Food For Thought

2021 ◽  
pp. 184-199
Author(s):  
David Dickson

This chapter focuses on the emergence of a remarkable print culture in Dublin. It states that the capital city had become a major center of publishing in the English-speaking world by 1730. The chapter mentions John Smith, one of the leading importers of books directly from Holland and France for near forty years. Smith and his contemporaries had played a critical role in introducing some of the canonical writers of the French Enlightenment to Irish readers, both by sourcing foreign-language imports and by reprinting English translations at rates cheaper than London. The chapter also uncovers how the rise of the print culture resonated in provincial centers but less clearly so in rural Ireland. Critical to the growth of provincial print culture was the spread of newspapers. The chapter then assesses the implications of the great contraction of Dublin book publishing on booksellers, library societies in urban centers, and libraries in provincial centers.

2006 ◽  
Vol 17 (2) ◽  
pp. 169 ◽  
Author(s):  
Heidi König

The story of how the theory of general relativity found its way into the English speaking world during the Great War has often been told: it is dominated by the towering figure of the Cambridge astronomer Arthur Stanley Eddington, who (in 1916, and through the good services of the Dutch physicist Willem de Sitter) received copies of the papers Einstein had presented to the Berlin Academy in 1915. Eddington engaged in promoting the new theory, and in order to put one of its predictions — the bending of light in a gravitational field — to the test, he arranged for the famous expeditions to observe the eclipse of 29 May 1919 to be mounted, the results of which, presented in November of the same year, were the major breakthrough of general relativity and provoked a public interest unprecedented in the whole history of science. But a history of general relativity in the English-speaking world would be thoroughly incomplete if it did not take into account the contributions made by another, nowadays almost forgotten but at that time probably the most prolific and most dedicated of its popularizers, the Australian physicist and translator Henry L. Brose. Largely overlooked in recent accounts of the history of general relativity, Brose's rendering into English of a series of excellent German works on the theory was decisive for its understanding in the Anglo-Saxon world. The texts he chose (including Moritz Schlick's Space and Time in Contemporary Physics and Hermann Weyl's Space, Time, Matter) were among the first and most important that had so far appeared on the subject, and their English translations were published at a time when accounts of what was to be called 'one of the greatest of achievements in the history of human thought' were scarce and badly needed in Britain. Also, it will become clear from a closer look at both Brose's biography and the tense political situation between Britain and Germany shortly after the Great War, that hardly any of those works would have made its way into England so promptly (if at all) if not for Brose's enormous personal efforts and dedication. This paper retraces Brose's role as a translator and promotor of general relativity in its early days, thus shedding light on the mechanisms of knowledge transfer during and after the First World War.


2021 ◽  
Author(s):  
◽  
Timothy Smith

<p>Dante’s Commedia has been translated into English more than one hundred times. As a result, there are plenty of opposing opinions on how best to translate Dante’s masterwork. One can mimic Dante’s rhyme scheme (terza rima), utilize a more conventional English metre or rhyme scheme, or resort to a prose translation that abandons any attempt to reproduce Dante’s poetics. It is the purpose of this study to demonstrate that all of these are, in the right context, appropriate translation strategies; no platonic ideal translation strategy exists. To provide a more tolerant approach to translations of Dante’s poetry, I employ a translation theory called Skopostheorie (skopos theory). This theory argues that each translation has its own unique purpose (skopos); there are any number of (valid) strategies available to the translator. This theory is often seen as extreme, providing the translator with too much freedom to manipulate the text. Accordingly, this thesis first makes a case for the application of Skopostheorie in literary translation, attempting to defend it against its critics. Second, this essay exhibits how the theory may be applied in practice. To demonstrate its application, I look at three very different English translations of the first canto of Dante’s Inferno published during the 1990s. These translations are by Seamus Heaney (1993), Steve Ellis (1994), and Robert M. Durling (1996). In doing so, I hope to identify the various approaches of these translators, to demonstrate the breadth of options available to translators of Dante’s capolavoro, and to add to the discourse on the reception of Dante in the English-speaking world.</p>


Target ◽  
2017 ◽  
Vol 29 (2) ◽  
pp. 222-243 ◽  
Author(s):  
Karen Bennett

It is something of a cliché to affirm that translations into English are almost always domestications, privileging fluency and naturalness over fidelity to the source text. However, back in the 1970s, many of Michel Foucault’s major texts, which were introduced to the English-speaking public for the first time through Alan Sheridan Smith’s translations for Tavistock Publications, were not domesticated at all. Despite the fact that the originals are grounded in a non-empiricist theory of knowledge and use terms drawn from a universe of discourse that would have been completely alien in the English-speaking world, these translations closely follow the patterns of the French, with few or no concessions to the target reader’s knowledge and expectations. This paper analyses passages from Sheridan Smith’s English translations of Les Mots et les choses and L’Archéologie du savoir in order to discuss the long-term effects of this translation strategy. It then goes on to compare and assess two very different translations of Foucault’s lecture L’ Ordre du discours (1970), an early one by Rupert Swyer (1971), which brings the text to the English reader, and a later one by Ian McLeod (1981), which obliges the reader to go to the text. The paper concludes by reiterating the need for Anglophone academic culture to open up to foreign perspectives, and suggests, following Goethe (Book of West and East, 1819) that new epistemes are best introduced gradually in order to avoid alienating or confusing a public that might not be ready for them.


