scholarly journals The Female Characters in Oe Kenzaburo’s Early Literary Works - Focusing on our Age and Sexual Beings

MANUSYA ◽  
2006 ◽  
Vol 9 (3) ◽  
pp. 54-66
Author(s):  
Duantem Krisdathanont
Keyword(s):  
Nobel Prize ◽  
Nobel Prize Winner ◽  
Early Years ◽  
The Other ◽  
The Political ◽  
Human Beings ◽  
Female Characters ◽  
Literary Works ◽  
Male Characters ◽  
Patriarchal Society

Oe Kenzaburo, the 1994 Nobel Prize winner, is one of the most talented authors of the contemporary literary world. However, he has been criticized for lacking an interest in portraying female characters clearly especially in his early years of writing. Considering himself to be a member of the postwar generation, Oe wrote Our Age and Sexual Beings in 1959 and 1963 to illustrate two types of human beings in his generation, the political being (seiji teki ningen) and the sexual being (sei teiki ningen). While the political being is an active hero who opposes others, refusing to conform to any existence in opposition to him, the sexual being neither confronts nor competes with others and yields without any protest. Also in order to expose the despair and alienation of these post-Ampo Japanese youths, Oe creates male characters to portray this theme, while female characters play only supporting roles. In addition, though the female characters in these two novels are developed from those in earlier works, they are still flat characters and not sufficiently developed in the story compared with the male characters. They are still created as the 'other' in the society. In this essay, I will examine in detail how female characters in Oe's Our Age and Sexual Beings are created as human beings who are inferior in the patriarchal society.

Albert Luthuli and the African National Congress: A Bio-Bibliography

1986 ◽  
Vol 13 ◽  
pp. 345-362 ◽  
Author(s):  
Dorothy C. Woodson
Keyword(s):  
South Africa ◽  
Nobel Prize ◽  
White Men ◽  
Nobel Prize Winner ◽  
African National Congress ◽  
Early Years ◽  
Seventh Day Adventist ◽  
The Political ◽  
The Family ◽  
National Congress

Seek ye the political kingdom and all shall be yours.No minority tyranny in history ever survived the opposition of the majority. Nor will it survive in South Africa. The end of white tyranny is near.In their Portraits of Nobel Laureates in Peace, Wintterle and Cramer wrote that “the odds against the baby born at the Seventh-Day Adventist Mission near Bulawayo in Rhodesia in 1898 becoming a Nobel Prize winner were so astronomical as to defy calculation. He was the son of a proud people, the descendant of Zulu chieftains and warriors. But pride of birth is no substitute for status rendered inferior by force of circumstance, and in Luthuli's early years, the native African was definitely considered inferior by the white man. If his skin was black, that could be considered conclusive proof that he would never achieve anything; white men would see to that. However, in Luthuli's case they made a profound mistake--they allowed him to have an education.”If there is an extra-royal gentry in Zulu society, then it was into this class that Albert John Luthuli was born. Among the Zulus, chieftainship is hereditary only for the Paramount Chief; all regional chiefs are elected. The Luthuli family though, at least through the 1950s, monopolized the chieftainship of the Abasemakholweni (literally “converts”) tribe for nearly a century. Luthuli's grandfather Ntaba, was the first in the family to head the tribe and around 1900, his uncle Martin Luthuli took over.

scholarly journals Woman as the Other—Interpretations of the Gender Wars in “A Woman on a Roof” from the Perspective of Existential Feminism

2021 ◽  
Vol 11 (1) ◽  
pp. 63
Author(s):  
Junying Song
Keyword(s):  
Short Story ◽  
Nobel Prize ◽  
Doris Lessing ◽  
The Other ◽  
Female Characters ◽  
Male And Female ◽  
Patriarchal Society ◽  
Male Power ◽  
Lower Status ◽  
The Subject

Doris Lessing is one of the Nobel Prize winners and “A Woman on a Roof” is such a famous short story of hers. In the patriarchal society, women are in the lower status, but the woman in the story struggles bravely to fight against the male power. During her fighting, the woman has doubts and hesitation, but she finally forces the three males to put off their prejudice. This paper focuses on how the woman strives for her own rights, and talks from the perspective of Existential Feminism, taking the main male and female characters in “A Woman on a Roof” as examples, so as to explore women’s self-survival in the dualistic society. Through studying her feminist thinking in the short story, the paper points out that the woman finally transforms her role from the Other to the Subject and then she is in an equal position with the three males. Though the two genders does not reconcile with each other as it seems to be with the purification of rainwater in “A Woman on a Roof”, the woman has made a big progress in the pursuit of her own transcendence.

