scholarly journals Wartime Nostalgia in Italy: Validating the Fatherland

Fascism ◽  
2019 ◽  
Vol 8 (1) ◽  
pp. 89-107
Author(s):  
Guy Lanoue

In the late 1980s and early 1990s, Italy experienced a series of crises when its precarious postwar political compromise was challenged by the effects of decades of structural corruption. The author was offered unsolicited narratives of the prewar and especially wartime Fascist period. Surprisingly, many of these stories cast Fascists and their Nazi political allies in a positive light. Here, the author argues that these favourable views of a bleak period are linked to the disenchantment and diffidence many felt (and continue to feel) toward the state and its institutions, and that these stories are not nostalgic expressions of fascist sympathies. Instead, they stress how people managed the micro-details of everyday life to gain small, individual victories against wartime degradations that would otherwise transform them into powerless victims. Even today, these expressions of individual agency reinforce shared notions that there is alternative to the institutional culture of an inefficient and oppressive state.

Author(s):  
Jing Meng

In Chapter 3, 11 Flowers represents personal and fragmented memories of the Cultural Revolution from an 11-year-old boy’s perspective. These memories challenge the monolithic narrative of history and the Maoist rhetoric of revolution. At the same time, this fragmented narrative mode enables individual agency in narrating and constructing history. In addition, through portrayals of everyday life in the Maoist era, the film reveals how the dominant ideology at that time was strategically misinterpreted by ordinary people and was dispersed in everyday life. Socialism, in this context, becomes a mystery, a joke, and a traumatic awakening. In the lm, art possesses enlightening power for the 11-year-old boy, who begins to obtain self-awareness through painting. The film thus conveys the director’s authorial enunciation and his belief in art as a form of liberation, not only for a boy in the Cultural Revolution but also for Wang Xiaoshuai as a film-maker. The shifting trajectory of Wang’s film-making—from independent to art house—alludes to the shifting relations between film-making, the state, and the market. In 11 Flowers, personal memories become the hallmark of Wang’s auteur expression.


2021 ◽  
pp. 295-303
Author(s):  
Ksenofon Krisafi ◽  
Jonida Vila

The nature is the origin of being. This is one of the reason why mostly the imagine of nature are present in any web-page. Searching and navigating on network we often are like tourist or better virtual tourist which explore unreachable real beauty of the moment. On it’s own human being desire to upgrade the state of his evolution. In nowadays we apprehend the motion of our everyday life through the mass use of Artificial Intelligence device which are influence by the rule created on the parallel dimension the cyber-world. The cyber-world is a dimension where each of us becomes part of the cyber-society that indicate much faster and foster the opinion which afterward will be spread through the words or news in the real life time. Aware for the multidimensional evolution of the science, we can benefit from facilitated opportunities and at the same time to have much more possibilities for reflecting our actions in positive light.


2013 ◽  
Vol 3 (2) ◽  
pp. 161-183
Author(s):  
Mary L. Mullen

This article considers the politics and aesthetics of the colonial Bildungsroman by reading George Moore's often-overlooked novel A Drama in Muslin (1886). It argues that the colonial Bildungsroman does not simply register difference from the metropolitan novel of development or express tension between the core and periphery, as Jed Esty suggests, but rather can imagine a heterogeneous historical time that does not find its end in the nation-state. A Drama in Muslin combines naturalist and realist modes, and moves between Ireland and England to construct a form of untimely development that emphasises political processes (dissent, negotiation) rather than political forms (the state, the nation). Ultimately, the messy, discordant history represented in the novel shows the political potential of anachronism as it celebrates the untimeliness of everyday life.


Author(s):  
Anastasiya Тikhonova

In the article the author mentions some modern publications on this issue in the era of Alexander I and Nicholas I in connection with the description of the travelling theme in the context of everyday life history. As an example of the Russian Province, the article considers Smolensk Governorate which was located at the crossroads of routes from Europe to the center of Russia through Baltic, Belarusian and Ukrainian Provinces. On the basis of the materials of the State Archive of the Smolensk region (GASO) from the funds of the Chancellery of Smolensk Governor, the Smolensk Oblast Duma, metric books of Roman Catholic Church in Smolensk and published memoirs (Eugene Hess’ diary and E. Montulé’s notes) the author of the article reconstructs foreign hotel owners’ biographies (S.I. Chapa, D.K. Nolchini, V.I. Gaber), masters of carriage business (D.I. Graf, K.B. Weber), a city coachman, the owner of a coffee house (H. Podrut). All these people were united by their origin (they came from European countries) and their involvement (due to their professional activities) in servicing travelers who found themselves in the Russian Province. Life circumstances and development of their own business forced them to settle far away from their homeland; most of them became citizens of the empire, having connected themselves with Russia forever. In the article it is underlined that foreigners’ involvement in «tourist business» of the considered epoch testifies not only to the benefit of their business activity, but also to the importance of the psychological factor – the very possibility of meeting with compatriots and representatives of other European countries.


