scholarly journals Identifying the research process to analyse the adoption of the International Baccalaureate’s Diploma Programme in England

2018 ◽  
Vol 32 (1) ◽  
pp. 13-18 ◽  
Author(s):  
Deborah Outhwaite

This article analyses the flow-line around the methodology used inside an educational research process that was originally established to examine the expansion of the International Baccalaureate’s Diploma Programme (IBDP) in England. This article analyses the research question, then assesses the research focus, aims and objectives. The article then subsequently, briefly, critiques the research problem: how the expansion of the IBDP turned into a rapid decline of the qualification inside the post-16 state sector, so that the research process had to be amended. This article subsequently analyses the research problem that this generated: explaining the discussion of the flow-line, the reasons for the research method choice, and the chosen research paradigm and philosophy of critical realism. The research process analysed in this article comes from a completed Doctor of Education (EdD) which adhered to both the university’s and BERA’s (2011) ethical guidelines.

Author(s):  
Nithikul Nimkulrat

This article aims to discuss the position of art and design artifacts, and their creation, in a practice-led research process.  Two creative productions and exhibitions featuring my textile artifacts were intentionally carried out in order to tackle a specific research problem, and these will be examined here as case studies.  These cases cover the production and exhibition of two sets of artworks, named Seeing Paper and Paper World, that were created as part of my completed doctoral research entitled Paperness: Expressive Material inTextile Art from an Artist’s Viewpoint. The study examined the relationship between a physical material and artistic expression in textile art and design.  Both cases exemplify the roles of creative productions and artifacts situated in the process of inquiry.  Throughout a practice-led research process, art and design artifacts can serve as inputs into knowledge production and as outputs for knowledge communication.  As inputs, both art productions and artifacts can be the starting point of a research project from which the research question is formulated.  They can also provide data for analysis from which knowledge is constructed.  Asoutputs, artifacts can indicate whether the research problem requires reformulation, demonstrate the experiential knowledge of the creative process, and strengthen the findings articulated in the written output.  Creative practice in a research context can contribute to generating or enhancing the knowledge which is embedded in the practice and embodied by the practitioner.  This knowledge or insight can be obtained from the artist creating the artifact, the artifact created, the process of making it, and the culture in which it is produced and viewed or used, all taking place at different stages of a research process.


Author(s):  
Francislê Neri de Souza ◽  
Dayse Neri ◽  
António Costa

Research is based on a constant questioning process. All researchers should ask questions in every research phase, what is read, the research design definition, data analysed and the way they are discussed and how their conclusions are drawn. It is generally accepted that to start scientific research, irrespectively of the area of expertise, the starting point is the drafting of one or more research questions, ordinarily known as a research problem. However, for many, starting with a research programme, the idea of formulating one is always a challenge. Some do not know where to start and question whether the question is well formulated. Given these issues, this paper aims to clarify and reinforce the importance of formulating the research problem and/or question, where to get inspiration for its compilation, what are the steps to be followed for its refinement and what is its usefulness during the research process. We also intend to recommend the use of some software packages that may assist the researcher, during questioning in other research phases, and thus maintain internal coherence throughout the research, as well as obtain an answer to the research question.


