Sexual Diversity in Richard Wright’s Characterization of Bigger Thomas: Homo-socialism, Homo-eroticism, and the Feminine

Modern Italy ◽  
1999 ◽  
Vol 4 (1) ◽  
pp. 59-78 ◽  
Author(s):  
Penny Sparke

SummaryThis article sets out to outline the way in which existing narratives dealing with the development of modern design in post-1945 Italy have ignored those aspects of the story which do not concur with a characterization of that phenomenon that relies on the concepts of rationality, mass production and the impact of new materials. By focusing on and elaborating a number of ‘other’ themes—namely those of nature, craft, domesticity and the culture of consumption—this study sets out to redress this imbalance and to introduce the possibility of a new reading of modern design in Italy which can be seen to be rooted in a set of cultural values which are more obviously feminine’ in nature.


Author(s):  
Sarah Hickmott

The final chapter brings together all three thinkers and demonstrates the way in which they all – albeit in different ways – inherit and deploy aspects of a Romantic and idealist conception of music. It considers their writings on Wagner in order to ascertain more clearly how their different positions play out over a shared question: to what extent is Wagner’s music fascist or anti-Semitic? Rather than seek to solve this problem, the chapter argues that their positions on this question relate to their a priori understanding of the relationship between music and philosophy, their broader political-philosophical commitments, and their characterization of what is ‘essentially’ musical. The chapter also draws on Irigaray’s work in order to show how both Nancy and Lacoue-Labarthe reinstate a gendered foundationalism (specifically the musical maternal-feminine which logically and chronologically precedes the symbolic, language, and culture) that is so at odds with their broader projects; by contrast, though Badiou never identifies music ‘itself’ with the feminine, the way in which he constructs ‘truth’ nonetheless rehabilitates a certain feminine exceptionalism alongside a pervasive misogyny in his work. The concluding analytic argues for multiply intersecting planes of mediation and a non-reductive approach to both music and gender that refuses to attribute a single essence to either.


Author(s):  
Manuela L. Picq

Indigenous societies were never straight. Hundreds of languages across the Americas had words referring to same-sex practices and non-binary, fluid understandings of gender long before the emergence of international LGBT rights. The muxes in Juchitán are neither men nor women but a Zapotec gender hybridity. Across the Pacific in Hawaii, the māhū embrace both the feminine and masculine. Global sexual rights frameworks did not introduce referents to recognize alternative sexualities; Indigenous languages already had them, as their terminologies indicate. Indigenous sexualities both predate and defy contemporary LGBT and queer frameworks. It is not the idioms that are untranslatable but the cultural and political fabric they represent. This chapter shows the plurality of gender roles and sexual practices in Indigenous societies not to contribute sexual repertoires but to expand the imagination with new epistemologies. The analysis suggests that codes of heteronormativity were central tenets of the colonial project. Sexuality was a terrain to frame the Native as pervert and validate European violence against the non-Christian other, labeled as savage, heretic, and sodomite. The repression of sexual diversity shows how sexual control followed colonial logics of dispossession like the doctrine of discovery and why resisting heteronormative codification is a decolonial practice. This chapter recognizes the significance of the existence and resistance of Indigenous sexualities. It analyzes colonial processes of heterosexualization and approaches Native sexualities as sites of resurgence and self-determination to resist ongoing forms of dispossession.


Author(s):  
Nesrine Bessaïh

Abstract According to French grammatical rules the masculine prevails over the feminine. In Quebec since the 1980s, an inclusive, “non-sexist writing,” aimed at making the feminine visible, has been promoted by women’s activist groups and has been adopted in most governmental publications. Recently, a renewal of the notion of gender manifests itself through an emerging definition of inclusive writing as “neutral writing,” aimed at neutralizing gender in the French language. In this context, a feminist collective has undertaken the translation into French of Our Bodies, Ourselves, a major reference book on sexual and reproductive health. What effects has the coexistence of these two trends of feminist inclusive writing had on the process of constructing and writing this book and on the terminological choices made by the collective of translators? This case study showcases how the translation process opens a space for rethinking linguistic practices around gender.


