Unexpected spaces of confinement: Aversive technologies, intellectual disability, and “bare life”

2017 ◽  
Vol 19 (3) ◽  
pp. 348-365 ◽  
Author(s):  
DL Adams ◽  
Nirmala Erevelles
Keyword(s):  
State Of Exception ◽  
Bare Life ◽  
Giorgio Agamben ◽  
Citizenship Rights ◽  
The Past ◽  
Real Material ◽  
Behavioral Techniques ◽  
The Everyday ◽  
Adults With Intellectual Disabilities

Giorgio Agamben describes the “camp” as the “zone of indistinction between law and violence” where bodies located in exceptional spaces are stripped of citizenship rights and embody “bare life.” We deploy Agamben’s analysis to the context of the everyday violence of aversive technologies meted out against students living at the dangerous intersections of race, class, gender, and disability and located in unexpected spaces of confinement such as schools, developmental centers, and family homes. We argue here that the logic of the “state of exception” applies to disabled children and adults where acts of violence enacted via disciplinary practices are justified as being outside the realm of the legal and subject to sovereign power. The locus of our study is the Judge Rothenberg Center that over the past 40 years has utilized behavioral techniques that have been investigated as abusive and only very recently has been held accountable for these infractions. We examine the discourses used to justify these forms of inhumane punishment as well as the discourses that oppose them to foreground the real material implications of “how we understand the role of systems and institutions of punishment” in unexpected spaces of confinement of children/adults with intellectual disabilities.

scholarly journals Fetishizing Captain America’s sidearm: iconography, exceptionality, and the politics of representing guns

2019 ◽  
Vol 5 (1) ◽  
Author(s):  
Tim Posada
Keyword(s):  
News Media ◽  
Cultural Landscape ◽  
State Of Exception ◽  
Giorgio Agamben ◽  
Captain America ◽  
Fan Communities ◽  
Digital Discourse ◽  
Digital News ◽  
The Times

Abstract In 2007, Captain America, or Cap to his peers, died outside the courthouse where he would answer for leading a band of superheroes against the government’s Superhuman Registration Act in a plot line Fox and Friends took issue with, condemning Marvel Comics for killing Cap “while we’re at war,” referring to President George W. Bush’s war on terror. In 2008, former sidekick Bucky took up the Cap banner. Legacy characters are common in comics, but fans noted an unexpected addition to the costume: a handgun. Cap’s shield, a symbol of defense, now had an offensive accent. News media outlets lauded the new gun as a “sign of the times,” as Rolling Stone said, considering it a critique on the post-9/11 cultural landscape, but fan communities felt uneasy about the decision. The gun’s presence on Bucky Cap’s belt marks a continuous period of exceptionality, the kind Giorgio Agamben warns against in State of Exception. When Bucky’s predecessor would return to the role of Captain America, the sidearm would no longer remain, but the character would confront issues related to guns, and media and fans would once again respond. Even though Cap only encounters guns a few times during the 2010s, reception to these moments is more significant than that of characters who regularly use lethal weapons. Fetishistic emphasis on Captain America’s gun exposes the state of exception inherent in all superhero media, prompting a digital discourse across professional and amateur platforms on gun-related subjects. This project analyzes how superhero media portray gun use and the subsequent reception from both news media and digital fandom. A sampling of comics, television series, and films are textually analyzed, along with digital news media and online fan forums pertaining to those examples.

scholarly journals Estado de exceção como regra: a vida nua sob o “eclipse político” em Giorgio Agamben / State of exception as a rule: the bare life under the "political eclipse" in Giorgio Agamben

Profanações ◽  
2018 ◽  
Vol 5 (2) ◽  
pp. 269
Author(s):  
Maria Do Socorro Catarina de Sousa Oliveira
Keyword(s):  
Social Order ◽  
The State ◽  
State Of Exception ◽  
Sovereign Power ◽  
Bare Life ◽  
Giorgio Agamben ◽  
Homo Sacer ◽  
The Social ◽  
Legal Security ◽  
Original Objective

