scholarly journals „Jesteśmy wspólnikami”: Korespondencja João Guimarãesa Rosy z tłumaczami

2019 ◽  
Vol 25 (44) ◽  
pp. 117-136
Author(s):  
Adam Elbanowski
Keyword(s):  
20Th Century ◽  
Main Theme ◽  
Translation Strategies ◽  
Joao Guimaraes Rosa ◽  
The Devil ◽  
Insight Into

“Yes, We Are Partners”: Correspondence of João Guimarães Rosa with his Translators In the article I present the correspondence of João Guimarães Rosa with his German, Spanish, Italian, French and American translators. The case of this most outstanding Brazilian novelist of the 20th century is special, because he was a polyglot and he actively participated in the process of translating his works. The main theme of the letters is the translation of his masterpiece, the writer’s only novel – Grande Sertão: veredas (The Devil to Pay in the Backlands). This correspondence provides an insight into the poetics of the Brazilian writer and his theory of translation, shows specific relations connecting him with his translators, and also reveals various translation strategies used by Guimarães Rosa’s translators.

scholarly journals Um olhar sobre a ficção animalista de João Guimarães Rosa: devires e metamorfoses / The Animal Fiction of João Guimarães Rosa at a Glance: Becomings and Metamorphoses

2020 ◽  
Vol 25 (2) ◽  
pp. 99
Author(s):  
Márcia Seabra Neves
Keyword(s):  
Short Stories ◽  
20Th Century ◽  
Human Behavior ◽  
Human Interaction ◽  
Critical Reading ◽  
Joao Guimaraes Rosa ◽  
Fiction Writers ◽  
Animal Presence ◽  
Insight Into

Resumo: Nas últimas décadas, a inscrição do animal na literatura tem assumindo novos contornos e complexidades, assistindo-se à emergência de uma zooliteratura fundada numa apreensão inédita da animalidade e no trespassamento das fronteiras entre o humano e o não humano. Cada vez mais, os escritores têm multiplicado as tentativas de encenar, por procuração ficcional, novas formas de interação com o animal, seja pela via do compartilhamento de sentidos e afetos, seja pela dos devires e metamorfoses. Neste contexto, a ficção animalista do escritor brasileiro João Guimarães Rosa, um dos maiores animalistas do século XX, constitui um paradigma modelar da figuração literária do animal, visto e escrito, não como simples constructo teórico-ficcional, mas antes como sujeito dotado de uma subjetividade própria e capaz de um olhar interrogante e judicativo sobre o Homem. É o que se tentará demonstrar, neste trabalho, através da leitura crítica de três dos seus contos: “O burrinho pedrês” e “Conversa de bois”, de Sagarana (1946), e “Meu tio o Iauaretê”, de Estas estórias (1969).Palavras-chave: animal; humano; interação; compartilhamento; devir; metamorfose.Abstract: Over the last decades, animal presence in literature has taken on new forms and disclosed new complexities, giving rise toa zooliterature founded upon a renewed insight into animality and the trespassing of the frontiers separating humans and non-humans. Writers have progressively multiplied attempts to enact, through fiction, new forms of interaction with the animal, either through sharing of meaning and affection, or through becoming and metamorphosis. In this context, the Brazilian writer João Guimarães Rosa’s animal fiction, one of the most remarkable 20th century animalist fiction writers, offers a perfect paradigm of the literary figuration of the animal, both seen and written, considered not as a mere theoretical and fictional artifact, but rather as a subject invested with its own ontology and capable of interrogating and judging human behavior. This is the argument we will seek to demonstrate in this article through the critical reading of three of Rosa’s short stories: “O burrinho pedrês” and “Conversa de bois”, included in Sagarana (1946), and “Meu tio o Iauaretê”, from Estas estórias (1969).Keywords: animal; human; interaction; sharing; becomings; metamorphosis.

Folklorism and the Chronotope in the Works of Komitas

10.34690/03 ◽  
2019 ◽  
pp. 166-175
Author(s):  
А.И. Демченко
Keyword(s):  
20Th Century ◽  
National Character ◽  
Early 20Th Century ◽  
Deep Insight ◽  
Time And Space ◽  
Artistic Value ◽  
Perception Of Time ◽  
The Times ◽  
Insight Into