2021 ◽  
Author(s):  
◽  
Kay Sanderson

<p>Beneath the problem of achieving digital convergence in the heritage sector is a problem of deeply entrenched discourses generated in a physical paradigm where objects kept in heritage sector institutions were treated as goods to be divided, and where notions about the nature of those goods, their use, and practices facilitating their use, were imagined in terms of the norms for each institution type. The digital paradigm provides new opportunities, amongst them the possibility of creating intersecting digital knowledge spaces designed to aid processes of enquiry and meaning-making and to maximise possibilities for rational and justifiable knowledge formation about predictable and still to be imagined topics of enquiry. Achieving that vision calls for research that seeks to understand the process of knowledge formation, that hunts out the strengths and weaknesses in existing bodies of thought, and that works, through its modes of transmission, to instil the understanding necessary for a shared knowledge-oriented body of theory and practice to emerge. The research reported in this thesis responds to these needs. It was conducted by a former archives practitioner taking a fresh look at her own discipline’s body of thought, and reflecting on its utility across the whole heritage sector.  An open and exploratory research question was posed: What can be learnt about archives domain thinking, heritage objects and their evidentiality, and the design of knowledge enabling systems by exploring how evidence emerges during a historical research process?  The research design combined close examination of the archives domain’s explicit and implicit thinking with a case study in the form of a deeply reflective historical enquiry that was committed to tracking down and tracing seemingly relevant objects (both physical and digital), and their meaningful ways of being related, across institutional and conceptual boundaries. The researcher did not plan to go into ‘the wild’, but word got out, and ‘the wild’ came to her. The research, in other words, was conducted in the space archival science’s continuum thinkers refer to as the fourth dimension - the societal plurality, where assumptions embedded in institutionalized thought can be deeply disturbed.  The historical enquiry was centred on Frederick Burdett Butler (1903-1982), an eclectic ‘collector’ and local historian who built his own museum/archive/library/gallery/ information resource in New Plymouth, New Zealand. A misfit in New Zealand’s historically-oriented professional community, he nevertheless amassed a massive collection which, during his life-time and since his death, has been widely dispersed. Parts are in collecting institutions and parts are in ‘the wild’. Much is in hiding.  Three major problems in archives domain discourse were identified as potential stumbling blocks in the search for sector-wide theory. These are addressed in three theory-building chapters, each of which is framed around a line of enquiry followed in the researcher’s attempt to form knowledge of Fred. One of these problems is the prevalence in the domain of a fuzzy and ‘othering’ object-privileging concept of record, but little awareness of continuum theory’s concept-privileging notion of records as logical entities, which means there is also little awareness of the relevance of the continuum notion for richer, more flexible, and potentially convergent descriptive practice. The second is the existence of unresolved debates about the nature of evidence and its importance in relation to the concept of record. The third is dichotomous thinking about the nature of objectivity and subjectivity, a problem that has caused debates about the nature of records, the value of an evidence-oriented domain discourse, and the epistemic character of descriptive practice; also, it has played a part in the ‘othering’ of libraries. A final chapter reflects on the implications of the research for the design of knowledge enabling systems and on possibilities for archival science’s continuum theory to connect with similar bodies of thought emerging in other disciplines.  The research paradigm is grounded in humanities, social science, and philosophical scholarship which draws attention to inter-dependence and co-evolution in time and over time, and which challenges habituated perceptions of dichotomies. Critical realism, a third way philosophy of knowledge, was the primary philosophical and methodological under-labourer.</p>


2021 ◽  
Author(s):  
◽  
Kay Sanderson

<p>Beneath the problem of achieving digital convergence in the heritage sector is a problem of deeply entrenched discourses generated in a physical paradigm where objects kept in heritage sector institutions were treated as goods to be divided, and where notions about the nature of those goods, their use, and practices facilitating their use, were imagined in terms of the norms for each institution type. The digital paradigm provides new opportunities, amongst them the possibility of creating intersecting digital knowledge spaces designed to aid processes of enquiry and meaning-making and to maximise possibilities for rational and justifiable knowledge formation about predictable and still to be imagined topics of enquiry. Achieving that vision calls for research that seeks to understand the process of knowledge formation, that hunts out the strengths and weaknesses in existing bodies of thought, and that works, through its modes of transmission, to instil the understanding necessary for a shared knowledge-oriented body of theory and practice to emerge. The research reported in this thesis responds to these needs. It was conducted by a former archives practitioner taking a fresh look at her own discipline’s body of thought, and reflecting on its utility across the whole heritage sector.  An open and exploratory research question was posed: What can be learnt about archives domain thinking, heritage objects and their evidentiality, and the design of knowledge enabling systems by exploring how evidence emerges during a historical research process?  The research design combined close examination of the archives domain’s explicit and implicit thinking with a case study in the form of a deeply reflective historical enquiry that was committed to tracking down and tracing seemingly relevant objects (both physical and digital), and their meaningful ways of being related, across institutional and conceptual boundaries. The researcher did not plan to go into ‘the wild’, but word got out, and ‘the wild’ came to her. The research, in other words, was conducted in the space archival science’s continuum thinkers refer to as the fourth dimension - the societal plurality, where assumptions embedded in institutionalized thought can be deeply disturbed.  The historical enquiry was centred on Frederick Burdett Butler (1903-1982), an eclectic ‘collector’ and local historian who built his own museum/archive/library/gallery/ information resource in New Plymouth, New Zealand. A misfit in New Zealand’s historically-oriented professional community, he nevertheless amassed a massive collection which, during his life-time and since his death, has been widely dispersed. Parts are in collecting institutions and parts are in ‘the wild’. Much is in hiding.  Three major problems in archives domain discourse were identified as potential stumbling blocks in the search for sector-wide theory. These are addressed in three theory-building chapters, each of which is framed around a line of enquiry followed in the researcher’s attempt to form knowledge of Fred. One of these problems is the prevalence in the domain of a fuzzy and ‘othering’ object-privileging concept of record, but little awareness of continuum theory’s concept-privileging notion of records as logical entities, which means there is also little awareness of the relevance of the continuum notion for richer, more flexible, and potentially convergent descriptive practice. The second is the existence of unresolved debates about the nature of evidence and its importance in relation to the concept of record. The third is dichotomous thinking about the nature of objectivity and subjectivity, a problem that has caused debates about the nature of records, the value of an evidence-oriented domain discourse, and the epistemic character of descriptive practice; also, it has played a part in the ‘othering’ of libraries. A final chapter reflects on the implications of the research for the design of knowledge enabling systems and on possibilities for archival science’s continuum theory to connect with similar bodies of thought emerging in other disciplines.  The research paradigm is grounded in humanities, social science, and philosophical scholarship which draws attention to inter-dependence and co-evolution in time and over time, and which challenges habituated perceptions of dichotomies. Critical realism, a third way philosophy of knowledge, was the primary philosophical and methodological under-labourer.</p>