Um dos temas de maior relevância abordado por Giorgio Agamben diz respeito ao estado de exceção como paradigma político, ou seja, o estado de exceção não se restringe aos Estados totalitários, mas a uma prática governamental que vem se propagando rapidamente, inclusive nas sociedades democráticas. Assim, o presente artigo tem como objetivo analisar, a partir de duas obras que compõem o Projeto Homo Sacer, a saber, Homo Sacer: o poder soberano e a vida nua I (2002), e Estado de Exceção: homo sacer II (2004), os principais elementos que formatam a teoria agambeniana do estado de exceção como paradigma de governo e como o delineamento de suas teses nos permite falar em “eclipse político”, o qual está concretizado na impotência do cidadão diante do poder soberano, a figura híbrida que tem a sua disposição não apenas a máquina governamental, mas o próprio ordenamento jurídico desvirtuado de seu objetivo original de proteção e segurança jurídica para um complexo e malicioso mecanismo de manutenção da “ordem social”. AbstractOne of the most relevant topics addressed by Giorgio Agamben is the state of exception as a political paradigm, that is, the state of exception is not restricted to totalitarian states, but to a government practice that is spreading rapidly, even in democratic societies. Thus, this article aims to analyze, from two works that make up the Homo Sacer Project, namely Homo Sacer: sovereign power and naked life I (2002), and State of Exception: homo sacer II (2004) ), the main elements that form the agambenian theory of the state of exception as a paradigm of government and how the delineation of its theses allows us to speak in "political eclipse", which is concretized in the impotence of the citizen before the sovereign power, the hybrid figure which has at its disposal not only the governmental machine, but the legal system itself distorted from its original objective of protection and legal security for a complex and malicious mechanism of maintenance of the "social order".

scholarly journals Exceção e vida nua: diálogos entre a literatura de Nassar e a de Sófocles / Exception and life nua: dialogues between the literature of Nassar and of Sophocles

Profanações ◽  
2018 ◽  
Vol 5 (1) ◽  
pp. 122
Author(s):  
Elijames Moraes dos Santos
Keyword(s):  
The State ◽  
State Of Exception ◽  
Bare Life ◽  
Giorgio Agamben ◽  
Homo Sacer ◽  
Relationship Of ◽  
The Relationship

Este artigo propõe analisar como as categorias do estado de exceção e da vida nua são dramatizados nos textos Antígona, de Sófocles, e Lavoura Arcaica, de Raduan Nassar. Para alcançar o objetivo estabelecido, consideramos os estudos sobre esses conceitos propostos no projeto Homo Sacer, de Giorgio Agamben (2007; 2014), entre outras fontes que respaldam este estudo. Seguindo a proposta agambeniana, enfatizamos a relação de soberania com o estado de exceção, culminando, muitas vezes na eliminação do vivente. Aspecto este que fica evidente no desenrolar das ações presentes em ambas as narrativas em análise.AbstractThis article proposes to analyze how the categories of the state of exception and bare life are dramatized in the texts Antigone, by Sophocles, and Ancient tillage¸ by Raduan Nassar. To reach the established objective, we consider the studies on these concepts proposed in the project Homo Sacer, by Giorgio Agamben (2007, 2014), among other sources that support this study. Following the Agambenian proposal, we emphasize the relationship of sovereignty with the state of exception, culminating, often in the elimination of the living. This aspect is evident in the unfolding of the actions present in both narratives under analysis.

scholarly journals The Postcolonial Bare Life: Reflections on Agamben and the Coronavirus

2020 ◽  
Vol 12 (5) ◽  
Author(s):  
Vincent Pacheco ◽  
Keyword(s):  
The Philippines ◽  
State Of Exception ◽  
Bare Life ◽  
Giorgio Agamben ◽  
The West ◽  
Post Colonial ◽  
Postcolonial State

The ongoing pandemic has undeniably propagated an atmosphere of paranoia and discontent in both the West and the East, and it is in this context where Giorgio Agamben wrote a brief but controversial article where he argues that this pandemic enables governments to opportunistically decree a state of exception that will lead to tyranny. Critics have generally responded negatively to Agamben’s views, given that this is not the case in the West. It is becoming apparent, however, that the very thing Agamben feared is happening in post-colonial states. In this paper, I look at how the current pandemic enables a postcolonial state like the Philippines to define (or redefine) the notion of life through authoritarian measures as it claims a strong democratic mandate. My reflections on Agamben takes off from Rodrigo Duterte’s national speeches during the pandemic. I aim to show that his manifestly militarized response is a manifestation of the sovereign exception that politicizes and separates zo? (which is mere biological life) from bios (which is livable life that can participate politically), as Agamben might put it. Finally, I offer reflections on how the postcolonial legacy of the Philippines could potentially complicate how we might think about the notion of bare life—a figure that is neither zo? nor bios.

