scholarly journals Violence and the Unconditional

2019 ◽  
Vol 1 (2) ◽  
pp. 170-190
Author(s):  
John D. Caputo

Abstract I distinguish between the deep culture and the manifest culture, the relationship between the two constituting a circle, which constitutes the circulation of a radical theology of culture. The deep culture surfaces in the manifest, and the manifest draws upon the depths; neither one without the other. My hypothesis is that religion is an expression of the deep culture and for that reason, religion is not accidentally violent; religion is violent in virtue of something essential to religion. Religion is playing with the fire of the concealed depths, of the unconditional, of the impossible, of the undeconstructible. Religion is the best way to save the world, but it also the best way to burn it down. It is both of these things and in virtue of the same property. This is not to say that religion is structurally violent, always and necessarily violent. It is structurally ambiguous, dangerous, on the verge of violence, whipsawing between radical violence and radical non-violence, between martyrdom and murder. Religious beliefs are not the cause of the violence but often a façade for deeper, visceral nationalism or ethnic hatred, The reaction of Christian right to the contemporary world is naive and simplistic but not superficial; it reflects a visceral fear of the postmodern world. Religion is a matter of being claimed by something unconditional, which means it should have the good sense not to lay claim to it. We should never trust anything that has not passes through that apophasis. Before any claims we make, we are laid claim to in advance by the unconditional, the undeconstructible, which Schelling calls the prius, the “un-pre-thinkable” (das Unvordenkliche). The unconditional in the optimal sense is love, which is an expenditure made without the expectation of a return, like loving one’s enemies, which is impossible, the impossible. But love does not get a pass. What would we not do for love? In that question is concentrated all the ambiguity of love, all the courage of the martyr, but no less the violence of the suicide bomber.

Author(s):  
Marjorie Levinson

Chapter 2 studies the relationship between historicism and Romanticism. It locates the two between Enlightenment materialism, on one side, and Marxian historical and dialectical materialism, on the other. In so doing, it isolates a paradox of materialism—namely, its production of the very concepts that undo it. These include the ideas of knowing as dissociated conceptual activity, and consciousness as absolute negativity. Romanticism and historicism, it is argued, represent solutions to a common problem—a claim defended through a reading of Wordsworth’s sonnet “The world is too much with us.” In considering how we position ourselves in relation to past literature, the chapter evaluates the choices between contemplation and empathy, knowledge and power, blame and defense. As such, it represents the first move in a self-critical turn on the new historicist method that had shaped the author’s—and part of the field’s—work in the previous decade.


2021 ◽  
Vol 78 (4) ◽  
pp. 408-417
Author(s):  
Nicu Dumitraşcu

In this article I briefly examine chapter 6 of the document For the Life of the World issued by the Ecumenical Patriarchate concerning “ecumenical relations and relations with the other faiths.” In the first part, I discuss the relationship between the Orthodox Church and other Christian denominations, and in the second, the dialogue with Judaism and Islam. The document has an optimistic, inspiring, and hopeful tone, but it will simply remain an idealistic statement without a major echo inside of the Christian world and contemporary society.


Author(s):  
Ю. А. Абсалямова

В статье анализируются особенности восприятия лесного пространства башкирами. На основе языковых, фольклорных материалов сделана попытка раскрыть различные аспекты взаимоотношений лес - человек, образ леса в картине мира башкир. Как и в большинстве традиционных культур, в целом мифологический образ леса носит отрицательный характер. В фольклоре он часто описывается как тёмный, мрачный, неизвестный, таящий опасности, противопоставляясь обжитому и освоенному пространству селений. Лесной пандемониум также представлен в основном отрицательными персонажами. В целом образ леса в традиционной картине мира башкир предстаёт довольно неоднозначным. С одной стороны - это категория, связанная с потусторонним миром, неизведанная, «чужая» территория. С другой - лес издавна являлся источником различных благ - в виде строительного материала, пушнины, различных продуктов питания, укрывал от врагов. The article analyzes the features of Bashkirs' perception of the forest space. On the basis of the materials of the epos, folklore, folk ideas, an attempt was made to reveal the various aspects of the relationship between forest and man, the image of the forest in Bashkirs' world view. As in most traditional cultures, the mythological image of the forest as a whole is negative. In folklore, it is often described as dark, gloomy, unknown, fraught with danger, being contrasted with the inhabited and developed space of the villages. The forest pandemonium is also represented mainly by negative characters. On the other hand, in the domestic perception forest is valued for the benefits derived from it: shelter, food, protection from enemies. In addition, Bashkirs, distinguished by a developed aesthetic perception and contemplative thinking, appreciated its beauty, which is also reflected in folklore. In general, the image of forest in the Bashkirs' traditional view of the world appears rather ambiguous. On the one hand, it is the category associated with the other world, unknown, «foreign» territory. On the other hand, the forest has long been a source of various benefits - in the form of construction materials, furs, various food products, and it sheltered them from enemies.


