contemporary art museums is also a significant formative of the new relationship between contemporary art museums and their visitors. Therefore, the aim of this chapter is to explore the relationship between art, entertainment, leisure, and museum marketing with a literature review in order to find answers to questions like, What is the relationship between art and entertainment? and Which marketing techniques are used by contemporary art organizations? In this context, the relationship between leisure, entertainment, and contemporary art museums is explained; afterwards, contemporary art museums' marketing strategies are described in detail as the main scope of the study. Finally, as a case study, Istanbul Modern Art Museum's political-economical environment and marketing strategies are analyzed.

Dwelling with Moving Images

Post-cinema ◽  
2020 ◽  
Author(s):  
Miriam De Rosa
Keyword(s):  
New York ◽  
Contemporary Art ◽  
Point Of View ◽  
Moving Images ◽  
The Relationship

Some filmmakers or artists decide to put art at the heart of their creation, applying not only the relationship between cinema and art to their concept but also to various aspects of the process of creation. Miriam De Rosa addresses this kind of “art contemporary turn” by examining the different incursions of cinema from the point of view of the contemporary art space: “how the contemporary experience of moving images is articulated when it enters art spaces.” The presence of film in this foreign space, transforming it into a different and personalized place, can be observed in recent exhibitions: Sleepwalkers (2007); Marta Minujín’s Mesunda Reloaded (2019) at the New Museum in New York; and Sensitive Environments by the Milan-based collective Studio Azzurro.

‘The show of the people’ against the cultural elites: Populism, media and popular culture in Turkey

2019 ◽  
Vol 22 (5-6) ◽  
pp. 942-957 ◽  
Author(s):  
Burak Özçetin
Keyword(s):  
Popular Culture ◽  
Status Quo ◽  
The Political ◽  
Media Discourse ◽  
Cultural Products ◽  
Cultural Artifact ◽  
Justice And Development Party ◽  
The People ◽  
Party Elites ◽  
The Relationship

This article explores the relationship between populism, media and popular culture in Turkey by focusing on a phenomenal historical television series, Diriliş: Ertuğrul, and the discursive spaces opened by the show. The author relies on a symptomatic analysis of populism which conceptualizes the term as an anti-status quo discourse that simplifies the political space by symbolically dividing the society between ‘the people’ and its other, more specifically ‘the elites’. Diriliş is promoted by the Justice and Development Party ( Adalet ve Kalkınma Partisi) elite and pro-government media as ‘the show of the people’, and as a cultural artifact belonging to the people. The show has been embraced as an alternative to morally degenerate cultural products of alienated Westernist/Kemalist cultural elites. The Justice and Development Party elites used every opportunity to incorporate the series into its populist political program. The article focuses on a specific crisis moment, ‘The Golden Butterfly Awards 2016’, and the ensuing debates to show how media discourse can resonate with the populist political discourse of a political party.

scholarly journals Trends in Contemporary Art Discourse: Using Topic Models to Analyze 25 years of Professional Art Criticism

2018 ◽  
Vol 12 (3) ◽  
pp. 303-324 ◽  
Author(s):  
Henk Roose ◽  
Willem Roose ◽  
Stijn Daenekindt
Keyword(s):  
Contemporary Art ◽  
Topic Modeling ◽  
Art Criticism ◽  
Computational Technique ◽  
Social Forms ◽  
The Social ◽  
Art Magazine ◽  
Heuristic Device ◽  
Art And Society ◽  
The Relationship

In this article, we use topic modeling to systematically explore topics discussed in contemporary art criticism. Analyzing 6965 articles published between 1991 and 2015 in Frieze, a leading art magazine, we find a plurality of topics characterizing professional discourse on contemporary art. Not surprisingly, media- or genre-specific topics such as film/cinema, photography, sculpture/installations, etc. emerge. Interestingly, extra-artistic topics also characterize contemporary art criticism: there is room for articles on new digital technology and on art and philosophy; there is also growing interest in the relationship between art and society. Our analysis shows that despite evolutions in the field of contemporary art – such as the ‘social turn’, in which contemporary art starts paying more attention to social forms and content – the prevalence of certain topics in contemporary art criticism has barely changed over the past 25 years. With this article, we demonstrate the unique value of topic modeling for cultural sociology: it is both a powerful computational technique to generate a bird’s-eye view of a huge text corpus and a heuristic device that locates key texts for further close reading.

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