Swami Vivekananda Teaching using Tradition of Valuing the Early years of the Child’s life, and a Rich Heritage of Practices for Stimulating Development and Inculcating “Sanskaras” or basis Values and Social Skills in Children in Icds in India

2018 ◽  
Vol 3 (2) ◽  
Keyword(s):  
Human Life ◽  
Great Influence ◽  
Social Philosophy ◽  
Early Years ◽  
The Political ◽  
Human Beings ◽  
Practical Realization ◽  
Life Activity ◽  
Philosophical Consideration ◽  
Economic Philosophy

Philosophy is a search for a general understanding of values and reality by chiefly speculative rather than observational means. It signifies a natural and necessary urge in human beings to know themselves and the world in which they live and move and have their being. Hindu philosophy is intensely spiritual and has always emphasized the need for practical realization of Truth. Philosophy is a comprehensive system of ideas about human nature and the nature of the reality we live in. It is a guide for living, because the issues it addresses are basic and pervasive, determining the course we take in life and how we treat other people. Hence we can say that all the aspects of human life are influenced and governed by the philosophical consideration. As a field of study philosophy is one of the oldest disciplines. It is considered as a mother of all the sciences. In fact it is at the root of all knowledge. Education has also drawn its material from different philosophical bases. Education, like philosophy is also closely related to human life. Therefore, being an important life activity education is also greatly influenced by philosophy. Various fields of philosophy like the political philosophy, social philosophy and economic philosophy have great influence on the various aspects of education like educational procedures, processes, policies, planning and its implementation, from both the theoretical and practical aspects. In order to understand the concept of Philosophy of education it is necessary to first understand the meaning of the two terms; Philosophy and Education.

The avant-garde’s visual arts in the context of Santayana’s idea of vital liberty

Human Affairs ◽  
2012 ◽  
Vol 22 (2) ◽  
Author(s):  
Krzysztof Skowroński
Keyword(s):  
Twentieth Century ◽  
Visual Arts ◽  
The Other ◽  
Political Life ◽  
The Political ◽  
Human Beings ◽  
Political Dimension ◽  
Avant Garde ◽  
Other Hand ◽  
The Universe

AbstractIn the present paper, the author looks at the political dimension of some trends in the visual arts within twentieth-century avant-garde groups (cubism, expressionism, fauvism, Dada, abstractionism, surrealism) through George Santayana’s idea of vital liberty. Santayana accused the avant-gardists of social and political escapism, and of becoming unintentionally involved in secondary issues. In his view, the emphasis they placed on the medium (or diverse media) and on treating it as an aim in itself, not, as it should be, as a transmitter through which a stimulating relationship with the environment can be had, was accompanied by a focus on fragments of life and on parts of existence, and, on the other hand, by a de facto rejection of ontology and cosmology as being crucial to understanding life and the place of human beings in the universe. The avant-gardists became involved in political life by responding excessively to the events of the time, instead of to the everlasting problems that are the human lot.

scholarly journals FEMALE VOICES IN NEPALI NOVELS

2020 ◽  
Vol 7 (12) ◽  
pp. 216-223
Author(s):  
Ashok Thapa ◽  
Sushil Rajbhandari
Keyword(s):  
The Other ◽  
The Political ◽  
Female Characters ◽  
Democratic Socialism ◽  
Psychological Issues ◽  
Societal Norms ◽  
Other Hand ◽  
Communist Ideology ◽  
Norms And Values ◽  
Political Spectrum

The female characters created by BP Koirala and Pradip Nepal in Narendra Dai and Swapnil Shahar respectively have been compared and contrasted in this paper. Although Koirala and Nepal represent two poles of the Nepalese political spectrum, with Koirala pursuing democratic socialism doctrine and Nepal following communist ideology, the characters they create in their novels do not completely reflect the political schooling of their creators. The female characters in both the novels share some common traits of characters which most of the women in the Nepalese society, even today, exude, such as compassion, sacrifice, and docility. However, these female characters also display enough courage to rebel against the prevalent patriarchal dominance. The plot of Nepal’s novel is considerably politically colored, and thus the female characters in his novel discuss progressive ideas and even act accordingly. Koirala’s novel on the other hand deals more with socio-psychological issues and these conditions the dispositions of his characters. Nevertheless, his female characters too display rebellious traits and speak back to the patriarchal hegemony both through words and actions. As compared to Nepal, however, Koirala seems to have better succeeded in creating well-rounded female characters that not only abide by the then societal norms and values but also display mutiny against unjust treatment.

scholarly journals Ibsen’s The Pillars of Society: Female Protest against Patriarchy

NUTA Journal ◽  
2020 ◽  
Vol 7 (1-2) ◽  
pp. 10-17
Author(s):  
Arjun Dev Bhatta
Keyword(s):  
Feminist Theory ◽  
Social Relationship ◽  
Status Quo ◽  
Human Beings ◽  
Female Characters ◽  
Female Protagonists ◽  
Male Characters ◽  
Patriarchal Power ◽  
The Voice

This study explores social relationship between male and female in Henrik Ibsen’s play “The Pillars of Society”. The first part of the study analyzes a sexist society in which male characters subjugate females through their hegemonic power. The female characters appear meek, submissive and voiceless. The second part of this study examines the revolutionary role of the female characters who raise their voice against all-pervasive patriarchal power. They protest against male formulated institutions which have kept women voiceless and marginalized. Being dissatisfied with the defenders of patriarchal status quo, Ibsen’s female protagonists come to the fore to challenge prevailing social conviction about femininity and domesticity. They lead a crusade to establish their position and identity as human beings equal to men. In this play, the female characters Lona, Martha and Dina hold a revolutionary banner to protest against male domination of female. In their constant struggle, they win while the male characters become loser. This study analyses the voice of these leading female characters in the light of feminist theory proposed by scholars such as Kete Millett and Sylvia Walby.

