Rewiring the Real: In Conversation with William Gaddis, Richard Powers, Mark Danielewski, and Don DeLillo by Mark C. Taylor

2014 ◽  
Vol 2014 (2) ◽  
pp. 160-162
Author(s):  
Matt Kavanagh
Keyword(s):  
Don Delillo ◽  
Richard Powers ◽  
William Gaddis ◽  
The Real ◽  
Mark Danielewski

The Anxiety of Death in Don DeLillo’s White Noise

Think India ◽  
2019 ◽  
Vol 22 (3) ◽  
pp. 212-218
Author(s):  
J. BrittoJenobia ◽  
Dr. V. Sekar
Keyword(s):  
Social Anxiety ◽  
White Noise ◽  
Don Delillo ◽  
Human Condition ◽  
Strong Sense ◽  
Fear Of Death ◽  
Modern World ◽  
Paul Tillich ◽  
The Real ◽  
Scientific Advancement

Anxiety is a human condition which prevails common in many people. Anxieties can be differentiated into ‘ Primal anxiety’, ‘ Ontological anxiety’, ‘ Reality anxiety’, Psychological anxiety’, ‘Social anxiety’, and so on. The real fact is all these anxieties are in some way existential.Paul Tillich, a Christian existentialist says that according to him anxiety can be of three forms: Anxiety of Death, Anxiety of meaninglessness and Anxiety of Condemnation. Paul Tillich declares, “The Anxiety of death is the permanent horizon within which the anxiety of fate is at work”. In the modern world anything that follows negativity triggers intense anxiety. A strong sense of psychological isolation also leads to anxiety. Incidents of guilt, fear, absurdity, alienation also lead to anxiety of death. Don DeLillo himself in an interview to William Goldstein in Publishers Weekly (August 19, 1988) explained anxiety as being “about danger, modern danger”. The main characters in Don DeLillo novels face some of the causes for anxieties such as the necessity of choice, terrorism, technological and scientific advancement, lack of freedom, fear of death, dissatisfaction in life, boredom and loneliness. This paper examines Don DeLillo’s White Noise based on the concept Anxiety of Death.

scholarly journals "Desperate Fictions": Space, Identity and Indeterminacy in William Gaddis and Don DeLillo

2021 ◽  
Author(s):  
◽  
Timothy Garlick
Keyword(s):  
Don Delillo ◽  
The Body ◽  
Cultural Critique ◽  
The Novel ◽  
Self Identity ◽  
William Gaddis ◽  
Intimate Knowledge ◽  
Ambivalent Relationship ◽  
Radical Revision ◽  
The Stability

<p>Don DeLillo has frequently acknowledged William Gaddis as a significant influence, particularly in his concern with the vagaries of self-identity. DeLillo's The Body Artist (2001) and Gaddis's Carpenter's Gothic (1985) both thematically explore the relationship between self and space, employing gothic motifs and metafictional devices which intersect with the dramatic content of the novel, in which characters experience disruption to the stability of the known and located. In both, even the most intimate knowledge of relationships and environments is portrayed as a contingent construction, open to radical revision. As has been acknowledged by a number of critics, the transitory nature of postmodern spatiality is a central thematic preoccupation of both writers. The novels of both writers confront postmodern space by the way they complicate processes of identification and communication through a formalist evocation of indeterminacy. However differences become apparent in a careful comparison of their larger works. In Gaddis's J R (1975) Gaddis attempts to govern this indeterminacy in the service of cultural critique; rhetorically manipulating readerly identification in the service of an overall vision of decline. DeLillo's Underworld (1997), on the other hand, destabilizes meaning, and as a result the reader is directed towards a more ambivalent relationship to postmodern existence.</p>

scholarly journals "Desperate Fictions": Space, Identity and Indeterminacy in William Gaddis and Don DeLillo

2021 ◽  
Author(s):  
◽  
Timothy Garlick
Keyword(s):  
Don Delillo ◽  
The Body ◽  
Cultural Critique ◽  
The Novel ◽  
Self Identity ◽  
William Gaddis ◽  
Intimate Knowledge ◽  
Ambivalent Relationship ◽  
Radical Revision ◽  
The Stability

<p>Don DeLillo has frequently acknowledged William Gaddis as a significant influence, particularly in his concern with the vagaries of self-identity. DeLillo's The Body Artist (2001) and Gaddis's Carpenter's Gothic (1985) both thematically explore the relationship between self and space, employing gothic motifs and metafictional devices which intersect with the dramatic content of the novel, in which characters experience disruption to the stability of the known and located. In both, even the most intimate knowledge of relationships and environments is portrayed as a contingent construction, open to radical revision. As has been acknowledged by a number of critics, the transitory nature of postmodern spatiality is a central thematic preoccupation of both writers. The novels of both writers confront postmodern space by the way they complicate processes of identification and communication through a formalist evocation of indeterminacy. However differences become apparent in a careful comparison of their larger works. In Gaddis's J R (1975) Gaddis attempts to govern this indeterminacy in the service of cultural critique; rhetorically manipulating readerly identification in the service of an overall vision of decline. DeLillo's Underworld (1997), on the other hand, destabilizes meaning, and as a result the reader is directed towards a more ambivalent relationship to postmodern existence.</p>