Author(s):  
B. L. Soloff ◽  
T. A. Rado

Mycobacteriophage R1 was originally isolated from a lysogenic culture of M. butyricum. The virus was propagated on a leucine-requiring derivative of M. smegmatis, 607 leu−, isolated by nitrosoguanidine mutagenesis of typestrain ATCC 607. Growth was accomplished in a minimal medium containing glycerol and glucose as carbon source and enriched by the addition of 80 μg/ ml L-leucine. Bacteria in early logarithmic growth phase were infected with virus at a multiplicity of 5, and incubated with aeration for 8 hours. The partially lysed suspension was diluted 1:10 in growth medium and incubated for a further 8 hours. This permitted stationary phase cells to re-enter logarithmic growth and resulted in complete lysis of the culture.


Author(s):  
A.R. Pelton ◽  
A.F. Marshall ◽  
Y.S. Lee

Amorphous materials are of current interest due to their desirable mechanical, electrical and magnetic properties. Furthermore, crystallizing amorphous alloys provides an avenue for discerning sequential and competitive phases thus allowing access to otherwise inaccessible crystalline structures. Previous studies have shown the benefits of using AEM to determine crystal structures and compositions of partially crystallized alloys. The present paper will discuss the AEM characterization of crystallized Cu-Ti and Ni-Ti amorphous films.Cu60Ti40: The amorphous alloy Cu60Ti40, when continuously heated, forms a simple intermediate, macrocrystalline phase which then transforms to the ordered, equilibrium Cu3Ti2 phase. However, contrary to what one would expect from kinetic considerations, isothermal annealing below the isochronal crystallization temperature results in direct nucleation and growth of Cu3Ti2 from the amorphous matrix.


Author(s):  
B. H. Kear ◽  
J. M. Oblak

A nickel-base superalloy is essentially a Ni/Cr solid solution hardened by additions of Al (Ti, Nb, etc.) to precipitate a coherent, ordered phase. In most commercial alloy systems, e.g. B-1900, IN-100 and Mar-M200, the stable precipitate is Ni3 (Al,Ti) γ′, with an LI2structure. In A lloy 901 the normal precipitate is metastable Nis Ti3 γ′ ; the stable phase is a hexagonal Do2 4 structure. In Alloy 718 the strengthening precipitate is metastable γ″, which has a body-centered tetragonal D022 structure.Precipitate MorphologyIn most systems the ordered γ′ phase forms by a continuous precipitation re-action, which gives rise to a uniform intragranular dispersion of precipitate particles. For zero γ/γ′ misfit, the γ′ precipitates assume a spheroidal.


Author(s):  
R. E. Herfert

Studies of the nature of a surface, either metallic or nonmetallic, in the past, have been limited to the instrumentation available for these measurements. In the past, optical microscopy, replica transmission electron microscopy, electron or X-ray diffraction and optical or X-ray spectroscopy have provided the means of surface characterization. Actually, some of these techniques are not purely surface; the depth of penetration may be a few thousands of an inch. Within the last five years, instrumentation has been made available which now makes it practical for use to study the outer few 100A of layers and characterize it completely from a chemical, physical, and crystallographic standpoint. The scanning electron microscope (SEM) provides a means of viewing the surface of a material in situ to magnifications as high as 250,000X.


Author(s):  
D. F. Blake ◽  
L. F. Allard ◽  
D. R. Peacor

Echinodermata is a phylum of marine invertebrates which has been extant since Cambrian time (c.a. 500 m.y. before the present). Modern examples of echinoderms include sea urchins, sea stars, and sea lilies (crinoids). The endoskeletons of echinoderms are composed of plates or ossicles (Fig. 1) which are with few exceptions, porous, single crystals of high-magnesian calcite. Despite their single crystal nature, fracture surfaces do not exhibit the near-perfect {10.4} cleavage characteristic of inorganic calcite. This paradoxical mix of biogenic and inorganic features has prompted much recent work on echinoderm skeletal crystallography. Furthermore, fossil echinoderm hard parts comprise a volumetrically significant portion of some marine limestones sequences. The ultrastructural and microchemical characterization of modern skeletal material should lend insight into: 1). The nature of the biogenic processes involved, for example, the relationship of Mg heterogeneity to morphological and structural features in modern echinoderm material, and 2). The nature of the diagenetic changes undergone by their ancient, fossilized counterparts. In this study, high resolution TEM (HRTEM), high voltage TEM (HVTEM), and STEM microanalysis are used to characterize tha ultrastructural and microchemical composition of skeletal elements of the modern crinoid Neocrinus blakei.


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