Будучи одним из самых самобытных музыкантов начала ХХ века, Комитас претворил в своем искусстве ряд характерных для этого времени художественных идей, наиболее примечательные из которых связаны с музыкальным фольклоризмом и с понятием хронотопа. Блистательное композиторское мастерство Комитаса выводило его очень далеко за пределы привычных представлений о жанре фольклорной обработки. Глубокое проникновение в дух и законы родной музыкальной речи позволяло ему широко применять методы полифонической обработки народных мелодий, активно развивать фактуру сопровождения, которая в ряде случае приобретала самостоятельную художественную ценность. Самобытность песен и хоров Комитаса в ряде случаев определяется связью с восточным миросозерцанием, для которого в сравнении с европейским менталитетом характерно особое восприятие времени и пространства. При этом наибольший интерес представляют те образцы, где раскрывается сопричастность к категориям всеобщей материи и вечности. Особенно широко представлено в творчестве Комитаса погружение в природную сферу с растворением в ней человеческого начала. Восхождение к надвременным категориям композитор чаще всего совершает, когда делает основой сочинений фольклорные мелодии, пришедшие из толщи времен и запечатлевшие в себе устойчивые, коренные черты народного характера. Особым достижением Комитаса является то, что он не ограничивается претворением пантеистического и надвременного как отдельных сущностей. В ряде сочинений композитор дает их в соединении, чему опять-таки способствовали особенности восточного понимания хронотопа. Being one of the most original musicians of the early 20th century, Komitas has put into his art a number of typical for this time of artistic ideas, the most notable of which are associated with the musical folklorism and with the concept of the chronotope. His brilliant compositional skills took him far beyond the usual ideas about the genre of folklore processing. A deep insight into the spirit and laws of his native musical speech allowed him to widely apply the methods of polyphonic processing of folk melodies, actively develop the texture of accompaniment, which in some cases acquired an independent artistic value. The identity of Komitass songs and choirs is in some cases determined by the connection with the Eastern worldview, which is characterized by a special perception of time and space in comparison with the European mentality. At the same time, the most interesting are the samples, which reveal participation in the categories of universal matter and eternity. Especially widely represented in the works of Komitas deep immersion in the natural sphere with the dissolution of the human principle in it. The ascent to supra-temporal categories the composer often does, when making the basis of the works of folk tunes, came from strata of the times and depicting in a sustainable, indigenous features of the national character. A special achievement of Komitas is that it is not limited to the implementation of the pantheistic and supra-temporal as separate entities. In a number of works the composer gives them in conjunction, which again contributed to the features of the Eastern understanding of the chronotope.

Fernando Ortiz on Afro-Cuban Music

2017 ◽  
Author(s):  
Robin Moore
Keyword(s):  
20Th Century ◽  
Latin American ◽  
New World ◽  
Academic Career ◽  
Academic Literature ◽  
Fernando Ortiz ◽  
Cuban Studies ◽  
First Time ◽  
American Authors ◽  
Insight Into

Fernando Ortiz is recognized today as one of the most influential Latin American authors of the 20th century. Amazingly prolific, his publications written between the 1890s and the mid-1950s engage with a vast array of subjects and disciplines. Perhaps Ortiz’s most significant accomplishments were the creation of the field of Afro-Cuban studies and major early contributions to the emergent field of Afro-diasporic studies. Almost everyone else associated with similar research began their investigations decades after Ortiz and in dialogue with his work. Ortiz was one of the first to seriously examine slave and post-abolition black cultures in Cuba. His studies became central to new and more positive discourses surrounding African-derived expression in the mid-20th century that embraced it as national expression for the first time in Latin America. This essay considers Ortiz’s academic career and legacy as regards Afro-Cuban musical study beginning in the early 20th century (when his views were quite dated, even racist) and gradual, progressive changes in his attitudes. Ortiz’s work on music and dance have been underrepresented in existing academic literature, despite the fact that most of his late publications focus on such topics and are considered among his most valuable works. His writings on black heritage provide insight into the struggles within New World societies to overcome the racial/evolutionist ideologies that justified colonial subjugation. His scholarship resonates with broader debates throughout the Americas over the meanings of racial pluralism and the legacy of slavery. And his changing views over the years outline the trajectory of modern Western thought as regards Africa and race, specifically the contributions of Afro-diasporic peoples, histories, and cultures to New World societies.

scholarly journals Italian Rationalist Design: Modernity between Tradition and Innovation

Arts ◽  
2019 ◽  
Vol 8 (1) ◽  
pp. 27
Author(s):  
Federica Dal Falco
Keyword(s):  
Main Theme ◽  
Scientific Interest ◽  
Specific Knowledge ◽  
Physics Institute ◽  
Modern Project ◽  
Architectural Features ◽  
Fascist Regime ◽  
Architecture And Design ◽  
Insight Into