Scanning electron microscopy of human iliac bone by a simple preparation method

1990 ◽  
Vol 48 (3) ◽  
pp. 226-227
Author(s):  
Toshihiko Takita ◽  
Tomonori Naguro ◽  
Toshio Kameie ◽  
Akihiro Iino ◽  
Kichizo Yamamoto
Keyword(s):  
Electron Microscopy ◽  
Scanning Electron Microscopy ◽  
Preparation Method ◽  
Specimen Preparation ◽  
Real Surface ◽  
Public Attention ◽  
Preparation Methods ◽  
The Real ◽  
Simple Preparation ◽  
Scanning Electron

Recently with the increase in advanced age population, the osteoporosis becomes the object of public attention in the field of orthopedics. The surface topography of the bone by scanning electron microscopy (SEM) is one of the most useful means to study the bone metabolism, that is considered to make clear the mechanism of the osteoporosis. Until today many specimen preparation methods for SEM have been reported. They are roughly classified into two; the anorganic preparation and the simple preparation. The former is suitable for observing mineralization, but has the demerit that the real surface of the bone can not be observed and, moreover, the samples prepared by this method are extremely fragile especially in the case of osteoporosis. On the other hand, the latter has the merit that the real information of the bone surface can be obtained, though it is difficult to recognize the functional situation of the bone.

Personal Audio System: Hearing Symptoms, Habits, and Sound Pressure Levels Measured in Real Ear and a Manikin

2020 ◽  
Vol 63 (6) ◽  
pp. 2016-2026
Author(s):  
Tamara R. Almeida ◽  
Clayton H. Rocha ◽  
Camila M. Rabelo ◽  
Raquel F. Gomes ◽  
Ivone F. Neves-Lobo ◽  
...  
Keyword(s):  
Sound Pressure ◽  
Daily Basis ◽  
Cross Sectional Study ◽  
Normal Hearing ◽  
Chi Square ◽  
Cross Sectional ◽  
The Real ◽  
Significant Difference ◽  
Sound Pressure Levels ◽  
Audio System

Purpose The aims of this study were to characterize hearing symptoms, habits, and sound pressure levels (SPLs) of personal audio system (PAS) used by young adults; estimate the risk of developing hearing loss and assess whether instructions given to users led to behavioral changes; and propose recommendations for PAS users. Method A cross-sectional study was performed in 50 subjects with normal hearing. Procedures included questionnaire and measurement of PAS SPLs (real ear and manikin) through the users' own headphones and devices while they listened to four songs. After 1 year, 30 subjects answered questions about their usage habits. For the statistical analysis, one-way analysis of variance, Tukey's post hoc test, Lin and Spearman coefficients, the chi-square test, and logistic regression were used. Results Most subjects listened to music every day, usually in noisy environments. Sixty percent of the subjects reported hearing symptoms after using a PAS. Substantial variability in the equivalent music listening level (Leq) was noted ( M = 84.7 dBA; min = 65.1 dBA, max = 97.5 dBA). A significant difference was found only in the 4-kHz band when comparing the real-ear and manikin techniques. Based on the Leq, 38% of the individuals exceeded the maximum daily time allowance. Comparison of the subjects according to the maximum allowed daily exposure time revealed a higher number of hearing complaints from people with greater exposure. After 1 year, 43% of the subjects reduced their usage time, and 70% reduced the volume. A volume not exceeding 80% was recommended, and at this volume, the maximum usage time should be 160 min. Conclusions The habit of listening to music at high intensities on a daily basis seems to cause hearing symptoms, even in individuals with normal hearing. The real-ear and manikin techniques produced similar results. Providing instructions on this topic combined with measuring PAS SPLs may be an appropriate strategy for raising the awareness of people who are at risk. Supplemental Material https://doi.org/10.23641/asha.12431435

Current Issues: Evidence-Based Practice for the Real World: Thoughts on Clinical Education in Communication Disorders

2010 ◽  
Vol 20 (3) ◽  
pp. 100-105 ◽  
Author(s):  
Anne K. Bothe
Keyword(s):  
Clinical Education ◽  
Real World ◽  
Evidence Based Practice ◽  
Communication Disorders ◽  
University Faculty ◽  
Evidence Based ◽  
Speech Language Pathology ◽  
Basic Principles ◽  
The Real ◽  
Language Pathology

This article presents some streamlined and intentionally oversimplified ideas about educating future communication disorders professionals to use some of the most basic principles of evidence-based practice. Working from a popular five-step approach, modifications are suggested that may make the ideas more accessible, and therefore more useful, for university faculty, other supervisors, and future professionals in speech-language pathology, audiology, and related fields.

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