2009 ◽  
Vol 20 (1) ◽  
pp. 107-140
Author(s):  
Mico Savic

In this paper, author deals with Heidegger's account of the modern age as the epoch based on Western metaphysics. In the first part of the paper, he shows that, according to Heidegger, modern interpretation of the reality as the world picture, is essentially determined by Descartes' philosophy. Then, author exposes Heidegger's interpretation of the turn which already took place in Plato's metaphysics and which made possible Descartes' metaphysics and modern epoch. In the second part of the paper, author explores Heidegger's interpretation of science and technology as shoots of very metaphysics. Heidegger emphasizes that the essence of technology corresponds to the essence of subjectivity and shows how the metaphysics of subjectivity subsequently finds its end in Nietzsche's metaphysics of the will to power, as the last word of Western philosophy. In the concluding part, author argues that the contemporary processes of globalization can be just understood as processes of completion of metaphysics. They can be identified as a global rule of the essence of technology. On the basis of Heidegger's vision of overcoming metaphysics, author concludes that it opens the possibility of a philosophy of finitude which points to dialogue with the Other as a way of resolving the key practical issues of the contemporary world.


2018 ◽  
Vol 16 (8) ◽  
pp. 3-18
Author(s):  
Agustinus Wisnu Dewantara

Talking about God can not be separated from the activity of human thought. Activity is the heart of metaphysics. Searching religious authenticity tends to lead to a leap in harsh encounter with other religions. This interfaith encounter harsh posed a dilemma. Why? Because on the one hand religion is the peacemaker, but on the other hand it’s has of encouraging conflict and even violence. Understanding God is not quite done only by understanding the religion dogma, but to understand God rationally it is needed. It is true that humans understand the world according to his own ego, but it is not simultaneously affirm that God is only a projection of the human mind. Humans understand things outside of himself because no awareness of it. On this side of metaphysics finds itself. Analogical approach allows humans to approach and express God metaphysically. Human clearly can not express the reality of the divine in human language, but with the human intellect is able to reflect something about the relationship with God. Analogy allows humans to enter the metaphysical discussion about God. People who are at this point should come to the understanding that God is the Same One More From My mind, The Impossible is defined, the Supreme Mystery, and infinitely far above any human thoughts.


Author(s):  
Tayyaba Razzaq

Humans are spiritual beings and preferred to be an element (one way or the other) of this potent mighty power that fascinated him. Men have been urged to look or visualize the Mighty Lord. Different kind of tools and means were designed in various religious communities to offer a few beautified methods to meet this fundamental intuition. To attain spirituality, many ancient religions had their own rituals and ceremonial systems that mostly consist of external rites and practices. The purpose of the study is to examine and determine the importance of rituals that are being practice in the world religions? What the methods religious scriptures has mentioned for their followers to adopt to attain spirituality? The study is to find out similarities and differences in rituals & practices to attain spirituality as mentioned in their religious scriptures? Research methodology for this study adapted is descriptive. This research study has fined out that some ritual systems are concerned with inwards purification rather than outwards. The major purpose of all such practices; fasting, sacrifices, charity etc are all to free men from the entire evil deeds, make him pure as the will of the Lord and closer to it.


