scholarly journals Designer notoriety: What the Lubitz case tells us about the accumulation of attention capital in celebrity culture

2019 ◽  
Vol 23 (1) ◽  
pp. 133-146
Author(s):  
Chris Rojek

This article introduces the concept of designer notoriety to refer to calculated attempts to derail aspects of normative order so as to garner media attention. The objective is for otherwise unexceptional people to gain celebrity. The case of the alleged sabotage of Germanwings Airbus A320 Flight, by the co-pilot, Andreas Lubitz, in 2015, is used as a case study. Drawing on the methods of content analysis from various media sources and historical sociology, the article examines the media claim that Lubitz sought celebrity and planned the crash as a means to acquire media interest. Public receptivity to the notion of designer notoriety is investigated. It is related to three key concepts: ‘the demotic turn’, ‘mediatization’ and the ‘world historic event’. The application of each concept to designer notoriety is set out and justified. The article ends by expanding the Lubitz case to refer to other examples of designer notoriety.

2020 ◽  
Vol 10 (4) ◽  
pp. 44-52
Author(s):  
LARISA ZAITSEVA ◽  

The territorial image is formed both purposefully by the subjects of image-making, and spontaneously-based on the influence of information content published in various media. The purpose of the research is to analyze the image of the Republic of Mordovia in the information space of the Volga Federal district. The image of the territory formed by external target audiences by means of news materials is studied using the method of case study and content analysis of publications: “Volga news”, “Federal Press” news of the PFD, “Pravda PFD”. The authors conclude that modern reality is perceived through the prism of the information field created by mass media. The media creates images filled with certain data, facts, colored by emotions, on the basis of which representations, opinions, judgments, and assessments are subsequently formed. The media play a significant role in shaping the territorial image, especially for external target audiences who are not familiar with the region and do not have their own assessment knowledge and experience. Most of the information content about the Republic in the studied media is related to the main thematic blocks: politics, economy, social sphere, culture (art, sports). Moreover, if in the publications “Volga news” and “Pravda PFD” mention of the region prevails in the economic block, then in the publications “Federal Press” and “Nezavisimaya Gazeta” - in the political one. The Volga news publication significantly dominates the rest in terms of the number of publications about Mordovia. The content of publications is mostly positive and neutral related to the issues of economic development of the territory and the preparation and holding of the world football championship. Pravda PFD mentions the Republic in the context of news from neighboring territories, most of the publications date back to 2018, but here the context is related to the Republic's positions among the regions of the PFD in various ratings. The publication “Federal-Press” forms a generally reflective image of the territory, focusing on the negative aspects of regional life. “Nezavisimaya Gazeta”, giving priority to political news, maintains a neutral and reflective context of publications, paying attention to the key problems of the territory. Thus, the desired image of the region is counter-dictated to the image broadcast by the media through various information channels, so it is necessary to constantly monitor the information space and timely correction of the broadcast materials.


Author(s):  
Michael W. Pratt ◽  
M. Kyle Matsuba

Chapter 6 reviews research on the topic of vocational/occupational development in relation to the McAdams and Pals tripartite personality framework of traits, goals, and life stories. Distinctions between types of motivations for the work role (as a job, career, or calling) are particularly highlighted. The authors then turn to research from the Futures Study on work motivations and their links to personality traits, identity, generativity, and the life story, drawing on analyses and quotes from the data set. To illustrate the key concepts from this vocation chapter, the authors end with a case study on Charles Darwin’s pivotal turning point, his round-the-world voyage as naturalist for the HMS Beagle. Darwin was an emerging adult in his 20s at the time, and we highlight the role of this journey as a turning point in his adult vocational development.


2021 ◽  
pp. 1329878X2199289
Author(s):  
Jay Daniel Thompson ◽  
Denis Muller

This article examines how freedom of speech is framed in the media controversy surrounding the Australian rugby player Israel Folau’s April 2019 Instagram post. A content analysis and framing analysis of newspaper reportage reveals that the controversy has been largely discussed in terms of whether or not Folau’s speech was being curtailed and whether this curtailing indicates a broader, ideologically motivated censoriousness. This discussion is problematic in that it says little about the actual substance of Folau’s post. This article argues that debates surrounding freedom of speech such as the one involving Folau could and should be enriched by an engagement with ethical principles. This engagement is premised on a commitment to the free exchange of views, while acknowledging that ‘speech’ is not always inherently beneficial for democracy, nor worth defending.