Conclusion

2017 ◽  
Author(s):  
Woojeong Joo
Keyword(s):  
Film Industry ◽  
Social Reality ◽  
Postwar Period ◽  
Social Critique ◽  
Historical Experience ◽  
Japanese Film ◽  
The Past ◽  
The Social ◽  
The Everyday

Conclusion reemphasises the historicity of the everyday in Ozu’s films, which is not a void entity but characterized by various modern subjects – distinguished in class, gender and generation – with conflicting views, the interaction among which changes throughout history. Temporality (permeation of the past into the present) and spatiality (deviation) are also importantly discussed in relation to the working of Ozu’s everyday, especially in the postwar period when historical experience of wartime presents more complex layer of social critique. The role of the Japanese film industry (namely, Shochiku) is reiterated in terms of establishing Ozu’s everyday realism, which is constantly placed in negotiating relationship with the former’s commercial concerns. Lastly, a question is raised about whether Ozu should be regarded as conservative in representing the social reality, for which the particularity of his everyday realism is suggested as an answer.

scholarly journals The cognitive nature of Ukrainian nickname construction

2018 ◽  
Author(s):  
Nataliia Shulska ◽  
Yuriy Hromyk ◽  
Andrii Yavorskyi
Keyword(s):  
Direct Role ◽  
Unusual Event ◽  
The Past ◽  
Local Character ◽  
Public Figures ◽  
The Everyday ◽  
Semantic Associations ◽  
Television Characters ◽  
Everyday Communication

The cognitive nature of Ukrainian nickname constructionThis article is devoted to the study of the cognitive nature of the informal anthroponym creation mechanisms in the everyday communication of Ukrainian speakers. The article traces the role of the associative factors, nominational motives, and cultural, historical and social circumstances that play a direct role in the emergence of informal naming. The article also examines the wide variations in unofficial anthroponyms in spoken Ukrainian, their uniqueness, and their temporal and local character. On one hand, nicknames are not codified. They are prone to variation and susceptible to temporality. On the other hand, they are regulated by certain lexical and word-building norms, as well as custom. It is observed that nicknames reveal both a direct and an indirect (metaphorical) nomination. The article emphasises the cognitive nature of informal names, which is based on a direct or metaphorical resemblance to well-known public figures from the past or present: politicians, actors, artists, musicians, athletes, artists, writers, television characters, etc. Occupations and professions are also analysed as sources of semantic associations which give rise to informal names. It has been revealed that there is a large number of teacher nicknames based on internal associative connections, in which sarcasm is especially expressive. The article also examines the cognitive-axiological mechanisms of nicknames, the emergence of which is associated with an unusual event or a special situation in the life of the named individual. Poznawcza natura tworzenia przezwisk w języku ukraińskimNiniejszy artykuł poświęcony jest badaniu poznawczej natury mechanizmów tworzenia potocznych antroponimów w codziennej komunikacji Ukraińców. Autorzy przedstawiają rolę czynników asocjacyjnych, przyczyny nominacji, uwarunkowania kulturalno-historyczne i społeczne, które bezpośrednio wpływają na pojawienie się potocznego nazewnictwa. Autorzy wskazują również na szeroką różnorodność nieoficjalnych antroponimów w ukraińskim języku mówionym, ich szczególny koloryt, charakter okolicznościowy i lokalny. Z jednej strony przezwiska nie są skodyfikowane, nie podlegają zmianom, nie są podatne na upływ czasu, z drugiej strony są regulowane przez pewne normy leksykalne i słowotwórcze, prawo zwyczajowe. Należy zauważyć, że przezwiska wykazują zarówno bezpośrednią, jak i pośrednią (metaforyczną) nominację. Autorzy podkreślają poznawczą naturę nieoficjalnych nazw, które powstały w oparciu o bezpośrednie lub metaforyczne podobieństwo do innych znanych osób w życiu publicznym kiedyś i obecnie: polityków, aktorów, artystów, muzyków, sportowców, artystów, pisarzy, bohaterów telewizyjnych itp. Przeanalizowano również korzenie i związki semantyczne w nieoficjalnym nazewnictwie, motywowane zajęciem lub profesją ludzi. Stwierdzono, że istnieje duża liczba przydomków nauczycieli, które pojawiły się poprzez wewnętrzną asocjację, w której delikatna natura i sarkazm są szczególnie wyraziste. Zwrócono również uwagę na poznawczo-aksjologiczne mechanizmy pseudonimów, których pojawienie się wiąże się z nietypowym zdarzeniem lub szczególnym przypadkiem w życiu osoby go noszącej.