This article is devoted to the Italian modern project of the 1930s, which involved architecture and design. The main theme is the influence that the autarchic economic policy of the Fascist regime had in the choice of materials and technologies, and, above all, the manner in which this choice led to innovative practices and figurative research. Through significant examples, the essay provides some insight into the style of Italian rationalism, whose contradictory aspects—conditioned by the regime’s policy—shaped urban planning, architecture, and design in the 1930s. I show that the Italian rationalist culture is a field of investigation that is of considerable scientific interest because it represents the idea of an integral project comprised of all the elements associated to a building, including those that are still used today. In particular, I present a case study centered on the Physics Institute of Rome’s Sapienza University (1933–1935) designed by the architect Giuseppe Pagano Pogatschnig, analyzing its materials, technologies, and architectural features, as well as its furnishings. Along these lines, the objective of this investigation is the transmission of a specific knowledge, looking at objects as essential parts of the aesthetics of Rationalism in order to protect and enhance the cultural heritage of modernity.

scholarly journals Die kleine House-Apotheke: Reception of the American, German and Polish Gregory House and Varied Translations of the Pronoun you

2012 ◽  
Vol 10 (3) ◽  
pp. 313-321
Author(s):  
Anna Urban
Keyword(s):  
Translation Strategies ◽  
Main Protagonist ◽  
The Right ◽  
Point Of Departure ◽  
Medical Drama ◽  
Insight Into

Two audiovisual translations of the American hit medical drama, House M.D., German dubbing and Polish voiceover, and the analysis of translation strategies of the pronominal form of address you are the point of departure for choosing the right strategy for translation of the German book written by Michael Reufsteck and Jochen Stöckle Die kleine House-Apotheke. Ein Beipackzettel zur Kultserie which is the first German guide to the hit medical drama, providing unique insight into making of each episode of the first three series. The comparison of the two translation strategies - the German and the Polish one - shows that translation of the pronoun you determined the reception of the main protagonist. The reduced pronominal paradigm in English which does not distinguish between a formal and an informal address pronoun has created two different protagonists.

Long-term spatio-temporal dynamics of a hedgerow network landscape in Flanders, Belgium

2005 ◽  
Vol 32 (1) ◽  
pp. 20-29 ◽  
Author(s):  
B. DECKERS ◽  
E. KERSELAERS ◽  
H. GULINCK ◽  
B. MUYS ◽  
M. HERMY
Keyword(s):  
Land Use ◽  
20Th Century ◽  
Network Structure ◽  
18Th Century ◽  
Temporal Dynamics ◽  
Network Dynamics ◽  
Landscape Position ◽  
Hedgerow Networks ◽  
Insight Into

Although the importance of hedgerows for sustainable agriculture and conservation of rural biodiversity is increasingly being recognized, obtaining insight into the spatial and temporal dynamics of hedgerow networks remains an important challenge for landscape ecologists, with the key factors driving changes in rural landscape structure especially deserving further attention. The present study analyses the long-term history of a hedgerow network landscape in Flanders, Belgium. A detailed reconstruction of the hedgerow network is made at five points in time, starting at the end of the 18th century until present, for 367 distinct 400 m×400 m samples. Whilst hedgerows were mainly concentrated around historical village centres and within valleys at the end of 18th century, the network expanded progressively during the 19th century. In the 20th century, the hedgerow network degraded strongly, with hedgerow density and connectivity declining and mesh-size heterogeneity and network fragmentation increasing, although the network recovered slightly during the 1990s. Different trajectories of change in hedgerow network structure were observed depending on landscape position, with both topography and village proximity significantly affecting hedgerow network dynamics. The present network structure was mainly governed by land use, with highly developed networks being predominantly associated with pasture. Three main conclusions arise from the results of this study. First, the role of land use and landscape position as basic factors steering hedgerow network dynamics at the landscape scale is demonstrated. Second, the long-term perspective of the study enabled insight into the poorly known expansion phase of hedgerow networks, linked mainly with the development of small-scale labour-intensive agriculture. Finally, the findings confirm the large-scale degradation of linear semi-natural habitats in European agricultural landscapes during most of the 20th century, and indicate that a pro-active rural policy can halt and even reverse this process.

scholarly journals Feodosia of Konstanin Bogaevsky

2020 ◽  
pp. 137-147
Author(s):  
Анастасия Сергеевна Сиренко
Keyword(s):  
20Th Century ◽  
Early 20Th Century ◽  
Main Theme ◽  
Chronological Order ◽  
The Enlightenment ◽  
The Aesthetic ◽  
The City ◽  
High Skill