2021 ◽  
Vol 11 ◽  
Author(s):  
Frode Heldal ◽  
Erlend Dehlin ◽  
Torild Alise Oddane

In this article, we sketch up an action research process designed to give voice to those who traditionally have not had a voice in organizations. In particular, the research process was structured around “serious play” and designed as a talk show, where researchers played parts, including a talk show host, and where questions pertaining to organizational life were discussed in depth. The structure of the discussion was construed based on reflective teams, i.e., two actors performing a dialogue (talk show host and guest) and a silent group (audience) as listeners. The key research question concerns in what ways such an action research process is replicable? Applying a critical lens, we argue that even if strong claims of replicability are not met, as in being able to reproduce results and/or generalize them, this is outside the point. Rather, as we set out to apply a qualitative research design to achieve cogenerative learning effects, we advance an understanding of replicability-as-recoverability. This entails giving explicit grounds for our epistemic anchoring in critical realism and sketching out a research design which is sufficiently clear and transparent to undergo critical scrutiny.


2015 ◽  
Vol 3 (1) ◽  
Author(s):  
Syed Najmah Jameel ◽  
Shawkat Ahmad Shah ◽  
Showkat Ahmad Ganaie

The present study is based on a systematic research review. The review of literature is an important component of the research process and should be carried out in an orderly manner. It is also known as the back bone of research study. It involves a systematic identification, location and analysis of documents containing information related to the research problem. The purpose of reviewing literature is to determine what has already done by the scientific community related to the research problem and to gain an impression regarding different aspects of the topic understudy. The major objective of the current study is to conduct a systematic review on Perceived social support and resilience among orphans. To go ahead with this goal, it was very important to collect the literature on; (A). Orphans (B). Perceived social support among orphans. (C). Resilience among orphans.


Author(s):  
Kathleen Gerson ◽  
Sarah Damaske

Qualitative interviewing is one of the most widely used methods in social research, but it is arguably the least well understood. To address that gap, this book offers a theoretically rigorous, empirically rich, and user-friendly set of strategies for conceiving and conducting interview-based research. Much more than a how-to manual, the book shows why depth interviewing is an indispensable method for discovering and explaining the social world—shedding light on the hidden patterns and dynamics that take place within institutions, social contexts, relationships, and individual experiences. It offers a step-by-step guide through every stage in the research process, from initially formulating a question to developing arguments and presenting the results. To do this, the book shows how to develop a research question, decide on and find an appropriate sample, construct an interview guide, conduct probing and theoretically focused interviews, and systematically analyze the complex material that depth interviews provide—all in the service of finding and presenting important new empirical discoveries and theoretical insights. The book also lays out the ever-present but rarely discussed challenges that interviewers routinely encounter and then presents grounded, thoughtful ways to respond to them. By addressing the most heated debates about the scientific status of qualitative methods, the book demonstrates how depth interviewing makes unique and essential contributions to the research enterprise. With an emphasis on the integral relationship between carefully crafted research and theory building, the book offers a compelling vision for what the “interviewing imagination” can and should be.