scholarly journals NALAR POLITIK KEDAULATAN NEGARA-BANGSA DALAM NOVEL LAYALY TURKISTAN KARYA NAJIB AL-KAILANI THE POLITICAL REASON OF THE SOVEREIGNTY OF THE NATION STATE IN THE NOVEL "LAYELY TURKISTAN" BY NAJIB AL-KAILANI

2021 ◽  
Vol 18 (2) ◽  
Author(s):  
Agus Sunarto
Keyword(s):  
Political Philosophy ◽  
State Of Exception ◽  
Material Object ◽  
The Novel ◽  
Sovereign Power ◽  
Bare Life ◽  
Giorgio Agamben ◽  
Cultural Aspects ◽  
Homo Sacer ◽  
Textual Data

Abstrak Penelitian ini mencoba untuk memahami politik kolonial yang dilakukan terhadap bangsa Turkistan dalam novel Nights in Turkistan karya Najib Al-Kailani melalui perspektif filsafat politik Giorgio Agamben. Lokus utama penelitian ini dengan perspektif tersebut mencoba menyibak proses normalisasi paradigma politik kolonial yang terdiri dari kekuasaan berdaulat, state of exception, bare life (ketelanjangan hidup), dan homo sacer. Penelitian ini menggunakan metode kualitatif deskriptif. Metode ini digunakan karena sumber data dalam penelitian ini berupa data tekstual yang terdiri dari kata, kalimat, paragraf dari objek material penelitian. Praktik kolonial yang dijalankan oleh pihak Cina dan Rusia menjadikan bangsa Turkistan mengalami degradasi eksistensinya baik dari aspek sosial, politik, maupun budaya. Karena itu penelitian ini akan menyibak lebih dalam proses kolonial yang dilakukan oleh Cina dan Rusia dari kritik filsafat politik Giorgio Agamben. Hasil penelitian ini menunjukkan bahwa pertama, praktik kolonialisme membawai konsekuensi kekuasaan berdaulat yang mencari legalitas hukum sekaligus penangguhan hukum terhadap aksi koloni; kedua, bangsa Turkistan yang tereduksi dan terdegradasi eksistensinya rentan terhadap tindakan koersif kolonial sehingga mereka tidak memiliki aksesibilas yang sempurna. Kata kunci: State Of Exception, Homo Sacer dan Layaly Turkistan Abstract This paper examines to understand the colonial politics that was carried out against the Turkistan people in Najib Al-Kailani's novel Nights in Turkistan through the framework of Giorgio Agamben's political philosophy. The main focus of this research with this perspective is trying to uncover the process of normalizing the colonial political paradigm, which consists of sovereign power, state of exception, bare life, and homo sacer. This research uses the descriptive qualitative method. This method is used because the data of this research is textual data consisting of words, sentences, paragraphs by the material object. The colonial practices carried out by the Chinese and Russians made the Turkistan nation experience a degradation of its existence from both social, political, and cultural aspects. Thus, this research will reveal more deeply the colonial process carried out by China and Russia than Giorgio Agamben's critique of political philosophy. The results of this study indicate that first, the practice of colonialism carries the consequences of sovereign power seeking legality as well as legal suspension of colony actions; second, the Turkistan peoples who were reduced and degraded in existence were vulnerable to colonial coercive action so that they did not have perfect accessibility. Keyword: State Of Exception, Homo Sacer dan Layaly Turkistan