Humans, Jews, and the Other Others

Other Others ◽  
2018 ◽  
pp. 1-16
Author(s):  
Sergey Dolgopolski
Keyword(s):  
Political Thought ◽  
Political Theology ◽  
The Other ◽  
The Political ◽  
Human Being ◽  
Paradigm Shifts ◽  
Human Beings ◽  
Political Ontology ◽  
Dynamic Key

The “Introduction” formulates the question of the political, and in particular of the emergence and erasure of the political from the horizon of currently predominant political thought in political theology and political ontology. The “Introduction” further attunes the readers to the dynamic key of “effacement” as both emergence and erasure, thereby defining the main register in which the book is proceeding -- as distinct from the keys of chronological periodisation, linear history, paradigm shifts, or other stabilizing approaches. The “Introduction” further draws a distinction between politics and the political, and advances the question of the political in relation to the Talmud as both a text and a discipline of thinking able to shed a new, contrasting, light on the paradox driven modern political notions of a singularizing and even singling out notion of a “Jew,” and a universalizing notion of the “human being.” The “Introduction” concludes by gesturing towards a much closer connection between the question of the political in the Talmud, the notions of the Jews and of the human beings in modernity, and the question of earth and territory as a part of political equation these concepts spell out.

Costume and the Self-Extension: The Functions of Costume in Elmer Gantry from the Perspective of Material Culture

2010 ◽  
Vol 33 ◽  
pp. 474-478
Author(s):  
J.W. Luo ◽  
K. Yu
Keyword(s):  
Material Culture ◽  
Nobel Prize ◽  
Nobel Prize Winner ◽  
The Self ◽  
The Other ◽  
The Novel ◽  
Social Significance ◽  
Self Identity ◽  
Inner Self ◽  
The Usa

As the other creation of material culture, clothes have concrete forms, and reflect the wearer’s taste and appreciation of beauty while provide certain social significance. This paper attempts to analyze the connection between the costume of the hero Elmer Gantry in the novel Elmer Gantry and his self-identity, then to discover how the novelist, Sinclair Lewis ,the first Nobel Prize winner in the USA, by describing the costume of the character, explores the different inner self-identities of one man.

scholarly journals „Tyle wiemy o sobie/ile nas sprawdzono”. Recepcja Wisławy Szymborskiej w mediach

2019 ◽  
Vol 28 ◽  
pp. 23-35
Author(s):  
Marta Wojtyra
Keyword(s):  
Nobel Prize ◽  
Nobel Prize Winner ◽  
The Other ◽  
The Internet ◽  
Sudden Increase

The author presents the reception of Wisława Szymborska’s work. She shows how the Nobel Prize received by the writer in 1996 caused a sudden increase in interest in her work. This interest has been shown from two perspectives: one is a fascination with poetry and an attempt to put the Nobel Prize winner on a monument, against which the poet herself strongly protested, and the other is the perspective of an open reluctance, not to say hate, resulting from indicating Szymborska’s youthful fascination with the ideals of socialism. The article shows how the Internet has become a platform that has helped to promote, above all, the knowledge about the author of the poems and, to a lesser extent, reflection on her work.

“Indeed, the King has a Cunt! What a Wonder!”: Sex, Eroticism and Language in One Thousand and One Nights

2019 ◽  
Author(s):  
Md Abu Shahid Abdullah ◽  
Keyword(s):  
Arabic Literature ◽  
Female Characters ◽  
Male Characters ◽  
Patriarchal Society ◽  
The World ◽  
Female Bodies ◽  
Sexual Promiscuity

One Thousand and One Nights, which can be traced back to as early as the 9th century, is probably the greatest introduction to Arabic culture through literature. This colossal and diverse book has drawn the attention of scholars, researchers and students to classic Arabic literature as well as influenced many prominent authors and filmmakers. It is not just a book of careless and unconnected stories but rather a piece of esteemed literature which has been read and analysed in many countries all over the world. However, it is also true that this book has been criticised for its sexual promiscuity and degraded portrayal of women. The aim of the presentation is to prove that underneath the clumsy and seemingly funny structures of One Thousand and One Nights, there is a description of overflowing sexuality. Through the sexualised or erotic description of female bodies, the book gives agency to women but at the same time depicts them derogatively, and thus fulfils the naked desire of the then patriarchal society. The presentation will highlight how sexual promiscuity or fathomless female sexual craving is portrayed through figurative and grammatical language, which objectifies the female characters but at the same time enables them to be playful with the male characters, and thus motivates them to become more powerful than the males. Finally. the presentation will focus on language or narrative as an act of survival from the perspectives of the female characters, which is most evident in the case of Scheherazade who saved not only her life but also lives of countless maidens by her mesmerizing storytelling talent.

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