Economic security in Southeast Asia: An introduction

2021 ◽  
pp. 205789112110531
Author(s):  
Alan Chong
Keyword(s):  
Special Section ◽  
Free Trade Agreements ◽  
Economic Security ◽  
First Century ◽  
Gender Inequalities ◽  
The Usa ◽  
The Subject ◽  
And Gender ◽  
Zero Sum ◽  
National Governments

The subject of economic security has always been bandied about in academic discourse since the emergence of an interconnected world economy. With ASEAN states getting increasingly enmeshed in free trade agreements, and common market like arrangements, it is imperative to explore what economic security means for national governments today. The shocks of the 2017-20 Donald Trump presidency of the USA and the COVID-19 pandemic impart timely momentum for inquiring after economic security. If the USA currently embodies the idea of zero-sum economic logics as the way forward into the twenty first century, it becomes even more urgent that Asians re-examine the degrees of openness needed to sustain growth and prosperity. Contributors to this Special Section will not only examine government-to-government trade interactions, the prospects of Islamic Finance and gender inequalities will also be analysed in terms of how they can make or break conventional notions of economic security.

scholarly journals Dapper dudes: an exploration of young men's fashion consumption and conceptions of masculinity

2021 ◽  
Author(s):  
Dylan Martin
Keyword(s):  
Generation Y ◽  
Real World ◽  
Lived Experiences ◽  
Gender Norms ◽  
First Century ◽  
Fashion Industry ◽  
The Subject ◽  
Media Reports ◽  
And Gender ◽  
Depth Interviews

If sensationalized media reports are any indication, the men’s fashion industry has entered into an exciting phase of expansion and evolution. As the market diversifies to become increasingly vibrant and varied, prominent ready-to-wear labels continue to showcase evermore divergent and gender-blurring designs in what is celebrated as an anything-goes period in menswear. To examine whether these clothing trends and industry transitions have lasting real world implications, this research seeks to give voice to fashion-conscious male consumers - the subject of scarce qualitative scholarship. Insights gleaned from 20 in-depth interviews with young Canadian men point to contemporary shifts not only in shopping habits and tastes, but also in hegemonic masculinity. Responding to romantic assertions that there are “no rules” in twenty-first century fashion, findings examine the extent to which long withstanding Western menswear conventions prevail. Through illuminating the lived experiences of sartorially savvy males aged 19 to 29, this study uncovers how Generation Y men navigate gender norms and expectations while crafting an idiosyncratic sense of style. Ultimately, this research enriches existing industry and theoretical understandings of how young men approach fashion.

Dropkin, Celia (1887–1956)

2018 ◽  
Author(s):  
Agnieszka Legutko
Keyword(s):  
Short Stories ◽  
Gender Roles ◽  
First Century ◽  
Cultural Stereotypes ◽  
Modernist Poetry ◽  
Artistic Creativity ◽  
Men And Women ◽  
The Social ◽  
The Usa ◽  
And Gender

Celia Dropkin, one of the greatest yet lesser-known Yiddish poets, revolutionized modern Yiddish poetry with her pioneering exploration of gender dynamics. Bold erotic motifs in Dropkin’s poetry shocked her contemporaries, while her poems, written mostly in the 1920s and 1930s, sound au courant in the twenty-first century. In her poetry, Dropkin addressed themes such as sexuality, love, artistic creativity, motherhood, and nature — as well as domination and sexual politics in man-woman relationships. Born in Bobruisk, Belarus as Tsilye Levin, she wrote her first poems in Russian at the age of 10. After her immigration to the USA in 1912, she began writing in Yiddish, making her literary debut in 1918. She was affiliated with modernist groups formed by Yiddish poets in America, such as Di Inzikhistin [Introspectivists] and Di Yunge [The Young]. During her lifetime, she published only one volume of poetry, In heysn vint. Her children reissued the volume after her death, updating it to include her short stories and reproductions of paintings that she created later in life. Dropkin’s modernist poetry shattered cultural stereotypes about the social and gender roles imposed on men and women, making her a path-breaking poet who ‘filled the stillness of Yiddish poetry with a passionate breath’ (Yakov Glatshtayn).