Immunity, Bare Life, and the Thanatopolitics of Reproduction

2017 ◽  
pp. 105-144
Author(s):  
Penelope Deutscher
Keyword(s):  
The State ◽  
State Of Exception ◽  
Feminist Critique ◽  
Bare Life ◽  
Giorgio Agamben ◽  
The Status

Considers the status of reproduction and abortion for the two leading proponents of the thanatopolitical interpretations of Foucauldian biopolitics: Italian philosophers Giorgio Agamben and Roberto Esposito. Re-evaluates a number of feminist critiques of their work. Argues for a new understanding of abortion, by means not of an application of Esposito and Agamben, but through an ‘inversion’ of some of their resources. For example, the chapter argues for an understanding of politicized abortion in terms of an “inversion’ of a term extensively discussed by Agamben, the state of exception. Proposes this approach as an alternative to other means of feminist critique of these philosophers.

Music and the State of Exception in Alfonso Cuarón’s Children of Men

2013 ◽  
pp. 287-309 ◽  
Author(s):  
Dale Chapman
Keyword(s):  
Digital Media ◽  
Rule Of Law ◽  
The State ◽  
State Of Exception ◽  
Bare Life ◽  
Giorgio Agamben ◽  
The Rule Of Law ◽  
Experience Of Time ◽  
Formal Tool ◽  
Alfonso Cuaron

This article appears in the Oxford Handbook of Sound and Image in Digital Media edited by Carol Vernallis, Amy Herzog, and John Richardson. In Homo Sacer: Sovereign Power and Bare Life, Giorgio Agamben provides an analysis of the “state of exception,” that situation in which the sovereign, in response to crisis, suspends the efficacy of the rule of law. This juridical move has ontological implications, for it also suspends our everyday experience of time. Music, which can emulate the concentrated temporality of the state of exception, offers itself as a powerful formal tool for its cinematic realization. In his 2006 setting of the P.D. James novel Children of Men, Alfonso Cuarón conjures a future dystopia that extrapolates this complicated political terrain. Drawing upon the complex diegetic and non-diegetic soundscape of the film, this discussion outlines the means through which music and sound intensify the filmic depiction of the state of exception.

Postcolonial Aesthetics and Sensuous Geographies in Aruni Kashyap’s The House with a Thousand Stories

2021 ◽  
Vol 13 (3) ◽  
Author(s):  
Ivy Roy Sarkar ◽  
◽  
Rashmi Gaur
Keyword(s):  
Life Stories ◽  
The Body ◽  
The Novel ◽  
Bare Life ◽  
Human Beings ◽  
Hunger Strike ◽  
The Everyday ◽  
Extrajudicial Killings ◽  
The Village

The place is fundamental to our existence; it conforms to the phenomenology of being in the world as we always occupy a place “if not with our minds, then always with our bodies”, to quote Moslund. The role of the senses in knowing the geographies of our existence, form a kind of structuring of space and defining of place. To understand the construction of sensorial-socio-cultural space of Assam at the time of extrajudicial killings that produces a ‘sense of fear’ jeopardizing the everyday negotiations of people inhabit the exceptional zones, this paper takes into account Aruni Kashyap’s debut novel The House with Thousand Stories (2013) that set in Hatimura village of Mayong area and deals with alternate retellings of micro-historical account of Assamese people. The paper dwells upon the artist’s creative response to the Agambenian ‘bare life’ that he associates with ‘bare’ or ‘pure senses’ to cultivate the idea of sensuousness of geography produced through the life stories of people and the interactions between human and non-human beings. Like Manipuri mother’s Naked March in front of Kangla Fort and Irom Sharmila’s sixteen years-long hunger strike that can be looked at as the metaphor for staging the ‘bare life’ against the body polity of the state, the sensual dimension of the geographic experience of Pablo, the narrator of the novel, in the village helps to understand the spaces of difference in the time of conflict.

Sign in / Sign up

Export Citation Format

Share Document