French adaptation of a film music stimulus set: Normative emotional ratings of valence and arousal prompted by music excerpts

2021 ◽  
pp. 030573562110506
Author(s):  
Clémence Nineuil ◽  
Delphine Dellacherie ◽  
Séverine Samson
Keyword(s):  
Sex Education ◽  
Western Europe ◽  
Musical Training ◽  
Film Music ◽  
French Population ◽  
Data Set ◽  
Stimulus Set ◽  
Musical Excerpts ◽  
Valence And Arousal ◽  
Music Stimulus

The aim of this study was to obtain French affective norms for the film music stimulus set (FMSS). This data set consists of a relatively homogeneous series of musical stimuli made up of film music excerpts, known to trigger strong emotion. The 97 musical excerpts were judged by 194 native French participants using a simplified normative procedure in order to assess valence and arousal judgments. This normalization will (1) provide researchers with standardized rated affective music to be used with a French population, (2) enable the investigation of individual listeners’ differing emotional judgments, and (3) explore how cultural differences affect the ratings of musical stimuli. Our results, in line with those obtained in Finland and Spain, demonstrated the FMSS to be robust and interculturally valid within Western Europe. Age, sex, education, and musical training were not found to have any effects on emotional judgments. In conclusion, this study provides the scientific community with a standardized-stimulus set of musical excerpts whose emotional valence and arousal have been validated by a sampling of the French population.

Musical training improves memory for instrumental music, but not vocal music or words

2018 ◽  
Vol 48 (1) ◽  
pp. 150-159
Author(s):  
Jonathan M. P. Wilbiks ◽  
Sean Hutchins
Keyword(s):  
Instrumental Music ◽  
Musical Training ◽  
Vocal Music ◽  
Verbal Material ◽  
The Other ◽  
Musical Experience ◽  
Facilitative Effect ◽  
Musical Excerpts ◽  
And Performance ◽  
The Brain

In previous research, there exists some debate about the effects of musical training on memory for verbal material. The current research examines this relationship, while also considering musical training effects on memory for musical excerpts. Twenty individuals with musical training were tested and their results were compared to 20 age-matched individuals with no musical experience. Musically trained individuals demonstrated a higher level of memory for classical musical excerpts, with no significant differences for popular musical excerpts or for words. These findings are in support of previous research showing that while music and words overlap in terms of their processing in the brain, there is not necessarily a facilitative effect between training in one domain and performance in the other.

The American South

2020 ◽  
Author(s):  
Charles Reagan Wilson
Keyword(s):  
Civil Rights ◽  
West Africa ◽  
Civil Rights Movement ◽  
Western Europe ◽  
American South ◽  
Public Memory ◽  
Film Music ◽  
Short Introduction ◽  
Racial Tension ◽  
The American South

The American South: A Very Short Introduction explores the American South, a distinctive place with a dramatic history. It is a cultural crossroads, where Western Europe met West Africa in a colonial slave society. The Civil War and civil rights movement transformed the South and remain a part of a vibrant and contested public memory. Moreover, the South's pronounced traditionalism in customs and values have always contended with the forces of modernization and the continuing challenges of racial tension. This VSI looks at Southerners' diverse creative responses to these experiences, in literature, film, music, and cuisine, which have had worldwide influence.

The Spectre of Americanization: Western Europe in the American Century

2012 ◽  
Author(s):  
Philipp Gassert
Keyword(s):  
World War Ii ◽  
Western Europe ◽  
Initial Period ◽  
Film Music ◽  
The United States ◽  
Colonial Rule ◽  
World War ◽  
Economic Threat ◽  
The Impact ◽  
First Time

By 1945, the spectre of Americanisation had been haunting Europe for half a century. With the United States still struggling to establish colonial rule over the Philippine Islands, European observers began framing the ‘American challenge’ as a cultural and most of all economic threat to national independence. Controversies about the impact of ‘America’ often served as a stand-in for a more fundamental reckoning with processes of modernisation. The initial period of sustained Americanisation was the 1920s, when American film, music, and automobiles were conquering Europe for the first time. A second heyday of Americanisation ‘from below’ started with the ‘American occupation of Britain’ and that of continental Europe during and after World War II. This article focuses on Western Europe and Americanisation, highlighting Americanisation from above and Americanisation from below. It looks at two concepts that often come up within debates about Americanisation: Westernisation and anti-Americanism.

scholarly journals Spanish adaptation of a film music stimulus set (FMSS): Cultural and gender differences in the perception of emotions prompted by music excerpts

2020 ◽  
pp. 030573562095846
Author(s):  
Nieves Fuentes-Sánchez ◽  
Raúl Pastor ◽  
Tuomas Eerola ◽  
M Carmen Pastor
Keyword(s):  
Undergraduate Students ◽  
Film Music ◽  
Future Research ◽  
Basic Emotions ◽  
Perception Of Emotions ◽  
And Gender ◽  
Music Stimulus ◽  
Music And Emotion ◽  
Affective Dimensions