Women, Gender, and Medieval Historians

2013 ◽  
Author(s):  
Judith Bennett ◽  
Ruth Karras
Keyword(s):  
Sixteenth Century ◽  
The State ◽  
First Century ◽  
Feminist Scholarship ◽  
Gender History ◽  
Women And Gender ◽  
Medieval Women ◽  
The Subject ◽  
And Gender ◽  
Emerging Topics

This essay sets out the history and historiography of medieval women and gender as it stands in the second decade of the twenty-first century. It begins with a long view, tracing how approaches to medieval women have developed and changed from the sixteenth century to the twentieth. It then focuses on how feminist scholarship on the subject has developed since the 1970s. The essay addresses the importance of both women’s history and gender history; discusses topics explored and consensus conclusions; describes major debates in the field; and signals emerging topics and areas hitherto neglected. A summation of the state of the field, it both surveys what has been done to date and looks to what might be done in the future.

scholarly journals The conundrums of formal and informal meritocracy: dealing with gender segregation in the academy

2021 ◽  
Author(s):  
Stina Powell ◽  
Seema Arora-Jonsson
Keyword(s):  
Socioeconomic Position ◽  
Minority Groups ◽  
Gender Segregation ◽  
Gender Inequalities ◽  
Education Programs ◽  
Gender Balance ◽  
Fair Principles ◽  
The Subject ◽  
And Gender ◽  
The University

AbstractDespite the academy’s commitment to the idea of meritocratic and fair principles in recruitments, promotions, student admissions and progress, gender segregation and gender inequalities continue to trouble universities worldwide. Through case-studies of two education programs at a Swedish university, we investigate how processes of formal merit, both formal (required for admission such as high grades) and what we identify as informal merit (needing to act in particular ways once admitted) work to obviate or reproduce gender-segregation. We analyze how everyday gendering processes in the classroom play a central role in what gets constructed as merit. Changing notions of merit during the period of study can hamper possibilities for ending gender segregation in HE or open up for ways to circumvent it. We show that a complex and ongoing construction of informal merit can restrain students from minority groups (in relation to gender, but also ethnic background, socioeconomic position, or sexuality) to enter, and importantly, remain in the program. At the same time, new ways of addressing the subject itself provides potential openings. We argue that in order to achieve gender balance at universities, it is urgent to understand how informal and formal merit interplay once students have joined the university and importantly also when they have made the leap and broken with gender segregated education choices.

scholarly journals Dapper dudes: an exploration of young men's fashion consumption and conceptions of masculinity

2021 ◽  
Author(s):  
Dylan Martin
Keyword(s):  
Generation Y ◽  
Real World ◽  
Lived Experiences ◽  
Gender Norms ◽  
First Century ◽  
Fashion Industry ◽  
The Subject ◽  
Media Reports ◽  
And Gender ◽  
Depth Interviews

If sensationalized media reports are any indication, the men’s fashion industry has entered into an exciting phase of expansion and evolution. As the market diversifies to become increasingly vibrant and varied, prominent ready-to-wear labels continue to showcase evermore divergent and gender-blurring designs in what is celebrated as an anything-goes period in menswear. To examine whether these clothing trends and industry transitions have lasting real world implications, this research seeks to give voice to fashion-conscious male consumers - the subject of scarce qualitative scholarship. Insights gleaned from 20 in-depth interviews with young Canadian men point to contemporary shifts not only in shopping habits and tastes, but also in hegemonic masculinity. Responding to romantic assertions that there are “no rules” in twenty-first century fashion, findings examine the extent to which long withstanding Western menswear conventions prevail. Through illuminating the lived experiences of sartorially savvy males aged 19 to 29, this study uncovers how Generation Y men navigate gender norms and expectations while crafting an idiosyncratic sense of style. Ultimately, this research enriches existing industry and theoretical understandings of how young men approach fashion.

scholarly journals Between Secularity and Post-Secularity: Critical Appraisal of Charles Taylor's Account

2019 ◽  
Vol 79 (2) ◽  
pp. 411-423 ◽  
Author(s):  
Bojan Žalec
Keyword(s):  
Final Section ◽  
Critical Appraisal ◽  
Special Section ◽  
Global Scale ◽  
The Past ◽  
The Usa ◽  
The Subject ◽  
Secular Age ◽  
Definition Of ◽  
Narrative Account

