Scottish Transnational Discourse of the Great War: A Genealogy of Eric Bogle’s “And the Band Played Waltzing Matilda” and Hugh MacDiarmid’s “At the Cenotaph”

2018 ◽  
Vol 19 (5) ◽  
pp. 323-331
Author(s):  
J. Rubén Valdés Miyares

A comparison of a 1971 popular song, Eric Bogle’s “And the Band Played Waltzing Matilda” with a 1935 poem, Hugh MacDiarmid’s “At the Cenotaph,” enables this article to produce a transnational, trans-genre and trans-historical discourse analysis of memories of the Great War of 1914-1918. While an ethonosymbolic approach allows for the discovery of resemblances and continuities, Nietzschean genealogy criticizes such monumental, associative views of the past and focuses instead on the casual connections between disperse moments in time. Critical discourse analysis, in turn, offers a possible synthesis by distinguishing historical narrative structures, cultural practices (the Anzac parades and cenotaphs to honor the heroic dead), and textual events, in this case the satirical representation of the Great War in later song and poetry.

Pragmatics ◽  
2021 ◽  
Author(s):  
Mohammed Nahar Al-Ali ◽  
Hanan A. Shatat

Abstract The purpose of this study is to investigate the differences and similarities between Arabic and English parents’ role in Arabic and English parenting website texts and the linguistic exponents used to address parents and signal their roles, and to find out the socio-cultural ideologies that have given rise to variations in gender roles. To this end, a corpus of 40 articles targeting gender-neutral titles and father related ones were selected equally from English and Arabic websites. Drawing on Van Leeuwen’s (2008) framework on critical discourse analysis (CDA) and Sunderland’s (2000, 2006) framework of analysis, the data were analysed and contrasted. The English texts reflected the prevalence of ‘shared parenting’ discourse, whereas the Arabic ones revealed a ‘very traditional parenthood’ discourse. These differences can be attributed to variation in the socio-cultural practices dominant in Arab and Western societies. Such findings will hopefully provide some useful insights for family life educators and parents who resort to such websites.


2021 ◽  
Vol VI (II) ◽  
pp. 1-12
Author(s):  
Muhammad Ahsan ◽  
Shahid Nawaz ◽  
Muhammad Asif

The objective of this work was to utilize the critical discourse analysis in the reporting and coverage of Indo-Pak relations from an ideological perspective after 9/11. The critical discourse analysis of local, international, and business news, editorials, articles, columns, and letters to the editor published in Nawa-i-Waqt, a Pakistani Urdu Newspaper, is carried out. The overall purpose of the study was to critically analyze lexical choices, rhetorical devices and the dominant themes reported after 9/11 from August 1st, 2008 to January 31, 2009, the peak time of terrorist attacks in Pakistan. In the present study, it has been noticed that the Urdu newspaper Nawa-i-Waqt reports and publishes more news, editorials, columns, and articles regarding this hot aspect. The CDA of lexical items reported and published in the daily Nawa-i-Waqt revealed the use of victimization and generalization in the coverage of Indian Occupied Kashmir. Similarly, Nawa-i-Waqt newspaper also exclusively focused and reported the historical narrative of the government of Pakistan and its efforts to convey the frightful condition of Kashmir and Kashmiris to the nations of the world and engage them to resolve this longstanding dispute.


2021 ◽  
Vol 15 (3) ◽  
pp. 107-125
Author(s):  
Idalia Nuñez ◽  
Suzanne García-Mateus

In U.S. schools, educators are often regarded as knowledge producers and sole pedagogues, whereas parents (particularly of Color) are perceived as not engaged or interested in their child(ren)'s education (Colgrove, 2019; Nuñez, 2019; Ramirez, 2020). These negative stereotypes and white-centered discourses sustain raciolinguistic perspectives (Rosa & Flores, 2017) of families of Color and immigrant backgrounds. For the present study, we employed critical discourse analysis to explore why and how Mexican mothers raise bilingual children by examining how their experiences inform us about their powerful roles as critical translanguaging pedagogues. Drawing on border thinking and pedagogy of border thinking, the findings revealed two main themes: (1) how mothers recognize and draw on the ruptures of cultural and linguistic worlds, and (2) how they sustain language through family and cultural practices. Lastly, we share implications for educators, teacher educators, and policymakers.