Author(s):  
Юйси Му

The article presents the study of the media image of China in the Russian Internet texts. The purpose of the study is to identify the language means of shaping the media image of China in blogs about Chinese opera. The material involves some of the topical blogs published on the Internet version of «Live Journal» and the «Magazeta». In those materials, the media image of China is partially formed by various aspects of Chinese opera as a cultural phenomenon: it is the cultural context in which Chinese opera exists; features of diverse opera genres; images of performers; audience responses; assessments and feelings of bloggers. The possibilities of expression of different kinds of language means are revealed, so is the authors’ perception of this type of art. It is concluded that the media image created in blogs about Chinese opera by various language means represents China as a country with a long history and unique culture. Chinese opera not only occupies an important place in the world art, but also vividly and meaningfully reflects the mystery of China.


Journalism ◽  
2020 ◽  
pp. 146488492096909
Author(s):  
Jorge Vázquez-Herrero ◽  
María-Cruz Negreira-Rey ◽  
Xosé López-García

The influence of TikTok has reached the news media, which has adapted to the logic of the platform, in a context marked by the incidental consumption of news, virality and the intermediation of technology in access to information. The popularity of this social network invites news outlets to address a young audience on a platform characterized by visual and short content and dynamics defined by algorithmic recommendations, trending hashtags and challenges. Based on an exploratory search of news media and programmes on TikTok from around the world, we selected 234 accounts and conducted a content analysis of the 19 news media and programmes identified with a verified profile and general thematic scope. The results point to a progressive incorporation of the media since 2019, with the purpose of informing, positioning their brand and adapting to the logic of TikTok in a new approach to journalism for younger generations.


2016 ◽  
Vol 12 (2) ◽  
pp. 261-282 ◽  
Author(s):  
Peter Van Aelst ◽  
Rosa van Santen ◽  
Lotte Melenhorst ◽  
Luzia Helfer

AbstractThis study on the role of media attention for the Dutch question hour answers three questions: to what extent is media attention a source of inspiration for oral parliamentary questions? What explains the newsworthiness of these questions? And what explains the extent of media coverage for the questions posed during the question hour? To address this, we present a content analysis of oral parliamentary questions and related press coverage in five recent years. The results show first that oral questions are usually based on media attention for a topic. Concerns about media influence should however be nuanced: it is not necessarily the coverage itself, but also regularly a political statement that is the actual source of a parliamentary question. The media are thus an important “channel” for the interaction between politicians. Second, our analysis shows that oral questions do not receive media attention naturally. Several news values help to explain the amount of news coverage that questions receive. “Surfing the wave” of news attention for a topic in the days previous to the question hour seems to be the best way to generate media attention.


2021 ◽  
Author(s):  
Katarina Kuruc

An increase in the global circulation of symbolic commodities allows for both new and older forms of mass media to re-construct the ways in which individuals identify with themselves and with their own cultures. The goal of this project was to employ former communist Slovakia as a case study in order to examine the global circulation of symbolic commodities, specifically television programmes. This paper outlines Slovakia's television media structure and its development from the communist era to its current form. Secondly, it employs content analysis and articulation theory as methodologies in order to place Slovakia's television into context with two cultural theory theses; the media imperialism thesis and the globalization thesis. It was found that the [sic] as a result of several historical and political changes, the current conjuncture of Slovakia's television media includes a large number of American entertainment programmes, some domestic productions and a European structure of broadcasting