The literature review reveals different conceptual and methodological challenges in the field of music and emotion, such as the lack of agreement in terms of standardized datasets, and the need for replication of prior findings. Our study aimed at validating for Spanish population a set of film music stimuli previously standardized in Finnish samples. In addition, we explored the role of gender and culture in the perception of emotions through music using 102 excerpts selected from Eerola and Vuoskoski’s dataset. A total of 129 voluntary undergraduate students (71.32% females) from different degrees participated voluntarily in this study, where they were instructed to rate both discrete emotions (Happiness, Sadness, Tenderness, Fear, Anger) and affective dimensions (Valence, Energy Arousal, Tension Arousal) using a 9-point scale after presentation of each excerpt. Strong similarities between Finnish and Spanish ratings were found, with only minor discrepancies across samples in the evaluation of basic emotions. Taken together, our findings suggest that the current database is suitable for future research on music and emotions. Additional theoretical and practical implications of this validation are discussed.

scholarly journals Time series classification using k-Nearest neighbours, Multilayer Perceptron and Learning Vector Quantization algorithms

2012 ◽  
Vol 60 (2) ◽  
pp. 69-72 ◽  
Author(s):  
Jiří Fejfar ◽  
Jiří Šťastný ◽  
Miroslav Cepl
Keyword(s):  
Time Series ◽  
Vector Quantization ◽  
Multilayer Perceptron ◽  
Confusion Matrix ◽  
A Priori ◽  
Learning Vector Quantization ◽  
Self Organizing Map ◽  
Data Set ◽  
Nearest Neighbours ◽  
Musical Excerpts

We are presenting results comparison of three artificial intelligence algorithms in a classification of time series derived from musical excerpts in this paper. Algorithms were chosen to represent different principles of classification – statistic approach, neural networks and competitive learning. The first algorithm is a classical k-Nearest neighbours algorithm, the second algorithm is Multilayer Perceptron (MPL), an example of artificial neural network and the third one is a Learning Vector Quantization (LVQ) algorithm representing supervised counterpart to unsupervised Self Organizing Map (SOM).After our own former experiments with unlabelled data we moved forward to the data labels utilization, which generally led to a better accuracy of classification results. As we need huge data set of labelled time series (a priori knowledge of correct class which each time series instance belongs to), we used, with a good experience in former studies, musical excerpts as a source of real-world time series. We are using standard deviation of the sound signal as a descriptor of a musical excerpts volume level.We are describing principle of each algorithm as well as its implementation briefly, giving links for further research. Classification results of each algorithm are presented in a confusion matrix showing numbers of misclassifications and allowing to evaluate overall accuracy of the algorithm. Results are compared and particular misclassifications are discussed for each algorithm. Finally the best solution is chosen and further research goals are given.

scholarly journals Dance to the Music: The Effects of Moving on Emotional Responsiveness

2021 ◽  
Author(s):  
Lucy McGarry
Keyword(s):  
Emotional Experience ◽  
Physiological Responses ◽  
Emotional Responses ◽  
Emotional Responsiveness ◽  
Free Condition ◽  
Dance Training ◽  
Musical Excerpts ◽  
Valence And Arousal ◽  
Constrained Conditions ◽  
Zygomaticus Major

In the current study I examined whether interpretive movement to music enhances emotional experience of the music, in dancers and non-dancers. Participants interacted with a series of musical excerpts, varying in valence and arousal, by either sitting still (still condition), moving arms up and down to the beat of the music (constrained condition), or gesturing their arms freely to the music (free condition), allowing for creative interpretation. Physiological and self-reported emotional responses to these songs were compared post-interaction. I found that after free gesturing, experienced dancers had polarized valence and arousal ratings towards happy vs. sad excerpts as opposed to after still and constrained conditions. Similar results were obtained of skin conductance (sweat) and zygomaticus major (smiling) responses. Non-dancers showed no difference in ratings or physiological responses between interaction conditions. This suggests that the effects of movement on emotional responsiveness to music are mediated by dance training.

scholarly journals Active and recent deformation at the Southern Alps – Ligurian basin junction

2001 ◽  
Vol 80 (3-4) ◽  
pp. 255-272 ◽  
Author(s):  
C. Larroque ◽  
N. Béthoux ◽  
E. Calais ◽  
F. Courboulex ◽  
A. Deschamps ◽  
...  
Keyword(s):  
Western Europe ◽  
Active Faults ◽  
Southern Alps ◽  
Historical Seismicity ◽  
Data Set ◽  
Seismic Reflection Data ◽  
Geological Evidence ◽  
Reflection Data ◽  
Rate Versus ◽  
Ligurian Basin