2021 ◽  
Vol 20 ◽  
pp. 160940692110161
Author(s):  
Krista Johnston ◽  
Christiana MacDougall

Reporting on the development of an ongoing qualitative research project with clients of midwifery care in New Brunswick, Canada, this article details the ways that methodology is complexly interwoven with political praxis. Working through the development of this project, this article models one way to enact politically engaged feminist research at each stage of the research process, from developing the research question, through research design, data collection, analysis, and theory generation. In the process, three core principles of feminist research methodologies are extended: co-construction of knowledge, researcher reflexivity, and reciprocal relationships in research. This research is caught up in and responds to a fraught political context where supports for reproductive healthcare are limited, and midwifery, abortion, and gender-affirming care are all framed as “fringe” services that exceed the austerity budget of the province. Participants engaged in this study with a clear understanding of this political terrain and approached interviews as an opportunity to share their experiences, and to advocate for the continuation and expansion of midwifery and related services in the province. Through the research process, it has become evident that midwifery must be understood as part of the struggle toward reproductive justice in this province. These reflections will direct further stages of the project, including ongoing research and dissemination.


2021 ◽  
Vol 13 (5) ◽  
pp. 2550
Author(s):  
Anna Drab-Kurowska ◽  
Agnieszka Budziewicz-Guźlecka

Rapid technological changes have forced postal operators to adapt their services to the needs of the information society, exploit new business opportunities, and pay more attention to emerging and rapidly growing direct and indirect competition. The main goal of the article is to provide an answer to the question Do we have to digitalize postal services? The objectives of the article are as follows: defining of the postal ecosystem concept; defining of postal e-services; developing an action proposal approach for the operator designated to create a digital ecosystem of the postal service. Therefore, it is necessary to survey postal operators regarding the digitalization of the economy and postal e-services. The survey should focus on individual customers, businesses and telecommunications market experts. The survey covered postal e-services supplied by the designated operator in Poland. Its assessment has been based on variables which have major impact on the perception of postal e-services. These variables include: scope of e-services, regulatory framework (security), competitiveness, telecommunications infrastructure, advancement of e-services, innovation level, and digital awareness and digital skills in the society. In order to meet these objectives, the article refers to the essence of the ecosystem as a solution to the research problem. Additionally, studies on postal e-services have been presented, which enable to develop an action proposal to strengthen the position of the postal operator in the postal ecosystem. The article is based on studies that use various research methods, such as critical analysis of scientific literature, synthesis and generalization, Delphi method, versatile benchmarking and graphic visualization. Additionally, findings of studies on e-services have been presented to cover the European Union, as well as solicit opinions of individual and business clients and telecommunications market experts in Poland. This enables to develop an action proposal designed to strengthen the position of the postal operator in the postal ecosystem. The study has delivered an answer to the research question. Thus, the authors can confirm that it is necessary to digitalize postal services.


2021 ◽  
Vol 5 (2) ◽  
pp. 127-144
Author(s):  
Joanna Kurowska-Pysz ◽  
Dominika Wienchor ◽  
Jacek Woźnikowski

Inter-organizational cooperation is based on the development of relationships between partners who have attractive tangible or intangible values which may be the subject of exchange. In inter-organizatio-nal cooperation, at least two key stages of relationship development can be distinguished. The first con-cern is initiating ties between potential partners; the second, strengthening, expanding and deepening these ties. The authors attempted to identify the values that affect the relations between organizations cooperating on a joint project in the cultural sphere. The research process was based on the assump-tions of grounded theory. The incomplete induction method was used. In order to solve this research problem, the authors analysed a case study of a network project led by the Górnośląsko-Zagłębiowska Metropolis, entitled Metropolitan Theatres Night, and in addition, conducted qualitative research (in-dividual in-depth interviews and written surveys), amongst organizations cooperating on this project. The research proved that the assessment of key values to project partners at the stage of initiating and developing cooperation is varied. At the stage of initiating relations, the financial benefits of coopera-tion and the prestige associated with it are most important. In contrast, at the stage of cooperation development financial benefits come first, while other elements are of secondary importance. The rese-arch results show that the partnership does not use many opportunities resulting from the synergy of resources or joint learning during the long period of cooperation. In connection with the above, the authors defined recommendations that may serve to improve inter-organizational cooperation in this type of project and in other partnerships.


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