The article deals with Charles Taylor's account of the secular age. In the first part, the main constituents of Taylor's narrative account are presented: the central concepts, distinctions, definition of the subject, the aims etc. The author pays special attention to the notions of secularity, secular age, religion, and transcendence. In the second part, Taylor's genealogy of the secular age is outlined and comparatively placed in the context of other main relative forms of genealogical account. Because our age is an age of authenticity, a special section is devoted to it. The final section presents some reproaches to Taylor and evaluates their strength and the value of Taylor's contribution. Besides, some speculative »forecasts« about secularity and post-secularity in Europe, the USA, and at the global scale are presented (by reference to Taylor's account). The author concludes that despite some (serious and cogent) reproaches and second thoughts about Taylor's account, it is doubtless one of the major achievements in the area that manifests features of a paradigmatic work. It helps us a lot to understand the condition of religion not only in the past and today, but also gives us directions and guidelines, conceptual and methodological tools, and ideas to more clearly discern the forms and condition of religion in the future.

scholarly journals “I serve therefore I am”: Youth and Generative Politics in India

2014 ◽  
Vol 56 (4) ◽  
pp. 967-994 ◽  
Author(s):  
Craig Jeffrey ◽  
Jane Dyson
Keyword(s):  
Field Research ◽  
Community Activism ◽  
Gender Inequalities ◽  
Academic Literature ◽  
Patronage Politics ◽  
And Gender ◽  
Zero Sum ◽  
Youth Community ◽  
New Generation ◽  
The Village

AbstractThis paper uses qualitative research in Uttarakhand, India to highlight the vitality of civil society and the involvement of young people in everyday “civic” politics. Much recent academic literature emphasizes the ubiquity of narrowly self-interested patronage politics in South Asia, Africa, and Latin America, as captured in the saying sometimes attributed to politicians in Cameroon: “I graze therefore I am.” But in specific moments or conjunctures, more “civic” forms of politics come to light, perhaps especially among youth. Building on intensive, qualitative field research, we show that a new generation of educated, underemployed youth in the village of Bemni serve their community in key ways. They also make strong arguments about the nature of “politics” and how it might be re-imagined as “generative”—concerned with building resources—rather than “allocative”—a zero-sum game of competition for power. We draw attention to the potentials of this practice and discourse of politics as well as its limits, particularly that it is dominated by young men and tends to reproduce caste and gender inequalities. We also call for more concerted study of youth community activism in contexts of predatory clientelism.

SENSITIVITAS ETIS MAHASISWA ATAS PENGGELAPAN PAJAK

2017 ◽  
Vol 8 (2) ◽  
pp. 178-195
Author(s):  
Nurma Risa
Keyword(s):  
Tax Evasion ◽  
Female Students ◽  
T Test ◽  
Study Program ◽  
Male And Female ◽  
Political Sciences ◽  
Significant Difference ◽  
The Subject ◽  
And Gender ◽  
Management Students

This study aims to prove that there is a difference of perception about ethics on tax evasion in UNISMA Bekasi students, based on selected study program and gender. The sample of this research is the students who have fulfilled the subject of taxation, at the Faculty of Economics (FE) and Faculty of Social and Political Sciences (FISIP). Using independent t-test, the results showed that there was no significant difference of perception about tax evasion ethics between FE and FISIP students. But significant differences the perception of tax evasion ethics occur between accounting and management students at FE. Significant differences also did not occur between male and female students

Diaghilev and British Writing

2009 ◽  
Vol 27 (1) ◽  
pp. 65-92
Author(s):  
Susan Jones
Keyword(s):  
Visual Arts ◽  
The Body ◽  
The Novel ◽  
Literary Responses ◽  
Literary Aesthetics ◽  
Ballets Russes ◽  
The Arts ◽  
The Subject ◽  
And Gender ◽  
Opening Up

This article explores the diversity of British literary responses to Diaghilev's project, emphasising the way in which the subject matter and methodologies of Diaghilev's modernism were sometimes unexpectedly echoed in expressions of contemporary British writing. These discussions emerge both in writing about Diaghilev's work, and, more discretely, when references to the Russian Ballet find their way into the creative writing of the period, serving to anchor the texts in a particular cultural milieu or to suggest contemporary aesthetic problems in the domain of literary aesthetics developing in the period. Figures from disparate fields, including literature, music and the visual arts, brought to their criticism of the Ballets Russes their individual perspectives on its aesthetics, helping to consolidate the sense of its importance in contributing to the inter-disciplinary flavour of modernism across the arts. In the field of literature, not only did British writers evaluate the Ballets Russes in terms of their own poetics, their relationship to experimentation in the novel and in drama, they developed an increasing sense of the company's place in dance history, its choreographic innovations offering material for wider discussions, opening up the potential for literary modernism's interest in impersonality and in the ‘unsayable’, discussions of the body, primitivism and gender.

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