2021 ◽  
Vol 2 (4) ◽  
pp. 25-33
Author(s):  
Islam Sargi Sargi

After the outbreak of the Syrian war, the armed resistance of the Kurds against the radical Islamists drew considerable attention from across the world. Although the Kurdish movement has a history of forty years of armed fight in the region, especially against Turkey, they gained global fame during the war in Syria. Apart from media attention to the resistance of women, in particular, the establishment of a political system, democratic confederalism, which the world was not familiar with, came to exist in the area liberated from the religious fundamentalists in Syria. The Kurds during the Syrian civil war, on one hand, gained international fame for their fight against the radical Islamists; on the other hand, they put a new theory of governance, democratic confederalism, in practice in northern Syria. This paper seeks to provide a brief review of the theory of democratic confederalism and its practices in Rojava to build an argument regarding its future. This case study aims to explore how and why the theory and practices of democratic confederalism co-exist and which factors may influence the Rojava revolution’s future. This review’s central argument is that while democratic confederalism is a revolution in the field, it is also an experiment whose future depends on how the people will adopt it and how the global and regional powers will approach it.


2019 ◽  
Vol 24 (40) ◽  
Author(s):  
Alberto Semeler ◽  
Marcelo Walter

Gerar dados é uma ação intrínseca da nossa relação cotidiana com o mundo. Nosso contato com os dispositivos tecnológicos digitais está sempre numa lógica binária: transcodificar nossa existência biológica para o código binário gerando um dilúvio de dados. Deste modo, produzimos dados como uma espécie de commodities (matéria prima). Ao produzir dados alimentamos longas cadeias de bases de dados que movimentam nossa cultura digital. Pretende-se analisar como essa profusão de dados pode afetar o pensamento e teorização sobre arte, seja ela digital ou não, bem como, o que fazer com estes dados no plano da arte. Neste sentido, com o uso de métodos computacionais analíticos e quantitativos, oriundos das ciências dos dados, implicam na produção, análise, e teorizações na arte. Nesse contexto, apresentamos como estudo-de-caso uma aplicação que utiliza técnicas de visualização para auxiliar na análise de obras de artistas, temáticas, cores preferidas, bem como de sua trajetória artística.AbstractGenerating data is an intrinsic part of our daily relationship with the world. Our contact with digital technological means is always in a binary logic: transcoding our biological information to the binary code generating a flood of data. This mode, we produce the data as a kind of commodities (raw material). By collecting data they fed the chains of databases that move our digital culture. It is intended to perfect precisely or do not need to know what to do, whether it is digital or not, and what to do with these data in the art plane. In this sense, with the use of analytical and quantitative computational methods, that is, the data of the media, implies in the production, analysis, and theorizations in the art. In this context, we present as a case study an application that uses visualization techniques to aid in the analysis of works by artists, themes, preferred colors, as well as their artistic trajectory


2019 ◽  
Vol 31 (6) ◽  
pp. 1959-1964
Author(s):  
Ali Pajaziti

Tolerance is one of the values that is becoming more and more important in different world agendas, especially at a time when theories of conflicts between cultures, civilizations and religions are being furiously propagated, and when the world is facing a multidimensional crisis. Today, tolerance is needed as air. Its spirit should be distributed in all dimensions of life, it must "be applied as a principle in education; we need to build generations in conjunction with this crucial value. (Yilmaz, 2004: 109) Religious tolerance implies the generosity that one shows to another religion, outside of their own; it is a moral determination to keep the supporters of that religion calm in practicing their spirituality in private and public life, although they may absolutely disagree with it and consider it false faith. (Pohle, 1912) Religion and tolerance are related in both theoretical and practical terms. It has been shown by numerous examples in history, close and distant, as well as by the current situation in global terms. Religious tolerance implies that a person does not discriminate another person’s religious beliefs even though he may think that they are or can be wrong. The tolerant way of thinking based on dialogue reduces the number of dogmatic people among the wits, fanatics and extremists among the believers, and tyrants among the politicians. (Šušnjić, 2004: 1, 7-16) The majority of citizens consider religion as a driving force in the way of creation of a tolerant, multiultural and cohesive society. This paper deals with binom spirituality and tolerance in the North-Macedonian Context. Methods use in the research are descriptive, content analysis, case study etc.


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