2019 ◽  
Vol 96 (96) ◽  
pp. 5-37 ◽  
Author(s):  
Jeremy Gilbert

When Stuart Hall died in 2014, many tributes and memorial activities were planned by organisations, institutions and publications that felt they owed him a debt. New Formations was no exception, and the editorial board spent some time reflecting on an appropriate tribute. Stuart himself, as many of us knew, had little interest in seeing his work codified or memorialised for its own sake. But there was one injunction that many of us were familiar with from that work, his example, and from frequent personal and political conversations with him. The importance of thinking about 'the conjuncture', of 'getting the analysis right', was one that Stuart frequently emphasised to his students and interlocutors. The importance of mapping the specificity of the present, of situating current developments historically, of looking out for political threats and opportunities, was always at the heart of Stuart's conception both of 'cultural studies' as a specific intellectual practice, and of the general vocation of critical and engaged scholarship in the contemporary world. This is double-issue is the first of two volumes of New Formations to be dedicated, in Stuart's honour, to the understanding of this conjuncture. This introductory essay/editorial considers the relationship between 'cultural studies' and 'conjunctural analysis' as specific types of intellectual practice, before proposing a specific analysis of our present 'conjuncture', in dialogue with the other contributors to this volume.


Author(s):  
Alexander Murray

People with a logical turn of mind say that the history of the world can be summarised in a sentence. A précis of mediaval historian Richard William Southern's work made in that spirit would identify two characteristics, one housed inside the other, and both quite apart from the question of its quality as a work of art. The first is his sympathy for a particular kind of medieval churchman, a kind who combined deep thought about faith with practical action. This characteristic fits inside another, touching Southern's historical vision as a whole. Its genesis is traceable to those few seconds in his teens when he ‘quarrelled’ with his father about the Renaissance. The intuition that moved him to do so became a historical fides quaerens intellectum. Reflection on Southern's life work leaves us with an example of the service an historian can perform for his contemporary world, as a truer self-perception seeps into the common consciousness by way of a lifetime of teaching and writing, spreading out through the world (all Southern's books were translated into one or more foreign language).


Arts ◽  
2020 ◽  
Vol 9 (4) ◽  
pp. 129
Author(s):  
Sigrún Alba Sigurðardóttir

The past 20 years have seen a shift in Icelandic photography from postmodern aesthetics towards a more phenomenological perspective that explores the relationship between subjective and affective truth on the one hand, and the outside world on the other hand. Rather than telling a story about the world as it is or as the photographer wants it to appear, the focus is on communicating with the world, and with the viewer. The photograph is seen as a creative medium that can be used to reflect how we experience and make sense of the world, or how we are and dwell in the world. In this paper, I introduce the theme of poetic storytelling in the context of contemporary photography in Iceland and other Nordic Countries. Poetic storytelling is a term I have been developing to describe a certain lyrical way to use a photograph as a narrative medium in reaction to the climate crisis and to a general lack of relation to oneself and to the world in times of increased acceleration in the society. In my article I analyze works by a few leading Icelandic photographers (Katrín Elvarsdóttir, Heiða Helgadóttir and Hallgerður Hallgrímsdóttir) and put them in context with works by artists from Denmark (Joakim Eskildsen, Christina Capetillo and Astrid Kruse Jensen), Sweden (Helene Schmitz) and Finland (Hertta Kiiski) artists within the frame of poetic storytelling. Poetic storytelling is about a way to use a photograph as a narrative medium in an attempt to grasp a reality which is neither fully objective nor subjective, but rather a bit of both.


2020 ◽  
Vol 7 (2) ◽  
pp. 11
Author(s):  
Yan Jun

Mankind is always trapped in the introspection in one’s identity and the relationship with others, about which, many philosophers and psychologists like Feud and Lacan, have established various theories. Many science fiction movies can function as allegorical stories for the interpretation of those theories about the two concepts and their relation. Deep probing and comprehensive analyses of those movies in light of Feud’s and Lacan’s theories about the “ego” and the “other” make it easy to see that the “ego” has an intricating relation with the “other”, which symbolizes both other people, the world and the ego itself. The “other” is intimidating to the “ego”, but the integrity with it is also what the ego pursuits. So, for the harmony between the “ego” and the “other”, the “ego” should pursuit its integrity with the “other”, while confirming its own identity.


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