Статья посвящена интерпретации образов города Феодосии в творчестве Константина Федоровича Богаевского – представителя «Киммерийской школы живописи». Приводятся итоги исследования вех творческой биографии художника, выстроенные в хронологическом порядке, учитывая особенности изменений стилистической манеры и решаемые им эстетические задачи. Охарактеризованы параметры и круг мастеров «Киммерийской школы живописи». Выбрав главной темой своего творчества в самом начале пути загадочную страну Киммерию, художник претворял ее в больших панорамных живописных произведениях и малоформатных рисунках и акварелях, отмеченных высоким мастерством и глубокой мифопоэтикой. Рассказывается о мастерской живописца, ставшей местом притяжения для многих гостей, представлявших творческую интеллигенцию Москвы и Ленинграда. Освещается вклад уроженца Феодосии и почитателя творчества К.Ф. Богаевского – И.М. Саркизова-Серазини в просвещение родного города среди модных курортов начала ХХ века, а также судьба его необычайной коллекции. The article is devoted to the interpretation of images of the city of Feodosia in the creativity of Konstanin F. Bogaevsky – the representative of the “Cimmerian painting school”. The results of the study of the milestones of the artist’s creative biography are presented, arranged in chronological order, taking into account the peculiarities of changes in the stylistic manner and the aesthetic tasks that he solves. The parameters and circle of masters of the “Cimmerian painting school” are described. Having chosen the mysterious country of Cimmeria as the main theme of his work at the very beginning of his work, he embodied it in large panoramic paintings and small-format drawings and watercolors, marked by high skill and deep mythology. The article tells about the artist’s workshop, which has become a place of attraction for many guests representing the creative intellectuals of Moscow and Leningrad. The contribution of the native of Feodosia and admirer of the work of Konstantin F. Bogaevsky – Ivan M.Sarkizov-Serazini to the enlightenment of his native city among the fashionable resorts of the early 20th century and the fate of his extraordinary collection is highlighted.

scholarly journals Ethnic Intermarriage in Russia: The Tale of Four Cities

2020 ◽  
Author(s):  
Alexey Bessudnov ◽  
Christiaan Willem Simon Monden
Keyword(s):  
Ethnic Group ◽  
20Th Century ◽  
Census Data ◽  
The Other ◽  
Odds Ratios ◽  
Ethnic Intermarriage ◽  
Multiplicative Models ◽  
Log Linear ◽  
Insight Into

Background: Across most Western societies, trends towards increased ethnic intermarriage have been observed across the second half of the 20th century. Whether such trends hold across the multi-ethnic society of Russia is not known.Objective: We describe levels and trends in ethnic intermarriage rates in four highly different regions of Russia.Methods: We analyse census data from Moscow, Kazan, Makhachkala, Vladikavkaz, calculate odds ratios for ethnic intermarriage and fit log-linear and log-multiplicative models to test for trends in intermarriage. We use age as a proxy for marriage/cohabitation cohorts. Results: We find no change in ethnic intermarriage in Moscow, but more intermarriage in younger cohorts in the other three cities. However, in Kazan and Vladikavkaz the trend is towards more intermarriage between Russians and Tatars, and between Russians and Ossetians, respectively, while in Makhachkala, where there are few ethnic Russians, the trend is towards more intermarriage between indigenous Muslim peoples. Conclusions: Levels and trends in ethnic intermarriage vary substantially throughout Russia by locality and ethnic group. There is no evidence for a trend towards increased intermarriage in Moscow. Contribution: We provide new insight into ethnic intermarriage in Russia. More generally, our study highlights how trends in intermarriage can vary within a society, and how the local, historic context may play an important role.

scholarly journals Material evidence? Re-approaching elite women’s seals and charters in late medieval Scotland

2021 ◽  
Vol 150 ◽  
pp. 301-326
Author(s):  
Rachel Meredith Davis
Keyword(s):  
20Th Century ◽  
Late Medieval ◽  
Word And Image ◽  
15Th Century ◽  
Legal Context ◽  
Different Types ◽  
19Th And 20Th Century ◽  
The Relationship ◽  
Material Evidence ◽  
Insight Into

Medieval Scottish women’s seals remain largely unexplored compared to the scholarship on seals and sealing practice elsewhere in medieval Britain. This article has two chief aims. First, it seeks to demonstrate the insufficiencies of the 19th- and 20th-century Scottish seal catalogues as a mediated record of material evidence and the use of them as comprehensive and go-to reference texts within current research on late medieval Scotland. This includes a discussion of the ways in which medieval seals survive as original impressions, casts and illustrations and how these different types of evidence can be used in the construction and reconstruction of the seal’s and charter’s context. Second, this paper will explore the materiality and interconnectedness of seals and the charters to which they are attached. A reading of these two objects together emphasises the legal function of the seal and shows its distinctive purpose as a representational object. While the seal was used in con-texts beyond the basic writ charter, it remained a legally functional and (auto)biographical object, and, as such, the relationship between seal and charter informs meaning in representational identities expressed in both. The article will apply this approach to several examples of seals belonging to 14th- and 15th-century Scottish countesses. Evidence reviewed this way provides new insight into Scottish women’s sealing practice and female use of heraldic device. The deficiencies of assuming women’s design to be formulaic or that their seals can be usefully interpreted in isolation from the charters to which they were attached will be highlighted. The interconnectedness of word and image conveyed personal links and elite ambitions, and promoted noble lineage within the legal context of charter production.

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