Author(s):  
Марина Валеріївна Цегельська

The use of English has become increasingly dynamic with the creation and expansion of new international networks of communication and the ubiquity of new technologies in and beyond the English-speaking world. This paper highlights the deficiencies of traditional Communicative Approach to foreign language teaching in Ukraine, and emphasizes the necessity to employ new educational technologies which are more efficient for teaching English as an international language, particularly in the academic sphere.


2021 ◽  
Author(s):  
◽  
Timothy Smith

<p>Dante’s Commedia has been translated into English more than one hundred times. As a result, there are plenty of opposing opinions on how best to translate Dante’s masterwork. One can mimic Dante’s rhyme scheme (terza rima), utilize a more conventional English metre or rhyme scheme, or resort to a prose translation that abandons any attempt to reproduce Dante’s poetics. It is the purpose of this study to demonstrate that all of these are, in the right context, appropriate translation strategies; no platonic ideal translation strategy exists. To provide a more tolerant approach to translations of Dante’s poetry, I employ a translation theory called Skopostheorie (skopos theory). This theory argues that each translation has its own unique purpose (skopos); there are any number of (valid) strategies available to the translator. This theory is often seen as extreme, providing the translator with too much freedom to manipulate the text. Accordingly, this thesis first makes a case for the application of Skopostheorie in literary translation, attempting to defend it against its critics. Second, this essay exhibits how the theory may be applied in practice. To demonstrate its application, I look at three very different English translations of the first canto of Dante’s Inferno published during the 1990s. These translations are by Seamus Heaney (1993), Steve Ellis (1994), and Robert M. Durling (1996). In doing so, I hope to identify the various approaches of these translators, to demonstrate the breadth of options available to translators of Dante’s capolavoro, and to add to the discourse on the reception of Dante in the English-speaking world.</p>


Author(s):  
Jarrah Mohammad AL-Jarrah ◽  
Tamer Mohammad AL-Jarrah ◽  
Rania Hassan Talafhah

English has become the dominant foreign language in the non-English speaking world. Jordanian students learn English as a foreign language starting in the first grade and continue to do so until the twelfth grade.  Agrawal (2004) stated that evaluation plays a pivotal role in deciding what the learners learn and what the teachers teach in schools. The final objective of this evaluation is to detect the strengths and weaknesses of the textbooks with the purpose of improving them and to develop and improve the quality of the educational programs.


2021 ◽  
Vol 14 ◽  
pp. 123-144
Author(s):  
Peter Sherwood

László Krasznahorkai is now the best-known Hungarian writer in the English-speaking world (perhaps in the world, period). But what is the precise nature of the relationship between his Hungarian works and their English translations that have been, on the whole, so well received in Britain and especially the USA? This article takes a very close linguistic look at one his shorter works, ÁllatVanBent, in a version by Ottilie Mulzet, co-recipient with George Szirtes of the translators’ share of the 2015 Man Booker International Prize, which recognized Krasznahorkai for his “achievement in fiction on the world stage.”  I argue that Ottilie Mulzet’s translation is in a hybrid English that in some places evidences a misunderstanding of the Hungarian, and in others claims to be a foreignized, “Krasznahorkai-English” that is, however, insufficiently justified by the original. More broadly, the article thus takes issue with the increasingly widely held view that the translator is not merely a co-author but enjoys a kind of authorial autonomy that implies that the translation can be judged without close reference to the original. As Krasznahorkai’s known views on translation suggest the acceptance of this notion, he is therefore, to a degree, complicit in the partial misrepresentation (and hence misconstrual) of his work.


2021 ◽  
Vol 4 (1) ◽  
pp. 138-151
Author(s):  
Mahmoud Ibrahim Rezk Elnemr

The research examines the influence of the theological ideology on The Holy Qur’an, 1997 by Shar Ali; moreover, it demonstrates the relationship between ideology and translation. conveyed and supported their beliefs through translations. The Qadyani translators of the Qur’an convey and support their beliefs through translations. They dedicate themselves to produce English translations which were circulated at a very wide scale with a missionary spirit in the English-speaking world with a view to win over unsuspecting readers to Qadyanism. The comparative method is used to explore the different aspects of ideology on the translation and exposes many results as shown in the current study. Sher Ali’s translation is prejudiced and influenced by the Qadiani beliefs. He misrepresents and mistranslates many verses that shall be scrutinized in the research. He depends on unauthentic beliefs which distorted the core of Islam and distorts the attributes of Allah. The translator denies the finality of the prophethood and denies the miracles of the prophets. The translation of several verses which refers to the theological ideology of Qadyanism movement. In translating verses on miracles, prophethood, and Jesus, for instance, these translations show their distinctiveness and how this sect distorted the Qur’anic text to present its beliefs and thoughts.


2017 ◽  
Vol 41 (1) ◽  
pp. 138-154
Author(s):  
Coralia Pose-Fernández

The English socio-cultural context was crucial to the dissemination of the work of George Seferis in Europe. Early translations appeared in both French and English, but it was the English versions that propelled Seferis toward international recognition and the Nobel Prize, and gave rise to translations into more peripheral literatures such as Spanish. The wide social circle Seferis enjoyed in the English-speaking world was a key factor in his early success in the United Kingdom. Other determinants were British intellectuals’ empathy for the Greeks during the Colonels’ dictatorship and their liking for modern poetry similar to that of T. S. Eliot.


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