2021 ◽  
pp. 204382062110177
Author(s):  
Ning An ◽  
Jo Sharp ◽  
Ian Shaw

In this brief response paper, we respond to the insightful commentaries that critically engage with our original article in this forum. First, we discuss whether Confucian culture is fundamental to Chinese geopolitics, emphasizing how and why culture is part of a wider epistemic resource. We also note that our model is not normative, but an analytic framework for understanding complex non-western situations. Second, we discuss the geographies and scales of our model, noting a core tension between geopolitics at the state level and in everyday life. Third, we address the ‘gap’ between theory and practice under our Confucian model, noting that there is often a strategic inclusion (or exclusion) of Confucianism in practice. We finish by emphasizing that our paper is part a longer journey to further decentralize the western hold upon geopolitics.


2001 ◽  
Vol 1 ◽  
pp. 4-8
Author(s):  
Andrea Theocharis ◽  
Marcus Graetsch

We all study political science, but - what do we actually do here anyway? This essay expresses our thoughts about our subject. The everyday life in University doesn’t seem to give enough space for questioning what is this all about. Maybe a debate on that issue does not exist extensively because of fears of the loss of entitlement. The aim of this essay is to support the heightening of student’s awareness about the status quo of research and teaching in political science as we can judge it from our modest experiences. Trying to get to the basis of such a problem is not easy. The things here written are surely not the state of the art, but they could shine a better light on the problem what had been called the 'politics of political science' in an earlier Internet discussion on the IAPSS website. This paper should be understood as a start for a discussion, where we all can express our surely different experiences and ideas.


2021 ◽  
Vol 37 (1) ◽  
pp. 62-65
Author(s):  
S.A. Kubatko ◽  
◽  
I.M. Vilgonenko ◽  

Every citizen of the Russian Federation in everyday life directly or indirectly becomes a participant in tax relations, which are regulated by the Tax code. Since legal acts and laws are quite ambiguous, and the activities of the state are associated with the seizure of property from individuals and legal entities, the emergence of tax conflicts is inevitable. Compromise forms of pre-trial settlement of conflicts are particularly relevant in modern tax relations. They contribute to the emergence and development of trust and fruitful relations between citizens and representatives of tax authorities on the basis of cooperation. The introduction of such procedures as direct negotiations between the parties, mediation and arbitration allow not only to resolve tax disputes promptly, minimize the costs of the parties, reduce the periods of consideration, but also contributes to the unloading of arbitration courts. This article discusses all forms of pre-trial settlement of tax disputes, examines their strengths and weaknesses, the synergetic effect of these forms with preventive and Advisory methods, as well as the introduction of new procedures for the settlement of tax disputes.


2020 ◽  
Vol 15 (4) ◽  
Author(s):  
Bojan Žikić ◽  
Mladen Stajić ◽  
Marko Pišev

The situation caused by the appearance of Covid-19 can be viewed as a critical event: typologically, it is an unprecedented event, which requires and shapes new forms of historical action hitherto unknown in the given context. Critical events serve as strong value and emotional landmarks in the cultural cognition of each social environment, and form the basis for a meaningful determination towards other events. Using material collected primarily from the online versions of electronic and printed media, we consider how the reality they presented is shaped through the news through the statements of politicians and medical doctors in Serbia. We trace how the narrative transformation of socio-cultural reality took place from the time before the of Covid-19 outbreak in our country to the time immediately after the lifting of the state of emergency declared due to that infection. The premise of all that is being done to tackle the infection is not a purpose in itself, but aims to enable a return to the life we were accustomed to before the outbreak of the epidemic. Covid-19 destabilizes our everyday life – a life that consists of work or study, use of free time, socializing etc. Such everyday life is a reference point of "normalcy". Socio-cultural normalcy refers to all that is understood as a normal and undisturbed course of everyday life. The appearance of Covid-19 gave rise to the notion of the "new normal", that is, a course of everyday life that is similar to normal, ordinary life, but with adherence to measures aimed at preventing the spread of infection by the authorities. In the paper we deal with the period that begins just before the outbreak of Covid-19 in our country, and ends with the period after the lifting of the state of emergency, to show the discursively produced picture of social reality in which the concept of the "new normal" serves as a cultural cognitive tool for understanding a situation in which one has to live with Covid-19 in order to one day be able to return to the way of life that existed before it.


2018 ◽  
pp. 104-110
Author(s):  
Liliya Shologon

The article analyses memories, autobiographies, diaries, correspondence both by the influential Galician political, social and cultural figures, and by so-called “second-line” activists in detail, which gave us the ground to make conclusion about important political decisions. But we may also state, that information which was not found in the documents of the official character quite fitted into the source base of the creating of the current models of the “history of everyday life”, and “microhistory”. The author tries to pay special attention to the combination of personal and macro historical and micro historical components in the sources study. The state of the features of the actualizing of the sources of the personal origin by the researchers of the late 19 — early 20 century of the interwar period, Ukrainian foreign and Soviet scientists, modern scientists are revealed. It is necessary to mention, that the actualization of the sources of the personal origin also lacks a systemic approach. The published sources carry mostly “anniversary” character meaning, that the works are dedicated to the anniversary dates of some prominent figures. Despite of the material concerning the prominent figures, the testimony of so called “second-line” activists who were the members of the Ukrainian national-cultural movement in Galicia, are still ignored by the modern archaeological publications.


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