2018 ◽  
Vol 4 (1) ◽  
pp. 37
Author(s):  
Akhirul Annas ◽  
Rana Akbari Fitriawan

AbstrakLine Today merupakan fitur agregator berita yang terdapat dalam aplikasi Line Messenger. Salah satu berita yang dijadikan Line Today sebagai highlights pada bulan September 2017 lalu adalah kasus tarung gladiator di kalangan pelajar. Penelitian ini bertujuan untuk mengetahui bagaimana wacana kekerasan dikemas dalam pemberitaan tarung gladiator pada Line Today dengan menggunakan analisis wacana kritis Norman Fairclough untuk menganalisis teks, praktik produksi teks, dan praktik sosial budaya. Dalam penelitian ini digunakan metode kualitatif yang memusatkan perhatian pada prinsip-prinsip umum yang mendasari perwujudan sebuah makna dari gejala-gejala sosial di dalam masyarakat dengan menggunakan paradigma kritis. Paradigma ini memandang bahwa bahasa tidak hanya sebagai alat untuk memahami realitas objektif belaka, tetapi perlu melihat maksud-maksud dari wacana tertentu. Paradigma kritis jauh lebih meneliti aspek sosial, sejarah, dan budaya dari wacana tersebut. Hasil penelitian menunjukkan bahwa Line Today memilih enam berita dari media Kumparan.com, Liputan6.com, dan Okezone.com untuk merekonstruksi kekerasan dalam kasus tarung gladiator di kalangan pelajar. Bahasa yang digunakan dalam teks berita dikemas secara ringan, singkat, dan mudah dipahami oleh generasi milenial.Kata Kunci: Kekerasan, Line Today, Media, Norman Fairclough AbstractLine Today is a news aggregator feature contained in the Line Messenger app. One of the news that Line Today made as highlights in September 2017 was the gladiator fight case among teenage students. This study aims to find out how the discourse of violence is packed in the news gladiator fight on Line Today by using critical discourse analysis Norman Fairclough to analyze text, text production practices, and socio-cultural practices. It used qualitative methods to analyze the meaning of social phenomenon based on critical paradigm. The paradigm noted that language is not only a tool for understanding reality, but it is necessary to look at the intentions of a particular discourse. It used to explore social, historical, and cultural aspects of the discourse. The research shows that Line Today chose six news from media Kumparan.com, Liputan6.com, and Okezone.com to reconstruct the violence in the case of ‘tarung gladiator’ among teenage students. The language used in the news text is lightly packed, short, and easily understood by millennials generation.Keywords: Line Today, Media, Norman Fairclough, Violence 


2020 ◽  
Vol 18 (1) ◽  
pp. 66-76
Author(s):  
Masitoh Masitoh

Abstract   The basic understanding of critical discourse analysis is that discourse is not only  understood as an object of language study. Language in the analysis of critical discourse in addition to the text also in the context of language as a tool that used for specific purposes and practices in the scope of setting, situation, history, power, and ideology. The Context is everything outside of the language itself. The main purpose of critical discourse analysis is to reveal the blur in discourse. To analyze the critical discourse, there were several approaches presented by experts, as follow; First, Norman Fairclough's approach produces a three-dimensional framework in understanding and analyzing discourse, namely the dimensions of discourse as text, discourse as discursive practice, and discourse as social practice by utilizing semiotics. Second, the approach to critical discourse analysis offered by Van Leeuwen centers on describing social actors in discourse and explaining how social actors were represented in a text. Third, Van Dijk's discourse analysis approach assembles sociocognitive ideologies, so that critical discourse analyzers could reveal ideologies hidden behind the text. Fourth, Wodak proposes a historical-discourse approach, which always integrates analysis of the historical context into the interpretation of discourse. While the fifth, Sara Mills’ approach emphasizes how women who were always marginalized were displayed in the text.


2014 ◽  
Vol 10 (2) ◽  
pp. 195-221 ◽  
Author(s):  
Lourdes Peroni

AbstractThis paper critically examines the ways in which the European Court of Human Rights represents applicants' religious and cultural practices in its legal discourse. Borrowing tools from critical discourse analysis and incorporating insights from the anti-essentialist critique, the paper suggests that the Court has most problematically depicted the practices of Muslim women, Sikhs and Roma Gypsies. The analysis reveals that, by means of a reifying language, the Court oftentimes equates these groups' practices with negative stereotypes or posits them as the group's ‘paradigmatic’ practice / way of life. The thrust of the argument is that these sorts of representation are problematic because of the exclusionary and inegalitarian dangers they carry both for the applicants and for their groups. In negatively stereotyping applicants' practices and in privileging certain group practices over others, these types of assessment underestimate what is at stake for the applicants and potentially exclude them from protection. Moreover, these types of reasoning risk sustaining hierarchies across and within groups. The paper concludes by sketching out an approach capable of mitigating stereotyping and essentialising risks.