AbstractThe Southern Alps – Ligurian basin junction is one of the most active seismic areas in Western Europe countries. The topographic and the structural setting of this region is complex because of (i) its position between the high topography of the Southern Alps and the deep, narrow Ligurian oceanic basin, and (ii) the large number of structures inherited from the Alpine orogeny. Historical seismicity reveals about twenty moderate-size earthquakes (up to M=6.0), mostly distributed along the Ligurian coast and the Vésubie valley. A recent geodetic experiment shows a significant strain rate during the last 50 years in the area between the Argentera massif and the Mediterranean coastline. Results of this experiment suggest a N-S shortening of about 2-4 mm/yr over the network, this shortening direction is consistent with the seismological (P-axes of earthquakes) and the microtectonic data. The Pennic front (E-NE of the Argentera massif) and the northern Ligurian margin are the most seismically active areas. In the Nice arc and in the Argentera massif, some seismic lineaments correspond to faults identified in the field (such as theTaggia-Saorge fault or the Monaco-Sospel fault). In the western part of the Alpes Maritimes, no seismic activity is recorded in the Castellane arc. In the field, geological evidence, such as offsets of recent alluvial sediments, recent fault breccia, speleothem deformations, radon anomalies and others indicates recent deformation along these faults. Nevertheless, to this date active fault scarps have not been identified: this probably results from a relatively high erosion rate versus deformation rate and from the lack of Quaternary markers. We also suspect the presence of two hidden active faults, one in the lower Var valley (Nice city area) and the other one at the base of the Argentera crustal thrust-sheet. Offshore, along the northern Ligurian margin, the seismic reflection data shows traces of Quaternary extensional deformation, but the accuracy of the data does not yet allow the construction of a structural map nor does it allow the determination of the continuity between the offshore and onshore structures. From these data set we propose a preliminary map of 11 active faults and we discuss the questions which remain unsolved in the perspective of seismic hazard evaluations.

Array observations of the shear-coupled PL wave

1996 ◽  
Vol 86 (2) ◽  
pp. 538-543
Author(s):  
Jie Zhang ◽  
Charles A. Langston
Keyword(s):  
Upper Mantle ◽  
Western Europe ◽  
Velocity Structure ◽  
Data Set ◽  
Northwest Africa ◽  
Velocity Gradients ◽  
Trade Offs ◽  
Crustal Structures ◽  
Mantle Velocity ◽  
Source Structure

Abstract Observations from the NARS array in western Europe of a shallow earthquake in northwest Africa are used to study shear-coupled PL-wave (SPL) excitation near the source and receiver. Numerical experiments suggest that average crustal thickness and velocity are important in defining the frequency content of SPL. If crustal structures in the source and receiver areas are similar and the upper mantle velocity gradients are positive, then large SPL waves can be generated. Using the near-receiver velocity structure that was determined from previous NARS studies, we model the near-source structure for an earthquake in northwest Africa. Although the model is subject to significant trade-offs in layer thicknesses and velocities in the near-source structure, SPL waveforms could be a useful auxiliary data set to other seismological structure studies.

The utility of regression-based norms in interpreting the minimal assessment of cognitive function in multiple sclerosis (MACFIMS)

2009 ◽  
Vol 16 (1) ◽  
pp. 6-16 ◽  
Author(s):  
BRETT A. PARMENTER ◽  
S. MARC TESTA ◽  
DAVID J. SCHRETLEN ◽  
BIANCA WEINSTOCK-GUTTMAN ◽  
RALPH H. B. BENEDICT
Keyword(s):  
Multiple Sclerosis ◽  
Cognitive Function ◽  
Sex Education ◽  
Reliability And Validity ◽  
Demographic Variables ◽  
Clinical Settings ◽  
Regression Analyses ◽  
Neuropsychological Battery ◽  
Data Set ◽  
Unique Data

AbstractThe Minimal Assessment of Cognitive Function in Multiple Sclerosis (MACFIMS) is a consensus neuropsychological battery with established reliability and validity. One of the difficulties in implementing the MACFIMS in clinical settings is the reliance on manualized norms from disparate sources. In this study, we derived regression-based norms for the MACFIMS, using a unique data set to control for standard demographic variables (i.e., age, age2, sex, education). Multiple sclerosis (MS) patients (n = 395) and healthy volunteers (n = 100) did not differ in age, level of education, sex, or race. Multiple regression analyses were conducted on the performance of the healthy adults, and the resulting models were used to predict MS performance on the MACFIMS battery. This regression-based approach identified higher rates of impairment than manualized norms for many of the MACFIMS measures. These findings suggest that there are advantages to developing new norms from a single sample using the regression-based approach. We conclude that the regression-based norms presented here provide a valid alternative to identifying cognitive impairment as measured by the MACFIMS. (JINS, 2010, 16, 6–16.)

Sign in / Sign up

Export Citation Format

Share Document