2019 ◽  
Vol 4 (2) ◽  
Author(s):  
Sri Sugiharti

Local culture is commonly used to characterize the experience of everyday life in specific, identifiable localities. It reflects ordinary people's feelings of appropriateness, comfort, and correctness—attributes that define personal preferences and changing tastes. The socio-cultural of Javanese especially in Jatilawang Banyumas. Through the trilogy of “Ronggeng Dukuh Paruk”. Through its discursive strategies, the text presents that the cultural life of Javanese people at that time is mostly influenced by Hinduism. In economic side, Javanese people generally work in farming field. Meanwhile, the cultural condition indicates the pluralistic life of Javanese community. The present research’s effort is to examine the representation of Javanese local culture in an old text entitled “Ronggeng Dukuh Paruk”. Framed generally by CDA (Critical Discourse Analysis) theory and method, and particularly DHA (Discourse Historical Approach), the examination is focused on observing the five discursive strategies in micro- analysis under DHA, which includes strategies of nomination, predication, argumentation, perspectivation, and mitigation. The discussion also highlights the socio-cultural background of Javanese people in that period to see its influence on the content of the text itself. Thus, the integration of two disciplinaries of historical study and linguistics is well-achieved.Keyword: historical discourse analysis, local culture, first book triogy “Ronggeng Dukuh Paruk”.


2019 ◽  
Vol 16 (1) ◽  
pp. 77-92
Author(s):  
Nelda Sari Siregar ◽  
Else Liliani

  The purpose of the study was to describe the dimensions of the text, the practice of discourse, socio-cultural practices, and the ideological formations in the short stories that face imagined on porridge plates. The theory used is the theory of sociology of Gramsci hegemony. The method used is a qualitative method with the Fairclough model of critical discourse analysis techniques. The results of the study are a form of hegemony when traditional markets turn into modern markets and make people have a consumptive lifestyle. The author expresses his criticism of the current phenomenon subtly with the symbol of genderuwo which has greed and hegemonic character. Genderuwo is represented as a capitalist system which is currently controlling society. The form of ideological formation in the form of authoritarianism-capitalism and humanistic-mysticism. There are groups of hegemony, pro-hegemony, and groups of counter-hegemony. The hegemony group is the main actor in the occurrence of hegemony (the dominant group), while the pro-hegemony group is a figure who supports the occurrence of hegemony, the counter-hegemony group consists of people who oppose the occurrence of hegemony (cultural rise).


2018 ◽  
Vol 9 (2) ◽  
pp. 15
Author(s):  
Abas Fauzi

<h1 align="center">ABSTRACT</h1><p><em>This research discusses how advertising producers provide a new formula </em><em>for men nowdays</em><em>. Through </em><em>such as </em><em>advertising, manufacturers are trying to create a standard male </em><em>nowdays</em><em> </em><em>with efforts of disciplining the body. Pond's Mens </em><em>it self</em><em> always bring up the ad with a new concept when they put out a new product variant. The man of today is a manifestation of cooperation between the pond's makes Rio Dewanto as a brand ambassador. This research uses critical discourse analysis</em><em>,</em><em> model which Norman Fairclough classifies three dimensions of discourse consisting of text</em><em>,</em><em> discourse practices</em><em> and </em><em>socio cultural practices. The dimensions of the text simultaneously has three functions, namely the representation, relationships, and identity. The results showed that the ads were shown to men as a disciplinary body's efforts. In addition, this commercial bias occurs in practice meaning between scenes in the ad with the discourse of the present </em><em>men</em><em>.</em><em></em></p><p><strong>Keywords</strong>: <em>Discourse analysis, Pond's Men advertising, advertising in gender</em></p><p> </p><h1 align="center"> </h1>


2020 ◽  
Vol 4 (2) ◽  
pp. 191-198
Author(s):  
Didin Nuruddin Hidayat ◽  
◽  
Desruinova Kusuma ◽  
Alek Alek ◽  
Maya Defianty ◽  
...  

Through advertisements aired on television, electronic media, online, and printed media, it is easy for the public to obtain product information from various brands displaying attractive images, visuals, and texts. Indeed, the most significant influence in advertising is the use of text that can change potential consumer communities' perceptions and perspectives. The study aims to analyze the advertisement of two competing brands' advertisement of beauty products in gaining sympathy from the potential public customers. Despite the fact that some research studies have attempted to reveal the beauty advertisements' ideology from a Critical Discourse Analysis perspective, little has been done to uncover the comparative studies on local and international beauty products. To obtain the data, this study examined the advertisements of two competing beauty products that have been displayed on online media (YouTube). These advertisements were analyzed by using Critical Analysis (CDA) by Norman Fair Clough. CDA was divided into three interrelated dimensions: texts, discourse practices, and socio-cultural practices. The findings revealed that the texts in the advertisements were formulated in such a way to persuade and attract the sympathy of potential buyers. In addition, the texts were also created by elevating existing realities and shaping certain realities in society so that the advertisements achieved the ultimate goal of reaching the sympathy of the potential buyers.


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